Half Portions Part 9

The three smiled grimly. Ma Mandle smiled, too, a little nervously, her fingers creasing and uncreasing a fold of her black silk skirt as she made airy answer: "If I've said once I've said a million times to my son Hugo, 'Hugo, why don't you pick out some nice girl and settle down? I won't be here always.' And he says, 'Getting tired of me, are you, Ma? I guess maybe you're looking for a younger fellow.' Only last night I said, at the table, 'Hugo, when are you going to get married?' And he laughed. 'When I find somebody that can cook dumplings like these. Pa.s.s me another, Ma'."

"That's all very well," said Mrs. Wormser.

"But when the right one comes along he won't know dumplings from mud."

"Oh, a man of forty isn't such a--"

"He's just like a man of twenty-five--only worse."

Mrs. Mandle would rise, abruptly. "Well, I guess you all know my son Hugo better than his own mother. How about a cup of coffee, ladies?"

They would proceed solemnly and eagerly to the columned coolness of the park refectory where they would drink their thick, creamy coffee. They never knew, perhaps, how keenly they counted on that cup of coffee, or how hungrily they drank it. Their minds, unconsciously, were definitely fixed on the four-o'clock drink that stimulated the old nerves.

Life had not always been so plumply upholstered for old lady Mandle. She had known its sharp corners and cruel edges. At twenty-three, a strong, healthy, fun-loving girl, she had married Herman Mandle, a dour man twenty-two years her senior. In their twenty-five years of married life together Hattie Mandle never had had a five-cent piece that she could call her own. Her husband was reputed to be wealthy, and probably was, according to the standards of that day. There were three children: Etta, the oldest; a second child, a girl, who died; and Hugo. Her husband's miserliness, and the grind of the planning, scheming, and contriving necessary to clothe and feed her two children would have crushed the spirit of many women. But hard and glum as her old husband was he never quite succeeded in subduing her courage or her love of fun. The habit of heart-breaking economy clung to her, however, even when days of plenty became hers. It showed in little h.o.a.rding ways: in the saving of burned matches, of bits of ribbon, of sc.r.a.ps of food, of the very furniture and linen, as though, when these were gone, no more would follow.

Ten years after her marriage her husband retired from active business.

He busied himself now with his real estate, with mysterious papers, doc.u.ments, agents. He was forever poking around the house at hours when a household should be manless, grumbling about the waste where there was none, peering into bread boxes, prying into corners never meant for masculine eyes. Etta, the girl, was like him, sharp-nosed, ferret-faced, stingy. The mother and the boy turned to each other. In a wordless way they grew very close, those two. It was as if they were silently matched against the father and daughter.

It was a queer household, brooding, sinister, like something created in a Bronte brain. The two children were twenty-four and twenty-two when the financial avalanche of '93 thundered across the continent sweeping Herman Handle, a mere speck, into the debris. Stocks and bonds and real estate became paper, with paper value. He clawed about with frantic, clutching fingers but his voice was lost in the shrieks of thousands more hopelessly hurt. You saw him sitting for hours together with a black tin box in front of him, pawing over papers, scribbling down figures, muttering. The bleak future that confronted them had little of terror for Hattie Mandle. It presented no contrast with the bleakness of the past. On the day that she came upon him, his head fallen at a curious angle against the black tin box, his hands, asprawl, clutching the papers that strewed the table, she was appalled, not at what she found, but at the leap her heart gave at what she found. Herman Handle's sudden death was one of the least of the tragedies that trailed in the wake of the devastating panic.

Thus it was that Hugo Handle, at twenty-three, became the head of a household. He did not need to seek work. From the time he was seventeen he had been employed in a large china-importing house, starting as a stock boy. Brought up under the harsh circ.u.mstances of Hugo's youth, a boy becomes food for the reformatory or takes on the seriousness and responsibility of middle age. In Hugo's case the second was true. From his father he had inherited a mathematical mind and a sense of material values. From his mother, a certain patience and courage, though he never attained her iron indomitability.

It had been a terrific struggle. His salary at twenty-three was most modest, but he was getting on. He intended to be a buyer, some day, and take trips abroad to the great Austrian and French and English china houses.

The day after the funeral he said to his mother, "Well, now we've got to get Etta married. But married well. Somebody who'll take care of her."

"You're a good son, Hugo," Mrs. Handle had said.

Hugo shook his head. "It isn't that. If she's comfortable and happy--or as happy as she knows how to be--she'll never come back. That's what I want. There's debts to pay, too. But I guess we'll get along."

They did get along, but at snail's pace. There followed five years of economy so rigid as to make the past seem profligate. Etta, the acid-tongued, the ferret-faced, was not the sort to go off without the impetus of a dowry. The man for Etta, the shrew, must be kindly, long-suffering, subdued--and in need of a start. He was. They managed a very decent trousseau and the miracle of five thousand dollars in cash.

Every st.i.tch in the trousseau and every penny in the dowry represented incredible sacrifice and self-denial on the part of mother and brother.

Etta went off to her new home in Pittsburg with her husband. She had expressed thanks for nothing and had bickered with her mother to the last, but even Hugo knew that her suit and hat and gloves and shoes were right. She was almost handsome in them, the unwonted flush of excitement colouring her cheeks, brightening her eyes.

The next day Hugo came home with a new hat for his mother, a four-pound steak, and the announcement that he was going to take music lessons. A new era had begun in the life of Ma Mandle.

Two people, no matter how far apart in years or tastes, cannot struggle side by side, like that, in a common cause, without forging between them a bond indissoluble. Hugo, at twenty-eight, had the serious mien of a man of forty. At forty he was to revert to his slighted twenty-eight, but he did not know that then. His music lessons were his one protest against a beauty-starved youth. He played rather surprisingly well the cheap music of the day, waggling his head (already threatening baldness) in a professional vaudeville manner and squinting up through his cigar smoke, happily. His mother, seated in the room, sewing, would say, "Play that again, Hugo. That's beautiful. What's the name of that?" He would tell her, for the dozenth time, and play it over, she humming, off-key, in his wake. The relation between them was more than that of mother and son. It was a complex thing that had in it something conjugal. When Hugo kissed his mother with a resounding smack and a.s.sured her that she looked like a kid she would push him away with little futile shoves, pat her hair into place, and pretend annoyance. "Go away, you big rough thing!" she would cry. But all unconsciously she got from it a thrill that her husband's withered kisses had never given her.

Twelve years had pa.s.sed since Etta's marriage. Hugo's salary was a comfortable thing now, even in these days of soaring prices. The habit of economy, so long a necessity, had become almost a vice in old lady Mandle. Hugo, with the elasticity of younger years, learned to spend freely, but his mother's thrift and shrewdness automatically swelled his savings. When he was on the road, as he sometimes was for weeks at a time, she spent only a t.i.the of the generous sum he left with her. She and Anna ate those sketchy meals that obtain in a manless household.

When Hugo was home the table was abundant and even choice, though Ma Mandle often went blocks out of her way to save three cents on a bunch of new beets. So strong is usage. She would no more have wasted his money than she would have knifed him in the dark. She ran the household capably, but her way was the old-fas.h.i.+oned way. Sometimes Hugo used to protest, aghast at some petty act of parsimony.

"But, Ma, what do you want to scrimp like that for! You're the worst tightwad I ever saw. Here, take this ten and blow it. You're worse than the squirrels in the park, darned if you ain't!"

She couldn't resist the ten. Neither could she resist showing it, next day, to Mrs. Brunswick, Mrs. Lamb, and Mrs. Wormser. "How my son Hugo spoils me! He takes out a ten-dollar bill, and he stuffs it into my hand and says 'Ma, you're the worst tightwad I ever saw.'" She laughed contentedly. But she did not blow the ten. As she grew older Hugo regularly lied to her about the price of theatre tickets, dainties, articles of dress, railway fares, luxuries. Her credulity increased with age, shrewd though she naturally was.

It was a second blooming for Ma Mandle. When he surprised her with an evening at the theatre she would fuss before her mirror for a full hour. "Some gal!" Hugo would shout when finally she emerged.

"Everybody'll be asking who the old man is you're out with. First thing I know I'll have a police-woman after me for going around with a chicken."

"Don't talk foolishness." But she would flush like a bride. She liked a musical comedy with a lot of girls in it and a good-looking tenor. Next day you would hear her humming the catch-tune in an airy falsetto.

Sometimes she wondered about him. She was, after all, a rather wise old lady, and she knew something of men. She had a secret horror of his becoming what she called fast.

"Why don't you take out some nice young girl instead of an old woman like me, Hugo? Any girl would be only too glad." But in her heart was a dread. She thought of Mrs. Lamb, Mrs. Wormser, and Mrs. Brunswick.

So they had gone on, year after year, in the comfortable flat on South Park Avenue. A pleasant thing, life.

And then Hugo married, suddenly, breathlessly, as a man of forty does.

Afterward, Ma Mandle could recall almost nothing from which she might have taken warning. That was because he had said so little. She remembered that he had come home to dinner one evening and had spoken admiringly of a woman buyer from Omaha. He did not often speak of business.

"She buys like a man," he had said at dinner. "I never saw anything like it. Knew what she wanted and got it. She bought all my best numbers at rock bottom. I sold her a four-figure bill in half an hour. And no fuss.

Everything right to the point and when I asked her out to dinner she turned me down. Good looking, too. She's coming in again to-morrow for novelties."

Ma Mandle didn't even recall hearing her name until the knife descended.

Hugo played the piano a great deal all that week, after dinner.

Sentimental things, with a minor wail in the chorus. Smoked a good deal, too. Twice he spent a full hour in dressing, whistling absent-mindedly during the process and leaving his necktie rack looking like a nest of angry pythons when he went out, without saying where he was going. The following week he didn't touch the piano and took long walks in Was.h.i.+ngton Park, alone, after ten. He seemed uninterested in his meals.

Usually he praised this dish, or that.

"How do you like the blueberry pie, Hugo?"

"'S all right." And declined a second piece.

The third week he went West on business. When he came home he dropped his bag in the hall, strode into his mother's bedroom, and stood before her like a schoolboy. "Lil and I are going to be married," he said.

Ma Mandle had looked up at him, her face a blank. "Lil?"

"Sure. I told you all about her." He hadn't. He had merely thought about her, for three weeks, to the exclusion of everything else. "Ma, you'll love her. She knows all about you. She's the grandest girl in the world.

Say, I don't know why she ever fell for a dub like me. Well, don't look so stunned. I guess you kind of suspicioned, huh?"

"But who--?"

"I never thought she'd look at me. Earned her own good salary, and strictly business, but she's a real woman. Says she wants her own home an--'n everything. Says every normal woman does. Says--"

Ad lib.

They were married the following month.

Hugo sub-leased the flat on South Park and took an eight-room apartment farther east. Ma Mandle's red and green plush parlour pieces, and her mahogany rockers, and her rubber plant, and the fern, and the can of grapefruit pits that she and Anna had planted and that had come up, miraculously, in the form of s.h.i.+ny, thick little green leaves, all were swept away in the upheaval that followed. Gone, too, was Polish Anna, with her damp calico and her ubiquitous pail and dripping rag and her gutturals. In her place was a trim Swede who wore white kid shoes in the afternoon and gray dresses and cob-web ap.r.o.ns. The sight of the neat Swede sitting in her room at two-thirty in the afternoon, tatting, never failed to fill Ma Mandle with a dumb fury. Anna had been an all-day scrubber.

But Lil. Hugo thought her very beautiful, which she was not. A plump, voluble, full-bosomed woman, exquisitely neat, with a clear, firm skin, bright brown eyes, an unerring instinct for clothes, and a shrewd business head. Hugo's devotion amounted to wors.h.i.+p.

He used to watch her at her toilette in their rose and black mahogany front bedroom. Her plump white shoulders gleamed from pink satin straps.

She smelled pleasantly of sachet and a certain heady scent she affected.

Seated before the mirror, she stared steadily at herself with a concentration such as an artist bestows upon a work that depends, for its perfection, upon nuances of light and shade. Everything about her shone and glittered. Her pink nails were like polished coral. Her hair gleamed in smooth undulations, not a strand out of place. Her skin was clear and smooth as a baby's. Her hands were plump and white. She was always getting what she called a facial, from which process she would emerge looking pinker and creamier than ever. Lil knew when camisoles were edged with filet, and when with Irish. Instinctively she sensed when taffeta was to be superseded by foulard. The contents of her scented bureau drawers needed only a dab of whipped cream on top to look as if they might have been eaten as something souffle.

"How do I look in it, Hugo? Do you like it?" was a question that rose daily to her lips. A new hat, or frock, or collar, or negligee. Not that she was unduly extravagant. She knew values, and profited by her knowledge.

"Le's see. Turn around. It looks great on you. Yep. That's all right."

He liked to fancy himself a connoisseur in women's clothes and to prove it he sometimes brought home an article of feminine apparel glimpsed in a shop window or showcase, but Lil soon put a stop to that. She had her own ideas on clothes. He turned to jewellery. On Lil's silken bosom reposed a diamond-and-platinum pin the size and general contour of a fish-knife. She had a dinner ring that crowded the second knuckle, and on her plump wrist sparkled an oblong so encrusted with diamonds that its utilitarian dial was almost lost.