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Heartbreak House Part 14

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ACT II

The same room, with the lights turned up and the curtains drawn. Ellie comes in, followed by Mangan. Both are dressed for dinner. She strolls to the drawing-table. He comes between the table and the wicker chair.

MANGAN. What a dinner! I don't call it a dinner: I call it a meal.

ELLIE. I am accustomed to meals, Mr Mangan, and very lucky to get them.

Besides, the captain cooked some maccaroni for me.



MANGAN [shuddering liverishly]. Too rich: I can't eat such things. I suppose it's because I have to work so much with my brain. That's the worst of being a man of business: you are always thinking, thinking, thinking. By the way, now that we are alone, may I take the opportunity to come to a little understanding with you?

ELLIE [settling into the draughtsman's seat]. Certainly. I should like to.

MANGAN [taken aback]. Should you? That surprises me; for I thought I noticed this afternoon that you avoided me all you could. Not for the first time either.

ELLIE. I was very tired and upset. I wasn't used to the ways of this extraordinary house. Please forgive me.

MANGAN. Oh, that's all right: I don't mind. But Captain Shotover has been talking to me about you. You and me, you know.

ELLIE [interested]. The captain! What did he say?

MANGAN. Well, he noticed the difference between our ages.

ELLIE. He notices everything.

MANGAN. You don't mind, then?

ELLIE. Of course I know quite well that our engagement--

MANGAN. Oh! you call it an engagement.

ELLIE. Well, isn't it?

MANGAN. Oh, yes, yes: no doubt it is if you hold to it. This is the first time you've used the word; and I didn't quite know where we stood: that's all. [He sits down in the wicker chair; and resigns himself to allow her to lead the conversation]. You were saying--?

ELLIE. Was I? I forget. Tell me. Do you like this part of the country? I heard you ask Mr Hushabye at dinner whether there are any nice houses to let down here.

MANGAN. I like the place. The air suits me. I shouldn't be surprised if I settled down here.

ELLIE. Nothing would please me better. The air suits me too. And I want to be near Hesione.

MANGAN [with growing uneasiness]. The air may suit us; but the question is, should we suit one another? Have you thought about that?

ELLIE. Mr Mangan, we must be sensible, mustn't we? It's no use pretending that we are Romeo and Juliet. But we can get on very well together if we choose to make the best of it. Your kindness of heart will make it easy for me.

MANGAN [leaning forward, with the beginning of something like deliberate unpleasantness in his voice]. Kindness of heart, eh? I ruined your father, didn't I?

ELLIE. Oh, not intentionally.

MANGAN. Yes I did. Ruined him on purpose.

ELLIE. On purpose!

MANGAN. Not out of ill-nature, you know. And you'll admit that I kept a job for him when I had finished with him. But business is business; and I ruined him as a matter of business.

ELLIE. I don't understand how that can be. Are you trying to make me feel that I need not be grateful to you, so that I may choose freely?

MANGAN [rising aggressively]. No. I mean what I say.

ELLIE. But how could it possibly do you any good to ruin my father? The money he lost was yours.

MANGAN [with a sour laugh]. Was mine! It is mine, Miss Ellie, and all the money the other fellows lost too. [He shoves his hands into his pockets and shows his teeth]. I just smoked them out like a hive of bees. What do you say to that? A bit of shock, eh?

ELLIE. It would have been, this morning. Now! you can't think how little it matters. But it's quite interesting. Only, you must explain it to me.

I don't understand it. [Propping her elbows on the drawingboard and her chin on her hands, she composes herself to listen with a combination of conscious curiosity with unconscious contempt which provokes him to more and more unpleasantness, and an attempt at patronage of her ignorance].

MANGAN. Of course you don't understand: what do you know about business?

You just listen and learn. Your father's business was a new business; and I don't start new businesses: I let other fellows start them. They put all their money and their friends' money into starting them. They wear out their souls and bodies trying to make a success of them.

They're what you call enthusiasts. But the first dead lift of the thing is too much for them; and they haven't enough financial experience. In a year or so they have either to let the whole show go bust, or sell out to a new lot of fellows for a few deferred ordinary shares: that is, if they're lucky enough to get anything at all. As likely as not the very same thing happens to the new lot. They put in more money and a couple of years' more work; and then perhaps they have to sell out to a third lot. If it's really a big thing the third lot will have to sell out too, and leave their work and their money behind them. And that's where the real business man comes in: where I come in. But I'm cleverer than some: I don't mind dropping a little money to start the process. I took your father's measure. I saw that he had a sound idea, and that he would work himself silly for it if he got the chance. I saw that he was a child in business, and was dead certain to outrun his expenses and be in too great a hurry to wait for his market. I knew that the surest way to ruin a man who doesn't know how to handle money is to give him some. I explained my idea to some friends in the city, and they found the money; for I take no risks in ideas, even when they're my own. Your father and the friends that ventured their money with him were no more to me than a heap of squeezed lemons. You've been wasting your grat.i.tude: my kind heart is all rot. I'm sick of it. When I see your father beaming at me with his moist, grateful eyes, regularly wallowing in grat.i.tude, I sometimes feel I must tell him the truth or burst. What stops me is that I know he wouldn't believe me. He'd think it was my modesty, as you did just now. He'd think anything rather than the truth, which is that he's a blamed fool, and I am a man that knows how to take care of himself.

[He throws himself back into the big chair with large self approval].

Now what do you think of me, Miss Ellie?

ELLIE [dropping her hands]. How strange! that my mother, who knew nothing at all about business, should have been quite right about you!

She always said not before papa, of course, but to us children--that you were just that sort of man.

MANGAN [sitting up, much hurt]. Oh! did she? And yet she'd have let you marry me.

ELLIE. Well, you see, Mr Mangan, my mother married a very good man--for whatever you may think of my father as a man of business, he is the soul of goodness--and she is not at all keen on my doing the same.

MANGAN. Anyhow, you don't want to marry me now, do you?

ELLIE. [very calmly]. Oh, I think so. Why not?

MANGAN. [rising aghast]. Why not!

ELLIE. I don't see why we shouldn't get on very well together.

MANGAN. Well, but look here, you know--[he stops, quite at a loss].

ELLIE. [patiently]. Well?

MANGAN. Well, I thought you were rather particular about people's characters.

ELLIE. If we women were particular about men's characters, we should never get married at all, Mr Mangan.

MANGAN. A child like you talking of "we women"! What next! You're not in earnest?

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Heartbreak House Part 14 summary

You're reading Heartbreak House. This manga has been translated by Updating. Author(s): Bernard Shaw. Already has 629 views.

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