A Night on the Borders of the Black Forest Part 22

Again I felt Jonathan Jelf plucking at my sleeve.

"Look at Raikes," he whispered. "Look at Raikes!"

I turned to where the under-secretary had been standing a moment before, and saw him, white as death, with lips trembling and livid, stealing towards the door.

To conceive a sudden, strange, and indefinite suspicion; to fling myself in his way; to take him by the shoulders as if he were a child, and turn his Craven face, perforce, towards the board, was with me the work of an instant.

"Look at him!" I exclaimed. "Look at his face! I ask no better witness to the truth of my words."

The chairman's brow darkened.

"Mr. Raikes," he said, sternly, "if you know anything, you had better speak."

Vainly trying to wrench himself from my grasp, the under-secretary stammered out an incoherent denial.

"Let me go!" he said. "I know nothing--you have no right to detain me--let me go!"

"Did you, or did you not, meet Mr. John Dwerrihouse at Blackwater Station? The charge brought against you is either true or false. If true, you will do well to throw yourself upon the mercy of the board, and make full confession of all that you know."

The under-secretary wrung his hands in an agony of helpless terror.

"I was away," he cried. "I was two hundred miles away at the time! I know nothing about it--I have nothing to confess--I am innocent--I call G.o.d to witness I am innocent!"

"Two hundred miles away!" echoed the chairman. "What do you mean?"

"I was in Devons.h.i.+re. I had three weeks' leave of absence--I appeal to Mr. Hunter--Mr. Hunter knows I had three weeks' leave of absence! I was in Devons.h.i.+re all the time--I can prove I was in Devons.h.i.+re!"

Seeing him so abject, so incoherent, so wild with apprehension, the directors began to whisper gravely among themselves; while one got quietly up, and called the porter to guard the door.

"What has your being in Devons.h.i.+re to do with the matter?" said the chairman. "When were you in Devons.h.i.+re?"

"Mr. Raikes took his leave in September," said the secretary; "about the time when Mr. Dwerrihouse disappeared."

"I never even heard that he had disappeared till I came back!"

"That must remain to be proved," said the chairman. "I shall at once put this matter in the hands of the police. In the meanwhile, Mr. Raikes, being myself a magistrate, and used to deal with these cases, I advise you to offer no resistance; but to confess while confession may yet do you service. As for your accomplice...."

The frightened wretch fell upon his knees.

"I had no accomplice!" he cried. "Only have mercy upon me--only spare my life, and I will confess all! I didn't mean to harm him--I didn't mean to hurt a hair of his head! Only have mercy upon me, and let me go!"

The chairman rose in his place, pale and agitated.

"Good heavens!" he exclaimed, "what horrible mystery is this? What does it mean?"

"As sure as there is a G.o.d in heaven," said Jonathan Jelf, "it means that murder has been done."

"No--no--no!" shrieked Raikes, still upon his knees, and cowering like a beaten hound. "Not murder! No jury that ever sat could bring it in murder. I thought I had only stunned him--I never meant to do more than stun him! Manslaughter--manslaughter--not murder!"

Overcome by the horror of this unexpected revelation, the chairman covered his face with his hand, and for a moment or two remained silent.

"Miserable man," he said at length, "you have betrayed yourself."

"You bade me confess! You urged me to throw myself upon the mercy of the board!"

"You have confessed to a crime which no one suspected you of having committed," replied the chairman, "and which this board has no power either to punish or forgive. All that I can do for you is to advise you to submit to the law, to plead guilty, and to conceal nothing. When did you do this deed?"

The guilty man rose to his feet, and leaned heavily against the table.

His answer came reluctantly, like the speech of one dreaming.

"On the twenty-second of September!"

On the twenty-second of September! I looked in Jonathan Jelf's face, and he in mine. I felt my own paling with a strange sense of wonder and dread. I saw his blench suddenly, even to the lips.

"Merciful heaven!" he whispered, "_what was It, then, that you saw in the train?_"

What was it that I saw in the train? That question remains unanswered to this day. I have never been able to reply to it. I only know that it bore the living likeness of the murdered man, whose body had been lying some ten weeks under a rough pile of branches, and brambles, and rotting leaves, at the bottom of a deserted chalk-pit about half way between Blackwater and Mallingford. I know that it spoke, and moved, and looked as that man spoke, and moved, and looked in life; that I heard, or seemed to hear, things related which I could never otherwise have learned; that I was guided, as it were, by that vision on the platform to the identification of the murderer; and that, a pa.s.sive instrument myself, I was destined, by means of these mysterious teachings, to bring about the ends of justice. For these things I have never been able to account.

As for that matter of the cigar-case, it proved, on inquiry, that the carriage in which I travelled down that afternoon to Clayborough had not been in use for several weeks, and was, in point of fact, the same in which poor John Dwerrihouse had performed his last journey. The case had, doubtless, been dropped by him, and had lain unnoticed till I found it.

Upon the details of the murder I have no need to dwell. Those who desire more ample particulars may find them, and the written confession of Augustus Raikes, in the files of the "Times" for 1856. Enough that the under-secretary, knowing the history of the new line, and following the negotiation step by step through all its stages, determined to waylay Mr. Dwerrihouse, rob him of the seventy-five thousand pounds, and escape to America with his booty.

In order to effect these ends he obtained leave of absence a few days before the time appointed for the payment of the money; secured his pa.s.sage across the Atlantic in a steamer advertised to start on the twenty-third; provided himself with a heavily-loaded "life-preserver,"

and went down to Blackwater to await the arrival of his victim. How he met him on the platform with a pretended message from the board; how he offered to conduct him by a short cut across the fields to Mallingford; how, having brought him to a lonely place, he struck him down with the life-preserver, and so killed him; and how, finding what he had done, he dragged the body to the verge of an out-of-the-way chalk-pit, and there flung it in, and piled it over with branches and brambles, are facts still fresh in the memories of those who, like the connoisseurs in De Quincey's famous essay, regard murder as a fine art. Strangely enough, the murderer, having done his work, was afraid to leave the country. He declared that he had not intended to take the director's life, but only to stun and rob him; and that finding the blow had killed, he dared not fly for fear of drawing down suspicion upon his own head. As a mere robber he would have been safe in the States, but as a murderer he would inevitably have been pursued, and given up to justice. So he forfeited his pa.s.sage, returned to the office as usual at the end of his leave, and locked up his ill-gotten thousands till a more convenient opportunity. In the meanwhile he had the satisfaction of finding that Mr. Dwerrihouse was universally believed to have absconded with the money, no one knew how or whither.

Whether he meant murder or not, however, Mr. Augustus Raikes paid the full penalty of his crime, and was hanged at the Old Bailey in the second week in January, 1857. Those who desire to make his further acquaintance may see him any day (admirably done in wax) in the Chamber of Horrors at Madame Tussaud's exhibition in Baker Street. He is there to be found in the midst of a select society of ladies and gentlemen of atrocious memory, dressed in the close-cut tweed suit which he wore on the evening of the murder, and holding in his hand the identical life-preserver with which he committed it.

SISTER JOHANNA'S STORY.

If you have ever heard of the Grodner Thal, then you will also have heard of the village of St. Ulrich, of which I, Johanna Roederer, am a native. And if, as is more likely, you have never heard of either, then still, though without knowing it, many of you have, even from your earliest childhood, been familiar with the work by which, for many generations, we have lived and prospered. Your rocking-horse, your Noah's ark, your first doll, came from St. Ulrich--for the Grodner Thal is the children's paradise, and supplies the little ones of all Europe with toys. In every house throughout the village--I might almost say in every house throughout the valley--you will find wood-carving, painting, or gilding perpetually going on; except only in the hay-making and harvest-time, when all the world goes up to the hills to mow and reap, and breathe the mountain air. Nor do our carvers carve only grotesque toys. All the crucifixes that you see by the wayside, all the carved stalls and tabernacles, all the painted and gilded saints decorating screens and side altars in our Tyrolean churches, are the work of their hands.

After what I have said, you will no doubt have guessed that ours was a family of wood-carvers. My father, who died when my sister and I were quite little children, was a wood-carver. My mother was also a wood-carver, as were her mother and grandmother before her; and Katrine and I were of course brought up by her to the same calling. But, as it was necessary that one should look after the home duties, and as Katrine was always more delicate than myself, I gradually came to work less and less at the business; till at last, what with cooking, was.h.i.+ng, mending, making, spinning, gardening, and so forth, I almost left it off altogether. Nor did Katrine work very hard at it, either; for, being so delicate, and so pretty, and so much younger than myself, she came, of course, to be a great deal spoiled and to have her own way in everything. Besides, she grew tired, naturally, of cutting nothing but c.o.c.ks, hens, dogs, cats, cows, and goats; which were all our mother had been taught to make, and, consequently, all she could teach to her children.

"If I could carve saints and angels, like Ulrich, next door," Katrine used sometimes to say; "or if I might invent new beasts out of my own head, or if I might cut caricature nutcrackers of the Herr Purger and Don Wian, I shouldn't care if I worked hard all day; but I hate the c.o.c.ks and hens, and I hate the dogs and cats, and I hate all the birds and beasts that ever went into the ark--and I only wish they had all been drowned in the Deluge, and not one left for a pattern!"

And then she would fling her tools away, and dance about the room like a wild creature, and mimic the Herr Purger, who was the great wholesale buyer of all our St. Ulrich ware, till even our mother, grave and sober woman as she was, could not help laughing, till the tears ran down her cheeks.

Now the Ulrich next door, of whom our little Katrine used to speak, was the elder of two brothers named Finazzer, and he lived in the house adjoining our own; for at St. Ulrich, as in some of the neighbouring villages, one frequently sees two houses built together under one roof, with gardens and orchards surrounded by a common fence. Such a house was the Finazzer's and ours; or I should rather say both houses were theirs, for they were our landlords, and we rented our cottage from them by the year.

Ulrich, named after the patron saint of our village, was a tall, brown, stalwart man, very grave, very reserved, very religious, and the finest wood-sculptor in all the Grodner Thal. No Madonnas, no angels, could compare with his for heavenly grace and tenderness; and as for his Christs, a great foreign critic who came to St. Ulrich some ten or twelve years ago said that no other modern artist with whose works he was acquainted could treat that subject with anything like the same dignity and pathos. But then, perhaps, no other modern artist went to his work in the same spirit, or threw into it, not only the whole force of a very n.o.ble and upright character, but all the loftiest aspirations of a profoundly religious nature.

His younger brother, Alois, was a painter--fairhaired, light-hearted, pleasure-loving; as unlike Ulrich, both in appearance and disposition, as it is possible to conceive. At the time of which I am telling you, he was a student in Venice and had already been three years away from home.

I used to dream dreams, and weave foolish romances about Alois and my little Katrine, picturing to myself how he would some day come home, in the flush, perhaps, of his first success, and finding her so beautiful and a woman grown, fall in love with her at first sight, and she with him; and the thought of this possibility became at last such a happy certainty in my mind, that when things began to work round in quite the other way, I could not bring myself to believe it. Yet so it was, and, much as I loved my darling, and quick-sighted as I had always been in everything that could possibly concern her, there was not a gossip in St. Ulrich who did not see what was coming before I even suspected it.