Revenge! Part 8

"I think not."

"Ah, I had hoped that your appreciation of logic might have improved during your--well, let us say absence; you were not very logical--not very amenable to reason, formerly."

"I know you thought so."

"I did; so did your own legal adviser, by the way. Well, now let me ask why you are so bitter against me? Why not murder the judge who charged against you, or the jury that unanimously gave a verdict in our favour?

I was merely an instrument, as were they."

"It was your devilish trickiness that won the case."

"That statement is flattering but untrue. The case was its own best advocate. But you haven't answered the question. Why not murder judge and jury?"

"I would gladly do so if I had them in my power. You see, I am perfectly logical."

"Quite, quite," said the lawyer. "I am encouraged to proceed. Now of what did my devilish trickiness rob you?"

"Of my property, and then of my life."

"I deny both allegations, but will for the sake of the argument admit them for the moment. First, as to your property. It was a possession that might at any moment be jeopardised by the return of Bernard Heaton."

"By the _real_ Bernard Heaton--yes."

"Very well then. As you are now repossessed of the property, and as you have the outward semblance of Heaton, your rights cannot be questioned.

As far as property is concerned you are now in an una.s.sailable position where formerly you were in an a.s.sailable one. Do you follow me?"

"Perfectly."

"We come (second) to the question of life. You then occupied a body frail, bent, and diseased, a body which, as events showed, gave way under exceptional excitement. You are now in a body strong and healthy, with apparently a long life before it. You admit the truth of all I have said on these two points?"

"I quite admit it."

"Then to sum up, you are now in a better position--infinitely--both as regards life and property, than the one from which my malignity-- ingenuity I think was your word--ah, yes--trickiness--thanks--removed you. Now why cut your career short? Why murder _me?_ Why not live out your life, under better conditions, in luxury and health, and thus be completely revenged on Bernard Heaton? If you are logical, now is the time to show it."

Allen rose slowly, holding the pistol in his right hand.

"You miserable scoundrel!" he cried. "You pettifogging lawyer--tricky to the last! How gladly you would throw over your friend to prolong your own wretched existence! Do you think you are now talking to a biased judge and a susceptible, brainless jury? Revenged on Heaton? I _am_ revenged on him already. But part of my vengeance involves your death. Are you ready for it?"

Allen pointed the revolver at Grey, who had now also risen, his face ashen. He kept his eyes fastened on the man he believed to be mad. His hand crept along the wall. There was intense silence between them.

Allen did not fire. Slowly the lawyer's hand moved towards the electric b.u.t.ton. At last he felt the ebony rim and his fingers quickly covered it. In the stillness, the vibrating ring of an electric bell somewhere below was audible. Then the sharp crack of the revolver suddenly split the silence. The lawyer dropped on one knee, holding his arm in the air as if to ward off attack. Again the revolver rang out, and Grey plunged forward on his face. The other five shots struck a lifeless body.

A stratum of blue smoke hung breast high in the room as if it were the departing soul of the man who lay motionless on the floor. Outside were excited voices, and some one flung himself ineffectually against the stout locked door.

Allen crossed the room and, turning the key, flung open the door. "I have murdered your master," he said, handing the revolver b.u.t.t forward to the nearest man. "I give myself up. Go and get an officer."

OVER THE STELVIO Pa.s.s.

There is no question about it, Tina Lenz was a flirt, as she had a perfect right to be, living as she did on the romantic sh.o.r.es of Como, celebrated in song, story, and drama as the lover's blue lake. Tina had many admirers, and it was just like her perversity to favor the one to whom her father most objected. Pietro, as the father truly said, was a beggarly Italian driver, glad of the few francs he got from the travellers he took over the humble Maloga to the Engadine, or over the elevated Stelvio to the Tyrol, the lowest and the highest pa.s.ses in Europe. It was a sad blow to the hopes as well as the family pride of old Lenz when Tina defiantly announced her preference for the driver of the Zweispanner. Old Lenz came of a long and distinguished line of Swiss hotel-keepers, noted for the success with which they squeezed the last attainable centime from the reluctant traveller. It was bad enough that he had no son to inherit his justly celebrated hotel (_pension_ rates for a stay of not less than eight days), but he hoped for a son-in-law, preferably of Swiss extraction, to whom he might, in his old age, hand over the lucrative profession of deferentially skinning the wealthy Englishman. And now Tina had deliberately chosen a reckless, unstable Italian who would, in a short time, scatter to the winds the careful acc.u.mulation of years.

"Pietro, the scoundrel, will not have one piastra of my money," cried the old man wrathfully, dropping into Italian as he was speaking about a native of Italy.

"No, I shall see that he doesn't," said the girl. "I shall hold the purse, and he must earn what he spends."

"But if you marry him, you will not have any of it."

"Oh yes, I shall, papa," said Tina confidently; "you have no one else to leave it to. Besides, you are not old, and you will be reconciled to our marriage long before there is any question of leaving money."

"Don't be so sure of that," returned the hotel-keeper, much mollified, because he was old and corpulent, and red in the face.

He felt that he was no match for his daughter, and that she would likely have her own way in the long run, but he groaned when he thought of Pietro as proprietor of the prosperous _pension_. Tina insisted that she would manage the hotel on the strictest principles of her ancestors, and that she would keep Pietro lounging about the place as a picturesque ornament to attract sentimental visitors, who seemed to see some unaccountable beauty about the lake and its surroundings.

Meanwhile Landlord Lenz promptly discharged Pietro, and cursed the day and hour he had first engaged him. He informed the picturesque young man that if he caught him talking to his daughter he would promptly have him arrested for some little thefts from travellers of which he had been guilty, although the landlord had condoned them at the time of discovery, probably because he had a fellow-feeling in the matter, and saw the making of a successful hotel proprietor in the Zweispanner driver. Pietro, on his part, to make things pleasant all round, swore that on the first favourable opportunity he would run six inches of knife into the extensive corporation of the landlord, hoping in that length of steel to reach a vital spot. The ruddy face of old Lenz paled at this threat, for the Swiss are a peace-loving people, and he told his daughter sadly that she was going to bring her father's grey hairs in sorrow to the grave through the medium of her lover's stiletto. This feat, however, would have been difficult to perform, as the girl flippantly pointed out to him, for the old man was as bald as the smooth round top of the Ortler; nevertheless, she spoke to her lover about it, and told him frankly that if there was any knife practice in that vicinity he need never come to see her again. So the young man with the curly black hair and the face of an angel, swallowed his resentment against his desired father-in-law, and promised to behave himself. He secured a position as driver at another hotel, for the season was brisk, and he met Tina when he could, at the bottom of the garden overlooking the placid lake, he on one side of the stone wall, she on the other.

If Landlord Lenz knew of these meetings he did not interfere; perhaps he was frightened of Pietro's stiletto, or perhaps he feared his daughter's tongue; nevertheless, the stars in their courses were fighting for the old man. Tina was naturally of a changeable disposition, and now that all opposition had vanished, she began to lose interest in Pietro. He could talk of little else than horses, and interesting as such conversation undoubtedly is, it palls upon a girl of eighteen leaning over a stone wall in the golden evening light that hovers above Como. There are other subjects, but that is neither here nor there, as Pietro did not recognise the fact, and, unfortunately for him, there happened to come along a member of the great army of the unemployed who did.

He came that way just in the nick of time, and proud as old Lenz was of his _pension_ and its situation, it was not the unrivalled prospect (as stated in the hotel advertis.e.m.e.nts) that stopped him. It was the sight of a most lovely girl leaning over the stone wall at the foot of the garden, gazing down at the lake and singing softly to herself.

"By Jove!" said young Standish, "she looks as if she were waiting for her lover." Which, indeed, was exactly what Tina was doing, and it augured ill for the missing man that she was not the least impatient at his delay.

"The missing lover is a defect in the landscape which ought to be supplied," murmured young Standish as he unslung his knapsack, which, like that of the late John Brown, was strapped upon his back. He entered the _pension_ and inquired the rates. Old Lenz took one glance at the knickerbockers, and at once asked twice as much as he would have charged a native. Standish agreed to the terms with that financial recklessness characteristic of his island, and the old man regretted he had not asked a third more.

"But never mind," he said to himself as the newly arrived guest disappeared to his room, "I shall make it up on the extras."

With deep regret it must be here admitted that young Standish was an artist. Artists are met with so often in fiction that it is a matter of genuine grief to have to deal with one in a narrative of fact, but it must be remembered that artists flock as naturally to the lake of Como as stock-brokers to the Exchange, and in setting down an actual statement of occurrences in that locality the unfortunate writer finds himself confronted with artists at every turn. Standish was an artist in water-colours, but whether that is a mitigation or an aggravation of the original offense the relater knoweth not. He speedily took to painting Tina amidst various combinations of lake and mountain scenery.

Tina over the garden wall as he first saw her; Tina under an arch of roses; Tina in one of the clumsy but picturesque lake boats. He did his work very well, too. Old Landlord Lenz had the utmost contempt for this occupation, as a practical man should, but he was astonished one day when a pa.s.sing traveller offered an incredible sum for one of the pictures that stood on the hall table. Standish was not to be found, but the old man, quite willing to do his guest a good turn, sold the picture. The young man, instead of being overjoyed at his luck, told the landlord, with the calm cheek of an artist, that he would overlook the matter this time, but it must not occur again. He had sold the picture, added Standish, for about one-third its real value. There was something in the quiet a.s.surance of the youth that more than his words convinced old Lenz of the truth of his statement. Manner has much to do with getting a well-told lie believed. The inn-keeper's respect for the young man went up to the highest attainable point, and he had seen so many artists, too. But if such prices were obtained for a picture dashed off in a few hours, the hotel business wasn't in it as a money- making venture.

It must be confessed that it was a great shock to young Standish when he found that the fairy-like Tina was the daughter of the gross old stupid keeper of the inn. It would have been so nice if she had happened to be a princess, and the fact would have worked in well with the marble terrace overlooking the lake. It seemed out of keeping entirely that she should be any relation to old money-making Lenz. Of course he had no more idea of marrying the girl than he had of buying the lake of Como and draining it; still, it was such a pity that she was not a countess at least; there were so many of them in Italy too, surely one might have been spared for that _pension_ when a man had to stay eight days to get the lowest rates. Nevertheless, Tina did make a pretty water-colour sketch. But a man who begins sliding down a hill such as there is around Como, never can tell exactly where he is going to bring up. He may stop halfway, or he may go head first into the lake. If it were to be set down here that within a certain s.p.a.ce of time Standish did not care one continental objurgation whether Tina was a princess or a char-woman, the statement would simply not be believed, because we all know that Englishmen are a cold, calculating race of men, with long side whiskers and a veil round their hats when they travel.

It is serious when a young fellow sketches in water-colours a charming sylph-like girl in various entrancing att.i.tudes; it is disastrous when she teaches him a soft flowing language like the Italian; but it is absolute destruction when he teaches her the English tongue and watches her pretty lips strive to surround words never intended for the vocal resources of a foreigner. As all these influences were brought to bear on Walter Standish, what chance did the young fellow have? Absolutely as little as has the un-roped man who misses his footing on the Matterhorn.

And Tina? Poor little girl, she was getting paid back with a vengeance for all the heart-aches she had caused--Italian, German, or Swiss variety. She fell helplessly in love with the stalwart Englishman, and realised that she had never known before what the word meant. Bitterly did she regret the sham battles of the heart that she had hitherto engaged in. Standish took it so entirely for granted that he was the first to touch her lips (in fact she admitted as much herself) that she was in daily, hourly terror lest he should learn the truth. Meanwhile Pietro unburdened his neglected soul of strange oily imprecations that might have sounded to the uneducated ear of Standish like mellifluous benedictions, notwithstanding the progress he was making in Italian under Tina's tuition. However, Pietro had one panacea for all his woes, and that he proceeded to sharpen carefully.

One evening Standish was floating dreamily through the purple haze, thinking about Tina of course, and wondering how her piquant archness and Southern beauty would strike his sober people at home. Tina was very quick and adaptable, and he had no doubt she could act to perfection any part he a.s.signed to her, so he was in doubt whether to introduce her as a remote connexion of the reigning family of Italy, or merely as a countess in her own right. It would be quite easy to enn.o.ble the long line of hotel-keepers by the addition of "di" or "de"

or some such syllable to the family name. He must look up the right combination of letters; he knew it began with "d." Then the _pension_ could become dimly "A castle on the Italian lakes, you know"; in fact, he would close up the _pension_ as soon as he had the power, or change it to a palace. He knew that most of the castles in the Tyrol and many of the palaces of Italy had become boarding- houses, so why not reverse the process? He was sure that certain furnis.h.i.+ng houses in London could do it, probably on the hire system.

He knew a fas.h.i.+onable morning paper that was in the habit of publis.h.i.+ng personal items at so much a line, and he thought the following would read well and be worth its cost:--

"Mr. Walter Standish, of St. John's Wood, and his wife, the Comtessa di Lenza, are spending the summer in the lady's ancestral home, the Palazzio di Lenza, on the lake of Como."

This bright vision pleased him for a moment, until he thought it would be just his luck for some acquaintance to happen along who remembered the Palazzio Lenza when it was the Pension Lenz--rates on application.

He wished a landslide would carry buildings, grounds, and everything else away to some unrecognisable spot a few hundred feet down the mountain.

Thus it was that young Standish floated along with his head in the clouds, swinging his cane in the air, when suddenly he was brought sharply down to earth again. A figure darted out from behind a tree, an instinct rather than reason caused the artist to guard himself by throwing up his left arm. He caught the knife thrust in the fleshy part of it, and the pain was like the red-hot sting of a gigantic wasp. It flashed through his brain then that the term cold steel was a misnomer.

The next moment his right hand had brought down the heavy k.n.o.b of his stout stick on the curly head of the Italian, and Pietro fell like a log at his feet. Standish set his teeth, and as gently as possible drew the stiletto from his arm, wiping its blade on the clothes of the prostrate man. He thought it better to soil Pietro's suit than his own, which was newer and cleaner; besides, he held, perhaps with justice, that the Italian being the aggressor should bear any disadvantages arising from the attack. Finally, feeling wet at the elbow, he put the stiletto in his pocket and hurried off to the hotel.

[Ill.u.s.tration: WIPING ITS BLADE ON THE CLOTHES OF THE PROSTRATE MAN]