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"Why? What do you want to know for? Do you think I'd be here if I weren't?" said Madeleine, looking her up and down.
"Why I want to know?" repeated Frau Krause, and tossed her head. "Why, because I think if Herr Guest has any friends left, they ought to know how he's going on--that's why, Fraulein!"
"How going on?" queried Madeleine with undisturbed coolness, and looked round her for a chair.
Throwing a cautious glance over her shoulder, Frau Krause said behind her hand: "It's my opinion there's a woman in the case."
"You don't need to whisper; your opinion is an open secret," answered Madeleine drily. "There is a woman, and there she sits, as you no doubt very well know." As she spoke, she pointed to a photograph of Louise, which stood on the lid of the piano.
"I thought as much," exclaimed the landlady. "I thought as much. And a bad, bold face it is, too."
"Now explain, please, what you mean by his goings on. Is he in debt to you?" Madeleine continued her interrogatory.
"Well, I can't just say that," replied the woman, with what seemed a spice of regret. "He's paid up pretty regular till now--though of course one never knows how long he'll keep on doing it. But it goes against my heart to see a young man, who might be one's own son, acting as he does. When he first came here, there wasn't a decenter young man anywhere than Herr Guest--if I had a complaint, it was that he was too much of a steady-goer. I used to tell him he ought to take more heed for his health, not to mention the ears of the people that had to live with him. He sat at that piano there all the blessed day. And now there isn't a lazier, more cantankerous fellow in the place. You can't please him anyhow. He never gives you a civil word. He doesn't work, he doesn't cat, and he's getting so thin that his clothes just hang on him."
"Is he drinking?" interrupted Madeleine in the same matter-of-fact way, with her eye on the main points of probable offence.
"Well, I can't just say that," answered Frau Krause. "Not but what it mightn't be better if he was. It's the ones as don't drink who are the hard ones to get on with, in my experience. Young gentlemen who like their liquor, are of the goodnatured, easy-going sort. Now I once had a young fellow here----"
"But I don't see in the least what you've got to complain of!" said Madeleine. "He pays you for the room, and you no doubt have free use of it.--A very good bargain!"
She sat back and stared about her, while Frau Krause, recognising that she had met her match in this sharp-tongued young lady, curbed her temper, and launched out into the history of a former lodger.
It was a dingy room, long and narrow, with a single window. Against the door that led into an adjoining room, stood a high-backed, uninviting sofa, with a table in front of it. Between this and the window was the writing-bureau, a flat, man-high piece of furniture, with drawers and pigeon-holes, and a broad flap that let down for writing purposes.
Against the opposite wall stood the neglected piano, and, towards the door, on both sides, were huddled bed, washstand, and the iron stove.
Everything was of an extreme shabbiness: the stuffing was showing through holes in the sofa, the strips of carpet were worn threadbare. A couple of photographs and a few books were ranged in line on the bureau--that was all that had been done towards giving the place a homely air. It was like a room that had never properly been lived in.
While Madeleine sat thinking this, the sound of a key was heard in the front door, and Frau. Krause, interrupted in her story, had just time to tap Madeleine on the arm, exclaim: "Here he is!" and dart out of the room. Not so promptly, however, but what Maurice saw where she came from. Madeleine heard them bandying words in the pa.s.sage.
The door of the room was flung open, and Maurice, entering hotly, threw his hat on the table. He did not perceive his visitor till it was too late.
"Madeleine! You here!" he exclaimed in surprise and embarra.s.sment. "I beg your pardon. I didn't see you," and he made haste to recover his hat.
"Yes, don't faint, it's I, Maurice.--But what's the matter? Why are you so angry with the person? Does she pry on you?"
"Pry!" he echoed, and his colour deepened. "Pry's not the word for it.
She ransacks everything I have. I never come home but what I find she has overhauled something, though I've forbidden her to enter the room."
"Why don't you--or rather, why didn't you move? It's not much of a place, I'm sure."
"Move?" he repeated, in the same tone as before, and, as he spoke, he looked incredulously at Madeleine. He had hung his coat and hat on a peg, and now came forward to the table. "Move?" he said once again, and prolonged the word as though the channel of thought it opened up was new to him.
"Good gracious, yes!--If one's not satisfied with one's rooms, one moves, that's all. There's nothing strange about it."
He murmured that the idea had never occurred to him, and was about to draw up a chair, when his eye caught a letter that was lying on the lowered flap of the bureau. In patent agitation, and without excusing himself, he seized it and tore it open. Madeleine saw his face darken.
He read the letter through twice, from beginning to end, then tore it into a dozen pieces and scattered them on the shelf.
"No bad news, I hope?"
He turned his face to her; it was still contracted. "That depends on how you look at it, Madeleine," he said, and laughed in an unpleasant manner.
After this, he seemed to forget her again; he stood staring at the sc.r.a.ps of paper with a frown. For some minutes, she waited. Then she saw herself forced to recall him to the fact of her presence.
"Could you spare me a little attention now?" she asked. At her words, he jumped, and, with evident confusion, brought his wandering thoughts home. "I can't sit here for ever you know," she added.
"I beg your pardon." He came up to the table, and took the chair he had previously had his hand on. "The fact is I--Can I do anything for you, Madeleine?"
"For me? Oh, dear, no!--You are surprised to find me here, no doubt!
But as I'm leaving to-morrow morning, I thought I'd run up and say good-bye to you--that's all. A case of Mohammed and the mountain, you see."
"Leaving? To-morrow?"
"Yes.--Goodness, there's nothing wonderful in that, is there? Most people do leave some time or other, you know." His reply was inaudible.
"It was very good of you to look me up," he threw in as an afterthought.
Madeleine, watching him, with a thin, sarcastic smile on her lips, had chanced to let her eyes stray to his hands, which he had laid on the table, and she continued to fix them, fascinated in spite of herself by the uncared-for condition of the nails. These were bitten, and broken, and dirty. Maurice, becoming aware of her intent gaze, looked down to see what it was at, hastily withdrew his hands and hid them in his pockets.
"This is the first time I've been in your den, you know," she said abruptly. "Really, Maurice, you might have done better. I don't know how you've managed to put up with it so long."
"My dear Madeleine, do you think I could afford to live in a palace?"
"A palace?--absurd! You probably pay sixteen or seventeen marks for this hole. Well, I could have found you any number of better places for the same money--if you had come to me."
"You're very kind. But it has done me well enough."
"So it appears."
Sitting back, she looked round her, in the hope of picking up some neutral subject. "Are those your people?" she asked, and nodded at the photograph of a family-group, which stood on the top shelf of the bureau. "Three boys, are you not? You are like your mother," and she stared, with unfeigned curiosity, at the provincial figures, dressed out in their best coats and silks, and in heavy gold jewellery.
"Good G.o.d, Madeleine!" Maurice burst out at this, his loosely kept patience escaping him. "You didn't come here, I suppose, to remark on my family?"
"Well, I can't congratulate you on an improvement in your manners, since I saw you last."
"I am not aware of having changed."
"As well for you, perhaps. However, I'll tell you about myself, if it interests you." She turned her cool, judicial gaze on him again; and now she set before him her projects for the future. But though he kept his eyes fastened on her face, she saw that he was not listening to what she said, or, at most, that he only half heard it; for, when she ceased to speak, he did not notice her silence.
She waited, curious to see what would come next, and presently he echoed, in his vague way: "Paris, did you say?--Really?"
"Yes--Paris: the capital of France.--I said that, and a good deal more, which I don't think you heard.--And now I won't take up your precious time any longer.--You've nothing new to tell me, I suppose? You still intend staying on here, and fighting out the problem of existence?
Well, when you have starved satisfactorily in a garret, I hope some one will let me know. I'll come over for the funeral."
She rose, and began to b.u.t.ton her jacket.
"And England has absolutely no chance? English music must continue to languish, without hope of reform?"
"How can you remember such rot! I was a terrible fool when I talked like that."