Overshadowed Part 1

Overshadowed.

by Sutton E. Griggs.

PREFACE.

The task a.s.signed to the Negroes of the United States is unique in the history of mankind.

He whose grandfather was a savage and whose father was a slave has been bidden to partic.i.p.ate in a highly complex civilization on terms of equality with the most cultured, aggressive and virile type of all times, the Anglo-Saxon.

The stupendous character of the task is apparent when it is called to mind that the civilization in which they are to work out their respective destinies is fitted to the nature of the Anglo-Saxon, because he evolved it; while, on the other hand, the nature of the Negro _must be fitted to the civilization_, thus necessitating the casting aside of all that he had evolved.

This attempt on the part of the infant child of modern civilization to keep pace with the hale and hearty parent thereof, has served to contribute its quota of tragedies to the countless myriads that have been enacted under the sun, since the Cosmic forces first broke forth out of night into light, and began their upward, sightless, or shall we rather say, full visioned tread in quest of the "music of the spheres"

and the higher purposes of the GREAT BEYOND.

What part in the great final programme these Cosmic forces have a.s.signed to the attempt of the Negro to journey by the side of the white man, none are yet able to say, the situation being still in process of unfoldment.

While we watch with becoming reverence and muse thereon, we catch up our lyre to sing to the memory of those slain in their name, if not by their order.

Very respectfully yours, THE AUTHOR.

PROEM.

A farmer who is planting corn in a fertile field, halts beneath the shade of a huge oak to rest at noon.

Accidentally a grain of corn drops from his bag, finds lodgement in the soil, and in time begins to grow.

The grains that fell in the field will have their difficulties in reaching maturity.

There is the danger of too much water, of the drought, of the coming worms.

But the grain that came to life under the oak has its _peculiar_ struggles.

It must contend for sustenance with the roots of the oak.

It must wrestle with the shade of the oak.

The life of this isolated grain of corn is one continuous tragedy.

OVERSHADOWED is the story of this grain of corn, the Anglo-Saxon being the oak, and the Negro the plant struggling for existence.

To be true to life, the story must indeed be a sombre one.

So, OVERSHADOWED is a tragedy--a story of sorrow and suffering.

Yet the gloom is enlivened by the presence of a heroic figure, a beautiful, n.o.ble girl, who stands unabashed in the presence of every ill.

OVERSHADOWED does not point the way out of the dungeon which it describes, but it clearly indicates the task before the reformer when he comes.

If you have time and inclination for such a recital--the curtain rises and the play begins.

OVERSHADOWED.

CHAPTER I.

A GIRL, PERPLEXED.

To-and-fro, to-and-fro, with hurried, restless tread, Erma Wysong walked her parlor floor, forgetful of the young man who sat in a corner and gazed at her, with all of his powers of sight apparently doing double duty. Her hair, slightly coa.r.s.e of thread, glistening as if in pride of its extreme blackness, was combed away from a brow that was exceedingly pretty and formed a part of a head that forewarned you to expect the possessor thereof to have an intellect of a very high order. A few unruly locks of her glossy hair had escaped from the grasp confining the others backward, and were hanging forward as if to peep into her tender brown eyes so full of soul; or, to tantalize a very prettily formed nose; or, to tempt a bite from a row of pearls even and gleamingly white; or, to nestle upon a cheek the tenderness and ruddiness of which were standing invitations for gentle pressure.

Erma, nearly tall, a happy medium between the plump and the lithe, the perfection of symmetry, her whole frame a series of divinely fas.h.i.+oned curves, paced to and fro, her beautiful face wearing a look of mental perplexity. First her right hand and then her left tossed back with a nervous jerk the straying locks.

Astral Herndon, a tall and exceedingly handsome young man, who was paying her a call, sat in an armchair in a corner of the small room, and, with body bent forward, was looking intently at Erma, as has been stated, his entire soul ablaze with curiosity to know what had so operated upon the mind of the erstwhile winsome, laughing, merry Erma, as to cause her to break off abruptly an ordinary conversation and begin her restless journeyings to-and-fro across her parlor floor, vouchsafing to him not a word of apology or explanation, and apparently oblivious of his presence. The transition from the lively gay to the deathly sad, was so quick, so queer, so utterly inconsistent with all that he had hitherto known of Erma--it was so far from anything warranted by the rather commonplace conversation in which they had been engaged, that he was very naturally in the depths of wonderland, staring with all his might. He saw her thin, red lips quiver, as if with deep emotion. He saw repressed by a would-be secret bite of the lips, an entire flood of tears, save a truant one, that would steal its way down anyhow. He saw a clasping, a griping of the hands as though the fair one was being hurried to the verge of despair. He could, as it were, trace in her actions the progress that her mind was making toward a precipice, reluctant to go and yet impelled by some irresistible force.

Astral Herndon sat watching her, his surprise and curiosity deepening into concern and anxiety. At length, when he could bear it no longer, he arose and said in a low, sweet voice that trembled with emotion, "Erma!"

Something in his voice went straight to Erma's wandering soul, and, as though not of herself, she turned slowly around and mechanically lifted her gaze to meet the dark, glowing eyes of Astral Herndon. She felt her soul leave her with a rush and run to embrace a mate that was coming forth from the eyes before her, and she cried, "Oh! I see! Oh! I see!

Oh! I see!" and unconsciously stretched out her arms toward Astral as if to receive him. Astral advanced toward Erma, but this movement on his part broke the spell and she shrank away from him and sat down.

Astral was now more mystified than ever. He vaguely felt that somehow he was intermingled with Erma's thoughts, but as to how it had come about, or as to what was the nature of her thoughts regarding him, he was in absolute ignorance. Erma, now fully conscious of how she had been acting, vainly sought to redeem herself by an endeavor to conduct an animated conversation, not offering, however, to Astral any explanation of her seeming rudeness to him. But after a heroic struggle to keep up the conversation, she blurted out, all of a sudden, "Mr. Herndon, do you not, can you not see that I am in the deepest sort of trouble? Why do you not get up and go home?" Saying this, she fell to sobbing violently, burying her face in her hands. Astral arose and got his hat and went on tiptoe to the door. Just before he went out, he cast a look of deepest love at the weeping girl. If he had only gone to her and lifted her to a resting place on his bosom--but the UNSEEN power that ordains that two souls shall journey through earth together, also chooses, it would seem, the hallowed spot; chooses the precious and never to be forgotten _moment_ when soul is unveiled to soul; chooses the exact degree of the development that shall exist in each at the hour of the mating.

So, the UNSEEN sent Astral _forth_ and not _to_ Erma's side.

As he stepped out upon the doorstep, the queen of the night wrapped his n.o.ble brow with her silver cords in wanton playfulness. The city clock was striking the hour of ten, rather dolefully, he thought. He slowly wended his way toward his home, stopping ever and anon to cast a look of love, mingled with perplexity, in the direction of Erma's residence.

"Strange, sweet girl," he murmured softly to himself, "I thought that I knew her." Time and again he stopped, and, looking in her direction, repeated this monologue. At last he reached home, and throughout the sleepless night uttered the self-same words.

As for Erma, she sat in the exact att.i.tude in which he left her. The hours of the night, aided by the light of the moon, groped their way through a sleeping world. At length the birds, ere they went forth in quest of their daily bread, held their morning praise service, as if to rebuke the prayerless man. From their little hearts and throats quivering with joyous emotions, they told the G.o.d of the sparrow how glad they were that they were yet allowed to flit about in his glorious world. The sun, remembering his many unfinished tasks of the previous day, and suspicious ever of the work of the night, came bolting upward and hurled his myriad pointed spear to strike down the morning mists that sulkily obscured his vision. The awakened world came rus.h.i.+ng forth from the land of sleep and dream.

But Erma, beautiful morning glory, bruised over night and failing to respond to the greeting kiss of the returning Sun, began the performance of her duties, perplexed in mind, sad at heart, weary from much thinking, desponding of a solution of the problems that fretted her spirit.

CHAPTER II.

THE CAUSE REVEALED BUT NOT REMOVED.

The scene of the opening of our story was Richmond, Va., the far famed capital of the ill-fated Southern Confederacy. To all intents and purposes, Erma Wysong was an orphan. Her mother, a Negro woman, was now dead, having pa.s.sed away two years since. Though her parents had been silent on the subject, Erma now knew from the color of her skin and the texture of her hair that her father must have been white. As to who he was or where he was, whether living or dead, she did not know, and had no means of ascertaining. A few years after Erma's birth her mother married a very worthy Negro man, who generously overlooked the previous sin of his wife, never once in all their wedded life alluding to it.

Upon a foundation of repentance and forgiveness this Negro family, like unto many others, had its beginning. Unto this repentant wife and forgiving husband a son was born whom they named John. This son, now about eighteen years of age, is the only support left to Erma, her stepfather having gone to his grave shortly after the demise of his wife. So Erma was practically an orphan girl, alone in the world, relying for support and protection upon her brother John, who dearly loved his "Erm," as he called her. He was working at the machinist's trade in the Bilgal Iron Works of Richmond, Va., and was receiving two dollars and a half per day; and with this was supporting himself and sister and laying by money to lift the remainder of the mortgage enc.u.mbering their modest little home. Erma was a student of exceptional brightness when in school and had been graduated at an early age from the Richmond Colored High School, carrying off the highest honors of her cla.s.s. After graduating from the high school at Richmond she went to the Tuskegee Industrial Inst.i.tute at Tuskegee, Alabama, whence she was recalled by the death of her mother. You now have her history, briefly told, up to the time of the opening of our story.