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Kirk bit thoughtfully down on a corner of his lip. Gilmore didn't own any colleges and how do you go about warning one? Maybe the word was _college_, meaning the one where he had his laboratory. But actually it wasn't a college at all; it was a university. Not much difference to the man in the street, but to the Professor.... Wait a minute! Not _colleges_! _Colleagues!_ It was his colleagues Gilmore had promised to warn. And the word meant men and women in the same line of work as the Professor--nuclear physics. Things, Kirk told himself with elation, were looking up!
The business about "three in the past five months" was next, but he felt sure of what that had meant. But the last of the quotations went nowhere at all.
"Something about _taking in was.h.i.+ng_--" Under less tragic circ.u.mstances, a nonsense line. But Cordell hadn't actually heard the words clearly enough to quote them with authority. That could mean he had heard words that sounded _like_ "taking in was.h.i.+ng."
Taking, baking, making, slaking, raking--the list seemed endless.
"Was.h.i.+ng" could have been the first two syllables of Was.h.i.+ngton--and Was.h.i.+ngton would be the place where the Atomic Energy Commission hung out.
Still too hazy. He leaned back and put his feet up and attacked the three mysterious words from every conceivable angle. No dice.
Sight of the ambling figure of Patrolman Chenowich pa.s.sing the office door caught his eye, reminding him that two heads were often better than one. "Hey, Frank."
Chenowich came in. "Yeah, Lieutenant. Somethin' doin'?"
"I'm trying to figure out a little problem," Kirk explained carelessly.
"Let's say you hear a guy talking in the next room. You can't really make out the words he's saying, but right in the middle of his mumbling you hear what sounds like 'taking in was.h.i.+ng.' Now you know that can't be right, so you try to think out what he actually _did_ say...."
It was obvious Chenowich had fallen off on the first curve, so completely off that Kirk didn't bother finis.h.i.+ng what was much too involved to begin with. The patrolman was staring at him in monstrous perplexity.
"Jeez, Lieutenant. I don't get it. 'Less the guy's goin' to open up one of these here laundries. That way he'd be takin' in was.h.i.+n'. But I don't know what else--"
Kirk's feet hit the floor with a solid thump and he grabbed Chenowich's wrist with fingers that bit in like steel. "Say that again!" he shouted.
"Say it just that way!"
The patrolman recoiled in alarm. "What's got into you, Lieutenant? Say _what_?"
"Taking in was.h.i.+ng!"
"Takin' in was.h.i.+n'? What for?"
Kirk's grin threatened to split his face, "The same words," he said, "but you say them different. Only your way's the right way! Thanks, pal.
Now get out of here!"
Chenowich went. His mouth was still open and his expression still troubled, but he went.
The last of the killer's cryptic remarks was now clear. For Kirk realized that "takin'" rhymed with words you'd never a.s.sociate with "taking." "Bacon", for instance--or "Dakin"! Alma Dakin, former secretary to two widely separated, and now dead, nuclear scientists. Her name had been mentioned by the slayer of Professor Gilmore only seconds before she had clubbed the savant to death.
But now that "taking" had come out "Dakin"--what did the rest of the phrase mean? _Dakin in was.h.i.+ng_ made no sense. What sounded like _was.h.i.+ng_? Was.h.i.+ng; was.h.i.+ng ... _watching_? It was close; in fact nothing he could think of came closer.
All right. _Dakin in watching_; no. _Dakin is watching_--that made sense. But Alma Dakin hadn't been watching anything at the time of the killing; she, according to Cordell, was at her desk in the outer office.
That would leave _Dakin was watching_ as the right combination. Watching for the right opportunity for murder!
What did it mean? Well, a.s.suming from her past record that Alma Dakin was mixed up in the deaths of two prominent men of science, it argued that she and Naia North were accomplices in a scheme to rid America of her nuclear fission experts. The nice smooth story of killing Gilmore because of unrequited love was probably as much a lie as the personal information Naia North had given Arthur Kahler Troy.
The North girl had confessed to murdering Gilmore and Juanita Cordell.
As a confessed killer she must be taken into custody and booked on suspicion of homicide. Taking her was Martin Kirk's job--and it seemed he had a contact that would lead him to her. Namely Alma Dakin.
Lieutenant Kirk grabbed his hat and went out the door.
Chapter V
The address for Alma Dakin turned out to be a small three-story walk-up apartment building on a quiet residential street near the outskirts of town. At two in the afternoon hardly anyone was visible on the sidewalks and only an occasional automobile pa.s.sed.
Kirk parked his car half a block further on down and got out into the chill November air. He entered the building foyer and looked at the name plates above the twin rows of b.u.t.tons. The one for Alma Dakin told him the number of her apartment was 3C.
He pushed the b.u.t.ton several times but without response. The foyer was very quiet at this time of day, and he could hear the faint rasp of her bell through the speaking tube.
Kirk was on the point of s.h.i.+fting his thumb to the b.u.t.ton marked SUPERINTENDENT when a sudden thought stayed his hand. It was not the kind of thought a conscientious, rule-abiding police officer would harbor for a moment. The lieutenant, however, was fully aware he had no business working on a closed case to begin with--and when you're breaking one set of rules, you might as well break them all.
He rang four of the other bells before the lock on the inner door began to click. Pus.h.i.+ng it open, he waited until a female voice floated down the stairs. "Who is it?"
"Police Department, ma'am. You folks own that green Buick parked out in front?" There was no Buick, green or otherwise, along the street curbing, but Kirk figured she wouldn't know that.
"Why, no. Officer. I can't imagine--"
"Okay. Sorry we bothered you, lady," Kirk let the door swing into place hard enough to be heard upstairs. But this time he was on the right side of it.
There was a moment of silence, then he caught the sound of retreating feet and a door closed. Without waiting further, the Lieutenant mounted the stairs to the third floor, his feet soundless on the carpeted treads.
The entrance to 3C was secured by a tumbler-type lock. From an inner pocket Kirk took out a small flat leather case and a thin-edged tool from that. Working with the smooth efficiency of the expert, he loosened the door moulding near the lock and inserted the tool blade until it found the bolt. This he eased back, turned the door handle and, a moment later, was standing in a small living room tastefully furnished in modern woods.
His first action was to enter the tiny kitchen and unbolt the door leading to the rear porch. In case Alma Dakin arrived at an inopportune moment, he could be half way down the outer steps while she was still engaged with the front door lock. Since he had pressed the moulding back into place, there would be nothing to indicate his presence.
Within ten minutes Kirk had ransacked every inch of the living room in search of something, anything, that would point to Alma Dakin as being more than a nine-to-five secretary. And while he found nothing, no one, not even the girl who lived here, could tell that an intruder had been at work.
The bedroom seemed even less promising at first. Dresser drawers gave up only the pleasantly personal articles of the average young woman. Miss Dakin, it turned out, was almost indecently fond of frothy undergarments and black transparent nightgowns--interesting but not at all important to the over-all problem.
Kirk, his search completed, sat down on the edge of the bed's footboard and totaled up what he had learned. It didn't take long, for he knew absolutely no more about Alma Dakin than he had before entering her apartment. No personal papers, no letters from a yearning boy friend in the old home town, no savings or checking-account pa.s.sbook. Not even a scrawled line of birthday or Christmas greetings on the fly leaves of the apartment's seven books.
To Kirk's trained mind, the very lack of such things, the fact that Alma Dakin lived in a vacuum, was highly significant. It smacked of her having something to hide--and his already strong suspicion of her was solidified into certainty of her guilt. But certainty was a long way from rock-ribbed evidence--and that was something he must have to proceed further.
He was ready to leave when it dawned on him that he had not yet looked under the bed. Kneeling, he pushed up the hanging edge of the green batik spread and peered into the narrow s.p.a.ce. Nothing, not even a decent acc.u.mulation of dust. The light from the window was too faint, however, to reach a section of the floor near the footboard. Kirk climbed to his feet and attempted to shove that end to one side.
The bed failed to move. He blinked in mild surprise and tried again. It was only by exerting almost his entire strength that he was able to s.h.i.+ft the thing at all, and then no more than a few inches.
He felt his pulse stir with the thrill of incipient discovery. Once he made sure nothing was anchoring the bed to the floor, he began to tap lightly against the wood in an effort to detect a possible false panel.
Within two minutes he located an almost microscopic crack in the headboard cleverly concealed by a decorative design running along the base. He ran his fingers lightly along the carvings until they encountered a small projection which gave slightly under pressure.
Kirk pressed down harder on the k.n.o.b. A tiny _click_ sounded against the silence and a section of wood some three feet square swung out. Lifting it aside, the detective found himself staring at an instrument board of some kind with a series of b.u.t.tons and dials countersunk into it. The board itself formed a part of what was obviously a machine of some sort which evidently contained its own power, for there seemed to be no lead-in cord for plugging into a wall socket.