Jean-Christophe Part 7

Melchior was as obstinate as his son, and he swore that even if they were to stay there two days and two nights he would not let him off a single note until it had been properly played. Then Jean-Christophe tried too deliberately to play wrongly, and Melchior began to suspect the trick, as he saw that the boy's hand fell heavily to one side at every note with obvious intent. The blows became more frequent; Jean-Christophe was no longer conscious of his fingers. He wept pitifully and silently, sniffing, and swallowing down his sobs and tears. He understood that he had nothing to gain by going on like that, and that he would have to resort to desperate measures. He stopped, and, trembling at the thought of the storm which was about to let loose, he said valiantly:

"Papa, I won't play any more."

Melchior choked.

"What! What!..." he cried.

He took and almost broke the boy's arm with shaking it. Jean-Christophe, trembling more and more, and raising his elbow to ward off the blows, said again:

"I won't play any more. First, because I don't like being beaten. And then...."

He could not finish. A terrific blow knocked the wind out of him, and Melchior roared:

"Ah! you don't like being beaten? You don't like it?..."

Blows rained. Jean-Christophe bawled through his sobs:

"And then ... I don't like music!... I don't like music!..."

He slipped down from his chair. Melchior roughly put him back, and knocked his knuckles against the keyboard. He cried:

"You shall play!"

And Jean-Christophe shouted:

"No! No! I won't play!"

Melchior had to surrender. He thrashed the boy, thrust him from the room, and said that he should have nothing to eat all day, or the whole month, until he had played all his exercises without a mistake. He kicked him out and slammed the door after him,

Jean-Christophe found himself on the stairs, the dark and dirty stairs, worm-eaten. A draught came through a broken pane in the skylight, and the walls were dripping. Jean-Christophe sat on one of the greasy steps; his heart was beating wildly with anger and emotion. In a low voice he cursed his father:

"Beast! That's what you are! A beast ... a gross creature ... a brute! Yes, a brute!... and I hate you, I hate you!... Oh, I wish you were dead! I wish you were dead!"

His bosom swelled. He looked desperately at the sticky staircase and the spider's web swinging in the wind above the broken pane. He felt alone, lost in his misery. He looked at the gap in the banisters.... What if he were to throw himself down?... or out of the window?... Yes, what if he were to kill himself to punish them? How remorseful they would be! He heard the noise of his fall from the stairs. The door upstairs opened suddenly.

Agonized voices cried: "He has fallen!--He has fallen!" Footsteps clattered downstairs. His father and mother threw themselves weeping upon his body.

His mother sobbed: "It is your fault! You have killed him!" His father waved his arms, threw himself on his knees, beat his head against the banisters, and cried: "What a wretch am I! What a wretch am I!" The sight of all this softened his misery. He was on the point of taking pity on their grief; but then he thought that it was well for them, Had he enjoyed his revenge....

When his story was ended, he found himself once more at the top of the stairs in the dark; he looked down once more, and his desire to throw himself down was gone. He even, shuddered a little, and moved away from the edge, thinking that he might fall. Then he felt that he was a prisoner, like a poor bird in a cage--a prisoner forever, with nothing to do but to break his head and hurt himself. He wept, wept, and he robbed his eyes with his dirty little hands, so that in a moment he was filthy. As he wept he never left off looking at the things about him, and he found some distraction in that. He stopped moaning for a moment to look at the spider which, had just begun to move. Then he began with less conviction. He listened to the sound of his own weeping, and went on, mechanically with his sobbing, without much knowing why he did so. Soon he got up; he was attracted by the window. He sat on the window-sill, retiring into the background, and watched the spider furtively. It interested while it revolted him.

Below the Rhine flowed, was.h.i.+ng the walls of the house. In the staircase window it was like being suspended over the river in a moving sky.

Jean-Christophe never limped down the stairs without taking a long look at it, but he had never yet seen it as it was to-day. Grief sharpens the senses; it is as though everything were more sharply graven on the vision after tears have washed away the dim traces of memory. The river was like a living thing to the child--a creature inexplicable, but how much more powerful than all the creatures that he knew! Jean-Christophe leaned forward to see it better; he pressed his mouth and flattened his nose against the pane. Where was _it_ going? What did _it_ want? _It_ looked free, and sure of its road.... Nothing could stop _it_. At all hours of the day or night, rain or sun, whether there were joy or sorrow in the house, _it_ went on going by, and it was as though nothing mattered to _it_, as though _it_ never knew sorrow, and rejoiced in its strength. What joy to be like _it_, to run through the fields, and by willow-branches, and over little s.h.i.+ning pebbles and crisping sand, and to care for nothing, to be cramped by nothing, to be free!...

The boy looked and listened greedily; it was as though he were borne along by the river, moving by with it.... When he closed his eyes he saw color--blue, green, yellow, red, and great chasing shadows and sunbeams.... What he sees takes shape. Now it is a large plain, reeds, corn waving under a breeze scented with new gra.s.s and mint. Flowers on every side--cornflowers, poppies, violets. How lovely it is! How sweet the air!

How good it is to lie down in the thick, soft gra.s.s!... Jean-Christophe feels glad and a little bewildered, as he does when on feast-days his father pours into his gla.s.s a little Rhine wine.... The river goes by....

The country is changed.... Now there are trees leaning over the water; their delicate leaves, like little hands, dip, move, and turn about in the water. A village among the trees is mirrored in the river. There are cypress-trees, and the crosses of the cemetery showing above the white wall washed by the stream. Then there are rocks, a mountain gorge, vines on the slopes, a little pine-wood, and ruined castles.... And once more the plain, corn, birds, and the sun....

The great green ma.s.s of the river goes by smoothly, like a single thought; there are no waves, almost no ripples--smooth, oily patches.

Jean-Christophe does not see it; he has closed his eyes to hear it better.

The ceaseless roaring fills him, makes him giddy; he is exalted by this eternal, masterful dream which goes no man knows whither. Over the turmoil of its depths rush waters, in swift rhythm, eagerly, ardently. And from the rhythm ascends music, like a vine climbing a trellis--arpeggios from silver keys, sorrowful violins, velvety and smooth-sounding flutes.... The country has disappeared. The river has disappeared. There floats by only a strange, soft, and twilight atmosphere. Jean-Christophe's heart flutters with emotion. What does he see now? Oh! Charming faces!... A little girl with brown tresses calls to him, slowly, softly, and mockingly.... A pale boy's face looks at him with melancholy blue eyes.... Others smile; other eyes look at him--curious and provoking eyes, and their glances make him blush--eyes affectionate and mournful, like the eyes of a dog--eyes imperious, eyes suffering.... And the pale face of a woman, with black hair, and lips close pressed, and eyes so large that they obscure her other features, and they gaze upon Jean-Christophe with an ardor that hurts him.... And, dearest of all, that face which smiles upon him with clear gray eyes and lips a little open, showing gleaming white teeth.... Ah! how kind and tender is that smile! All his heart is tenderness from it! How good it is to love! Again! Smile upon me again! Do not go!... Alas! it is gone!... But it leaves in his heart sweetness ineffable. Evil, sorrow, are no more; nothing is left.... Nothing, only an airy dream, like serene music, floating down a sunbeam, like the gossamers on fine summer days....

What has happened? What are these visions that fill the child with sadness and sweet sorrow? Never had he seen them before, and yet he knew them and recognized them. Whence come they? From what obscure abysm of creation? Are they what has been ... _or what will be?_...

Now all is done, every haunting form is gone. Once more through a misty veil, as though he were soaring high above it, the river in flood appears, covering the fields, and rolling by, majestic, slow, almost still. And far, far away, like a steely light upon the horizon, a watery plain, a line of trembling waves--the sea. The river runs down to it. The sea seems to run up to the river. She fires him. He desires her. He must lose himself in her.... The music hovers; lovely dance rhythms swing out madly; all the world is rocked in their triumphant whirligig.... The soul, set free, cleaves s.p.a.ce, like swallows' flight, like swallows drunk with the air, skimming across the sky with shrill cries.... Joy! Joy! There is nothing, nothing!... Oh, infinite happiness!...

Hours pa.s.sed; it was evening; the staircase was in darkness. Drops of rain made rings upon the river's gown, and the current bore them dancing away.

Sometimes the branch of a tree or pieces of black bark pa.s.sed noiselessly and disappeared. The murderous spider had withdrawn to her darkest corner.

And little Jean-Christophe was still leaning forward on the window-sill.

His face was pale and dirty; happiness shone in him. He was asleep.

III

E la faccia del sol nascere ombrata.

_Purgatorio_, x.x.x.

He had to surrender. In spite of an obstinate and heroic resistance, blows triumphed over his ill-will. Every morning for three hours, and for three hours every evening, Jean-Christophe was set before the instrument of torture. All on edge with attention and weariness, with large tears rolling down his cheeks and nose, he moved his little red hands over the black and white keys--his hands were often stiff with cold--under the threatening ruler, which descended at every false note, and the harangues of his master, which were more odious to him than the blows. He thought that he hated music. And yet he applied himself to it with a zest which fear of Melchior did not altogether explain. Certain words of his grandfather had made an impression on him. The old man, seeing his grandson weeping, had told him, with that gravity which he always maintained for the boy, that it was worth while suffering a little for the most beautiful and n.o.ble art given to men for their consolation and glory. And Jean-Christophe, who was grateful to his grandfather for talking to him like a man, had been secretly touched by these simple words, which sorted well with his childish stoicism and growing pride. But, more than by argument, he was bound and enslaved by the memory of certain musical emotions, bound and enslaved to the detested art, against which he tried in vain to rebel.

There was in the town, as usual in Germany, a theater, where opera, opera-comique, operetta, drama, comedy, and vaudeville are presented--every sort of play of every style and fas.h.i.+on. There were performances three times a week from six to nine in the evening. Old Jean Michel never missed one, and was equally interested in everything. Once he took his grandson with him. Several days beforehand he told him at length what the piece was about. Jean-Christophe did not understand it, but he did gather that there would be terrible things in it, and while he was consumed with the desire to see them he was much afraid, though he dared not confess it. He knew that there was to be a storm, and he was fearful of being struck by lightning. He knew that there was to be a battle, and he was not at all sure that he would not be killed. On the night before, in bed, he went through real agony, and on the day of the performance he almost wished that his grandfather might be prevented from coming for him. But when the hour was near, and his grandfather did not come, he began to worry, and every other minute looked out of the window. At last the old man appeared, and they set out together. His heart leaped in his bosom; his tongue was dry, and he could not speak.

They arrived at the mysterious building which was so often talked about at home. At the door Jean Michel met some acquaintances, and the boy, who was holding his hand tight because he was afraid of being lost, could not understand how they could talk and laugh quietly at such a moment.

Jean Michel took his usual place in the first row behind the orchestra. He leaned on the bal.u.s.trade, and began a long conversation with the contra-ba.s.s. He was at home there; there he was listened to because of his authority as a musician, and he made the most of it; it might almost be said that he abused it. Jean-Christophe could hear nothing. He was overwhelmed by his expectation of the play, by the appearance of the theater, which seemed magnificent to him, by the splendor of the audience, who frightened him terribly. He dared not turn his head, for he thought that all eyes were fixed on him. He hugged his little cap between his knees, and he stared at the magic curtain with round eyes.

At last three blows were struck. His grandfather blew his nose, and drew the _libretto_ from his pocket. He always followed it scrupulously, so much so that sometimes he neglected what was happening on the stage. The orchestra began to play. With the opening chords Jean-Christophe felt more at ease. He was at home in this world of sound, and from that moment, however extravagant the play might be, it seemed natural to him.

The curtain was raised, to reveal pasteboard trees and creatures who were not much more real. The boy looked at it all, gaping with admiration, but he was not surprised. The piece set in a fantastic East, of which he could have had no idea. The poem was a web of inept.i.tudes, in which no human quality was perceptible. Jean-Christophe hardly grasped it at all; he made extraordinary mistakes, took one character for another, and pulled at his grandfather's sleeve to ask him absurd questions, which showed that he had understood nothing. He was not bored: pa.s.sionately interested, on the contrary. Bound the idiotic _libretto_ he built a romance of his own invention, which had no sort of relation to the one that was represented on the stage. Every moment some incident upset his romance, and he had to repair it, but that did not worry him. He had made his choice of the people who moved upon the stage, making all sorts of different sounds, and breathlessly he followed the fate of those upon whom he had fastened his sympathy. He was especially concerned with a fair lady, of uncertain age, who had long, brilliantly fair hair, eyes of an unnatural size, and bare feet. The monstrous improbabilities of the setting did not shock him. His keen, childish eyes did not perceive the grotesque ugliness of the actors, large and fleshy, and the deformed chorus of all sizes in two lines, nor the pointlessness of their gestures, nor their faces bloated by their shrieks, nor the full wigs, nor the high heels of the tenor, nor the make-up of his lady-love, whose face was streaked with variegated penciling. He was in the condition of a lover, whose pa.s.sion blinds him to the actual aspect of the beloved object. The marvelous power of illusion, natural to children, stopped all unpleasant sensations on the way, and transformed them.

The music especially worked wonders. It bathed the whole scene in a misty atmosphere, in which everything became beautiful, n.o.ble, and desirable. It bred in the soul a desperate need of love, and at the same time showed phantoms of love on all sides, to fill the void that itself had created.

Little Jean-Christophe was overwhelmed by his emotion. There were words, gestures, musical phrases which disturbed him; he dared not then raise his eyes; he knew not whether it were well or ill; he blushed and grew pale by turns; sometimes there came drops of sweat upon his brow, and he was fearful lest all the people there should see his distress. When the catastrophe came about which inevitably breaks upon lovers in the fourth act of an opera so as to provide the tenor and the _prima donna_ with an opportunity for showing off their shrillest screams, the child thought he must choke; his throat hurt him as though he had caught cold; he clutched at his neck with his hands, and could not swallow his saliva; tears welled up in him; his hands and feet were frozen. Fortunately, his grandfather was not much less moved. He enjoyed the theater with a childish simplicity.

During the dramatic pa.s.sages he coughed carelessly to hide his distress, but Jean-Christophe saw it, and it delighted him. It was horribly hot; Jean-Christophe was dropping with sleep, and he was very uncomfortable. But he thought only: "Is there much longer? It cannot be finished!" Then suddenly it was finished, without his knowing why. The curtain fell; the audience rose; the enchantment was broken.

They went home through the night, the two children--the old man and the little boy. What a fine night! What a serene moonlight! They said nothing; they were turning over their memories. At last the old man said:

"Did you like it, boy?"

Jean-Christophe could not reply; he was still fearful from emotion, and he would not speak, so as not to break the spell; he had to make an effort to whisper, with a sigh:

"Oh yes."

The old man smiled. After a time he went on:

"It's a fine thing--a musician's trade! To create things like that, such marvelous spectacles--is there anything more glorious? It is to be G.o.d on earth!"

The boy's mind leaped to that. What! a man had made all that! That had not occurred to him. It had seemed that it must have made itself, must be the work of Nature. A man, a musician, such as he would be some day! Oh, to be that for one day, only one day! And then afterwards ... afterwards, whatever you like! Die, if necessary! He asked:

"What man made that, grandfather?"