The Witch of Prague Part 21

"As you will," answered the Wanderer bending his head as though in submission to her commands. But he did not continue the conversation, and a long silence ensued.

He wandered what was pa.s.sing in her mind, and his reflections led to no very definite result. Even if the idea of her loving him had presented itself to his intelligence he would have scouted it, partly on the ground of its apparent improbability, and partly, perhaps, because he had of late grown really indolent, and would have resented any occurrence which threatened to disturb the peaceful, objectless course of his days. He put down her quick changes of mood to sudden caprice, which he excused readily enough.

"Why are you so silent?" Unorna asked, after a time.

"I was thinking of you," he answered, with a smile. "And since you forbade me to speak of you, I said nothing."

"How literal you are!" she exclaimed impatiently.

"I could see no figurative application of your words," he retorted, beginning to be annoyed at her prolonged ill humour.

"Perhaps there was none."

"In that case--"

"Oh, do not argue! I detest argument in all shapes, and most of all when I am expected to answer it. You cannot understand me--you never will--"

She broke off suddenly and looked at him.

She was angry with him, with herself, with everything, and in her anger she loved him tenfold better than before. Had he not been blinded by his own absolute coldness he must have read her heart in the look she gave him, for his eyes met hers. But he saw nothing. The glance had been involuntary, but Unorna was too thoroughly a woman not to know all that it had expressed and would have conveyed to the mind of any one not utterly incapable of love, all that it might have betrayed even to this man who was her friend and talked of being her brother. She realised with terrible vividness the extent of her own pa.s.sion and the appalling indifference of its objet. A wave of despair rose and swept over her heart. Her sight grew dim and she was conscious of sharp physical pain.

She did not even attempt to speak, for she had no thoughts which could take the shape of words. She leaned back in her chair, and tried to draw her breath, closing her eyes, and wis.h.i.+ng she were alone.

"What is the matter?" asked the Wanderer, watching her in surprise.

She did not answer. He rose and stood beside her, and lightly touched her hand.

"Are you ill?" he asked again.

She pushed him away, almost roughly.

"No," she answered shortly.

Then, all at once, as though repenting of her gesture, her hand sought his again, pressed it hard for a moment, and let it fall.

"It is nothing," she said. "It will pa.s.s. Forgive me."

"Did anything I said----" he began.

"No, no; how absurd!"

"Shall I go. Yes, you would rather be alone----" he hesitated.

"No--yes--yes, go away and come back later. It is the heat perhaps; is it not hot here?"

"I daresay," he answered absently.

He took her hand and then left her, wondering exceedingly over a matter which was of the simplest.

It was some time before Unorna realised that he was gone. She had suffered a severe shock, not to be explained by any word or words which he had spoken, as much as by the revelation of her own utter powerlessness, of her total failure to touch his heart, but most directly of all the consequence of a sincere pa.s.sion which was a.s.suming dangerous proportions and which threatened to sweep away even her pride in its irresistible course.

She grew calmer when she found herself alone, but in a manner she grew also more desperate. A resolution began to form itself in her mind which she would have despised and driven out of her thoughts a few hours earlier; a resolution destined to lead to strange results. She began to think of resorting once more to a means other than natural in order to influence the man she loved.

In the first moments she had felt sure of herself, and the certainty that the Wanderer had forgotten Beatrice as completely as though she had never existed had seemed to Unorna a complete triumph. With little or no common vanity she had nevertheless felt sure that the man must love her for her own sake. She knew, when she thought of it, that she was beautiful, unlike other women, and born to charm all living things.

She compared in her mind the powers she controlled at will, and the influence she exercised without effort over every one who came near her. It had always seemed to her enough to wish in order to see the realisation of her wishes. But she had herself never understood how closely the wish was allied with the despotic power of suggestion which she possessed. But in her love she had put a watch over her mysterious strength and had controlled it, saying that she would be loved for herself or not at all. She had been jealous of every glance, lest it should produce a result not natural. She had waited to be won, instead of trying to win. She had failed, and pa.s.sion could be restrained no longer.

"What does it matter how, if only he is mine!" she exclaimed fiercely, as she rose from her carved chair an hour after he had left her.

CHAPTER XII

Israel Kafka found himself seated in the corner of a comfortable carriage with Keyork Arabian at his side. He opened his eyes quite naturally, and after looking out of the window stretched himself as far as the limits of the s.p.a.ce would allow. He felt very weak and very tired. The bright colour had left his olive cheeks, his lips were pale and his eyes heavy.

"Travelling is very tiring," he said, glancing at Keyork's face.

The old man rubbed his hands briskly and laughed.

"I am as fresh as ever," he answered. "It is true that I have the happy faculty of sleeping when I get a chance and that no preoccupation disturbs my appet.i.te."

Keyork Arabian was in a very cheerful frame of mind. He was conscious of having made a great stride towards the successful realisation of his dream. Israel Kafka's ignorance, too, amused him, and gave him a fresh and encouraging proof of Unorna's amazing powers.

By a mere exercise of superior will this man, in the very prime of youth and strength, had been deprived of a month of his life. Thirty days were gone, as in the flash of a second, and with them was gone also something less easily replaced, or at least more certainly missed. In Kafka's mind the pa.s.sage of time was accounted for in a way which would have seemed supernatural twenty years ago, but which at the present day is understood in practice if not in theory. For thirty days he had been stationary in one place, almost motionless, an instrument in Keyork's skilful hands, a mere reservoir of vitality upon which the sage had ruthlessly drawn to the fullest extent of its capacities. He had been fed and tended in his unconsciousness, he had, unknown to himself, opened his eyes at regular intervals, and had absorbed through his ears a series of vivid impressions destined to disarm his suspicions, when he was at last allowed to wake and move about the world again. With unfailing forethought Keyork had planned the details of a whole series of artificial reminiscences, and at the moment when Kafka came to himself in the carriage the machinery of memory began to work as Keyork had intended that it should.

Israel Kafka leaned back against the cus.h.i.+ons and reviewed his life during the past month. He remembered very well the afternoon when, after a stormy interview with Unorna, he had been persuaded by Keyork to accompany the latter upon a rapid southward journey. He remembered how he had hastily packed together a few necessaries for the expedition, while Keyork stood at his elbow advising him what to take and what to leave, with the sound good sense of an experienced traveller, and he could almost repeat the words of the message he had scrawled on a sheet of paper at the last minute to explain his sudden absence from his lodging--for the people of the house had all been away when he was packing his belongings. Then the hurry of the departure recalled itself to him, the crowds of people at the Franz Josef station, the sense of rest in finding himself alone with Keyork in a compartment of the express train; after that he had slept during most of the journey, waking to find himself in a city of the snow-driven Tyrol. With tolerable distinctness he remembered the sights he had seen, and fragments of conversation--then another departure, still southward, the crossing of the Alps, Italy, Venice--a dream of water and sun and beautiful buildings, in which the varied conversational powers of his companion found constant material. As a matter of fact the conversation was what was most clearly impressed upon Kafka's mind, as he recalled the rapid pa.s.sage from one city to another, and realised how many places he had visited in one short month. From Venice southwards, again, Florence, Rome, Naples, Sicily, by sea to Athens and on to Constantinople, familiar to him already from former visits--up the Bosphorus, by the Black Sea to Varna, and then, again, a long period of restful sleep during the endless railway journey--Pesth, Vienna, rapidly revisited and back at last to Prague, to the cold and the gray snow and the black sky. It was not strange, he thought, that his recollections of so many cities should be a little confused. A man would need a fine memory to catalogue the myriad sights which such a trip offers to the eye, the innumerable sounds, familiar and unfamiliar, which strike the ear, the countless sensations of comfort, discomfort, pleasure, annoyance and admiration, which occupy the nerves without intermission.

There was something not wholly disagreeable in the hazy character of the retrospect, especially to a nature such as Kafka's, full of undeveloped artistic instincts and of a pa.s.sionate love of all sensuous beauty, animate and inanimate. The gorgeous pictures rose one after the other in his imagination, and satisfied a longing of which he felt that he had been vaguely aware before beginning the journey. None of these lacked reality, any more than Keyork himself, thought it seemed strange to the young man that he should actually have seen so much in so short a time.

But Keyork and Unorna understood their art and knew how much more easy it is to produce a fiction of continuity where an element of confusion is introduced by the mult.i.tude and variety of the quickly succeeding impressions and almost dest.i.tute of incident. One occurrence, indeed, he remembered with extraordinary distinctness, and could have affirmed under oath in all its details. It had taken place in Palermo. The heat had seemed intense by contrast with the bitter north he had left behind.

Keyork had gone out and he had been alone in a strange hotel. His head swam in the stifling scirocco. He had sent for a local physician, and the old-fas.h.i.+oned doctor had then and there taken blood from his arm.

He had lost so much that he had fainted. The doctor had been gone when Keyork returned, and the sage had been very angry, abusing in most violent terms the ignorance which could still apply such methods. Israel Kafka knew that the lancet had left a wound on his arm and that the scar was still visible. He remembered, too, that he had often felt tired since, and that Keyork had invariably reminded him of the circ.u.mstances, attributing to it the weariness from which he suffered, and indulging each time in fresh abuse of the benighted doctor.

Very skilfully had the whole story been put together in all its minutest details, carefully thought out and written down in the form of a journal before it had been impressed upon his sleeping mind with all the tyrannic force of Unorna's strong will. And there was but little probability that Israel Kafka would ever learn what had actually been happening to him while he fancied that he had been travelling swiftly from place to place. He could still wonder, indeed, that he should have yielded so easily to Keyork's pressing invitation to accompany the latter upon such an extraordinary flight, but he remembered then his last interview with Unorna and it seemed almost natural that in his despair he should have chosen to go away. Not that his pa.s.sion for the woman was dead. Intentionally, or by an oversight, Unorna had not touched upon the question of his love for her, in the course of her otherwise well-considered suggestions. Possibly she had believed that the statement she had forced from his lips was enough and that he would forget her without any further action on her part. Possibly, too, Unorna was indifferent and was content to let him suffer, believing that his devotion might still be turned to some practical use. However that may be, when Israel Kafka opened his eyes in the carriage he still loved her, though he was conscious that in his manner of loving a change had taken place, of which he was destined to realise the consequences before another day had pa.s.sed.

When Keyork answered his first remark, he turned and looked at the old man.

"I suppose you are tougher than I," he said, languidly. "You will hardly believe it, but I have been dozing already, here, in the carriage, since we left the station."

"No harm in that. Sleep is a great restorative," laughed Keyork.

"Are you so glad to be in Prague again?" asked Kafka. "It is a melancholy place. But you laugh as though you actually liked the sight of the black houses and the gray snow and the silent people."

"How can a place be melancholy? The seat of melancholy is the liver.

Imagine a city with a liver--of brick and mortar, or stone and cement, a huge ma.s.s of masonry buried in its centre, like an enormous fetish, exercising a mysterious influence over the city's health--then you may imagine a city as suffering from melancholy."

"How absurd!"

"My dear boy, I rarely say absurd things," answered Keyork imperturbably. "Besides, as a matter of fact, there is nothing absurd.

But you suggested rather a fantastic idea to my imagination. The brick liver is not a bad conception. Far down in the bowels of the earth, in a black cavern hollowed beneath the lowest foundations of the oldest church, the brick liver was built by the cunning magicians of old, to last for ever, to purify the city's blood, to regulate the city's life, and in a measure to control its destinies by means of its pa.s.sions. A few wise men have handed down the knowledge of the brick liver to each other from generation to generation, but the rest of the inhabitants are ignorant of its existence. They alone know that every vicissitude of the city's condition is traceable to that source--its sadness, its merriment, its carnivals and its lents, its health and its disease, its prosperity and the hideous plagues which at distant intervals kill one in ten of the population. Is it not a pretty thought?"

"I do not understand you," said Kafka, wearily.