The Best American Mystery Stories Part 2

Remy let the paper drop on his desk, looked out his window at the maze of buildings and streets below, and s.h.i.+vered. Everything was suddenly starting to fall into place like the pieces of a monstrous puzzle. That so many people in the club came from the agency, that Eugene was so obviously nervous when he obliquely spoke against it, that Evans said he was "taking a risk" talking to him two days ago at Coliseum Books. Obviously, Eugene's death was no accident. He'd been punished for trying to dissuade potential members from joining, either for the warnings he gave him, Remy, or perhaps for other warnings to other people in the agency Remy didn't know about.

He nearly staggered then from the pain of losing Eugene, who'd meant so much to him and could have meant so much more not only to him but also to the world, but when he looked out the window his mood turned to terror so complete it virtually consumed his pain.

What had he done? He'd locked himself in a virtual prison near a window on the twenty-ninth floor - but surely the higher-ups in the agency had master keys that could open it and ways to open the window and arrange his fall or some other form of execution.

There was no time to do anything but leave the building, no time even to go home, for his apartment would be the most dangerous place of all, and so no time to pack anything either. The world had suddenly shrunk to the cash in his pockets, the credit card in his wallet, and the clothes on his back. His goal now was simply to get a taxi to the airport and then as far away from New York as he could. He picked up his briefcase and overcoat, then stopped just short of the door and put them down on the floor. To leave his office with briefcase in hand, much less wearing his overcoat, might well look suspicious. He had to appear as if he were merely getting a drink of water or else going to the bathroom, then take ten extra steps and reach the elevator.

He counted to seven, his lucky number, and then opened his door thinking that he could probably buy a coat in the airport. The huddle of stone-like figures was gone. He walked directly toward the elevators, eyes focused straight ahead to reduce the chance of having to talk to someone. Then he saw an elevator open and his boss, Mr. Weir, about to get out. Before their eyes could meet, Remy turned left, opened a door, and ran down a flight of stairs, then down two more flights. He thought briefly of running all the way down to the street, but if someone spotted him he'd be too easy a target. Besides, he was quite sure no one from the agency worked on the twenty-fourth floor. He stopped running, opened the new stairway door, and forced himself not to walk too fast toward the elevators. Once there he pressed the b.u.t.ton and counted to seven again, after which an empty elevator (an almost unheard-of event) suddenly appeared.

On the ride down he thought of different cities - Boston, Philadelphia, Was.h.i.+ngton, D.C. -where he had relatives. But would it be a good idea to contact any of them? He had the feeling that the agency not only knew where his parents and other relatives lived, but who his friends were and where they lived too. It would be better to make a clean break from his past and reinvent himself - a.s.sume a new ident.i.ty, as it were, and go with that for a while.

Outside the wind had picked up and it was beginning to snow slightly. Fortunately a cab came right away.

"To LaGuardia," he said to the driver, who was rough-shaven and seemed unusually old for the job. Seeing the older man, Remy thought, the old are just the reincarnation of the young. In fact, strictly speaking, each moment of time you reincarnated yourself, since you always had to attain a balance between your core, unchanging self and your constantly changing one. But when he tried to think of this further, his head started to hurt. Looking out the window to distract himself he noticed a black line of birds in the sky and thought of Eugene's falling and then thought he might cry. A man was a kind of reincarnation of a bird, a bird of a dinosaur, and so on. But it really was too difficult to think about, just as infinity itself was. That was why people wanted to shape things for themselves; it was much too difficult otherwise. And, that's why the club members wanted to act like G.o.d, because it was much too difficult to understand the real G.o.d.

Remy's eyes suddenly met the driver's and a fear went through him. He thought the driver looked like someone from the agency so as soon as the taxi slowed down at the airport, Remy handed him much more money than he needed to and left the cab without waiting for his change. Then he ran into the labyrinth of the airport trying to find a plane as fast as he could and, like those birds he'd just seen in the sky, fly away into another life.

LOUISE ERDRICH.

Disaster Stamps of Pluto.

From The New Yorker.

THE DEAD OF PLUTO now outnumber the living, and the cemetery stretches up the low hill east of town in a jagged display of white stone. There is no bar, no theater, no hardware store, no creamery or car repair, just a gas pump. Even the priest comes to the church only once a month. The gra.s.s is barely mowed in time for his visit, and of course there are no flowers planted. But when the priest does come, there is at least one more person for the town cafe to feed.

That there is a town cafe is something of a surprise, and it is no rundown questionable edifice. When the bank pulled out, the family whose drive-in was destroyed by heavy winds bought the building with their insurance money. The granite facade, arched windows, and twenty-foot ceilings make the cafe seem solid and even luxurious. There is a blackboard for specials and a cigar box by the cash register for the extra change that people might donate to the hospital care of a local boy who was piteously hurt in a farming accident. I spend a good part of my day, as do most of the people left here, in a booth at the cafe. For now that there is no point in keeping up our munic.i.p.al buildings, the cafe serves as office s.p.a.ce for town-council and hobby-club members, church-society and card-playing groups. It is an informal staging area for shopping trips to the nearest mall - sixty-eight miles south - and a place for the town's few young mothers to meet and talk, pus.h.i.+ng their car-seat-convertible strollers back and forth with one foot while hooting and swearing as intensely as their husbands, down at the other end of the row of booths. Those left spouseless or childless, owing to war or distance or attrition, eat here. Also divorced or single persons like myself who, for one reason or another, have ended up with a house in Pluto, North Dakota, their only major possession.

We are still here because to sell our houses for a fraction of their original price would leave us renters for life in the world outside. Yet, however tenaciously we cling to yards and living rooms and garages, the grip of one or two of us is broken every year. We are growing fewer. Our town is dying. And I am in charge of more than I bargained for when, in 1991, in the year of my retirement from medicine, I was elected president of Pluto's historical society.

At the time, it looked as though we might survive, if not flourish, well into the next millennium. But then came the flood of 1997, followed by the cost of rebuilding. Smalls's bearing works and the farm-implement dealers.h.i.+p moved east. We were left with flaxseed and sunflowers, but cheap transport via the interstate had pretty much knocked us out of the game already. So we have begun to steadily diminish, and, as we do, I am becoming the repository of many untold stories such as people will finally tell when they know that there is no use in keeping secrets, or when they realize that all that's left of a place will one day reside in doc.u.ments, and they want those papers to reflect the truth.

My old high school friend Neve Harp, salutatorian of the cla.s.s of 1942 and fellow historical-society member, is one of the last of the original founding families. She is the granddaughter of the speculator and surveyor Frank Harp, who came with members of the Dakota and Great Northern Townsite Company to establish a chain of towns along the Great Northern tracks. They hoped to profit, of course. These townsites were meticulously drawn up into maps for risktakers who would purchase lots for their businesses or homes. Farmers in every direction would buy their supplies in town and patronize the entertainment spots when they came to s.h.i.+p their harvests via rail.

The platting crew moved by wagon and camped where they all agreed some natural feature of the landscape or general distance from other towns made a new town desirable. When the men reached the site of what is now our town, they'd already been platting and mapping for several years and in naming their sites had used up the few words they knew of Sioux or Chippewa, presidents and foreign capitals, important minerals, great statesmen, and the names of their girlfriends and wives. The Greek and Roman G.o.ds intrigued them. To the east lay the neatly marked-out townsites of Zeus, Neptune, Apollo, and Athena. They rejected Venus as conducive, perhaps, to future debauchery. Frank Harp suggested Pluto, and it was accepted before anyone realized they'd named a town for the G.o.d of the underworld. This occurred in the boom year of 1906, twenty-four years before the planet Pluto was discovered. It is not without irony now that the planet is the coldest, the loneliest, and perhaps the least hospitable in our solar system - but that was never, of course, intended to reflect upon our little munic.i.p.ality.

Dramas of great note have occurred in Pluto. In 1924, five members of a family - the parents, a teenage girl, an eight- and a four-year-old boy - were murdered. A neighbor boy, apparently deranged with love over the daughter, vanished, and so remained the only suspect. Of that family, but one survived - a seven-month-old baby, who slept through the violence in a crib wedged un.o.btrusively behind a bed.

In 1934, the National Bank of Pluto was robbed of seventeen thousand dollars. In 1936, the president of the bank tried to flee the country with most of the town's money. He intended to travel to Brazil. His brother followed him as far as New York and persuaded him to return, and most of the money was restored. By visiting each customer personally, the brother convinced them all that their accounts were now safe, and the bank survived. The president, however, killed himself. The brother took over the job.

At the very apex of the town cemetery hill, there is a war memorial. In 1951, seventeen names were carved into a chunk of granite that was dedicated to the heroes of both world wars. One of the names was that of the boy who is generally believed to have murdered the family, the one who vanished from Pluto shortly after the bodies were discovered. He enlisted in Canada, and when notice of his death reached his aunt - who was married to a town-council member and had not wanted to move away, as the mother and father of the suspect did - the aunt insisted that his name be added to the list of the honorable dead. But unknown community members chipped it out of the stone, so that now a rough spot is all that marks his death, and on Veterans Day only sixteen flags are set into the ground around that rock.

There were droughts and freak Accidents and other crimes of pa.s.sion, and there were good things that happened, too. The seven-month-old baby who survived the murders was adopted by the aunt of the killer, who raised her in pampered love and, at great expense, sent her away to an Eastern college, never expecting that she would return. When she did, nine years later, she was a doctor- the first female doctor in the region. She set up her practice in town and restored the house she had inherited, where the murders had taken place - a small, charming clapboard farmhouse that sits on the eastern edge of town. Six hundred and forty acres of farmland stretch east from the house and barn. With the lease money from those acres, she was able to maintain a clinic and a nurse, and to keep her practice going even when her patients could not always pay for her services. She never married, but for a time she had a lover, a college professor and swim coach whose job did not permit him to leave the university. She had always understood that he would move to Pluto once he retired. But instead he married a girl much younger than himself and moved to Southern California, where he could have a year-round outdoor swimming pool.

Murdo Harp was the name of the brother of the suicide banker, tie was the son of the town's surveyor and the father of my friend. Neve is now an octogenarian like me; she and I take daily walks to keep our joints oiled. Neve Harp was married three times, but has returned to her maiden name and the house she inherited from her father. She is a tall woman, somewhat stooped for lack of calcium in her diet, although on my advice she now ingests plenty. Every day, no matter what the weather (up to blizzard conditions), we take our two- or three-mile walk around the perimeter of Pluto.

"We orbit like an ancient couple of moons," she said to me one day.

"If there were people in Pluto, they could set their clocks by us," I answered. "Or wors.h.i.+p us."

We laughed to think of ourselves as moon G.o.ddesses.

Most of the yards and lots are empty. For years, there has been no money in the town coffers for the streets, and the majority have been unimproved or left to gravel. Only the main street is paved with asphalt now, but the rough surfaces are fine with us. They give more purchase. Breaking a hip is our gravest dread - once you are immobile at our age, that is the end.

Our conversations slide through time, and we dwell often on setting straight the town record. I think we've sifted through every town occurrence by now, but perhaps when it comes to our own stories there is something left to know. Neve surprised me one day.

"I've been meaning to tell you why Murdo's brother, my uncle Octave, tried to run away to Brazil," she told me, as though the scandal had just occurred. "We should write the whole thing up for the historical newsletter."

I asked Neve to wait until we had finished our walk and sat down at the cafe, so that I could take notes, but she was so excited by the story beating its wings inside her - for some reason so alive and insistent that morning - that she had to talk as we made our way along. Her white hair swirled in wisps from its clip. Her features seemed to have sharpened. Neve has always been angular and imposing. I've been her foil. Her best audience. The one who absorbs the overflow of her excitements and pains.

"As you remember," Neve said, "Octave drowned himself when the river was at its lowest, in only two feet of water. He basically had to throw himself upon a puddle and breathe it in. It was thought that only a woman could have caused a man to inflict such a gruesome death upon himself, but it was not love. He did not die for love." Neve jabbed a finger at me, as though I'd been the one who kept the myth of Octave's pa.s.sion alive. We walked meditatively on for about a hundred yards. Then she began again. "Do you remember stamp collections? How important those were? The rage?"

I said that I did remember. People still collect stamps, I told her.

"But not like they did then, not like Octave," she said. "My uncle had a stamp collection that he kept in the bank's main vault. One of this town's best-kept secrets is exactly how much money that collection was worth. When the bank was robbed in '34, the robbers forced their way into the vault. They grabbed what cash there was and completely ignored the fifty-nine alb.u.ms and twenty-two specially constructed display boxes framed in ebony. That stamp collection was worth many times what the robbers got. It was worth almost as much money as was in the entire bank, in fact."

"What happened to it?" I was intrigued, as I hadn't known any of this.

Neve gave me a sly sideways look.

"I kept it when the bank changed hands. I like looking at the stamps, you see - they're better than television. I've decided to sell the whole thing, and that's why I'm telling the story now. The collection is in my front room. Stacked on a table. You've seen the alb.u.ms, but you've never commented. You've never looked inside them. If you had, you would have been enchanted, like me, with the delicacy, the detail, and the endless variety. You would have wanted to know more about the stamps themselves, and the need to know and understand their histories would have taken hold of you, as it did my uncle and as it has me, though thankfully to a much lesser degree. Of course, you have your own interests."

"Yes," I said. "Thank G.o.d for those."

I would be typing out and editing Neve's story for the next month.

As we pa.s.sed the church, we saw the priest there on his monthly visit. The poor man waved at us when we called out a greeting. No one had remembered, so he was cutting the gra.s.s. His parish was four or six combined now.

"They treat the good ones like simple beasts," Neve said. Then she shrugged and we pressed on. "My uncle's specialty, for all stamp collectors begin at some point to lean in a certain direction, was what you might call the dark side of stamp collecting.

I looked at Neve, whose excitements tend to take a shady turn, and thought that she had inherited her uncle's twist of mind along with his collection.

"After he had acquired the Holy Grails of philately - British Guiana's one-cent magenta, and the one-cent Z Grill - as well as the merely intriguing - for instance, Sweden's 1855 three-cent issue, which is orange instead of blue-green, and many stamps of the Thurn und Taxis postal system and superb specimens of the highly prized Mulready cover - my uncle's melancholia drew him specifically to what are called 'errors.' I think Sweden's three-cent began it all."

"Of course," I said, "even I know about the upside-down airplane stamp."

"The twenty-four-cent carmine-rose-and-blue invert. The Jenny. Yes!" She seemed delighted. "He began to collect errors in color, like the Swedish stamp, very tricky, then overprints, imperforate errors, value missings, omitted vignettes, and freaks. He has one entire alb.u.m devoted to the seventeen-year-old boy Frank Baptist, who ran off stamps on an old handpress for the Confederate government."

Neve charged across a gravelly patch of road, and I hastened to stay within earshot. Stopping to catch her breath, she leaned on a tree and told me that, about six years before he absconded with the bank's money, Octave Harp had gone into disasters - that is, stamps and covers, or envelopes, that had survived the dreadful occurrences that test or destroy us. These pieces of mail, water-stained, tattered, even bloodied, marked by experience, took their value from the gravity of their condition. Such damage was part of their allure.

By then, we had arrived at the cafe, and I was glad to sit down and take a few notes on Neve's revelations. I borrowed some paper and a pen from the owner, and we ordered our coffee and sandwiches. I always have a Denver sandwich and Neve orders a BLT without the bacon. She is a strict vegetarian, the only one in Pluto. We sipped our coffee.

"I have a book," Neve said, "on philately, in which it says that stamp collecting offers refuge to the confused and gives new vigor to fallen spirits. I think Octave was hoping he would find something of the sort. But my father told me that the more he dwelt on the disasters the worse he felt. He would brighten whenever he obtained something valuable for his collection, though. He was in touch with people all over the globe - it was quite remarkable. I've got files and files of his correspondence with stamp dealers. He would spend years tracking down a surviving stamp or cover that had been through a particular disaster. Wars, of course, from the American Revolution to the Crimean War and the First World War. Soldiers frequently carry letters on their person, and one doesn't like to think how those letters ended up in the hands of collectors. But Octave preferred natural disasters and, to a lesser extent, man-made accidents." Neve tapped the side of her cup. "He would have been fascinated by the Hindenburg, and certainly there would have been a stamp or two involved, somewhere. And our modern disasters, too, of course."

I knew what she was thinking of, suddenly - those countless fluttering, strangely cheerful papers drifting through the sky in New York. ... I went cold with dismay at the thought that many of those bits of paper were perhaps now in the hands of dealers who were selling them all over the world to people like Octave. Neve and I think very much alike, and I saw that she was about to sugar her coffee - a sign of distress. She has a bit of a blood-sugar problem.

"Don't," I said. "You'll be awake all night."

"I know." She did it anyway, then set the gla.s.s cannister back on the table. "Isn't it strange, though, how time mutes the horror of events, how they cease to affect us in the same way? But I began to tell you all of this in order to explain why Octave left for Brazil."

"With so much money. Now I'm starting to imagine he was on the trail of a stamp."

"You're exactly right," Neve said. "My father told me what Octave was looking for. As I said, he was fascinated with natural disasters, and in his collection he had a letter that had survived the explosion of Krakatoa in 1883, a Dutch postmark placed upon a letter written just before and carried off on a steamer. He had a letter from the sack of mail frozen onto the back of a New Hamps.h.i.+re mail carrier who died in the East Coast blizzard of 1888. An authenticated letter from the t.i.tanic's seagoing post office, too, but then there must have been quite a lot of mail recovered for some reason, as he refers to other pieces. But he was not as interested in sea disasters. No, the prize he was after was a letter from the year 79 AD."

I hadn't known there was mail service then, but Neve a.s.sured me that mail was extremely old, and that it was Herodotus whose words appeared in the motto "Neither snow, nor rain, nor gloom of night," etc., more than three hundred years before the date she'd just referred to - the year Mt. Vesuvius blew up and buried Pompeii in volcanic ash. "As you may know," she went on, "the site was looted and picked through by curiosity seekers for a century and a half after its rediscovery before anything was done about preservation. By then, quite a number of recovered objects had found their way into the hands of collectors. A letter that may have been meant for Pliny the Younger, from the Elder, apparently surfaced for a tantalizing moment in Paris, but by the time Octave could contact the dealer the prize had been stolen. The dealer tracked it, however, through a shadowy resale into the hands of a Portuguese rubber baron's wife, who was living in Brazil, a woman with obsessions similar to Octave's - though she was not a stamp collector. She was interested in all things Pompeian - had her walls painted in exact replicas of Pompeii frescoes, and so on."

"Imagine that. In Brazil."

"No stranger than a small-town North Dakota banker ama.s.sing a world-cla.s.s collection of stamps. Octave was, of course, a bachelor. And he lived very modestly too. Still, he didn't have enough money to come near to purchasing the Pliny letter. He tried to leave the country with the bank's money and his stamp collection, but the stamps held him back. I think the customs officials became involved in questions regarding the collection - whether it should be allowed to leave the country, and so on. The Frank Baptist stamps were an interesting side note to American history, for instance. Murdo caught up with him a few days later, and Octave had had a breakdown and was paralyzed in some hotel room. He was terrified that his collection would be confiscated. When he returned to Pluto, he began drinking heavily, and from then on he was a wreck."

"And the Pompeii letter - what became of it?"

"There was a letter from the Brazilian lady, who still hoped to sell the piece to Octave, a wild letter full of cross-outs and stained with tears."

"A disaster letter?"

"Yes, I suppose you could say so. Her three-year-old son had somehow got hold of the Pompeii missive and reduced it to dust. So in a way it was a letter from a woman that broke Octave's heart."

There was nothing more to say, and we were both in a thoughtful mood by then. Our sandwiches were before us and we ate them.

Neve and I spend our evenings quietly, indoors, reading or watching television, listening to music, eating our meager suppers alone. As I have been long accustomed to my own company, I find my time from dusk to midnight wonderful. I am not lonely. I know I haven't long to enjoy the luxuries of privacy and silence, and I cherish my familiar surroundings. Neve, however, misses her two children and her grandchildren. She spends many evenings on the telephone, although they live in Fargo and she sees them often. Both Neve and I find it strange that we are old, and we are amazed at how quickly our lives pa.s.sed - Neve with her marriages and I with my medical practice. We are even surprised when we catch sight of ourselves sometimes. I am fortunate in old age to have a good companion like Neve, though I have lately suspected that if she had the chance to leave Pluto she would do it.

That night, she had an episode of black moodiness, brought on by the sugar in her coffee, though I did not say so. She was still caught up in the telling of Octave's story, and she had also made an odd discovery.

Flanked by two bright reading lamps, I was quietly absorbing a rather too sweet novel sent by a book club that I belong to when the telephone rang. Speaking breathlessly, Neve told me that she had been looking through alb.u.ms all evening with a magnifying gla.s.s. She had also been sifting through Octave's papers and letters. She had found something that distressed her: In a file that she had never before opened was a set of eight or nine letters, all addressed to the same person, with canceled stamps, the paper distorted as though it had got wet, the writing smudged, each stamp differing from the others by some slight degree - a minor flaw in the cancellation mark, a slight rip. She had examined them in some puzzlement and noticed that one bore a fifty-cent violet Benjamin Franklin issued two years after the cancellation mark, which was dated just before the sinking of the t.i.tanic.

"I am finding it very hard to admit the obvious," she said, "because I had formed such a sympathetic opinion of my uncle. But I believe he must have been experimenting with forged disaster mail, and that what I found was no less than evidence. He was offering his fake letter to a dealer in London. There were attempts and rejections of certification letters, too." She sounded furious, as though he had tried to sell her the item himself.

I tried to talk Neve down, but when she gets into a mood like this all of her rages and sorrows come back to her and it seems she must berate the world or mourn each one. From what she could tell, all the other articles in Octave's collection were authentic, so after a while she calmed herself. She even laughed a bit, wondering if Octave's forgery would hold up if included in the context of an otherwise brilliant collection.

"It could improve the price," she said.

As soon as possible, I put the phone down, and my insipid novel as well. Neve's moods are catching. I have a notion I will soon be alone in Pluto. I try to shake off a sudden miasma of turbulent dread, but before I know it I have walked into my bedroom and am opening the chest at the foot of my bed and I am looking through my family's clothes - all else was destroyed or taken away, but the undertaker washed and kept these (kindly, I think) and he gave them to me when I moved into this house. I find the somber envelope marked "Jorghansen's Funeral Parlor" and slip from it the valentine, within its own envelope, that must have been hidden in a pocket. It may or may not be stained with blood, or rust, but it is most certainly a hideous thing, all schmaltz and paper lace. I note for the first time that the envelope bears a five-cent commemorative stamp of the Huguenot monument in Florida.

Sometimes I wonder if the sounds of fear and anguish, the thunder of the shotgun, is hidden from me somewhere in the most obscure corner of my brain. I might have died of dehydration, as I wasn't found for three days, but I don't remember that either, not at all, and have never been abnormally afraid of thirst or obsessed with food or water. No, my childhood was very happy and I had everything - a swing, a puppy, doting parents. Only good things happened to me. I was chosen Queen of the Prom. I never underwent a shock at the sudden revelation of my origins, for I was told the story early on and came to accept who I was. We even suspected that the actual killer might still be living somewhere in our area, invisible, remorseful. For we'd find small, carefully folded bills of cash hidden outdoors in places where my aunt or 1 would be certain to find them - beneath a flowerpot, in my tree house, in the hollow handles of my bicycle - and we'd always hold the wadded squares up arid say, "He's been here again." But, truly, I am hard pressed to name more than the predictable sadnesses that pa.s.s through one's life. It is as though the freak of my survival charged my disposition with grat.i.tude. Or as if my family absorbed all the misfortune that might have come my way. I have lived an ordinary and a satisfying life, and I have been privileged to be of service to people. There is no one I mourn to the point of madness and nothing I would really do over again.

So why, when I stroke my sister's valentine against the side of my face, and why, when I touch the folded linen of her vest, and when I reach for my brothers' overalls and the ap.r.o.n my mother died in that day, and bundle these things to my stomach together with my father's ancient, laundered, hay-smelling clothes, why, when I gather my family into my arms, do I catch my breath at the wild upsurge, as if a wind had lifted me, a black wing of air? And why, when that happens, do I fly toward some blurred and ineradicable set of features that seems to rush away from me as stars do? At blinding speeds, never stopping?

When Pluto is empty at last and this house is reclaimed by earth, when the war memorial is toppled and the bank/cafe stripped for its bra.s.s and granite, when all that remains of our town is a collection of historical newsletters bound in volumes donated to the regional collections at the University of North Dakota, what then? What shall I have said? How shall I have depicted the truth?

The valentine tells me that the boy's name should not have been scratched from the war memorial, that he was not the killer after all. For my sister loved him in return, or she would not have carried his message upon her person. And if he had had her love he probably fled out of grief and despair, not remorse or fear of prosecution. But if it was not the boy, who was it? My father? But no, he was felled from behind. There is no one to accuse. Somewhere in this town or out in the world, then, the being has existed who stalked the boys hiding in the barn and destroyed them in the hay, who saw the beauty of my sister and my mother and shot them dead. And to what profit? For nothing was taken. Nothing gained. To what end the mysterious waste?

An extremely touchy case came my way about twenty years ago, and I have submerged the knowledge of its truth. I have never wanted to think of it. But now, as with Neve, my story knocks with insistence, and I remember my patient. He was a hired man who'd lived his life on a stock farm that ab.u.t.ted the farthest edges of our land. Warren Wolde was a taciturn crank, who nevertheless had a way with animals. He held a number of peculiar beliefs, I am told, regarding the United States government. On these topics, his opinion was avoided. Certain things were never mentioned around him- Congress being one, and particular amendments to the Const.i.tution. Even if one stuck to safe subjects, he looked at people in a penetrating way that they found disquieting. But Warren Wolde was in no condition to disquiet me when I came onto the farm to treat him. Two weeks before, the farm's expensive blooded bull had hooked and then trampled him, concentrating most of the damage on one leg. He'd refused to see a doctor, and now a feverish infection had set in and the wound was necrotic. He was very strong, and fought being moved to a hospital so violently that his employers had decided to call me instead to see if I could save his leg.

I could, and did, though the means were painful and awful and it meant twice-daily visits, which my schedule could ill afford. At each change of the dressing and debridement, I tried to dose Wolde with morphine, but he resisted. He did not trust me yet and feared that if he lost consciousness he'd wake without his leg. Gradually, I managed to heal the wound and also to quiet him. When I first came to treat him, he'd reacted to the sight of me with a horror unprecedented in my medical experience. It was a fear mixed with panic that had only gradually dulled to a silent wariness. As his leg healed, he opened to my visits, and by the time he was hobbling on crutches he seemed to antic.i.p.ate my presence with an eager pleasure so tender and pathetic that it startled everyone around him. He'd shuck off his forbidding and strange persona just for me, they said, and sink back into an immobilizing fury once I'd left. He never healed quite enough to take on all of his old tasks, but he lasted pretty well at his job for another three years. He died naturally, in his sleep one night, of a thrown blood clot. To my surprise, I was contacted several weeks later by a lawyer.

The man said that his client Warren Wolde had left a package for me, which I asked him to send in the mail. When the package arrived, addressed in an awkward script that certainly could have been Wolde's, I opened the box immediately. Inside were hundreds upon hundreds of wadded bills of a.s.sorted denominations, and of course I recognized their folded pattern as identical to the bills that had turned up for me all through my childhood. I could perhaps believe that the money gifts and the legacy were only marks of sympathy for the tragic star of my past and, later, grat.i.tude for what I'd done. I might be inclined to think that, were it not for the first few times I had come to treat Wolde, when he reared from me in a horror that seemed so personal. There had been something of a recalled nightmare in his face, I'd thought it even then, and I was not touched later on by the remarkable change in his character. On the contrary, it chilled me to sickness.

Those of you who have faithfully subscribed to this newsletter know that our dwindling subscription list has made it necessary to reduce the length of our articles. So I must end here. But it appears, anyway, that since only the society's treasurer, Neve Harp, and I have convened to make any decisions at all regarding the preservation and upkeep of our little collection, and as only the two of us are left to contribute more material to this record, and as we have nothing left to say, our members.h.i.+p is now closed. We declare our society defunct. I shall, at least, keep walking the perimeter of Pluto until my footsteps wear my orbit into the earth. My last act as the president of Pluto's historical society is this: I would like to declare a town holiday to commemorate the year I saved the life of my family's murderer. The wind will blow. The devils rise. All who celebrate it shall be ghosts. And there will be nothing but eternal dancing, dust on dust, everywhere you look.

Oh my, too apocalyptic, I think as I leave my house to walk over to Neve's to help her cope with her sleepless night. She will soon move to Fargo. She'll have the money to do it. Dust on dust! There are very few towns where old women can go out at night and enjoy the breeze, so there is that about Pluto. I take my cane to feel the way, for the air is so black I think already I am invisible.

DANIEL HANDLER.

Delmonico.

From McSweeney's Enchanted Chamber of Astonis.h.i.+ng Stories "WHAT'S A DELMONICO?".

The two gentlemen had scarcely entered the place. From where I was sitting they were only silhouettes in the s.h.i.+ny doorway, blaring with rude sun. It was after six but dead summer, so the sun hadn't set. I don't drink in the daytime, but if it's after six you'll probably find me at the Slow Night. It's been remarked to me that my regular spot at the bar isn't the best one, as I have to whirl around whenever somebody walks in, just to see who it is. I Suppose that's true, that I could choose a better bar stool if I wanted a better view of the outside world. But that's not what I like to look at when I come in.

Davis was at the cash register, her back to the door, holding two or three dollars in her palm. She was about to give them to a guy, as change for the drinks she made for him and his girlfriend. Then the guy was going to hand them back to Davis. This is how it went with Davis as long as I'd ever seen it. Davis was gorgeous, is what she was, gorgeous not in the way she looked but in the way she was. When she mixed you a drink and handed back your change you'd hand it over to her no matter what you paid and what you ordered. It wouldn't matter if you had your girl with you, waiting at one of the tables with a high-heeled foot tapping on the carpet. You'd give it back, all your puny dollars, and still you'd feel like you hadn't forked it over fast enough. "Delmonico?" Davis said, and looked back at the gentlemen. She c.o.c.ked her head, but not like she was thinking, more like she was considering whether these guys deserved the real answer. They didn't move. I tried to look at them myself but the sunlight still made them nothing but shadows. All I could notice was that one was taller than the other. Davis had probably noticed six or seven things more, and she'd just that second turned around from the register. "Delmonico," she said again. "Gin, vermouth, brandy. A dash of bitters."

The shorter gentleman gave his friend a little tap with his hand. "I told you she was smart," he said, and then the two of them stepped inside and let the door shut behind them. Davis put her hands on her hips like this offhand compliment wasn't nearly enough. The guy slid his money back to Davis and took his seat. Time and time I want to tell Davis that I love her, but she's so smart there's no way she hasn't figured it out already.

The Slow Night is on a fairly main drag, more or less half a block away from two other bars and just about across the street from another. These bars are called Mary's, and O'Malley's, and The something. I've never been inside them and never intend to. One of them--Mary's, I think--has those little flags all over the ceiling, fluttering like a used-car lot. You can see it from the street because they prop the door open. All of them have the neon in the window and even on a quick walk-by you can hear the roar of music and laughing and the little earthquakes of bottle caps falling to the floor. The bars are full in the evenings, because I guess there are lots of people in the world who like to have a pitcher of something, and sit underneath a TV yelling at each other. In the daytime they're dead like anyplace, with just a few puttering around. One of them has a pool table and people gather for that, with the chattering of the b.a.l.l.s like teeth on a chilly day. I don't wish any of these people any harm and am grateful that these other bars take them away. The Slow Night looks closed from the outside, with heavy draperies on the windows and no real sign, just the name fading away over the entrance. The doors are closed except when someone is walking through them. From the doorway are two steps down into the bar--mostly for show, I think, because it's not a bas.e.m.e.nt place. Inside, all the furniture's realreal bar stools, real tables and chairs, and a real jukebox giving the world the music of the lonely, with Julie London and Hank Williams, and some quieter jazz things I never can determine. They don't serve food although sometimes a bowl of nuts might appear from someplace, and the only thing one might call entertainment is a few sections of the day's paper stacked up at the very end of the bar, in case one needs to check on something outside. Nowhere is there any advertis.e.m.e.nt of any sort, except the clock which says Quill, right in the middle of the face. Davis doesn't know what that is. It came with the place.

The bar has something of it reputation, in guidebooks fools buy and read. "Don't let the exterior fool you," is the sort of thing that pa.s.ses as praise, "the Slow Night is the real deal--the sort of place in which your parents might have met, with real leather booths and a lady behind the counter who will mix you any poison you can dream up." But these lazy lies--no booths, you don't dream up c.o.c.ktails--aren't really the thing. Below the surface of the city, murmured between I don't know who, is the story that Davis is very smart. Not smart like a bartender who knows his World Series, but smart, like if you have a problem you can bring it up after you've ordered a drink and she will likely solve it for you. I've seen this in action--actually seen it happen. Divorce lawyers. Grad students. Geological survey men. She fixes their puzzles, although they're no less puzzled, really, when they leave. The gentlemen must have known this too, although the tall one had to ask his quiz master question before he believed it. They took off their hats and sat down.

"Holy-" the guy said from the table, but his girlfriend shushed him. The tall gentleman gave the guy a real angry look, and the guy lowered his eyes and took a long, long sip from his drink. Martinis, both of them, the guy and the girl both. That's the kind of couple that stays together.

"My friend here," said the short gentleman, "was hoping not to be recognized."

"You wander around hoping not to be recognized," Davis said, "then you ought not to let everybody know."

"Do you know who I am?" the tall gentleman asked.

"A customer, I'm guessing," Davis said. "I recognize everyone who comes in that way. I ask them what they want to drink and they tell me and we go from there. So far it's worked okay. Do you gentlemen really want Delmonicos? It's no drink for beginners."

"Scotch," said the shorter one. "For both of us, please," at the same time as his friend said, "I'm not sure I like your att.i.tude." Davis just kept her hands on her hips. I looked down at the rest of my bourbon. Davis has offered to make me something nicer, time and time again, but just a little bourbon on ice is what I get, and what she gives me. The shorter one coughed a little into his hand, and looked at his friend. "You'll have to excuse him," he said to Davis. "He's going through a lot."