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Peeps at Many Lands: Japan Part 2

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A j.a.pANESE DAY

The first person astir in a j.a.panese household is the mistress of the house. She rises from the quilts on the floor which form her bed and puts out the lamp, which has been burning all night. No j.a.panese sleeps without an andon, a tall paper lamp, in which a dim light burns. Next she unlocks the amado, the wooden shutters, and calls the servants.

Now the breakfast-table must be set out. In one way this is very simple, for there is no cloth to spread, for tablecloths are unknown, and when enough rice has been boiled and enough tea has been made, the breakfast is ready. But there is one point upon which she must be very careful. The lacquer rice-bowls and the chopsticks must be set in their proper order, according to the importance of each person in the family. The slightest mistake in arranging the position at a meal of any member of the family or of a guest under the roof would be a matter of the deepest disgrace.

Etiquette is the tyrant of j.a.pan. A slip in the manner of serving the food is a thousand times more important in j.a.panese eyes than the quality of the food itself. A hostess might serve burned rice and the most shocking tea, but if it were handed round in correct form, there would be nothing more to be said; but to serve a twice-honourable guest before a thrice-honourable guest--ah! that would be truly dreadful, a blot never to be wiped off the family escutcheon.

After breakfast the master of the house will go about his business. If the day is fine the wife has his straw sandals ready for him; if it is wet she gets his high wooden clogs and his umbrella of oiled paper. Then she and the servants escort him to the door and speed his departure with many low bows, rubbing their knees together--the latter is a sign of deep respect--and calling good wishes after him.

It may seem odd to us that the servants should accompany their mistress on such an errand, but the servants in j.a.pan are not like other servants: they are as much a part of the family as the children of the house. Domestic service in j.a.pan is a most honourable calling, and ranks far higher than trade. A domestic servant who married a tradesman would be considered as going down a step in the social scale. In j.a.pan trade has been left until lately to the lower cla.s.ses of the population, and tradespeople have ranked with coolies and labourers.

This importance of domestic servants arises from two reasons: First, the old custom which compels the mistress of the house, even if she be of the highest rank, to serve her husband and children herself, and also to wait on her parents-in-law, has the effect of raising domestic service to a high and honourable level. Second, many j.a.panese servants are of good birth and excellent family. Only a generation ago their fathers were samurai, followers of some great Prince, a Daimio, and members of his clan. In the feudal days of j.a.pan, so recently past, the position of the samurai was exactly the same as the clansmen of a Highland chief, say at the time of the "Forty-Five."

The Daimio, the j.a.panese chief, had a great estate and vast revenues, counted in measures of rice; one Daimio had as much as 1,000,000 koku of rice, the koku being a weight of about 132 pounds. But out of these revenues he had to maintain his clan, his samurai, the members of his private army. The samurai clansmen were the exact counterparts of Highlanders. The poorest considered himself a gentleman and a member of his chief's family; he held trade and handicrafts in the utmost disdain: he lived only for war and the defence of his lord. But he regarded service in his lord's household as a high honour, and thus all service was made honourable. When the feudal system came to an end, when the Daimios retired into private life, and the samurai were disbanded, then the latter and their families found that they must work for their own support, and great numbers entered domestic service.

Boys and girls who are meant for servants have to go through a course of training in etiquette, quite apart from the training they receive in their duties. This training is intended to maintain the proper distance between employer and servant, while, in a sense, allowing them to be perfectly familiar. The j.a.panese servant bows low and kneels to her mistress, and addresses her always in the tone of voice used by an inferior to a superior, yet she will join in a conversation between her mistress and a caller, and laugh with the rest at any joke which is made.

It sounds difficult to believe that servants do not become too forward under such conditions, but they never do. Their perfect taste and good breeding forbid that they should pa.s.s over a certain line where familiarity would go too far. The position of a servant in j.a.pan is shown by the fact that, though her master or mistress will speak to her as a servant, yet a caller or guest must always use the tone of equality and address her as san (miss). In the absence of the mistress, servants are expected to entertain any callers, and they do this with the perfection of gentle manners and exquisite politeness. A lady writer says:

"I remember once being very much at sea when I was taken to pay a call on a j.a.panese lady of the well-to-do cla.s.s. Not being able to speak a word of the language, I was unable to follow the conversation which took place between the charming little lady who greeted us at the inner shutters and my friend. She was dressed in the soft grey kimono and obi of a middle-aged woman, and her exquisite manner and gentleness made me feel as heavy as my boots, which I had not been allowed to take off, sounded on the delicate floor-matting compared to her soft white foot-gloves.

"My friend addressed her as san, and seemed to speak to her just as a guest would to her hostess. We had tea on the floor, and my friend chatted pleasantly for some time with the little grey figure, when suddenly the sound of wheels on the gravel outside caught my ears, and the next instant there was the scuffling of many feet along the polished wooden pa.s.sage which led to the front door, and the eager cry of 'O kaeri! O kaeri!'

(honourable return). Our hostess for the time rose from her knees, smiled, and begged us to excuse her honourable rudeness. When she had hurried off to join in the cry of welcome, my friend said, 'Oh, I am glad she has come!'

"'Who has come ?' I asked.

"'The lady we came to see,' she said.

"'Then, who was the charming little lady who poured out tea for us?' I asked. My friend smiled.

"'Oh, that was only the housemaid.'"

A man dealing with the same point remarks: "It is very important that a j.a.panese upper servant should have good manners, for he is expected to have sufficient knowledge of etiquette to entertain his master's guests if his master is out. After rubbing his knees together and hissing and kowtowing (bowing low), he will invite you to take a seat on the floor, or, more correctly speaking, on your heels, with a flat cus.h.i.+on between your knees and the floor to make the ordeal a little less painful. He will then offer you five cups of tea (it is the number of cups that signifies, not the number of callers), and dropping on his own heels with ease and grace, enter into an affable conversation, humble to a degree, but perfectly familiar, until his master arrives to relieve him. Even after his master has arrived he may stay in the room, and is quite likely to cut into the conversation, and dead certain to laugh at the smallest apology for a joke!"

CHAPTER IX

A j.a.pANESE DAY (_continued_)

But we must return to our j.a.panese housewife, who has at present only shown her husband out politely to his business. Now she sees that all the paper screens are removed, so that the whole house becomes, as it were, one great room, and thus is thoroughly aired. The beds are rolled up and put away in cupboards, and the woodwork is carefully rubbed down and polished.

Perhaps the flowers in the vases are faded, and it is a long and elaborate performance to rearrange the beautiful sprays and the blossoms brought in from the garden.

Cooking is not by any means so important a matter in her household life as it is in that of her Western sister. If her rice-box is well filled, her tea-caddy well stored, her pickle-jar and store of vegetables in good order, she has little more to think about. "Rice is the staple food of j.a.pan, and is eaten at every meal by rich or poor, taking the place of our bread. It is of particularly fine quality, and at meals is brought in small bright-looking tubs kept for this exclusive purpose and scrupulously clean; it is then helped to each individual in small quant.i.ties, and steaming hot.

The humblest meal is served with nicety, and with the rice various tasty condiments, such as pickles, salted fish, and numerous other dainty little appetizers, are eaten. To moisten the meal, tea without sugar is taken. A hibachi, or charcoal basin, generally occupies the central position, round which the meal is enjoyed, and on the fire of which the teapot is always kept easily boiling."

When the j.a.panese housekeeper goes to market, she turns her attention, after the rice merchant's, to the fish and vegetable stalls. At the fish-stall nothing that comes out of the sea is overlooked. She buys not only fish, but seaweed, which is a common article of diet. It is eaten raw; it is also boiled, pickled, or fried; it is often made into soup.

Sea-slugs, cuttle-fish, and other creatures which we consider the mere offal of the sea, are eagerly devoured by the j.a.panese.

At the vegetable-stall there will be a great variety of things for sale--beans, peas, potatoes, maize, buckwheat, carrots, lettuce, turnips, squash, musk- and water-melons, cuc.u.mbers, spinach, garlic, onions, leeks, chillies, capucams (the produce of the egg-plant), and a score of other things, including yellow chrysanthemum blossoms and the roots and seeds of the lotus. The j.a.panese eat almost everything that grows, for they delight in dock and ferns, in wild ginger and bamboo shoots, and consider the last a great t.i.t-bit.

But to Europeans the j.a.panese vegetables seem very tasteless, and the chief of them all is very much disliked by Westerners. This is the famous daikon, the mighty j.a.panese radish, beloved among the poorer cla.s.ses in its native land and abhorred by foreigners. It grows to an immense size, being often seen a yard long and as thick as a man's arm. When fresh it is harmless enough, but the j.a.panese love to pickle it, and Mrs. Bishop remarks:

"It is slightly dried and then pickled in brine, with rice bran. It is very porous, and absorbs a good deal of the pickle in the three months in which it lies in it, and then has a smell so awful that it is difficult to remain in a house in which it is being eaten. It is the worst smell I know of except that of a skunk!"

The pickle-seller's stall must not be forgotten, for the j.a.panese flavour their rather tasteless food with a wonderful variety of pickles and sauces.

The great sauce is soy, made from fermented wheat and beans with salt and vinegar, and at times sake is added to it to heighten its flavour. This sauce is served with many articles of food, and fish are often cooked in it.

When the j.a.panese housekeeper reaches home again she finds that her servants have finished their simple duties. Englishwomen always wonder what there is in a j.a.panese house for servants to do. There are no fires to lay, no furniture to polish and clean, no carpets to sweep, and no linen to wash and mend; so j.a.panese servants spend much time chatting to each other, or sewing new kimonos together, or playing chess. As a rule, there are many more servants than are necessary to do the work. This is because servants are very cheap. There are always plenty of girls who are ready to fill the lower places if they can obtain food and clothes for their services, and the upper servants only receive small sums, sometimes as low as six or eight s.h.i.+llings a month.

If a servant wishes to leave her employment, she never gives direct notice to her mistress. That would be the height of rudeness. Instead she begs permission to visit her home, or a sick relation, or some one who needs her a.s.sistance. Upon the day that she should return a long and elaborate apology for her non-arrival is sent, saying that, most unhappily, she cannot be spared from her home or her post of duty. It is then understood that she has left.

In a similar fas.h.i.+on, no mistress tells a servant that she will not suit. A polite explanation that it will be inconvenient to accept her services at the moment is sent through a third party.

In the evening the whole family, servants included, gather in the main room of the house. The master and mistress sit near the hibachi (the stove) and the andon (the big paper lantern); the maids glide in and sit at a respectful distance with their sewing, if they have any. There may be conversation, or the master may read aloud from a book of historical romances or fairy stories; but the servants may laugh and chat as freely over joke or story as anyone.

When bed-time arrives the quilts come out of the cupboards, and are spread with due care that no one sleeps with the head to the north, for that is the position in which the dead are laid out, and so is a very unlucky one for the living. Then the little wooden neck-rests, which they use as pillows, are set in their places, and every one goes to bed. The j.a.panese day is over.

CHAPTER X

j.a.pANESE GAMES

The children of j.a.pan have many games, and some of these games are shared with them by their fathers and mothers--yes, and by their grandfathers and grandmothers too, for an old man will fly a kite as eagerly as his tiny grandson. The girls play battledore and shuttlec.o.c.k and bounce b.a.l.l.s, and the boys spin tops and make them fight. A top-fight is arranged thus: One boy takes his top, made of hard wood with an iron ring round it, winds it up with string, and throws it on the ground; while it is spinning merrily, another boy throws his top in such a way that it spins against the first top and knocks it over. So cleverly are the attacking tops thrown that the first top is often knocked to a distance of several feet. Other games are playing at war with toy weapons, hunting gra.s.shoppers, which are kept in tiny cages of bamboo, and hunting fireflies. The last pastime is followed by j.a.panese of all ages, and the glittering flies are pursued by night, and struck down by a light fan.

Wherever there is a stream of water, the boys set up toy water-wheels, and these water-wheels drive little mills and machines, which the boys have made for themselves in the cleverest fas.h.i.+on.

Here is a group whose heads are very close together. Let us peep over their shoulders, and see what it is they watch so quietly and earnestly. Ah! this is a favourite trick. A small boy is setting a team of half a dozen beetles to draw a load of rice up a smooth, sloping board. He has made a tiny cart of paper, and filled it with rice. The traces of the cart are made of fine threads of silk, and he fastens the threads of silk to the backs of the beetles with gum.

Now he has his strange team in motion, and the beetles are marching up the board, dragging their load. The tiny faces in the ring of watchers are filled with deep but motionless interest. Not one dreams of stretching out a finger. There is no need to say, "Don't touch!" No one would dream of touching--that would be very rude. j.a.panese children manage their own games, without any appeal to their elders. It is not often that a dispute arises, but, should that happen, the question is settled at once by the word of an elder child. The decision is obeyed without a murmur, and the game goes on.

Another game of which children are fond is that of painting sand-pictures on the roadside. A group of children will compete in drawing a sand-picture in the shortest time. Each has four bags of coloured sand--black, red, yellow, and blue--and a bag of white. The white sand is first thrown down in the form of a square; then a handful of black sand is taken, and allowed to run through the fingers to form a quaint outline of a man, or bird, or animal, upon the white ground. Next, the design is finished with the other colours, and very often a most striking effect is obtained by these child artists. "But the most extraordinary and most fascinating thing of all is to watch the performance of a master in sand-pictures. So dexterous and masterly is he that he will dip his hand first into a bag of blue sand and then into one of yellow, allowing the separate streams to trickle out unmixed, and then, with a slight tremble of the hand, these streams will be quickly converted into one thin stream of bright green, relapsing again into the streams of blue and yellow at a moment's notice."

There are many indoor games, and a very great favourite is the game of alphabet cards. This is played with a number of cards, some of which contain a proverb and some a picture ill.u.s.trating each proverb. The children sit in a ring, and the cards are dealt to them. One of the children is the reader, and when he calls out a proverb the one who has the picture corresponding to the proverb answers at once and gives up the card.

The first one to be rid of his cards is the winner, and the one who holds the last card is the loser. If a boy is the loser, he has a dab of ink or of paint smudged on his face; if it is a girl, she has a wisp of straw put in her hair. The game is so called because each proverb begins with a letter of the j.a.panese alphabet.

j.a.panese children have many holidays and festivals, and they enjoy themselves very much on these joyous occasions. With their beautiful dresses of silk s.h.i.+ning in the sun, a crowd of them looks like a great bed of flowers. Mr. Menpes speaks of a merry-making which he saw: "It was a festival for girls under ten, and there were hundreds of children, all with their kimonos tucked up, showing their scarlet petticoats, and looking for all the world like a ma.s.s of poppies.... Two rows or armies of these girls were placed several yards distant from each other in this long emerald-green field, and in the s.p.a.ce between them stood two servants, each holding a long bamboo pole, and suspending from its top a flat, shallow drum, covered with tissue-paper.

"Presently two young men teachers appeared on the scene, carrying two baskets of small many-coloured b.a.l.l.s, which they threw down on the gra.s.s between the children and the drums. Then a signal was given, and all the girls started running down the field at full tilt towards one another, pouncing on the b.a.l.l.s as they ran, and throwing them with all their force up at the paper drums.

"After a time, when a perfect shower of b.a.l.l.s had pa.s.sed through the tissue drums, quite demolis.h.i.+ng them, a shower of coloured papers, miniature lanterns, paper umbrellas, and flags came slowly fluttering down among the children on to their jet-black bobbing heads and into their eager outstretched hands. Never have I seen anything more beautiful than these gay, brightly-clad little people, packed closely together like a cl.u.s.ter of flowers in the brilliant sparkling suns.h.i.+ne, with their pretty upturned faces watching the softly falling rain of coloured toys."

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Peeps at Many Lands: Japan Part 2 summary

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