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Prue and I Part 6

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"If I should board this s.h.i.+p," I asked myself, "where should I go?

whom should I meet? what should I see? Is not this the vessel that shall carry me to my Europe, my foreign countries, my impossible India, the Atlantis that I have lost?"

As I sat staring at it I could not but wonder whether Bourne had seen this sail when he looked upon the water? Does he see such sights every day, because he lives down here? Is it not perhaps a magic yacht of his; and does he slip off privately after business hours to Venice, and Spain, and Egypt, perhaps to El Dorado? Does he run races with Ptolemy, Philopater and Hiero of Syracuse, rare regattas on fabulous seas?

Why not? He is a rich, man, too, and why should not a New York merchant do what a Syracuse tyrant and an Egyptian prince did? Has Bourne's yacht those sumptuous chambers, like Philopater's galley, of which the greater part was made of split cedar, and of Milesian cypress; and has he twenty doors put together with beams of citron-wood, with many ornaments? Has the roof of his cabin a carved golden face, and is his sail linen with a purple fringe?

"I suppose it is so," I said to myself, as I looked wistfully at the s.h.i.+p, which began to glimmer and melt in the haze.

"It certainly is not a fis.h.i.+ng smack?" I asked, doubtfully.

No, it must be Bourne's magic yacht; I was sure of it. I could not help laughing at poor old Hiero, whose cabins were divided into many rooms, with floors composed of mosaic work, of all kinds of stones tessellated. And, on this mosaic, the whole story of the Iliad was depicted in a marvellous manner. He had gardens "of all sorts of most wonderful beauty, enriched with all sorts of plants, and shadowed by roofs of lead or tiles. And, besides this, there were tents roofed with boughs of white ivy and of the vine--the roots of which derived their moisture from casks full of earth, and were watered in the same manner as the gardens. There were temples, also, with doors of ivory and citron-wood, furnished in the most exquisite manner, with pictures and statues, and with goblets and vases of every form and shape imaginable."

"Poor Bourne!" I said. "I suppose his is finer than Hiero's, which is a thousand years old. Poor Bourne! I don't wonder that his eyes are weary, and that he would pay so dearly for a day of leisure. Dear me!

is it one of the prices that must be paid for wealth, the keeping up a magic yacht?"

Involuntarily, I had asked the question aloud.

"The magic yacht is not Bourne's," answered a familiar voice. I looked up, and t.i.tbottom stood by my side. "Do you not know that all Bourne's money would not buy the yacht?" asked he. "He cannot even see it. And if he could, it would be no magic yacht to him, but only a battered and solitary hulk."

The haze blew gently away, as t.i.tbottom spoke and there lay my Spanish galleon, my Bucentoro, my Cleopatra's galley, Columbus's Santa Maria, and the Pilgrims' May Flower, an old bleaching wreck upon the beach.

"Do you suppose any true love is in vain?" asked t.i.tbottom solemnly, as he stood bareheaded, and the soft sunset wind played with his few hairs. "Could Cleopatra smile upon Antony, and the moon upon Endymion, and the sea not love its lovers?"

The fresh air breathed upon our faces as he spoke. I might have sailed in Hiero's s.h.i.+p, or in Roman galleys, had I lived long centuries ago, and been born a n.o.bleman. But would it be so sweet a remembrance, that of lying on a marble couch, under a golden-faced roof, and within doors of citron-wood and ivory, and sailing in that state to greet queens who are mummies now, as that of seeing those fair figures, standing under the great gonfalon, themselves as lovely as Egyptian belles, and going to see more than Egypt dreamed?

The yacht was mine, then, and not Bourne's. I took t.i.tbottom's arm, and we sauntered toward the ferry. What sumptuous sultan was I, with this sad vizier? My languid odalisque, the sea, lay at my feet as we advanced, and sparkled all over with a sunset smile. Had I trusted myself to her arms, to be borne to the realms that I shall never see, or sailed long voyages towards Cathay, I am not sure I should have brought a more precious present to Prue, than the story of that afternoon.

"Ought I to have gone alone?" I asked her, as I ended.

"I ought not to have gone with you," she replied, "for I had work to do. But how strange that you should see such things at Staten Island. I never did, Mr. t.i.tbottom," said she, turning to my deputy, whom I had asked to tea.

"Madam," answered t.i.tbottom, with a kind of wan and quaint dignity, so that I could not help thinking he must have arrived in that stray s.h.i.+p from the Spanish armada, "neither did Mr. Bourne."

t.i.tBOTTOM'S SPECTACLES.

"In my mind's eye, Horatio."

_Hamlet_.

Prue and I do not entertain much; our means forbid it. In truth, other people entertain for us. We enjoy that hospitality of which no account is made. We see the show, and hear the music, and smell the flowers, of great festivities, tasting, as it were, the drippings from rich dishes.

Our own dinner service is remarkably plain, our dinners, even on state occasions, are strictly in keeping, and almost our only guest is t.i.tbottom. I buy a handful of roses as I come up from the office, perhaps, and Prue arranges them so prettily in a gla.s.s dish for the centre of the table, that, even when I have hurried out to see Aurelia step into her carriage to go out to dine, I have thought that the bouquet she carried was not more beautiful because it was more costly.

I grant that it was more harmonious with her superb beauty and her rich attire. And I have no doubt that if Aurelia knew the old man, whom she must have seen so often watching her, and his wife, who ornaments her s.e.x with as much sweetness, although with less splendor, than Aurelia herself, she would also acknowledge that the nosegay of roses was as fine and fit upon their table, as her own sumptuous bouquet is for herself. I have so much faith in the perception of that lovely lady.

It is my habit,--I hope I may say, my nature,--to believe the best of people, rather than the worst. If I thought that all this sparkling setting of beauty,--this fine fas.h.i.+on,--these blazing jewels, and l.u.s.trous silks, and airy gauzes, embellished with gold-threaded embroidery and wrought in a thousand exquisite elaborations, so that I cannot see one of those lovely girls pa.s.s me by, without thanking G.o.d for the vision,--if I thought that this was all, and that, underneath her lace flounces and diamond bracelets, Aurelia was a sullen, selfish woman, then I should turn sadly homeward, for I should see that her jewels were flas.h.i.+ng scorn upon the object they adorned, that her laces were of a more exquisite loveliness than the woman whom they merely touched with a superficial grace. It would be like a gaily decorated mausoleum,--bright to see, but silent and dark within.

"Great excellences, my dear Prue," I sometimes allow myself to say, "lie concealed in the depths of character, like pearls at the bottom of the sea. Under the laughing, glancing surface, how little they are suspected! Perhaps love is nothing else than the sight of them by one person. Hence every man's mistress is apt to be an enigma to everybody else.

"I have no doubt that when Aurelia is engaged, people will say she is a most admirable girl, certainly; but they cannot understand why any man should be in love with her. As if it were at all necessary that they should! And her lover, like a boy who finds a pearl in the public street, and wonders as much that others did not see it as that he did, will tremble until he knows his pa.s.sion is returned; feeling, of course, that the whole world must be in love with this paragon, who cannot possibly smile upon anything so unworthy as he.

"I hope, therefore, my dear Mrs. Prue," I continue, and my wife looks up, with pleased pride, from her work, as if I were such an irresistible humorist, "you will allow me to believe that the depth may be calm, although the surface is dancing. If you tell me that Aurelia is but a giddy girl, I shall believe that you think so. But I shall know, all the while, what profound dignity, and sweetness, and peace, lie at the foundation of her character."

I say such things to t.i.tbottom, during the dull season at the office. And I have known him sometimes to reply, with a kind of dry, sad humor, not as if he enjoyed the joke, but as if the joke must be made, that he saw no reason why I should be dull because the season was so.

"And what do I know of Aurelia, or any other girl?" he says to me with that abstracted air; "I, whose Aurelias were of another century, and another zone."

Then he falls into a silence which it seems quite profane to interrupt. But as we sit upon our high stools, at the desk, opposite each other, I leaning upon my elbows, and looking at him, he, with sidelong face, glancing out of the window, as if it commanded a boundless landscape, instead of a dim, dingy office court, I cannot refrain from saying:

"Well!"

He turns slowly, and I go chatting on,--a little too loquacious perhaps, about those young girls. But I know that t.i.tbottom regards such an excess as venial, for his sadness is so sweet that you could believe it the reflection of a smile from long, long years ago.

One day, after I had been talking for a long time, and we had put up our books, and were preparing to leave, he stood for some time by the window, gazing with a drooping intentness, as if he really saw something more than the dark court, and said slowly:

"Perhaps you would have different impressions of things, if you saw them through my spectacles."

There was no change in his expression. He still looked from the window, and I said:

"t.i.tbottom, I did not know that you used gla.s.ses. I have never seen you wearing spectacles."

"No, I don't often wear them. I am not very fond of looking through them. But sometimes an irresistible necessity compels me to put them on, and I cannot help seeing."

t.i.tbottom sighed.

"Is it so grievous a fate to see?" inquired I.

"Yes; through my spectacles," he said, turning slowly, and looking at me with wan solemnity.

It grew dark as we stood in the office talking, and, taking our hats, we went out together. The narrow street of business was deserted. The heavy iron shutters were gloomily closed over the windows. From one or two offices struggled the dim gleam of an early candle, by whose light some perplexed accountant sat belated, and hunting for his error. A careless clerk pa.s.sed, whistling. But the great tide of life had ebbed. We heard its roar far away, and the sound stole into that silent street like the murmur of the ocean into an inland dell.

"You will come and dine with us, t.i.tbottom?"

He a.s.sented by continuing to walk with me, and I think we were both glad when we reached the house, and Prue came to meet us, saying:

"Do you know I hoped you would bring Mr. t.i.tbottom to dine?"

t.i.tbottom smiled gently, and answered:

"He might have brought his spectacles with him, and have been a happier man for it."

Prue looked a little puzzled.

"My dear," I said, "you must know that our friend, Mr. t.i.tbottom, is the happy possessor of a pair of wonderful spectacles. I have never seen them, indeed; and, from what he says, I should be rather afraid of being seen by them. Most short-sighted persons are very glad to have the help of gla.s.ses; but Mr. t.i.tbottom seems to find very little pleasure in his."

"It is because they make him too far-sighted, perhaps," interrupted Prue quietly, as she took the silver soup-ladle from the sideboard.

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Prue and I Part 6 summary

You're reading Prue and I. This manga has been translated by Updating. Author(s): George William Curtis. Already has 694 views.

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