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Why, then, cannot Peggy, to whom he owes nothing, be equally considerate? Perhaps Peggy's heart speaks for him. At all events, after one or two vain shots at the harvest-home and the Workhouse tea, she desists from the futile effort to lead him into chat; but subtly remains sitting half turned towards him, as if talking to him, so as to baffle any further ventures--if, indeed, he have the spirit to make such--on the part of her other neighbour. Her tongue being idle, she allows her eyes to travel. It is true that the thick forest of oats and poppies which waves over the board renders the sight of the table's other side about as difficult as that of the coast of France; but at least she can see her fat hostess at the head of the table, and her slim host at the foot. Freddy Ducane is in his glory--something fair and female on either hand. On his right Lady Betty, who, being a duke's daughter, takes precedence of the other smart woman, who was only a miss before she blossomed into a viscountess; on his left, to ensure himself against the least risk of having any dull or vacuous moments during his dinner, he has arranged Prue Lambton--'his little friend Prue.' Beyond the mere fact of proximity--in itself, of course, a splendid boon--she does not, so far, seem to be much the gainer by her position.
However, he s.n.a.t.c.hes a moment every now and then to explain to her--Peggy knows it as well as if she heard his words--how entirely a matter of irksome duty and hospitality are his whispers to Lady Betty, his tender comments upon her clothes, and long bunglings with the clasp of her pearls. And, judging by her red-stained cheeks, her empty plate (which of us in his day has not been too superbly happy to eat?), and the trembling smiles that rush out to meet his lame explanations, Prue believes him. Poor little Prue!
Margaret sighs sadly and impatiently, and looks away--looks away to find John Talbot's eyes fastened upon her with an expression of such innocent and genuine curiosity that she asks involuntarily:
'Why do you look at me?'
'I beg your pardon a thousand times!' he answers apologetically. 'I was only wondering, to be quite sincere--by the bye, do you like people to be quite sincere?'
'That depends,' replies Peggy cautiously.
'Well, then, I must risk it. I was wondering why on earth you had thought it worth your while to snub me in the way you have been doing.'
She does not answer, but again looks straight before her.
How very offensive in a woman to look straight before her! She ought to be quite certain of the perfection of her profile before she presents it so persistently to you.
Shall he tell her so? That would make her look round pretty quickly.
'I was trying to see whether I could not regard it in the light of a compliment,' continues he audaciously.
'That would not be easy,' replies she drily.
'It was something that you should have thought me worth wasting your powder and shot upon,' he answers.
Certainly her profile is anything but perfect; her chin projects too much. In her old age, if she had a hook nose (which she has not), she would be a mere nut-cracker.
Shall he tell her that? How many disagreeable things he might tell her!
It puts him into quite a good humour with her to think of them.
'Now, about that badger, for instance,' says he.
But at that, against her will, she laughs outright.
'Dear little beast!' she cries maliciously; 'so playful and affectionate! such a pet!'
She has laughed. That is something gained, at all events. It is not a nice friendly laugh. On the contrary, it is a very rude, ill-natured one: she is obviously a rude, ill-natured girl; but it is a laugh.
'You can see for yourself,' pursues he, holding out one of the _menus_ for her inspection, 'that we are only at the first _entree_; we shall have to sit beside each other for a good hour more. Lady Roupell does not want to talk to me; and your neighbour--I do not know who he is, and I will not ask you, because I know you would not answer me civilly--but whoever he is, he will not talk to you. I saw you try to make him, and he would not; he snubbed you. I was avenged! I was very glad!'
Peggy would much rather not have laughed; but there is something that seems to her so ludicrous in the fact of her abortive advances to Mr.
Evans having been overheard and triumphed at, that she cannot help yielding to a brief and stifled mirth at her own expense. And, after all, what he says is sense. He is a very bad man, and she dislikes him extremely; but to let him observe to her that the news from Afghanistan seems warlike; or to remark in return that she has never seen the root-crops look better, need not in the least detract from the thoroughness of her ill opinion of him, and may make the ensuing hour a shade less tedious to herself than would entire silence. So she turns her candid eyes, severely, serenely blue, for the first time, full upon him, and says:
'I think you are right; I think we had better talk.'
But of course, at that sudden permission to talk, every possible topic of conversation flies out of his head. And yet as she remains, with her two blue eyes sternly fixed upon him, awaiting the question or questions that she has given him permission to put, he must say something; so he asks stupidly:
'Who is your neighbour?'
'Our vicar.'
'What is his name?' (How infinitely little he cares what the vicar's name is; but it gives him time.)
'E V A N S,' replies she, spelling very distinctly and slowly, afraid that she may be overheard if she p.r.o.nounce the whole name.
'Oh, thanks; and the lady opposite in mourning is Mrs. E V A N S?'
(spelling too).
'She is Mrs. Evans; but she is not in mourning; she is in her wedding-gown!' replies Peggy, breaking into a smile.
She never can help smiling at the thought of Mrs. Evans's wedding-dress, any more than Charles Lamb's Ches.h.i.+re cats can help laughing when they think of Ches.h.i.+re being a County Palatine. She is smiling broadly now.
Well, if her smile come seldom, there is no doubt that it is a very agreeable one when it does come. What sort of thing could he say that would be likely to bring it back?
'I did not know that people were ever married in black.'
She shakes her head oracularly.
'No more they are!'
She is smiling still. (What a delightful wide mouth! and what _dents de jeune chien_!)
'It is made out of an old Geneva gown of his?' suggests Talbot wildly.
Again she shakes her nut-brown head.
'Wrong.'
'I have it!' he cries eagerly. 'I know more about the subject than you think; it has been dyed.'
The mirth has retired from her mouth, and now lurks in the tail of her bright eye.
'You did not find that out for yourself,' she says distrustfully; 'some one told you.'
'Upon my honour, it is my own una.s.sisted discovery,' replies he solemnly, and then they both laugh.
Finding herself betrayed into such a harmony of light-hearted merriment with him, Margaret pulls herself up. After all, she must not forget that there is a medium between the stiff politeness she had planned and this hail-fellow-well-met-ness into which she finds herself somehow sliding.
Nor does his next sentence, though innocently enough meant, at all conduce to make her again relax her austerity.
'I should not allow my wife to dye her wedding-gown black.'
His wife! How dare he allude to such a person? He, with his illegal Betty ogling and double-entendre-ing and posturing opposite! How dare he allude to marriage at all? He to whom that sacred tie is a derision! She has frozen up again.
Without having the faintest suspicion of the cause, he is wonderingly aware of the result. Is it possible that she can object to his introducing his hypothetical wife into the consideration? She is more than welcome to retort upon him with her supposit.i.tious husband. He will give her the chance.
'Would you?'
'Would I what?'