Viking Tales Part 23

Then each made this vow: "I will fight for my foster-brother whenever he shall need me. If he is killed before I am, I will punish the man who did it. Whatever things I own are as much my foster-brother's as mine. I will love this man until I die. I call Odin and Thor and all the G.o.ds to hear my vow. May they hate me if I break it!"

_Ran._ Ran was the wife of Aegir, who was G.o.d of the sea. They lived in a cave at the bottom of the ocean. Ran had a great net, and she caught in it all men who were s.h.i.+pwrecked and took them to her cave. She also caught all the gold and rich treasures that went down in s.h.i.+ps. So her cave was filled with s.h.i.+ning things.

_Valkyrias._ These were the maidens of Odin. They waited on the table in Valhalla. But whenever a battle was being fought they rode through the air on their horses and watched to see what warriors were brave enough to go to Valhalla. Sometimes during the fight a man would think that he saw the Valkyrias. Then he was glad; for he knew that he would go to Valhalla.

An old Norse story says this about the Valkyrias: "With lightning around them, with b.l.o.o.d.y s.h.i.+rts of mail, and with s.h.i.+ning spears they ride through the air and the ocean. When their horses shake their manes, dew falls on the deep valleys and hail on the high forests."

_Odin's Ravens._ Odin had a great throne in his palace in Asgard. When he sat in it he could look all over the world. But it was so far to see that he could not tell all of the things that were happening. So he had two ravens to help him. An old Norse story tells this about them: "Two ravens sit on Odin's shoulders and whisper in his ears all that they have heard and seen. He sends them out at dawn of day to see over the whole world. They return at evening near meal time. This is why Odin knows so many things."

_Reykjavik._ Reykjavik means "smoky sea." Ingolf called it that because of the steaming hot-springs by the sea. The place is still called Reykjavik. A little city has grown up there, the only city in Iceland.

It is the capital of the country.

_Peace-bands._ A Norseman always carried his sword, even at a feast; for he did not know when he might need it. But when he went somewhere on an errand of peace and had no quarrel he tied his sword into its scabbard with white bands that he called peace-bands. If all at once something happened to make him need his sword, he broke the peace-bands and drew it out.

_Eskimos._ Now, the Eskimos live in Greenland and Alaska and on the very northern sh.o.r.es of Canada. But once they lived farther south in pleasanter lands. After a while the other Indian tribes began to grow strong. Then they wanted the pleasant land of the Eskimos and the seash.o.r.e that the Eskimos had. So they fought again and again with those people and won and drove them farther north and farther north. At last the Eskimos were on the very sh.o.r.es of the cold sea, with the Indians still pus.h.i.+ng them on. So some of them got into their boats and rowed across the narrow water and came to Greenland and lived there. Some people think that these things happened before Eric found Greenland. In that case he found Eskimos there; and Thorfinn saw red Indians in Wineland. Other people think that this happened after Eric went to Greenland. If that is true, he found an empty land, and it was Eskimos that Thorfinn saw in Wineland.

FOOTNOTES:

[16] See note about Valkyrias on page 198.

Suggestions _to_ Teachers

Possibly this book seems made up of four or five disconnected stories.

They are, however, strung upon one thread,--the westward emigration from Norway. The story of Harald is intended to serve in two ways towards the working out of this plot. It gives the general setting that continues throughout the book in costume, houses, ideals, habits. It explains the cause of the emigration from the mother country. It is really an introductory chapter. As for the other stories, they are distinctly steps in the progress of the plot. A chain of islands loosely connects Norway with America,--Orkneys and Shetlands, Faroes, Iceland, Greenland.

It was from link to link of this chain that the Nors.e.m.e.n sailed in search of home and adventure. Discoveries were made by accident. s.h.i.+ps were driven by the wind from known island to unknown. These two points,--the island connection that made possible the long voyage from Norway to America, and the contribution of storm to discovery,--I have stated in the book only dramatically. I emphasize them here, hoping that the teacher will make sure that the children see them, and possibly that they state them abstractly.

Let me speak as to the proper imaging of the stories. I have not often interrupted incident with special description, not because I do not consider the getting of vivid and detailed images most necessary to full enjoyment and to proper intellectual habits, but because I trusted to the pictures of this book and to the teacher to do what seemed to me inartistic to do in the story. Some of these descriptions and explanations I have introduced into the book in the form of notes, hoping that the children in turning to them might form a habit of insisting upon full understanding of a point, and might possibly, with the teacher's encouragement, begin the habit of reference reading.

The landscape of Norway, Iceland, and Greenland is wonderful and will greatly a.s.sist in giving reality and definiteness to the stories.

Materials for this study are not difficult of access. Foreign colored photographs of Norwegian landscape are becoming common in our art stores. There are good ill.u.s.trations in the geographical works referred to in the book list. These could be copied upon the blackboard. There are three books beautifully ill.u.s.trated in color that it will be possible to find only in large libraries,--"Coast of Norway," by Walton; "Travels in the Island of Iceland," by Mackenzie; "Voyage en Islande et au Groenland," by J. P. Gaimard. If the landscape is studied from the point of view of formation, the images will be more accurate and more easily gained, and the study will have a general value that will continue past the reading of these stories into all work in geography.

Trustworthy pictures of Norse houses and costumes are difficult to obtain. In "Viking Age" and "Story of Norway," by Boyesen (G. P.

Putnam's Sons, New York), are many copies of Norse antiquities in the fas.h.i.+on of weapons, s.h.i.+eld-bosses, coins, jewelry, wood-carving. These are, of course, accurate, but of little interest to children. Their chief value lies in helping the teacher to piece together a picture that she can finally give to her pupils.

Metal-working and wood-carving were the most important arts of the Norse. If children study products of these arts and actually do some of the work, they will gain a quickened sympathy with the people and an appreciation of their power. They may, perhaps, make something to merely ill.u.s.trate Norse work; for instance, a carved s.h.i.+p's-head, or a copper s.h.i.+eld, or a wrought door-nail. But, better, they may apply Norse ideas of form and decoration and Norse processes in making some modern thing that they can actually use; for instance, a carved wood pin-tray or a copper match holder. This work should lead out into a study of these same industries among ourselves with visits to wood-working shops and metal foundries.

Frequent drawn or painted ill.u.s.tration by the children of costumes, landscapes, houses, feast halls, and s.h.i.+ps will help to make these images clear. But dramatization will do more than anything else for the interpreting of the stories and the characters. It would be an excellent thing if at last, through the dramatization and the handwork, the children should come into sufficient understanding and enthusiasm to turn skalds and compose songs in the Norse manner. This requires only a small vocabulary and a rough feeling for simple rhythm, but an intensity of emotion and a great vividness of image.

These Norse stories have, to my thinking, three values. The men, with the crude courage and the strange adventures that make a man interesting to children, have at the same time the love of truth, the hardy endurance, the faithfulness to plighted word, that make them a child's fit companions. Again, in form and in matter old Norse literature is well worth our reading. I should deem it a great thing accomplished if the children who read these stories should so be tempted after a while to read those fine old books, to enjoy the tales, to appreciate straightforwardness and simplicity of style. The historical value of the story of Leif Ericsson and the others seems to me to be not to learn the fact that Nors.e.m.e.n discovered America before Columbus did, but to gain a conception of the conditions of early navigation, of the length of the voyage, of the dangers of the sea, and a consequent realization of the reason for the fact that America was unknown to mediaeval Europe, of why the Nors.e.m.e.n did not travel, of what was necessary to be done before men should strike out across the ocean. Norse story is only one chapter in that tale of American discovery. I give below an outline of a year's work on the subject that was once followed by the fourth grade of the Chicago Normal School. The idea in it is to give importance, sequence, reasonableness, broad connections, to the discovery of America.

The head of the history department who planned this course says it is "in a sense a dramatization of the development of geographical knowledge."

Following is a bare topical outline of the work:

Evolution of the forms of boats.

Viking tales.

A crusade as a tale of travel and discovery.

Monasteries as centers of work.

Printing.

Story of Marco Polo.

Columbus' discovery.

Story of Vasco da Gama.

Story of Magellan.

[Decoration]

A Reading List

GEOGRAPHY

NORWAY: "The Earth and Its Inhabitants," Reclus. _D. Appleton & Co., New York._

ICELAND: "The Earth and Its Inhabitants," "Iceland," Baring-Gould.

_Smith, Elder & Co., London, 1863._

"Iceland, Greenland, and the Faroes." _Harper Bros., New York._

"An American in Iceland," Kneeland. _Lockwood, Brooke & Co., Boston, 1876._

GREENLAND: "The Earth and Its Inhabitants," Reclus. _D. Appleton & Co., New York._

"Iceland, Greenland, and the Faroes." _Harper Bros., New York._

CUSTOMS

"Viking Age," Du Chaillu. _Charles Scribner's Sons, 1889._

"Private Life of the Old Northmen," Keyser; translated by Barnard.

_Chapman & Hall, London, 1868._

"Saga Time," Vicary. _Kegan Paul, Trench, Trubner & Co., London._

"Story of Burnt Njal" (Introduction), Dasent. _Edmonston & Douglas, Edinburgh, 1861._

"Vikings of the Baltic, a romance;" Dasent. _Edmonston & Douglas, Edinburgh._

"Ivar the Viking, a romance;" Du Chaillu. _Charles Scribner's Sons, New York._

"Viking Path, a romance;" Haldane Burgess. _Wm. Blackwood & Sons, Edinburgh, 1894._