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Sketches of Travel in Normandy and Maine Part 6

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THE CHURCHES OF CHARTRES AND LE MANS

1868

It is sometimes curious to see how far the popular fame of buildings is from answering either to their architectural merit or to their historic interest. Take, for instance, the two cathedrals of Chartres and Le Mans, two cities placed within no very great distance of one another, on one of the great French lines of railway, that which leads from Paris to Brest. Chartres is a name which is familiar to every one; its cathedral is counted among the great churches of Christendom; men speak of it in the same breath with Amiens and Ely. Le Mans, on the other hand, is scarcely known; we suspect that many fairly informed persons hardly know where the city itself is; the cathedral is hardly ever spoken of, and, we believe, is scarcely at all known, except to professed architectural students. Yet, except that Chartres is nearer Paris of the two, one is as accessible as the other; the historical a.s.sociations of Chartres, as far at least as Englishmen are concerned, certainly cannot be compared to those of Le Mans; there is nothing at Chartres to set against the early military and domestic antiquities of Le Mans; the secondary churches of Le Mans distinctly surpa.s.s those of Chartres; though between the two cathedral churches the controversy might be more equally waged.

Each has great and diverse merits; but for our own part, we have little hesitation in preferring Le Mans even as a work of architecture; that it is a building of higher historic interest there can be no doubt whatever.

Both cities belong to a cla.s.s of which we have few or none in England. A Celtic hill-fort, crowning a height rising steeply from a river-side, has grown into a Roman city, and the Roman city has remained to our own times the local capital, alike civil and ecclesiastical. It would be hardly possible to find a single town in England whose history has run the same course--a course which is by no means peculiar to Chartres and Le Mans, but which they share with many other cities in all parts of Gaul. And Le Mans especially has a local history of unusual interest, and that history is written with unusual clearness on the site and the earliest remains of the town. But on that history we shall not at present enlarge. Our present object is to compare the churches of the two towns, especially the two great cathedrals, which, as usual, stand within the earliest enclosure, and therefore upon the highest ground in their respective cities.



Two or three events connect the cathedral of Chartres with general and with English history. The first church of which any part survives is that raised by Fulbert, the famous Bishop of Chartres in the early part of the eleventh century, and the most diligent letter-writer of the time. To this work, of which a vast crypt still remains, our great c.n.u.t was a benefactor. The dignity of the Lord of all Northern Europe has so deeply impressed the writer of Murray's Handbook that he cuts him into two, and speaks of the contributions of the Kings of England, France, and Denmark. In the latter part of the next century, John of Salisbury, so famous in the great struggle between Henry and Thomas, held the Bishopric of Chartres. It was the spires of Chartres to which Edward the Third stretched forth his hands when his heart smote him at the sound of the thunder, and he vowed to refuse no honourable terms of peace. In was in this cathedral that Henry of Navarre received the crown of France, a new holy oil of Marmoutiers being extemporized to supply the place of the inaccessible holy oil of Rheims. The history of the city and county in earlier times is closely mixed up with those of France, Normandy, Anjou, and Champagne. The counts of Chartres and Blois in the tenth, eleventh, and twelfth centuries were men of importance in their day, and one of them directly connected himself with England by a memorable marriage. Chartres was long the dwelling-place of the excellent Adela, the daughter of the Great William, the mother of King Stephen and of the famous Bishop Henry of Winchester. But, while Chartres was thus closely, though indirectly, connected with our history, it never, like Le Mans, actually formed a part of the dominions of a common sovereign with England and Normandy.

The cathedrals of Chartres and Le Mans are about as unlike as any two great mediaeval churches well can be. Well nigh the only point of likeness is that each possesses a magnificent east end of the thirteenth century, of the usual French plan, with the apse, the surrounding chapels, the complicated system of flying b.u.t.tresses. But at Chartres this east end is part of a whole. The crypt still witnesses to the days of Fulbert, the lower stages of the western towers to those of Adela and to those of John of Salisbury; but all the rest of the church, including of course all the interior, is of an uniform style and design. The church throughout follows the usual type of great French churches; the eye accustomed to the buildings of England or Normandy misses the central towers of Lincoln or of Saint Ouen's, but Chartres is not in England or in Normandy, but in France, and its church is built accordingly. A fairer question of taste is raised by the unequal spires of the west front--a French feature again, but occasionally extending into Normandy and England, as at Rouen, Llandaff, Lynn, and Canterbury as it was. But it is only in so long and varied a front as that of Rouen Cathedral that it is at all satisfactory. At Chartres the great south spire is modern and of iron, but we believe it very well reproduces the outline of the elder one of wood, and it certainly comes down heavily and awkwardly upon the towers and upon the roof of the church. The upper part of the north tower is frittered away with work of a later style.

Still, allowing for the diversity of the towers, which of course does not appear inside, Chartres is a whole--a consistent, harmonious whole, of great, though we cannot think of first-rate, excellence. How does such a whole stand as compared with a building of strange, and at first sight, unintelligible outline, formed by the juxtaposition of two parts, each of admirable merit in itself, but which startle by their absolute contrast in every way? Chartres was made, Le Mans eminently grew; and different minds will be differently inclined in the comparison between a single harmonious work of art and a union of two buildings widely differing in date, style, and proportion. But, on the other hand, it must be said that nothing at Chartres equals the parts of Le Mans taken separately, and that, in the inside at least, the incongruity of Le Mans is far from being felt in the unpleasant way that might have been looked for.

[Ill.u.s.tration: Le Mans Cathedral, N.W.]

The general effect of Le Mans Cathedral, as seen from any point but the east, is certainly perplexing. From the east indeed, from the open place below the church and the Roman wall, once a marsh, the apse, with its flying b.u.t.tresses and surrounding chapels, rises in a grandeur before which Chartres is absolutely dwarfed, and which gives Amiens itself a very formidable rival. We here see the main source of our difficulties, namely that the church has but a single tower, and that at the end of the south transept. Viewed from any other point--looking up, for instance, at the old town from the other side of the river--what one sees is a lofty body with a tower at one end of it, which one is inclined rashly to a.s.sume to be the nave, with a western tower, and a lower body joining it at right angles. This last is the real nave of the church, and a magnificent building it is. The truth is that, at Le Mans, as in various other churches in France, the Gothic builders, from the thirteenth century onwards, designed a complete rebuilding. They began at the east, they rebuilt the choir and transepts, but they never got any further, so that the ancient nave remains. So it is at Bordeaux and Toulouse; so it is at Beauvais, where the small but precious fragment of early work, which looks like an excrescence against the gigantic transept--the _Ba.s.se Oeuvre_, as it is locally called--is really the ancient nave--.[63] So it is in a certain sense at Limoges, where a gap intervenes between the finished choir and transept and the western tower of the original design. But in none of these cases, as far as we can see, can the elder nave have at all approached the grandeur of the n.o.ble work at Le Mans. It is a Romanesque building of the eleventh century, reconstructed in the gorgeous style which prevailed towards the end of the twelfth. The outer walls, except in the clerestory, are of the former date, and the contrast in the masonry is very striking. Within, the whole has been recast in the later form of Romanesque, but it has not been wholly rebuilt. Columns with rich and highly cla.s.sical capitals, supporting arches which are just pointed, have been inserted under the ma.s.sive round arches of the original church, but the arches are still there and visible. The triforium and clerestory have been wholly reconstructed, or so thoroughly disguised that the old work does not appear. This nave is one of those buildings which, in the infancy of vaulting, their builders found it convenient to vault with one bay of vaulting over two bays of arcade, as in the choir of Boxgrove in the next century. The result is that the piers are alternately columnar and cl.u.s.tered. Setting aside a few of the very grandest buildings of the style--as one would hardly compare this nave with Peterborough, Ely, or Saint Stephen's--this Romanesque nave of Le Mans is one of the finest works of its kind to be found anywhere. And its juxtaposition with the superb Gothic choir is less incongruous than might have been looked for.

The only fault is that, as it now stands, the nave ends abruptly to the east with a mere vaulting rib, without any proper choir-arch. But this fault is fully balanced by the glorious view of the choir thus given to the whole church. That any one could compare the inside of Chartres with the inside of Le Mans, thus seen, seems incredible. The height of Le Mans is said to be a few feet greater than that of Chartres. It looks half as high again. At Chartres the height is lost through the great width, and through the use of a low spring for the vaulting arch. At Le Mans everything soars as only a Gothic building, and pre-eminently a French Gothic building, can soar. The pillars, of enormous height, support the clerestory without a triforium. But the effect of the triforium is there still. The aisles are double, and the inner range--itself of the height of the nave of Wells and Exeter--is furnished with a complete triforium and clerestory, which, seen between the pillars of the apses, allow the sort of break which the triforium gives to be combined with the grand effect of the full unbroken columns.

Something of the same kind is found at Bourges, and, on a much smaller scale, at Coutances. The effect of the arrangement comes out in perfection at Le Mans. Altogether, little as the building seems to be known, the thirteenth-century work at Le Mans undoubtedly ent.i.tles it to rank among the n.o.blest churches of the middle ages. One point more on the Romanesque church of Le Mans. The original design embraced two towers at the end of the transept, like Exeter, Ottery, and seemingly Saint Martin's at Tours. These towers were destroyed by order of William Rufus, who charged the Bishop Hildebert with having used them to shoot at the neighbouring castle.[64] The north tower has never been rebuilt; its ruins are there to this day. The southern tower was again rebuilt at the end of the twelfth century and finished in the fifteenth. This is surely as speaking a bit of architectural history as one often finds.

[Ill.u.s.tration: Interior of Le Mans Cathedral]

The writer in Murray, in his zeal for the cathedral of Chartres, a.s.sumes that no one will care to visit such inferior buildings as the other churches of that city. Let no man be thus led astray. In the general view of the city from the walks to the south-east, one of the most effective views to be had of any city, two other churches stand out very strikingly, the cathedral crowning all. Of these Saint Anian, we must confess, is somewhat of a deceiver. The distant effect is good, but there is little to repay a nearer examination. It is far otherwise with the Abbey of Saint Peter, whose apse, though on a far smaller scale, is distinctly more skilfully managed than that of the cathedral. The disused collegiate church of Saint Andrew has some good Transitional work, and Saint Martin-in-the-Vale, just outside the town, is a gem of bold and simple Romanesque. But the secondary churches of Chartres do not equal those of Le Mans, while Chartres is still further behind Le Mans in military and domestic remains. At Le Mans the Abbey of La Couture (_de cultura Dei_) is a perfect minster with two unfinished western towers, a nave of Aquitanian width,[65] a fine Romanesque apse, in which, if later windows have been inserted, some small fragments of some early work have also been preserved. Beyond the Sarthe is another fine Romanesque church, also a complete minster, the church of Notre-Dame-du-Pre. A fine hospital, the work of Henry the Second, is now perverted to some military purpose, and some military tomfoolery forbids examination, in marked contrast to the liberal spirit which allows free access to everything that the antiquary can wish to visit at Fontevrault and at Saumur. But the ecclesiastical remains of Le Mans are far from being the whole of its attractions. Its military and civil antiquities are endless, and they are more characteristic. We have not the least wish to depreciate Chartres. It is a highly interesting city; it contains a magnificent cathedral and several other remarkable buildings. But it cannot compare with Le Mans.

[Ill.u.s.tration: St. Martin-in-the-Vale, Chartres]

[Ill.u.s.tration: Apse of La Couture, Le Mans]

LE MANS

1876

We spoke some years ago of the architectural character of the chief churches of Le Mans, especially in comparison with those of Chartres.

But the comparison was of a purely architectural kind, and hardly touched the general history and special position of the Cenomannian city among the cities of Gaul. That position is one which is almost unique.

The city of the Cenomanni, the modern Le Mans, has never stood in the first rank of the cities of Europe, or even of Gaul; but there are few which are the centres of deeper or more varied interests. Le Mans has at once a princely, an ecclesiastical, and, above all, a munic.i.p.al history.

It is true that its princely and its ecclesiastical history are spread over many ages, while its munic.i.p.al history is a thing of a moment; yet it is the munic.i.p.al history which gives Le Mans its special character.

Le Mans, in the course of its long history, has been many things; but it is before all things the city of the _commune_. Among cities north of the Loire--it might perhaps be unsafe to say among cities north of the Alps--Le Mans shares with Exeter the credit of a.s.serting the position of a civic commonwealth in days when, even in more Southern lands, the steps taken in that direction were as yet but very imperfect. And it was against the same enemy that freedom was a.s.serted by the insular and by the continental city. The freedom of Exeter and the freedom of Le Mans were alike a.s.serted against the man who appeared in Maine as no less distinctly the Conqueror than he appeared in England. Exeter, in her character of commonwealth, checked the progress of William by the most determined opposition that he met with in the course of his insular conquest. Le Mans, conquered before William crossed the sea, threw off his yoke when he was master of the island as well as of the mainland.

Had the men either of the island or of the mainland been capable of any enlarged political combinations, England and Maine would have done wisely to unite their forces against the common enemy. And it is just possible that those obscure dealings of Earl Harold with the powers of Gaul, which are dimly alluded to by the biographer of Eadward, may have had some object of this kind. But, if so, nothing practical came of them. Maine and England did nothing to help one another. In fact, when Maine was won back to William's obedience, the work was largely done by English hands, and those the hands of men who, there is some reason to think, had Hereward himself as their captain. The actual relations between England and Maine in the eleventh century were thus the exact opposite of what they ought to have been. Englishmen appeared on the mainland as the ravagers and conquerors of a district whose people ought to have been their closest allies. Still even this kind of negative relation does establish a kind of connexion between Maine and England.

Above all, it establishes a special a.n.a.logy between the English city which withstood the Conqueror, and the Gaulish city which revolted against him, in the name of the same principle which a century later was to do such great things among the cities of Lombardy.

The moment then of greatest interest in the history of the Cenomannian city is the moment of its short-lived republican independence. In the case of Le Mans, as in the case of Exeter, we should be well pleased if we knew more of the exact form of commonwealth which it was proposed to establish, and, above all, of the relations which were to be maintained between the city and the surrounding districts. Most likely nothing of the kind was ever put into shape. The commonwealth of Le Mans and the commonwealth of Exeter both sprang into being in a moment of patriotic enthusiasm, when the city and the surrounding districts were fully united in a vigorous effort against the common enemy. How the two were to get on together in more settled times they most likely did not stop to think. What we do know is that the citizens of Le Mans made a _commune_, that the people of the country at large zealously supported them, that the n.o.bles swore to the new commonwealth unwillingly, and, in some cases, even dishonestly. All that we know about the matter comes from the historian of the Cenomannian Bishops, who first of all thinks the _commune_ which the Norman Bishop naturally opposed to be a very wicked thing, but who afterwards, when it came to actual fighting, cannot help sympathising with the men of his own city. There was a _commune_ of Le Mans, a _commune_ in which all Maine shared, a _commune_ which the Bishops and the n.o.bles had to join against their will, and which one of the n.o.bles betrayed as soon as he could.[66] That is about all our knowledge; it is just enough to make us wish to know a good deal more. It is enough to throw over Le Mans and Maine an interest which is shared by no other city and province of Northern Gaul; and it makes us feel a kind of disappointment in the inevitable fact that the greatest moment in the history of the city is exactly the one which has left no trace in its existing monuments.

Of the times earlier and later than the republican movement of the eleventh century Le Mans has abundant remains of all kinds. No city is more distinctly the Gaulish hill-fort which has gradually swelled into the Roman, the mediaeval, and the modern city. Yet the height of Le Mans is neither so lofty nor so isolated as those of many of its fellows. It is not a detached hill at all, nor does the city stand on the highest ground in its own immediate neighbourhood; and on the eastern, the inland side, the slope of the rising ground is very gradual. Yet the site of the hill-fort which grew into the city was happily chosen. It was pitched on the point where the high ground comes close to the river Sarthe and rises precipitously above it. From the river side then, the western side, Le Mans has most distinctly the character of a hill city, which comes out much less strongly in the approach from the east, while in the approach from the north, where there is an actual descent into the ancient city, it is altogether lost. It is from the river side then that those who wish--while there is yet time--to get a notion of what the Cenomannian city was, either in Roman or in mediaeval times, must go to look for it. The city has extended itself on this side as well as on the others, but it has extended itself in the form of an outlying suburb beyond the river. To the west, the north, and the south, the spread of the modern town has done much to wipe out the ancient landmarks.

The Roman remains of Le Mans show well how the conquering race in their distant foundations knew how to adapt themselves to every kind of position. There was one type of city which was preferred wherever the ground allowed of it; but that type was freely forsaken whenever practical necessity commanded that it should be forsaken. The hill of Vindinum, Suindinum, Subdinnum, whichever form we are to choose, therein differing from the hill of Isca, was not at all suited for the laying out of a city according to the familiar type of a Roman _chester_. The high ground immediately overlooking the river formed a long narrow ridge, and the s.p.a.ce included within the Roman walls--_la Cite_, as distinguished from the more modern parts of the town--shows no approach to a square, but forms an irregular figure, which only by a stretch of courtesy can be called even an oblong. Within this again the chief ecclesiastical street, the _Rue des Chanoines_, running parallel with the more secular _Grande Rue_, bears in mediaeval doc.u.ments the strange t.i.tle of _Vetus Roma_, which has been held to point to a still earlier enclosure, that of the primitive Gaulish fort itself. Of the Roman walls, whose construction, like that of most Roman walls in Gaul and Britain, shows them to be not earlier than the third century, large portions still remain; indeed a little time back it might have been said that the river front of the wall, with its n.o.ble range of round bastions, was all but absolutely perfect. On the other side, towards the modern town, the wall was less perfect, but even there a great deal could be made out. But the Roman walls did not take in the whole even of the mediaeval city. In the thirteenth century an outer range of wall was raised close to the stream, taking in the suburb of _La Tannerie_; an extension to the south and south-east took in the quarter of Saint Ben'et, and another suburb called _L'Eperon_. More remarkably still, at the north-east corner of the Roman inclosure, the growth of the cathedral of Saint Julian to the east, exactly as in the case of Lincoln, overleaped the Roman wall and caused a further enlargement at this corner. It should be noticed that, contrary to the general Gaulish rule, the church of Le Mans stood in a corner of the original city, so as to make somewhat of an ecclesiastical quarter after a fas.h.i.+on English rather than Gaulish. In the Cenomannian state, the Prince, the Bishop, and the citizens all held their distinct places, and it was reasonable that their geographical quarters should be marked also. In fact, in the great days of Cenomannian history the Bishop was a power independent alike of Count and city. He owed temporal allegiance to neither, but held directly of the King at Laon or at Paris. Had the development of things in Gaul followed the same course as the development of things in Germany, Maine might have seen, like so many German lands, the ecclesiastical and the temporal princ.i.p.ality and the free city, all side by side, bound together by no tie beyond such degree of dependence as any of them might have kept on the common centre. But when county, bishopric, and city all came under the strong hand of the Norman, all tendencies of this kind were checked. And they perished for ever when Normandy and Maine, instead of external fiefs, became incorporated provinces of the French kingdom.

Within and around the walls of the city there arose in different ages a series of buildings, ecclesiastical, military, and civil, which might claim for Le Mans a place among the cities of Gaul and Europe next after those cities which had been the actual seats of imperial or royal dominion. Above the river rose the double line of walls and towers, Roman and mediaeval, and high above them the vast and wondrous pile of Saint Julian's minster. On the side away from the river, the side pointing towards the hostile land of Anjou, built on the Roman wall itself and seemingly out of Roman materials, stood the palace of the Counts, well placed indeed for Count Herbert, _Evigilans Canem_, to sally forth on the nightly raids before which black Angers trembled.[67]

And besides the dwellings of the temporal and spiritual chiefs, the ancient streets of Le Mans were set thick with houses, the dwellings of priests and citizens, which showed how well both cla.s.ses throve, and how each did something for the adornment of the city in every form of art, from Romanesque to _Renaissance_. But a little time back the traveller might have seen at Le Mans more houses of the twelfth century than he would see anywhere north of Venice. And besides the works of her own princes, bishops, and citizens, Le Mans had also once to show the grimmer memorials of her conquerors. But, as not uncommonly happens, the memorials of the earlier time have outlived those of the later. At the northern end of the city William thought it needful to strengthen his greatest continental conquest by two distinct fortresses. Close by Saint Julian's, just outside the eastern line of the Roman wall, and formed, we may believe, out of its materials, rose the Castle, the _Regia turris_. Some way to the north-east, at a greater distance from the river, rose the fortress of _Mons Barbatus_ or _Mont Barbet_, this last standing on higher ground than the city and the royal tower. But of the royal tower itself, and of the fortress into which it grew in later times, a few fragments only have escaped the politic destruction of the days of Richelieu. Of Mont Barbet nothing is left but the _motte_ or _agger_, dating doubtless from far earlier days, but which, as so often happens, has outlived the buildings which were placed upon and around it. One would have been well pleased to see the whole line of defence, the double wall of the city, the double fortress of the Conqueror, grouping, as they must have done, with the endless towers and spires of the monastic and parochial churches of the city and its suburbs.

For, besides the great cathedral church within its walls, Le Mans was, as it were, girded with great ecclesiastical buildings. Two n.o.ble monastic churches, those of La Couture, on the south-eastern side of the city, and of Le Pre, on the other side of the river, still remain; and we have spoken of their architectural character in past years.[68] There were also the Abbeys of Beaulieu, beyond the river, and of St. Vincent opposite to it beyond Mont Barbet, of which the latter survives in the shape of a _Renaissance_ rebuilding. And far away in a distant suburb to the east is the hospital founded by the last native prince of Le Mans, the great Henry, to whom his native city might seem as a central point of his vast domain, insular and continental. In him the blood of all the older rulers and enemies of Le Mans was joined together. The stock of the old Counts and of the Norman conquerors, the blood of Helias and of his Angevin representatives, all flowed together in the veins of the King who was born within the walls of Le Mans, and who, if he did not die within its walls, at least died of grief at seeing them in the hands of his enemy.

[Ill.u.s.tration: Notre-Dame-du-Pre, Le Mans, N.E.]

But it is painful for one who remembers Le Mans only eight years back to speak of what it is now. It is hard to believe that within that time Le Mans has beheld no slight or unimportant warfare beneath its walls, and that the city of Herbert and Helias bowed but yesterday to the power of a third conquering William. Le Mans has lost something through the foreign occupation, but the traveller needs to have it explained to him what it has lost. When we hear that the Bishop's palace got burned by the German invaders, it almost sounds as if Germans and Normans had got confounded. But the damage wrought by the last conquerors is being speedily made good on another site. It is the damage which is doing to the city by the merciless hands of its own people that never can be made good. One would have thought that the Cenomannian city on its height, the proud line of its Roman bulwarks, the n.o.ble works of later days which those bulwarks shelter, might have moved the heart of the most ruthless of destroyers. It might have been a good work to clear away the mean houses which cling to the Roman wall, and to let the mighty rampart stand forth in all its majesty; but among those who have the fate of the ancient city in their hands there is no thought of preservation--destruction is the only object. We know not who are the guilty ones. Perhaps there is some stuck-up Mayor or Prefect who would think himself a great man if he could make Le Mans as ugly and uninteresting as the dreary modern streets of Rouen or of Paris itself.

It is at all events certain that M. Haussmann was not long ago seen in Le Mans, and such a presence at such a time is frightfully ominous. At any rate the facts which can be seen by the traveller's own eyes are beyond doubt. The later walls close by the river have been broken down to leave fragments here and there as ornaments in a kind of garden, and, worse still than this, the ancient wall has been broken through, and the ancient city itself cleft in twain. By an amount of labour which reminds one of Trajan cutting through the Quirinal, _la Cite_ has been cut into two halves with a yawning gulf between them; the Roman wall is broken through, and the very best of the twelfth-century houses has been ruthlessly swept away. The excuse for this brutal havoc is to make a road or street of some kind direct from the modern town to the river. If the savages could have been persuaded to pay a visit to Devizes, they might there have learned that the claims of past and present may be reconciled. There the simple device of a tunnel carries the railway under the ancient mound without doing the least harm; and a tunnel might in the same way have connected the modern town with the Sarthe without doing the least damage either to Roman walls or Romanesque houses. But there are minds to which mere havoc gives a pleasure for its own sake. A great part of Saint Julian's is more than seven hundred years old, and in the eyes either of Bishop or of Prefect it may be ugly. The vast _menhir_ which rests against one of its walls has seen many more than seven centuries, and the most devoted antiquary can hardly call it beautiful. When the Roman walls of Le Mans are not spared, nothing can be safe. All that can be done is for those in whose eyes antiquity is not a crime to run to and fro over the world as fast as may be, and see all that they can while anything is left.

MAINE

1876

We have already spoken of the capital of the Cenomanni, and some mention of the district naturally follows on that of the capital. In no part of Gaul, in the days at least when Le Mans and Maine stand out most prominently in general history, are the city and the district more closely connected. Maine was not, like Normandy, a large territory, inhabited to a great extent by a distinct people--a territory which, in all but name, was a kingdom rather than a duchy--a territory which, though c.u.mbered by the relations of a nominal va.s.salage, fairly ranked, according to the standard of those times, among the great powers of Europe. Maine was simply one of the states which were cut off from the great duchy of France, and one over which Anjou, another state cut off in the like sort, always a.s.serted a superiority. Setting aside the great though momentary incident of the war of the _Commune_, the history of Maine during its life as a separate state consists almost wholly of its tossings to and fro between its northern and its southern neighbours, Normandy and Anjou. The land of Maine, in short, is that of the district of a single city, forming a single ecclesiastical diocese. In old times it contained no considerable town but the capital; and even now, when the old county forms two modern departments, with Le Mans for the _chef-lieu_ of Sarthe and Laval for the _chef-lieu_ of Mayenne, the more modern capital is still far from reaching the size and population of the ancient one. Normandy, with its seven ancient dioceses, its five modern departments, cuts quite another figure on the map. With so many local centres, Rouen never was Normandy in the sense in which Le Mans certainly was Maine; and the strong feeling of munic.i.p.al life which, as the history of the _commune_ shows, must have always gone on at Le Mans, may have tended to make a greater concentration of the being of the whole district in the capital than was found in other districts of the same kind. Add to this, that, though the land of Maine contained but a single diocese, yet that diocese was of much larger and greater extent than any of the seven dioceses of Normandy. This is shown by the fact that, while in the modern ecclesiastical arrangements of France, two of the Norman dioceses have been united with others, the one Cenomannian diocese has been divided into two.

In another point also Maine shows itself very distinctly as a Northern district. This is in its architecture. As Anjou is the architectural borderland between Northern and Southern Gaul, so Maine is again the architectural borderland between Normandy and Anjou. But it shows its character as a borderland, not by possessing an intermediate style, as the Angevin style is distinctly intermediate between the styles of Normandy and of Aquitaine, but rather by using the Norman and Angevin styles side by side. In the nave of St. Julian's itself, an Angevin clerestory and vault is set upon an arcade and triforium which may be called Norman. At _La Couture_ the nave has wholly given way to an Angevin rebuilding, while the choir remains Norman, with a touch of earlier days about it. In the third great church of Le Mans, that of _Le Pre_, the Angevin influence does not come in at all. In the department of military architecture, Sir Francis Palgrave says that the familiar Norman square keep was borrowed from Maine; but he brings no evidence in support of this theory, nor have we been able to find any. It seems far more likely that the fas.h.i.+on was originally Norman, and that it then spread into the borderland, and it is certain that some of the most historically famous castles in the land of Maine were the work of Norman invaders.

Maine is, in one point, one of the parts of France in which an Englishman is most inclined to feel himself at home. It shares, though perhaps in not so marked a degree, the same English look which runs through a large part of Normandy and Brittany. It has hedges and green pastures, a sight pleasing to the eye after the dreary look of so many districts of France. The land is also fairly wooded, and the vine, of which we hear so much in our accounts of ancient Cenomannian warfare, is, to say the least, not so prominent a feature as it was then. And we need not say that vines, except either on a hill-side or against a house, do not add to the picturesqueness of a landscape. The land, without being strictly hilly, much less mountainous, is far from flat, and it contains some considerable heights, as the ranges culminating in the peak of Mont Aigu, which forms a prominent object from the theatre at Jublains, and the high ground at and near Le Mans itself, some points of which proved of great importance in the last warfare which Maine has seen. In short, without containing any very striking elevations, there are many sites in Maine well suited for military positions in ancient warfare, sites where the castle has not failed to spring up, and where a town or village has naturally gathered round the fortress. But since the city of the Diablintes was swept from the earth, Maine has, at least till quite modern times, contained no place which can at all set itself up as a rival to the ancient capital. The hill fort which grew into the city of the Cenomanni still remains the undoubted queen of the land of Herbert and Helias.

It is well to enter the Cenomannian county by a point which is Cenomannian no longer, but which not only plays a great part in the local history, but gives a view of a very large part of the land from which it was long ago severed. This is from the hill of Domfront, the fortress and town which the Conqueror wrested from Maine and added to Normandy; but which till the changes of modern times kept a sign of its old allegiance in still forming for ecclesiastical purposes part of the Cenomannian diocese. Domfront, the conquest of William, the cherished possession of Henry, is indeed an outpost of the Norman land, placed like a natural watch-tower, from which we may gaze over well nigh the whole extent of the land which lay between Normandy and the home of the enemy at Angers. Like Nottingham, town and castle stand on two heights, with a slight fall between them, and the town itself is strongly fortified, with a n.o.ble range of walls and towers which are largely preserved. The shattered donjon rises on the height where the Varenne runs through a narrow dell between the castle hill and a wild rock on the other side. Castle and town alike equally look out in the direction of danger; from either height it needs no strong effort of imagination to fancy ourselves on the look-out against the hosts of Geoffrey of the Hammer coming from the South. Yet it is at Domfront that the traveller coming from the land of Coutances and Avranches finds himself in one important point brought back to the modern world. After going for many days by such conveyances as he can find, he is there enabled to make his journey into the land of Maine by the help of the railway which leads from Caen to Laval. His first stage will take him to a spot which formed another of William's early conquests, but which was not, like Domfront, permanently cut off from the Cenomannian state.

This spot is Ambrieres, a town of the smallest cla.s.s, hardly rising above a village, but which holds an important place in the wars of William and Geoffrey. There William built a castle, and the shattered piece of wall which overhangs the road running on the right bank of the Varenne may well be a part of his building. The little town climbs up, as it were, to the castle, and contains more than one house bearing signs of ancient date. It is clearly one of those towns which grew up immediately round the fortress. But of the castle itself so little is left that the most striking object now is the church, which stands apart on the other side of the river. A large cruciform building of nearly untouched and rather early Romanesque, it is thoroughly in harmony with the memories of the place. But the church of Ambrieres is more than this. It tells us in what direction we are travelling; its aisleless nave, though it would be narrow in Anjou, would be wide in England or Normandy; and there is another feature which looks as if the men of Ambrieres had got on almost too fast in their tendencies towards a southern type of architecture. The central tower is indeed low and ma.s.sive, but so are many others both in Normandy and England; nor would the wooden spire with which it is crowned suggest that in the inside the four plain arches of its lantern support as perfect a cupola as if we were on the other side of the Loire. But both the arches of the lantern and the barrelled vault of the choir keep the round arch. Maine was far off from the land of the Saracen, and the pointed arch would here be a sign that later forms were not far off. From Ambrieres either the railway or, if the traveller likes it better, a road leading up and down over a series of low hills, will take him to another scene of William's victories at Mayenne. Here the town slopes down to the river of its own name on both sides, and the castle, instead of crowning either height, rises immediately above the stream. Eight years does much in the way of building up as well as of pulling down; and we may note that since we made an almost casual reference to Mayenne in 1868,[69] the eastern part of the great church, a building remarkable rather for a strange and picturesque outline than for any strict architectural beauty, has had its choir rebuilt on a vast scale after the type of a great minster. No place after the capital has a greater share in the history of the county.[70] It was the lords.h.i.+p of that Geoffrey of Mayenne who played so prominent a part in all the wars of William's day, a part which, both in its good and its bad side, well ill.u.s.trates the position of the feudal n.o.ble. A faithful va.s.sal to his lord, a patriotic defender of his country against an external invader, he could stoop to play the part of a perjured traitor when n.o.bles had been forced to plight oaths against their will to be faithful to a civic _commune_. To the student of the twelfth century Mayenne is full of memories; to the student of earlier times its chief attraction will be that it is the most natural point of the journey to Jublains.

Further down the stream which gives its name alike to the town of Mayenne and the modern department, we come to the one place on Cenomannian ground which, as having become in modern times a seat of both civil and ecclesiastical rule, can alone pretend to any rivalry with the ancient capital. Laval, the _chef-lieu_ of the department of Mayenne and the see of the newly founded bishopric, plays no great part in the early history of the district; but though still much smaller than Le Mans, it has fairly grown to the rank of a local capital as distinguished from a mere country town. It is one of the towns which have grown up on a hill and around a fortress,[71] yet it is not a hill city like Le Mans. The old town of Laval, as distinguished from the later suburb on the other side of the river, does not stand on the hill, but climbs up its side. While the _Grande Rue_ of Le Mans runs along the ridge, the _Grande Rue_ of Laval finds its way up the slope. The castle, as at Mayenne, rises above the river, and still keeps a huge round donjon, patched somewhat, but still keeping several of its coupled Romanesque windows. On the height, hard by a grand town-gate, is the now cathedral church, uncouth enough in the external view, and we may fairly say unworthy of its new rank, but which reveals one of the most instructive pieces of architectural history to be found anywhere.

Imbedded in later additions, we still find the choir, transepts, and lantern of a comparatively small Romanesque church, perhaps hardly on a level with Ambrieres, but its nave has given way to a vast Angevin nave as wide as the transepts of the original building, and itself furnished with transepts to the west of them. The antiquary will earnestly pray that no one may be led by zeal without discretion to rebuild this church on a scale and style more worthy of its present rank. Let the diocese of Laval, if anybody chooses, be furnished with a new cathedral; but let the present building stand untouched, as one that has undergone changes as instructive as any that can be found.

But the church of the new diocese, though perhaps, by virtue of its singular changes, the most interesting, is hardly the most attractive ecclesiastical building in Laval and its immediate neighbourhood. Not far off in a suburb by the river-side is the church of Our Lady of Avesnieres, not improved certainly by its modern spire, but keeping a most stately Romanesque apse with surrounding chapels. Inside it supplies one of the best examples of the transition, the pointed arch having made its way into the great constructive arcades, but not into any of the smaller arches. But the taste of those who designed its capitals must have been singular. Any kind of man, beast, or bird, it has been said, can put himself into such a posture as to make an Ionic volute. When the volutes are made by the heads of eagles, well and good; but it is certainly strange to make them out of the heads of cranes, who are holding down their long necks to peck each one at a human skull which he firmly holds down with one of his feet. And on the other side of Laval will also be found the church of Price, an almost untouched Romanesque building the masonry of which seems to carry it back to days before the growth of either Angevin or Norman taste. And the land of Maine too is full of other spots at which we can barely glance, many of which are famous in the history of the district. On the railway between Laval and Le Mans, Evron has its abbey, with portions both of the earlier Romanesque and of the later Gothic, but where one little transitional chapel on the north side is undoubtedly the most attractive feature of the church. Evron too opens the way to St. Susanne, the one castle which the Conqueror himself could never take, and where the shattered sh.e.l.l of the unconquered donjon, with its foundations raised on a vitrified fort of primitive times, rises on a rocky height, with the stream of the Arne winding in a narrow dell beneath it. Somewhat nearer to the capital, Sille-le-Guillaume, a spot famous in the war of the _commune_, has a castle and church which should not be pa.s.sed by, though it is only the under-story of the church which keeps any portions which can belong to the days when Sille was besieged by the armed citizens of the Cenomannian commonwealth. North of Le Mans, on the upper source of the Sarthe, Beaumont-le-Vicomte keeps the sh.e.l.l of its castle, a castle which long withstood the Conqueror, rising in a lovely position over the river Beaumont, too, has seen warfare in later days, and he who looks down from the castle which withstood the Conqueror may hear the tale of the stout fighting which went on by the banks of the Sarthe, when Maine was invaded by the armies of a later William. The church too with some genuine Romanesque portions, is more curious for a kind of rude _Renaissance_ which really reproduces a simple kind of Romanesque.

In short, there is hardly a spot in the historic land of Maine which has not its attractions for those who can stoop to scenery which, though always pleasing, is never sublime, to buildings of which perhaps one only in the whole province reaches the first rank, and to a history which, though in itself it is mainly local, has not been without its influence on the destines both of England and of France.

[Ill.u.s.tration: Sainte-Susanne, Keep]

THE END.

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