The Complete Poetical Works of James Russell Lowell Part 33

'Here comes Dana, abstractedly loitering along, Involved in a paulo-post-future of song, Who'll be going to write what'll never be written Till the Muse, ere he think of it, gives him the mitten,-- 940 Who is so well aware of how things should be done, That his own works displease him before they're begun,-- Who so well all that makes up good poetry knows, That the best of his poems is written in prose; All saddled and bridled stood Pegasus waiting, He was booted and spurred, but he loitered debating; In a very grave question his soul was immersed,-- Which foot in the stirrup he ought to put first: And, while this point and that he judicially dwelt on, He, somehow or other, had written Paul Felton, 950 Whose beauties or faults, whichsoever you see there, You'll allow only genius could hit upon either.

That he once was the Idle Man none will deplore, But I fear he will never be anything more; The ocean of song heaves and glitters before him, The depth and the vastness and longing sweep o'er him.

He knows every breaker and shoal on the chart, He has the Coast Pilot and so on by heart, Yet he spends his whole life, like the man in the fable, In learning to swim on his library table. 960

'There swaggers John Neal, who has wasted in Maine The sinews and cords of his pugilist brain, Who might have been poet, but that, in its stead, he Preferred to believe that he was so already; Too hasty to wait till Art's ripe fruit should drop, He must pelt down an unripe and colicky crop; Who took to the law, and had this sterling plea for it, It required him to quarrel, and paid him a fee for it; A man who's made less than he might have, because He always has thought himself more than he was,-- 970 Who, with very good natural gifts as a bard, Broke the strings of his lyre out by striking too hard, And cracked half the notes of a truly fine voice, Because song drew less instant attention than noise.

Ah, men do not know how much strength is in poise, That he goes the farthest who goes far enough, And that all beyond that is just bother and stuff.

No vain man matures, he makes too much new wood; His blooms are too thick for the fruit to be good; 'Tis the modest man ripens, 'tis he that achieves, 980 Just what's needed of suns.h.i.+ne and shade he receives; Grapes, to mellow, require the cool dark of their leaves; Neal wants balance; he throws his mind always too far, Whisking out flocks of comets, but never a star; He has so much muscle, and loves so to show it, That he strips himself naked to prove he's a poet, And, to show he could leap Art's wide ditch, if he tried, Jumps clean o'er it, and into the hedge t'other side.

He has strength, but there's nothing about him in keeping; One gets surelier onward by walking than leaping; 990 He has used his own sinews himself to distress, And had done vastly more had he done vastly less; In letters, too soon is as bad as too late; Could he only have waited he might have been great; But he plumped into Helicon up to the waist, And muddied the stream ere he took his first taste.

'There is Hawthorne, with genius so shrinking and rare That you hardly at first see the strength that is there; A frame so robust, with a nature so sweet, So earnest, so graceful, so lithe and so fleet, 1000 Is worth a descent from Olympus to meet; 'Tis as if a rough oak that for ages had stood, With his gnarled bony branches like ribs of the wood, Should bloom, after cycles of struggle and scathe, With a single anemone trembly and rathe; His strength is so tender, his wildness so meek, That a suitable parallel sets one to seek,-- He's a John Bunyan Fouque, a Puritan Tieck; When Nature was shaping him, clay was not granted For making so full-sized a man as she wanted, 1010 So, to fill out her model, a little she spared From some finer-grained stuff for a woman prepared, And she could not have hit a more excellent plan For making him fully and perfectly man.

The success of her scheme gave her so much delight, That she tried it again, shortly after, in Dwight; Only, while she was kneading and shaping the clay, She sang to her work in her sweet childish way, And found, when she'd put the last touch to his soul, That the music had somehow got mixed with the whole. 1020

'Here's Cooper, who's written six volumes to show He's as good as a lord: well, let's grant that he's so; If a person prefer that description of praise, Why, a coronet's certainly cheaper than bays; But he need take no pains to convince us he's not (As his enemies say) the American Scott.

Choose any twelve men, and let C. read aloud That one of his novels of which he's most proud, And I'd lay any bet that, without ever quitting Their box, they'd be all, to a man, for acquitting. 1030 He has drawn you one character, though, that is new, One wildflower he's plucked that is wet with the dew Of this fresh Western world, and, the thing not to mince, He has done naught but copy it ill ever since; His Indians, with proper respect be it said, Are just Natty b.u.mppo, daubed over with red, And his very Long Toms are the same useful Nat, Rigged up in duck pants and a sou'wester hat (Though once in a Coffin, a good chance was found To have slipped the old fellow away underground). 1040 All his other men-figures are clothes upon sticks, The _derniere chemise_ of a man in a fix (As a captain besieged, when his garrison's small, Sets up caps upon poles to be seen o'er the wall); And the women he draws from one model don't vary.

All sappy as maples and flat as a prairie.

When a character's wanted, he goes to the task As a cooper would do in composing a cask; He picks out the staves, of their qualities heedful, Just hoops them together as tight as is needful, 1050 And, if the best fortune should crown the attempt, he Has made at the most something wooden and empty.

'Don't suppose I would underrate Cooper's abilities; If I thought you'd do that, I should feel very ill at ease; The men who have given to _one_ character life And objective existence are not very rife; You may number them all, both prose-writers and singers, Without overrunning the bounds of your fingers, And Natty won't go to oblivion quicker Than Adams the parson or Primrose the vicar. 1060

'There is one thing in Cooper I like, too, and that is That on manners he lectures his countrymen gratis; Not precisely so either, because, for a rarity, He is paid for his tickets in unpopularity.

Now he may overcharge his American pictures, But you'll grant there's a good deal of truth in his strictures; And I honor the man who is willing to sink Half his present repute for the freedom to think, And, when he has thought, be his cause strong or weak, Will risk t'other half for the freedom to speak, 1070 Caring naught for what vengeance the mob has in store, Let that mob be the upper ten thousand or lower.

'There are truths you Americans need to be told, And it never'll refute them to swagger and scold; John Bull, looking o'er the Atlantic, in choler At your aptness for trade, says you wors.h.i.+p the dollar; But to scorn such eye-dollar-try's what very few do, And John goes to that church as often as you do, No matter what John says, don't try to outcrow him, 'Tis enough to go quietly on and outgrow him; 1080 Like most fathers, Bull hates to see Number One Displacing himself in the mind of his son, And detests the same faults in himself he'd neglected When he sees them again in his child's gla.s.s reflected; To love one another you're too like by half; If he is a bull, you're a pretty stout calf, And tear your own pasture for naught but to show What a nice pair of horns you're beginning to grow.

'There are one or two things I should just like to hint, For you don't often get the truth told you in print; 1090 The most of you (this is what strikes all beholders) Have a mental and physical stoop in the shoulders; Though you ought to be free as the winds and the waves, You've the gait and the manners of runaway slaves; Though you brag of your New World, you don't half believe in it; And as much of the Old as is possible weave in it; Your G.o.ddess of freedom, a tight, buxom girl, With lips like a cherry and teeth like a pearl, With eyes bold as Here's, and hair floating free, And full of the sun as the spray of the sea, 1100 Who can sing at a husking or romp at a shearing, Who can trip through the forests alone without fearing, Who can drive home the cows with a song through the gra.s.s, Keeps glancing aside into Europe's cracked gla.s.s.

Hides her red hands in gloves, pinches up her lithe waist, And makes herself wretched with transmarine taste; She loses her fresh country charm when she takes Any mirror except her own rivers and lakes.

'You steal Englishmen's books and think Englishmen's thought, With their salt on her tail your wild eagle is caught; 1110 Your literature suits its each whisper and motion To what will be thought of it over the ocean; The cast clothes of Europe your statesmans.h.i.+p tries And mumbles again the old blarneys and lies;-- Forget Europe wholly, your veins throb with blood, To which the dull current in hers is but mud: Let her sneer, let her say your experiment fails, In her voice there's a tremble e'en now while she rails, And your sh.o.r.e will soon be in the nature of things Covered thick with gilt drift-wood of castaway kings, 1120 Where alone, as it were in a Longfellow's Waif, Her fugitive pieces will find themselves safe.

O my friends, thank your G.o.d, if you have one, that he 'Twixt the Old World and you set the gulf of a sea; Be strong-backed, brown-handed, upright as your pines, By the scale of a hemisphere shape your designs, Be true to yourselves and this new nineteenth age, As a statue by Powers, or a picture by Page, Plough, sail, forge, build, carve, paint, make all over new, To your own New-World instincts contrive to be true, 1130 Keep your ears open wide to the Future's first call, Be whatever you will, but yourselves first of all, Stand fronting the dawn on Toil's heaven-scaling peaks, And become my new race of more practical Greeks.-- Hem! your likeness at present, I shudder to tell o't, Is that you have your slaves, and the Greek had his helot.'

Here a gentleman present, who had in his attic More pepper than brains, shrieked, 'The man's a fanatic, I'm a capital tailor with warm tar and feathers, And will make him a suit that'll serve in all weathers; 1140 But we'll argue the point first, I'm willing to reason 't, Palaver before condemnation's but decent: So, through my humble person, Humanity begs Of the friends of true freedom a loan of bad eggs.'

But Apollo let one such a look of his show forth As when [Greek: aeie nukti eoikios], and so forth, And the gentleman somehow slunk out of the way, But, as he was going, gained courage to say,-- 'At slavery in the abstract my whole soul rebels, I am as strongly opposed to 't as any one else.' 1150 'Ay, no doubt, but whenever I've happened to meet With a wrong or a crime, it is always concrete,'

Answered Phoebus severely; then turning to us, 'The mistake of such fellows as just made the fuss Is only in taking a great busy nation For a part of their pitiful cotton-plantation.-- But there comes Miranda, Zeus! where shall I flee to?

She has such a penchant for bothering me too!

She always keeps asking if I don't observe a Particular likeness 'twixt her and Minerva; 1160 She tells me my efforts in verse are quite clever;-- She's been travelling now, and will be worse than ever; One would think, though, a sharp-sighted noter she'd be Of all that's worth mentioning over the sea, For a woman must surely see well, if she try, The whole of whose being's a capital I: She will take an old notion, and make it her own, By saying it o'er in her Sibylline tone, Or persuade you 'tis something tremendously deep, By repeating it so as to put you to sleep; 1170 And she well may defy any mortal to see through it, When once she has mixed up her infinite _me_ through it.

There is one thing she owns in her own single right, It is native and genuine--namely, her spite; Though, when acting as censor, she privately blows A censer of vanity 'neath her own nose.'

Here Miranda came up, and said, 'Phoebus! you know That the Infinite Soul has its infinite woe, As I ought to know, having lived cheek by jowl, Since the day I was born, with the Infinite Soul; 1180 I myself introduced, I myself, I alone, To my Land's better life authors solely my own, Who the sad heart of earth on their shoulders have taken, Whose works sound a depth by Life's quiet unshaken, Such as Shakespeare, for instance, the Bible, and Bacon, Not to mention my own works; Time's nadir is fleet, And, as for myself, I'm quite out of conceit'--

'Quite out of conceit! I'm enchanted to hear it,'

Cried Apollo aside. 'Who'd have thought she was near it?

To be sure, one is apt to exhaust those commodities 1190 One uses too fast, yet in this case as odd it is As if Neptune should say to his turbots and whitings, "I'm as much out of salt as Miranda's own writings"

(Which, as she in her own happy manner has said, Sound a depth, for 'tis one of the functions of lead).

She often has asked me if I could not find A place somewhere near me that suited her mind; I know but a single one vacant, which she, With her rare talent that way, would fit to a T.

And it would not imply any pause or cessation 1200 In the work she esteems her peculiar vocation,-- She may enter on duty to-day, if she chooses, And remain Tiring-woman for life to the Muses.'

Miranda meanwhile has succeeded in driving Up into a corner, in spite of their striving, A small flock of terrified victims, and there, With an I-turn-the-crank-of-the-Universe air And a tone which, at least to _my_ fancy, appears Not so much to be entering as boxing your ears, Is unfolding a tale (of herself, I surmise, 1210 For 'tis dotted as thick as a peac.o.c.k's with I's), _Apropos_ of Miranda, I'll rest on my oars And drift through a trifling digression on bores, For, though not wearing ear-rings _in more majorum_, Our ears are kept bored just as if we still wore 'em.

There was one feudal custom worth keeping, at least, Roasted bores made a part of each well-ordered feast, And of all quiet pleasures the very _ne plus_ Was in hunting wild bores as the tame ones hunt us.

Archaeologians, I know, who have personal fears 1220 Of this wise application of hounds and of spears, Have tried to make out, with a zeal more than wonted, 'Twas a kind of wild swine that our ancestors hunted; But I'll never believe that the age which has strewn Europe o'er with cathedrals, and otherwise shown That it knew what was what, could by chance not have known (Spending, too, its chief time with its buff on, no doubt) Which beast 'twould improve the world most to thin out.

I divide bores myself, in the manner of rifles, Into two great divisions, regardless of trifles:-- 1230 There's your smooth-bore and screw-bore, who do not much vary In the weight of cold lead they respectively carry.

The smooth-bore is one in whose essence the mind Not a corner nor cranny to cling by can find; You feel as in nightmares sometimes, when you slip Down a steep slated roof, where there's nothing to grip; You slide and you slide, the blank horror increases,-- You had rather by far be at once smashed to pieces; You fancy a whirlpool below white and frothing, And finally drop off and light upon--nothing. 1240 The screw-bore has twists in him, faint predilections For going just wrong in the tritest directions; When he's wrong he is flat, when he's right he can't show it, He'll tell you what Snooks said about the new poet,[3]

Or how Fogrum was outraged by Tennyson's Princess; He has spent all his spare time and intellect since his Birth in perusing, on each art and science, Just the books in which no one puts any reliance, And though _nemo_, we're told, _horis omnibus sapit_, The rule will not fit him, however you shape it, 1250 For he has a perennial foison of sappiness; He has just enough force to spoil half your day's happiness, And to make him a sort of mosquito to be with, But just not enough to dispute or agree with.

These sketches I made (not to be too explicit) From two honest fellows who made me a visit, And broke, like the tale of the Bear and the Fiddle, My reflections on Halleck short off by the middle; I sha'n't now go into the subject more deeply, For I notice that some of my readers look sleep'ly; 1260 I will barely remark that, 'mongst civilized nations, There's none that displays more exemplary patience Under all sorts of boring, at all sorts of hours, From all sorts of desperate persons, than ours.

Not to speak of our papers, our State legislatures, And other such trials for sensitive natures, Just look for a moment at Congress,--appalled, My fancy shrinks back from the phantom it called; Why, there's scarcely a member unworthy to frown 'Neath what Fourier nicknames the Boreal crown; 1270 Only think what that infinite bore-pow'r could do If applied with a utilitarian view; Suppose, for example, we s.h.i.+pped it with care To Sahara's great desert and let it bore there; If they held one short session and did nothing else, They'd fill the whole waste with Artesian wells.

But 'tis time now with pen phonographic to follow Through some more of his sketches our laughing Apollo:--

'There comes Harry Franco, and, as he draws near, You find that's a smile which you took for a sneer; 1280 One half of him contradicts t'other; his wont Is to say very sharp things and do very blunt; His manner's as hard as his feelings are tender, And a _sortie_ he'll make when he means to surrender; He's in joke half the time when he seems to be sternest, When he seems to be joking, be sure he's in earnest; He has common sense in a way that's uncommon, Hates humbug and cant, loves his friends like a woman, Builds his dislikes of cards and his friends.h.i.+ps of oak, Loves a prejudice better than aught but a joke, 1290 Is half upright Quaker, half downright Come-outer, Loves Freedom too well to go stark mad about her, Quite artless himself, is a lover of Art, Shuts you out of his secrets, and into his heart, And though not a poet, yet all must admire In his letters of Pinto his skill on the liar.

'There comes Poe, with his raven, like Barnaby Rudge, Three fifths of him genius and two fifths sheer fudge, Who talks like a book of iambs and pentameters, In a way to make people of common sense d.a.m.n metres, 1300 Who has written some things quite the best of their kind, But the heart somehow seems all squeezed out by the mind, Who--But hey-day! What's this? Messieurs Mathews and Poe, You mustn't fling mud-b.a.l.l.s at Longfellow so, Does it make a man worse that his character's such As to make his friends love him (as you think) too much?

Why, there is not a bard at this moment alive More willing than he that his fellows should thrive; While you are abusing him thus, even now He would help either one of you out of a slough; 1310 You may say that he's smooth and all that till you're hoa.r.s.e, But remember that elegance also is force; After polis.h.i.+ng granite as much as you will, The heart keeps its tough old persistency still; Deduct all you can, _that_ still keeps you at bay; Why, he'll live till men weary of Collins and Gray.

I'm not over-fond of Greek metres in English, To me rhyme's a gain, so it be not too jinglish, And your modern hexameter verses are no more Like Greek ones than sleek Mr. Pope is like Homer; 1320 As the roar of the sea to the coo of a pigeon is, So, compared to your moderns, sounds old Melesigenes; I may be too partial, the reason, perhaps, o't is That I've heard the old blind man recite his own rhapsodies, And my ear with that music impregnate may be, Like the poor exiled sh.e.l.l with the soul of the sea, Or as one can't bear Strauss when his nature is cloven To its deeps within deeps by the stroke of Beethoven; But, set that aside, and 'tis truth that I speak, Had Theocritus written in English, not Greek, 1330 I believe that his exquisite sense would scarce change a line In that rare, tender, virgin-like pastoral Evangeline.

That's not ancient nor modern, its place is apart Where time has no sway, in the realm of pure Art, 'Tis a shrine of retreat from Earth's hubbub and strife As quiet and chaste as the author's own life.

There comes Philothea, her face all aglow, She has just been dividing some poor creature's woe, And can't tell which pleases her most, to relieve His want, or his story to hear and believe; 1340 No doubt against many deep griefs she prevails, For her ear is the refuge of dest.i.tute tales; She knows well that silence is sorrow's best food, And that talking draws off from the heart its black blood, So she'll listen with patience and let you unfold Your bundle of rags as 'twere pure cloth of gold, Which, indeed, it all turns to as soon as she's touched it, And (to borrow a phrase from the nursery) _muched_ it; She has such a musical taste, she will go Any distance to hear one who draws a long bow; 1350 She will swallow a wonder by mere might and main, And thinks it Geometry's fault if she's fain To consider things flat, inasmuch as they're plain; Facts with her are accomplished, as Frenchmen would say-- They will prove all she wishes them to either way,-- And, as fact lies on this side or that, we must try, If we're seeking the truth, to find where it don't lie; I was telling her once of a marvellous aloe That for thousands of years had looked spindling and sallow, And, though nursed by the fruitfullest powers of mud, 1360 Had never vouchsafed e'en so much as a bud, Till its owner remarked (as a sailor, you know, Often will in a calm) that it never would blow, For he wished to exhibit the plant, and designed That its blowing should help him in raising the wind; At last it was told him that if he should water Its roots with the blood of his unmarried daughter (Who was born, as her mother, a Calvinist, said, With William Law's serious caul on her head), It would blow as the obstinate breeze did when by a 1370 Like decree of her father died Iphigenia; At first he declared he himself would be blowed Ere his conscience with such a foul crime he would load, But the thought, coming oft, grew less dark than before, And he mused, as each creditor knocked at his door, If _this_ were but done they would dun me no more; I told Philothea his struggles and doubts, And how he considered the ins and the outs Of the visions he had, and the dreadful dyspepsy, How he went to the seer that lives at Po'keepsie, 1380 How the seer advised him to sleep on it first, And to read his big volume in case of the worst, And further advised he should pay him five dollars For writing [Old English: Hum Hum] on his wristbands and collars; Three years and ten days these dark words he had studied When the daughter was missed, and the aloe had budded; I told how he watched it grow large and more large, And wondered how much for the show he should charge,-- She had listened with utter indifference to this, till I told how it bloomed, and, discharging its pistil 1390 With an aim the Eumenides dictated, shot The botanical filicide dead on the spot; It had blown, but he reaped not his horrible gains, For it blew with such force as to blow out his brains, And the crime was blown also, because on the wad, Which was paper, was writ "Visitation of G.o.d,"

As well as a thrilling account of the deed Which the coroner kindly allowed me to read.

'Well, my friend took this story up just, to be sure, 1399 As one might a poor foundling that's laid at one's door; She combed it and washed it and clothed it and fed it, And as if 'twere her own child most tenderly bred it, Laid the scene (of the legend, I mean) far away a- -mong the green vales underneath Himalaya, And by artist-like touches, laid on here and there, Made the whole thing so touching, I frankly declare I have read it all thrice, and, perhaps I am weak, But I found every time there were tears on my cheek.

'The pole, science tells us, the magnet controls, But she is a magnet to emigrant Poles, 1410 And folks with a mission that n.o.body knows Throng thickly about her as bees round a rose; She can fill up the _carets_ in such, make their scope Converge to some focus of rational hope, And, with sympathies fresh as the morning, their gall Can trans.m.u.te into honey,--but this is not all; Not only for those she has solace, oh say, Vice's desperate nursling adrift in Broadway, Who clingest, with all that is left of thee human, To the last slender spar from the wreck of the woman, 1420 Hast thou not found one sh.o.r.e where those tired drooping feet Could reach firm mother-earth, one full heart on whose beat The soothed head in silence reposing could hear The chimes of far childhood throb back on the ear?

Ah, there's many a beam from the fountain of day That, to reach us unclouded, must pa.s.s, on its way, Through the soul of a woman, and hers is wide ope To the influence of Heaven as the blue eyes of Hope; Yes, a great heart is hers, one that dares to go in To the prison, the slave-hut, the alleys of sin, 1430 And to bring into each, or to find there, some line Of the never completely out-trampled divine; If her heart at high floods swamps her brain now and then, 'Tis but richer for that when the tide ebbs agen, As, after old Nile has subsided, his plain Overflows with a second broad deluge of grain; What a wealth would it tiring to the narrow and sour Could they be as a Child but for one little hour!

'What! Irving? thrice welcome, warm heart and fine brain, You bring back the happiest spirit from Spain, 1440 And the gravest sweet humor, that ever were there Since Cervantes met death in his gentle despair; Nay, don't be embarra.s.sed, nor look so beseeching, I sha'n't run directly against my own preaching, And, having just laughed at their Raphaels and Dantes, Go to setting you up beside matchless Cervantes; But allow me to speak what I honestly feel,-- To a true poet-heart add the fun of d.i.c.k Steele, Throw in all of Addison, _minus_ the chill, 1449 With the whole of that partners.h.i.+p's stock and good-will, Mix well, and while stirring, hum o'er, as a spell, The fine _old_ English Gentleman, simmer it well, Sweeten just to your own private liking, then strain, That only the finest and clearest remain, Let it stand out of doors till a soul it receives From the warm lazy sun loitering down through green leaves, And you'll find a choice nature, not wholly deserving A name either English or Yankee,--just Irving.

'There goes,--but _stet nominis umbra_,--his name You'll be glad enough, some day or other, to claim, 1460 And will all crowd about him and swear that you knew him If some English critic should chance to review him.

The old _porcos ante ne projiciatis_ MARGARITAS, for him you have verified gratis; What matters his name? Why, it may be Sylvester, Judd, Junior, or Junius, Ulysses, or Nestor, For aught _I_ know or care; 'tis enough that I look On the author of "Margaret," the first Yankee book With the _soul_ of Down East in 't, and things farther East, As far as the threshold of morning, at least, 1470 Where awaits the fair dawn of the simple and true, Of the day that comes slowly to make all things new.

'T has a smack of pine woods, of bare field and bleak hill, Such as only the breed of the Mayflower could till; The Puritan's shown in it, tough to the core, Such as prayed, smiting Agag on red Marston Moor: With an unwilling humor, half choked by the drouth In brown hollows about the inhospitable mouth; With a soul full of poetry, though it has qualms About finding a happiness out of the Psalms; 1480 Full of tenderness, too, though it shrinks in the dark, Hamadryad-like, under the coa.r.s.e, s.h.a.ggy bark; That sees visions, knows wrestlings of G.o.d with the Will, And has its own Sinais and thunderings still.'

Here, 'Forgive me, Apollo,' I cried, 'while I pour My heart out to my birthplace: O loved more and more Dear Baystate, from whose rocky bosom thy sons Should suck milk, strong-will-giving, brave, such as runs In the veins of old Greylock--who is it that dares 1489 Call thee pedler, a soul wrapped in bank-books and shares?

It is false! She's a Poet! I see, as I write, Along the far railroad the steam-snake glide white, The cataract-throb of her mill-hearts, I hear, The swift strokes of trip-hammers weary my ear, Sledges ring upon anvils, through logs the saw screams, Blocks swing to their place, beetles drive home the beams:-- It is songs such as these that she croons to the din Of her fast-flying shuttles, year out and year in, While from earth's farthest corner there comes not a breeze But wafts her the buzz of her gold-gleaning bees: 1500 What though those horn hands have as yet found small time For painting and sculpture and music and rhyme?

These will come in due order; the need that pressed sorest Was to vanquish the seasons, the ocean, the forest, To bridle and harness the rivers, the steam, Making those whirl her mill-wheels, this tug in her team, To va.s.salize old tyrant Winter, and make Him delve surlily for her on river and lake;-- When this New World was parted, she strove not to s.h.i.+rk Her lot in the heirdom, the tough, silent Work, 1510 The hero-share ever from Herakles down To Odin, the Earth's iron sceptre and crown: Yes, thou dear, n.o.ble Mother! if ever men's praise Could be claimed for creating heroical lays, Thou hast won it; if ever the laurel divine Crowned the Maker and Builder, that glory is thine!

Thy songs are right epic, they tell how this rude Rock-rib of our earth here was tamed and subdued; Thou hast written them plain on the face of the planet In brave, deathless letters of iron and granite; 1520 Thou hast printed them deep for all time; they are set From the same runic type-fount and alphabet With thy stout Berks.h.i.+re hills and the arms of thy Bay,-- They are staves from the burly old Mayflower lay.

If the drones of the Old World, in querulous ease, Ask thy Art and thy Letters, point proudly to these, Or, if they deny these are Letters and Art, Toil on with the same old invincible heart; Thou art rearing the pedestal broad-based and grand Whereon the fair shapes of the Artist shall stand, 1530 And creating, through labors undaunted and long, The theme for all Sculpture and Painting and Song!

'But my good mother Baystate wants no praise of mine, She learned from _her_ mother a precept divine About something that b.u.t.ters no parsnips, her _forte_ In another direction lies, work is her sport (Though she'll curtsey and set her cap straight, that she will, If you talk about Plymouth and red Bunker's hill).

Dear, notable goodwife! by this time of night, Her hearth is swept neatly, her fire burning bright, 1540 And she sits in a chair (of home plan and make) rocking, Musing much, all the while, as she darns on a stocking, Whether turkeys will come pretty high next Thanksgiving, Whether flour'll be so dear, for, as sure as she's living, She will use rye-and-injun then, whether the pig By this time ain't got pretty tolerable big, And whether to sell it outright will be best, Or to smoke hams and shoulders and salt down the rest,-- At this minute, she'd swop all my verses, ah, cruel!

For the last patent stove that is saving of fuel; 1550 So I'll just let Apollo go on, for his phiz Shows I've kept him awaiting too long as it is.'

'If our friend, there, who seems a reporter, is done With his burst of emotion, why, I will go on,'

Said Apollo; some smiled, and, indeed, I must own There was something sarcastic, perhaps, in his tone;--

'There's Holmes, who is matchless among you for wit; A Leyden-jar always full-charged, from which flit The electrical tingles of hit after hit; In long poems 'tis painful sometimes, and invites 1560 A thought of the way the new Telegraph writes, Which p.r.i.c.ks down its little sharp sentences spitefully As if you got more than you'd t.i.tle to rightfully, And you find yourself hoping its wild father Lightning Would flame in for a second and give you a fright'ning.

He has perfect sway of what I call a sham metre, But many admire it, the English pentameter, And Campbell, I think, wrote most commonly worse, With less nerve, swing, and fire in the same kind of verse, Nor e'er achieved aught in't so worthy of praise 1570 As the tribute of Holmes to the grand _Ma.r.s.eillaise_.

You went crazy last year over Bulwer's New Timon;-- Why, if B., to the day of his dying, should rhyme on, Heaping verses on verses and tomes upon tomes, He could ne'er reach the best point and vigor of Holmes.

His are just the fine hands, too, to weave you a lyric Full of fancy, fun, feeling, or spiced with satiric In a measure so kindly, you doubt if the toes That are trodden upon are your own or your foes'.

'There is Lowell, who's striving Parna.s.sus to climb 1580 With a whole bale of _isms_ tied together with rhyme, He might get on alone, spite of brambles and boulders, But he can't with that bundle he has on his shoulders, The top of the hill he will ne'er come nigh reaching Till he learns the distinction 'twixt singing and preaching; His lyre has some chords that would ring pretty well, But he'd rather by half make a drum of the sh.e.l.l, And rattle away till he's old as Methusalem, At the head of a march to the last new Jerusalem. 1589

'There goes Halleck, whose f.a.n.n.y's a pseudo Don Juan, With the wickedness out that gave salt to the true one, He's a wit, though, I hear, of the very first order, And once made a pun on the words soft Recorder; More than this, he's a very great poet, I'm told, And has had his works published in crimson and gold, With something they call "Ill.u.s.trations," to wit, Like those with which Chapman obscured Holy Writ,[4]