Winterslow Part 9

'Of all the cities in Romanian lands, The chief and most renown'd Ravenna stands.'[17]

I return home resolved to read the entire poem through, and, after dinner, drawing my chair to the fire, and holding a small print close to my eyes, launch into the full tide of Dryden's couplets (a stream of sound), comparing his didactic and descriptive pomp with the simple pathos and picturesque truth of Boccaccio's story, and tasting with a pleasure, which none but all habitual reader can feel, some quaint examples of p.r.o.nunciation in this accomplished versifier.

'Which when Honoria view'd, The fresh _impulse_ her former fright renew'd.'[18]

'And made th' _insult_, which in his grief appears, The means to mourn thee with my pious tears.'[19]

These trifling instances of the wavering and unsettled state of the language give double effect to the firm and stately march of the verse, and make me dwell with a sort of tender interest on the difficulties and doubts of all earlier period of literature. They p.r.o.nounced words then in a manner which we should laugh at now; and they wrote verse in a manner which we can do anything but laugh at.

The pride of a new acquisition seems to give fresh confidence to it; to impel the rolling syllables through the moulds provided for them, and to overflow the envious bounds of rhyme into time-honoured triplets.

What sometimes surprises me in looking back to the past, is, with the exception already stated, to find myself so little changed in the time. The same images and trains of thought stick by me: I have the same tastes, likings, sentiments, and wishes that I had then. One great ground of confidence and support has, indeed, been struck from under my feet; but I have made it up to myself by proportionable pertinacity of opinion. The success of the great cause, to which I had vowed myself, was to me more than all the world: I had a strength in its strength, a resource which I knew not of, till it failed me for the second time.

'Fall'n was Glenartny's stately tree!

Oh! ne'er to see Lord Ronald more!'

It was not till I saw the axe laid to the root, that I found the full extent of what I had to lose and suffer. But my conviction of the right was only established by the triumph of the wrong; and my earliest hopes will be my last regrets. One source of this unbendingness (which some may call obstinacy), is that, though living much alone, I have never wors.h.i.+pped the Echo. I see plainly enough that black is not white, that the gra.s.s is green, that kings are not their subjects; and, in such self-evident cases, do not think it necessary to collate my opinions with the received prejudices. In subtler questions, and matters that admit of doubt, as I do not impose my opinion on others without a reason, so I will not give up mine to them without a better reason; and a person calling me names, or giving himself airs of authority, does not convince me of his having taken more pains to find out the truth than I have, but the contrary. Mr.

Gifford once said, that 'while I was sitting over my gin and tobacco-pipes, I fancied myself a Leibnitz.' He did not so much as know that I had ever read a metaphysical book:--was I therefore, out of complaisance or deference to him, to forget whether I had or not?

Leigh Hunt is puzzled to reconcile the shyness of my pretensions with the inveteracy and st.u.r.diness of my principles. I should have thought they were nearly the same thing. Both from disposition and habit, I can _a.s.sume_ nothing in word, look, or manner. I cannot steal a march upon public opinion in any way. My standing upright, speaking loud, entering a room gracefully, proves nothing; therefore I neglect these ordinary means of recommending myself to the good graces and admiration of strangers (and, as it appears, even of philosophers and friends). Why? Because I have other resources, or, at least, am absorbed in other studies and pursuits. Suppose this absorption to be extreme, and even morbid--that I have brooded over an idea till it has become a kind of substance in my brain, that I have reasons for a thing which I have found out with much labour and pains, and to which I can scarcely do justice without the utmost violence of exertion (and that only to a few persons)--is this a reason for my playing off my out-of-the-way notions in all companies, wearing a prim and self-complacent air, as if I were 'the admired of all observers'? or is it not rather an argument (together with a want of animal spirits), why I should retire into myself, and perhaps acquire a nervous and uneasy look, from a consciousness of the disproportion between the interest and conviction I feel on certain subjects, and my ability to communicate what weighs upon my own mind to others? If my ideas, which I do not avouch, but suppose, lie below the surface, why am I to be always attempting to dazzle superficial people with them, or smiling, delighted, at my own want of success?

In matters of taste and feeling, one proof that my conclusions have not been quite shallow or hasty, is the circ.u.mstance of their having been lasting. I have the same favourite books, pictures, pa.s.sages that I ever had: I may therefore presume that they will last me my life--nay, I may indulge a hope that my thoughts will survive me. This continuity of impression is the only thing on which I pride myself.

Even Lamb, whose relish of certain things is as keen and earnest as possible, takes a surfeit of admiration, and I should be afraid to ask about his select authors or particular friends, after a lapse of ten years. As to myself, any one knows where to have me. What I have once made up my mind to, I abide by to the end of the chapter. One cause of my independence of opinion is, I believe, the liberty I give to others, or the very diffidence and distrust of making converts. I should be an excellent man on a jury. I might say little, but should starve 'the other eleven obstinate fellows' out. I remember Mr.

G.o.dwin writing to Mr. Wordsworth, that 'his tragedy of _Antonio_ could not fail of success.' It was d.a.m.ned past all redemption. I said to Mr.

Wordsworth that I thought this a natural consequence; for how could any one have a dramatic turn of mind who judged entirely of others from himself? Mr. G.o.dwin might be convinced of the excellence of his work; but how could he know that others would be convinced of it, unless by supposing that they were as wise as himself, and as infallible critics of dramatic poetry--so many Aristotles sitting in judgment on Euripides! This shows why pride is connected with shyness and reserve; for the really proud have not so high an opinion of the generality as to suppose that they can understand them, or that there is any common measure between them. So Dryden exclaims of his opponents with bitter disdain--

'Nor can I think what thoughts they can conceive.'

I have not sought to make partisans, still less did I dream of making enemies; and have therefore kept my opinions myself, whether they were currently adopted or not. To get others to come into our ways of thinking, we must go over to theirs; and it is necessary to follow, in order to lead. At the time I lived here formerly, I had no suspicion that I should ever become a voluminous writer, yet I had just the same confidence in my feelings before I had ventured to air them in public as I have now. Neither the outcry _for_ or _against_ moves me a jot: I do not say that the one is not more agreeable than the other.

Not far from the spot where I write, I first read Chaucer's _Flower and Leaf_, and was charmed with that young beauty, shrouded in her bower, and listening with ever-fresh delight to the repeated song of the nightingale close by her--the impression of the scene, the vernal landscape, the cool of the morning, the gus.h.i.+ng notes of the songstress,

'And ayen methought she sung close by mine ear,'

is as vivid as if it had been of yesterday; and nothing can persuade me that that is not a fine poem. I do not find this impression conveyed in Dryden's version, and therefore nothing can persuade me that that is as fine. I used to walk out at this time with Mr. and Miss Lamb of an evening, to look at the Claude Lorraine skies over our heads melting from azure into purple and gold, and to gather mushrooms, that sprung up at our feet, to throw into our hashed mutton at supper. I was at that time an enthusiastic admirer of Claude, and could dwell for ever on one or two of the finest prints from him hung round my little room; the fleecy flocks, the bending trees, the winding streams, the groves, the nodding temples, the air-wove hills, and distant sunny vales; and tried to translate them into their lovely living hues. People then told me that Wilson was much superior to Claude: I did not believe them. Their pictures have since been seen together at the British Inst.i.tution, and all the world have come into my opinion. I have not, on that account, given it up. I will not compare our hashed mutton with Amelia's; but it put us in mind of it, and led to a discussion, sharply seasoned and well sustained, till midnight, the result of which appeared some years after in the _Edinburgh Review_. Have I a better opinion of those criticisms on that account, or should I therefore maintain them with greater vehemence and tenaciousness? Oh no: Both rather with less, now that they are before the public, and it is for them to make their election.

It is in looking back to such scenes that I draw my best consolation for the future. Later impressions come and go, and serve to fill till the intervals; but these are my standing resource, my true cla.s.sics.

If I have had few real pleasures or advantages, my ideas, from their sinewy texture, have been to me in the nature of realities; and if I should not be able to add to the stock, I can live by husbanding the interest. As to my speculations, there is little to admire in them but my admiration of others; and whether they have an echo in time to come or not, I have learned to set a grateful value on the past, and am content to wind up the account of what is personal only to myself and the immediate circle of objects in which I have moved, with an act of easy oblivion,

'And curtain-close such scene from every future view.'

Winterslow, _Feb. 20, 1828_.

FOOTNOTES:

[17] Dryden's _Theodore and Honoria_, princip.

[18] Dryden's _Theodore and Honoria_, princip.

[19] Dryden's _Sigismonda and Guiscardo_.