Full Spectrum 3 Part 46

"What?" said Harris.

"Name a historical heroine. Quickly."

"Joan of Arc," said Harris.

"Everyone can get that far. Now name another."

Harris couldn't think. She tapped her fingers on the page to let him know that time was pa.s.sing. He had always admired Morgan Fairchild for her political activism, but he a.s.sumed this would be the wrong answer. If he hadn't been so irritated he could probably have come up with another name.

"Harriet Tubman," his wife said. "Donaldina Cameron. Edith Cavell. Yvonne Hakime-Rimpel."

She really was a sn.o.b, but she was also a fair-minded woman. She was not, Harris thought, one of those feminists who simply changed history every time it didn't suit her. Harris got out of bed and went back to the study. His feet were cold on the bare wood floor. Blankets or no blankets, it would take a long time for his feet to warm up. He fished Carry Nation's autobiography out of his stack and brought it back.

"You haven't read about her daughter," he said. "There's nothing about Charlien in the pretty little version for children that you chose to read." He flipped through his own book until he found the section he wanted. He thrust it in front of his wife's face, then pulled it back to read it aloud. " 'About this time, my precious child, born of a drunken father and a distracted mother, seemed to conceive a positive dislike for Christianity. I feared for her soul and I prayed to G.o.d to send her some bodily affliction which would make her love and serve Him.'"

Harris skimmed ahead in the book with his finger. "A week later, Charlien developed a raging fever," he told his wife. "She almost died. And when she recovered from that, part of her cheek rotted away. She had a hole in her face. You could see her teeth. But it was a lucky thing. Because then her jaws locked shut, and she wouldn't have been able to eat if there wasn't a hole in her cheek to stick a straw through." He made an effort to lower his voice. "Her jaws stayed locked for eight years."

There was a long silence, a silence, Harris thought, of reevaluation and regret for earlier, hasty judgments. "That is a very ugly story," his wife said. She took the autobiography away from him and began to turn the pages.

"Isn't it?" Harris wiggled his arm underneath her. There was a longer silence. Harris stared at the ceiling. It was a blown popcorn landscape, and sometimes Harris could imagine pictures in it, but he was too tired for this now. He looked instead at the large cobwebs in the corners. Tomorrow Harris would get the broom and knock them down. Then he would get out the vacuum to suck up the bits of ceiling that came down with the cobwebs, the little flakes of milky asbestos, the poisonous snow, the toxic powders. Nothing the vacuum couldn't handle. And then Harris would need a rag to remove from the furniture the dust the vacuum had flung up. And then the rag would need to be washed. And then... it was almost like counting sheep. Harris drifted.

"You can't possibly think those things happened because of Carry's prayers," his wife said.

Harris woke up in amazement. His arm had already gone numb from his wife's weight. He pulled it free. "So now she's Carry?" Harris asked. "Now we're on a first-name basis?"

"Look at the religious climate she grew up in. You don't believe G.o.d afflicted a little girl with such a horrible condition because her mother asked Him to?"

"What kind of mother would ask Him to?" said Harris. "That's the point, isn't it? What kind of a horrible mother is this?"

Harris's wife was still reading the autobiography. "Carry worked for years to earn the money for surgery," she told Harris.

"I've read the book," he said, but there was no stopping her.

"She ignored the doctors who said the case was hopeless. Every time a doctor said the case was hopeless, she went home and earned more money for another doctor." Harris's wife pointed out the relevant text.

"I've read the d.a.m.n book."

"The condition was finally cured, because Carry never gave up."

"So she says," said Harris.

His wife regarded him coolly. "I don't think Carry would lie."

Harris turned his back on his wife and lay on his side. "It's very late," he said curtly. He turned off his light, punched angrily at his pillow. Unable to get comfortable, he flipped from side to side and considered getting himself another sherry. "What's to like about her? I really don't understand." Harris felt that his wife had suddenly, frighteningly, become a different person. They had always been so consensual. Not pathologically so-they had their own opinions and their own values, of course-but they had also generally liked the same movies, enjoyed the same books. Suddenly she was holding unreasonable opinions. Suddenly she was a stranger.

His wife did not answer, nor did she turn off her own light. "This is an interesting book too," she said. He heard pages continuing to turn. "There are hymns in the back. Honey, if you dislike Carry Nation so much, why do you have all these books about her?"

Harris, who always told his wife everything, had not yet found just the right moment to tell her that, the last time he was in Panama, he had summoned a loa. Harris pretended to be asleep.

"You just don't like her because she had a hatchet," his wife said quietly. "Because she was a big, loud woman with a hatchet. You're threatened by her."

Harris sat bolt upright so that the comforter slid off him completely. Was that fair? Was that at all fair? Hadn't they had a completely egalitarian, respectful, supportive marriage? And didn't it make him sort of a joke in the DEA for his lack of machismo, and hadn't he never, ever complained to her about this?

"Good night," his wife said evenly, snapping her light off. She had her side of the comforter wound in her fists. It fell just a bit below her shoulders so he could see her neck and the start of her spine, blue in the moonlight, like st.i.tching down her back. She breathed, and her spine stretched like a snake. She pulled the comforter up around her again. She had more than her share of the covers.

Beside the books on her nightstand was the little black toad. Harris had given it to her for Christmas. It stared at him.

And wasn't he, after all, the person who'd brought Carry back? Now he was glad he hadn't told her. Harris's feet were too cold, and he couldn't sleep at all.

"I've read over your report," Harris's superior told him. "I took it up top. It's a little spotty."

Harris conceded as much. "The form was so small," he said.

"And not really designed for exactly this sort of problem." With tone of voice, phrasing, and body language, Harris's superior managed a blatant show of generosity and condescension. Harris's superior was feeling superior. It was not a pretty thing to see. It was not a pretty thing to see in the man who fought so hard to award the Texas Guard a $2,900,000 federal grant so they could station themselves along the Mexican border disguised as cactus plants and ambush drug traffickers.

Harris looked instead at the map on the wall behind him. It was a map much like the map in Harris's study; the pins were different colors, but the locations were identical. "This is the DEA's official position," his superior said. "The DEA does not believe in zombies. The DEA believes in drugs. One of our agents was inadvertently drugged on Christmas Eve and imagined a great many things. This agent now understands that the incidents in question were hallucinatory.

"If it is ever proved that this agent called forth a loa, then it is the DEA's position that he did so in his leisure time and that the summoning represents the act of an individual and not of an agency.

"The DEA has no knowledge of or connection with the gorilla woman. Her malicious and illegal destruction of private property is a matter for the local police. Do you understand?"

"Unofficially?" asked Harris.

"Unofficially they're reading your report in the men's room for light entertainment," said Harris's superior. "You'll see bits of it on the wall in the second stall." Harris already had. Item six: I don't know where she got the body. Scratched with a penknife or the fingernail-cleaning attachment on a clipper, just above the toilet paper dispenser.

His superior leaned forward to engage in actual eye contact with Harris. It took Harris by surprise; he drew back.

"Unofficially we were impressed with the report the General gave us. We were impressed enough to interview some of the Miami eyewitnesses. They're not the sort of wing nuts in sandals you might expect to find in the tabloids. Our agent spent two hours with a Mr. Schilling, who owns the Miami bar. He's a pretty savvy guy, and he says she performed feats of superhuman strength. How did she get into the Vatican emba.s.sy? No one ever sees her come or go. She took out a crack lab in Raleigh, North Carolina, a week ago. Did you hear about that?"

Harris had not. He was alarmed to hear she was already as far north as Raleigh. He rechecked the map. There it was, a black pin through the heart of North Carolina. "Unofficially the DEA doesn't give a d.a.m.n where she came from. Unofficially the DEA expects you to take care of her."

Harris nodded. He had always seen that the burden of responsibility was his. With or without the DEA, he had never intended to s.h.i.+rk it. He had already been spending his sleepless nights making plans. "With support?" Harris asked.

"At my discretion. And certainly not visibly."

It was more than Harris had hoped for. He moved to the map on the wall. "She seems to be moving directly north. Sooner or later, I figure she'll hit here." He drew a line north from Raleigh to Richmond, a small circle around Richmond. "Somewhere in here. So. We concentrate our forces in the larger bars.

"Now, the body is the real issue. Is it a real body? If so, it's doable. If not, we're in trouble. If not, we need expert help. But let's say that it is. She shows herself, we attack with the bufotoxin/tetrodotoxin package. This could be a bit tricky. She won't drink, of course. The potion can go right through the skin, and sometimes the bokor simply sprinkles it on the doorstep, but I'm guessing she's the sort who won't remove her shoes. We might try a s.h.i.+rley Temple, load the tetrodotoxin into the cherry. Even if she won't drink the ginger ale, I'm willing to bet she'll eat the cherry. The dosage will be guesswork, and someone will have to take it to her. Of course, I'm volunteering."

"No hallucinogenics," Harris's superior said.

Harris's mind was filled with cherries. He had to blink to clear it. "I don't understand. We're just trying to persuade the loa to abandon the host body."

"You summoned a weapon. This weapon served us at the Vatican emba.s.sy. It's a useful weapon. We don't want it destroyed."

"You don't understand," Harris said. "You're not going to control it. You can't talk to it. You can't reason with it. You can't hurt it. It doesn't feel pity or remorse or self-doubt. It makes no distinction between drugs and liquor and nicotine. And it will not stop. Ever."

"We want it on the team," Harris's superior said.

"You're tying my hands," said Harris. His heart had never beat faster except for maybe that time in Mexico when Rico had slipped and used his real name during a buy, and that time above the Bolivian mountains when two engines failed, and that time when his wife was supposed to be home by seven and didn't arrive until after ten because the cla.s.s discussion had been so interesting they'd taken it to a bar to continue it and the bar phone had been out of order, and that time he was on bufotoxins.

"The problem is not here in the States with the consumers. The problem is down there with the suppliers."

"You're sending me on a suicide mission."

"We want your loa in Colombia," Harris's superior said.

Harris packed his clothes for Richmond. He had no red underwear, but he had boxers with red valentines on them. They were a gift from his wife. He put them on, making a mental list of the other items he needed. Eggs dyed yellow, fresh eggs, so he would have to pick them up after he arrived. Salt. Red and white candles. The black toad, for luck. Feathers. Harris pulled his Swiss Army knife out of his pocket and reached for his pillow.

"Patrick?" Harris's wife called him from the kitchen. "Patrick, would you come here a moment?" Harris put the knife away.

His wife stood in front of the refrigerator. In one hand she had the picture of Carry and her hatchet, torn from The Girl's Life. The edges were dipped in red candle wax. "I found this under the Tater Tots," Harris's wife said. "What is it and how did it get in my freezer?"

Harris had no answer. He had to stall and think of one. He opened the refrigerator and got himself a beer. "My freezer?" he said pointedly, popping the flip-top. "Isn't it our freezer?"

"How did this get in our freezer?"

"I don't think I would ever have referred to the freezer as my freezer," Harris said sadly. He drank his beer, for timing rather than thirst, an extra moment to let his point sink in. Then he amplified. "I don't think you'll find me doing that. But with you it's always my kitchen. My Sunday paper. My bed."

"I'm sorry," said his wife. She held out the picture. Harris spoke again before she could.

"It signifies," he said. "It certainly signifies."

His wife had the tenacity of a hound. "What's with the picture?"

"I spilled wax on it. Accidentally." Harris had not survived in the Latin American drug theater without some ability to think on his feet. He took the photograph from her. "Naturally I wanted to remove the wax in such a way as to do as little damage to the picture as possible. This picture came out of a library book, after all. I thought I could remove the wax easier if the wax was hard. So I put it in the freezer."

"Why were you reading by candlelight?" his wife asked. "You tore the picture out of a library book? That doesn't sound like you."

"The book was due back. It had to be returned." His wife was staring at him. "It was overdue," Harris said.

He missed the loa in Richmond. A few hours after his wife took the picture out of the freezer and before he'd hidden it under the bed, pinned beneath a gla.s.s of salt water to force the loa across an ocean, she struck. Harris's superior caught him on the car phone on the way to the airport. In addition to Richmond, there'd been a copycat incident in Chicago at a cocaine sale. The sale had been to the DEA. They had worked on it for months, and then some grandmother with a hatchet sent it all south. "I want her on the plane to Colombia yesterday," Harris's superior said.

Harris canceled his reservation and drove to Alexandria. She was coming so fast. For the first time, he asked himself why. Was she coming for him?

"Straying tonight, straying tonight, leaving the pathway of honor and right..." The song came from inside the Gateway Bar, punctuated with sounds of breaking gla.s.s, splintering wood, and an occasional scream. Harris had been beepered to the spot, but others had obviously arrived first. It was ten in the evening, but across the street two men washed a store window. One sat in his car behind a newspaper. Two more had levered up the manhole cover and knelt beside it, peering down industriously. One man watched Harris from a second-story window above the bar.

Harris set his case on the sidewalk and opened the latch. HAPPY HOUR! the bar marquee read. RAP SINGING! OPEN MIKE! HOGAN CONTEST! He took a bottle of whiskey from his case and poured himself something stiffening. Someone else would have to drive him home. If there was a ride home. Of course there would be a ride home.

He began to sprinkle a circle of salt outside the bar door. He drew a salt triangle inside it. There was a breath of silence; the awful singing resumed. "She's breaking the heart of her dear gray-haired mother, she'll break it, yes, break it, tonight."

A young woman in a wet T-s.h.i.+rt flew out of the bar, landing on his knee and his salt.

Harris helped her to her feet. She was blond, garishly blond, but that was just the effect of the bar marquee lights, which laid an orange tint over her hair. I SURVIVED CATHOLIC SCHOOL, the T-s.h.i.+rt said. "She told me to go home and let my mother have a good look at me. She called me a strumpet." The woman had not yet started to cry, but she was about to.

"She was once badly beaten by prost.i.tutes." Harris was consoling. "Maybe this is a problem area for her." The beating happened in 1901, when the proprietor of a Texas bar, feeling it would unman him to attack Carry Nation himself, had hired a group of prost.i.tutes to beat her with whips and chains. He had also persuaded his wife to take part. Harris had paid particular attention to the incident, because there was a vulnerability and he wondered if he could exploit it. He was not thinking of real prost.i.tutes, of course. He was thinking of undercover vice cops. Beating was a common step in the creation of a zombie. The ti bon ange was thought less likely to return to a body that was being beaten.

Still, there was something distasteful about this strategy. Carry Nation had gone down like a wounded bear, surrounded by dogs. She might have been killed had her own temperance workers not finally rescued her. "There is a spirit of anarchy abroad in the land," Carry Nation was reported to have said, barely able to stand, badly cut and bruised. For the next two weeks she appeared at all speaking and smas.h.i.+ng engagements with a large steak taped to the side of her face. She changed steaks daily.

Probably it had left her a little oversensitive on the subject of professional women. The woman in the street was obviously no strumpet. She was just a nice woman in a wet T-s.h.i.+rt. She seemed to be in shock. "It was ladies' night," she told Harris, over and over and over again.

Salt and gravel stuck to her face and the front of her s.h.i.+rt. Harris pulled out a handkerchief and cleaned her face. He heard tw.a.n.ging sounds inside, like a guitar being smashed. He put away his handkerchief and went back to his case. "I have to go in there," he said.

She didn't try to dissuade him. She didn't even stay. Apparently she had hurt his knee when she landed on him. He hadn't noticed at first, but now it was starting to throb. The agent in the car, part of his backup, showed the woman a badge and offered to take her out for coffee and a statement.

Harris watched the taillights until the car disappeared. He poured himself another whiskey and had sharp thoughts on the subject of heroines. It was easy for his wife to tell him women were hungry for heroines. She didn't work undercover among the drug lords in Latin America. Teaching women's literature didn't require exceptional courage, at least not on the junior college level where she taught. And when a woman did find herself in a tight spot as this one had just done-well, what happened then? Women didn't want heroines. Women wanted heroes, wanted heroes to be such an ordinary feature of their daily lives that they didn't even feel compelled to stay and watch their own rescue. Wanted heroes who came home and did the dishes at night.

Harris rubbed his knee and cautiously straightened it. He took the black toad from his case and slipped it into a pocket. He took a tranquilizer gun and, against all orders, a mayonnaise jar containing the doctored s.h.i.+rley Temple. The ginger ale was laced with bufotenine rather than bufotoxin. Bufotoxin had proved difficult to obtain on short notice, even for a DEA agent who knew his way around the store, but bufotenine was readily available in South Carolina and Georgia, where the cane toad secreted it, and anyone willing to lick a toad the size of a soccer ball could have some. Perfectly legal, too, in some forms, although the two state legislatures had introduced bills to outlaw toad-licking.

"Touch not, taste not, handle not!" The voice was suddenly amplified and accompanied by feedback; perhaps the rap singer had left his mike on. The last time Harris had heard Voudon singing he had been in Haiti, sleeping in the house of a Haitian colonel the DEA suspected of trafficking. He had gotten up and crept into the colonel's study, and the voices came in the window with the moonlight.

Eh! Eh! Bomba! Heu! Heu! Canga, bafio te! Canga, moune de le! Canga, do ki la! Canga, li!

The song had frightened him back to his room. In the morning, he asked the cook about the voices. "A slave song," she said. "For children." She taught it to him, somewhat amused, he thought, at his rendition. Later he sang it to a friend, who translated. " 'We swear to destroy the whites and all they possess; let us die rather than fail to keep this vow.'" The cook had served him eggs.

Harris felt no compulsion at this particular moment to be fair, but in his heart he knew that, had his wife been there, she would never have let him go into that bar alone.

The bar was dark; the overheads had all been smashed, and the only light came from something that lay in front of Harris. This something blocked the door so that he could open it just halfway, and he could identify the blockage as Super Mario Brothers 2 by the incessant little tune it was playing. It was tipped onto its side and still glowed ever so slightly. Situated as it was, its little light made things inside even harder to see.

Deep in the bar, there was an occasional spark, like a firefly. Harris squinted in that direction. He could just make out the vacant bandstand. A single chair for a soloist lay on its back under a keyboard that had been snapped in half. The keyboard was still plugged in, and this is what was throwing off sparks. Harris's eyes began to adjust. Above the keyboard, on the wall, about spark-high, was a nest of color-coded wires. The wall phone had been ripped out and stuffed into one of the speakers. Behind the speakers were rounded shapes he imagined to be cowering customers. The floor of the bar was s.h.i.+ny with liquor.

On the other side of the bar were the video games. Street Fighter, Cyberball, and Punch-Out all bore the marks of the hatchet. Over the tune of the video, Harris could hear someone sniffling. The mike picked it up. Otherwise the bar was quiet. Harris squeezed inside, climbing over Super Mario Brothers 2. His knee hurt. He bent and straightened it experimentally. Super Mario Brothers 2 played its music: Dee, dee, dee, dee, dee.

The loa charged, shrieking, from the corner. "Peace on Earth," she howled, as her hatchet cleaved the air by Harris's head, shattering the mayonnaise jar in his hand. The loa's stroke carried her past him.

A piece of broken gla.s.s had sliced across his palm. Harris was bleeding. But worse than that, ginger ale laced with bufotenine was soaking into the cut and into the skin around the cut and way down his wrist. He had dosed the s.h.i.+rley Temple to fell a linebacker with a couple of sips.

Harris dropped the tranquilizer gun and groped blindly to his right until he located a wet T-s.h.i.+rt. He rubbed his hand with it, all in a panic. Someone slapped him. There was a scream. The hatchet sliced through the air above him and lodged itself into the bar's wood paneling. The tune from Super Mario Brothers 2 played on. The other singing started, in cacophonous counterpoint.

"An awful foe is in our land, drive him out, oh, drive him out! Donkey-faced bedmate of Satan," the loa shrieked. She struggled to remove the hatchet head from the wood. She was an enormous woman, a woman built to compete in the shotput event. She would have the hatchet loose in no time. Harris looked about frenziedly. His heart was already responding, either to bufotenine or to the threat of hatchetation. The tranquilizer gun was on top of Super Mario Brothers 2 and under the loa's very feet, but farther into the bar, at a safer distance, Harris saw his maraschino cherry on the floor. He dropped, ignoring the alarmed flash of pain from the injured knee, and groped with his uninjured hand. Something squished under his palm and stuck to him. He peeled it off to examine it.

It was a flattened cherry, a different cherry. Now Harris could see that the floor of the Gateway Bar was littered with maraschino cherries. One of them was injected with tetrodotoxin. There was no way to tell which just by looking.

Near him, under a table, a woman in a wet T-s.h.i.+rt sat with her hands over her ears and stared at him. NEVADA BOB'S, the T-s.h.i.+rt read. It struck Harris as funny. The word BOB. Suddenly Harris saw that BOB was a very funny word, especially stuck there like that between two large b.r.e.a.s.t.s whose nipples were as obvious as maraschino cherries. He started to say something, but a sudden movement to one side made him turn to look that way instead. He wondered what he had been going to say.

The loa brandished her hatchet. Harris retreated into the bar on his knees. The hatchet went wide again, smashed an enormous Crock-Pot that sat on the bar. Chili oozed out of the cracks.

"I shall pray for you," the loa said, carried by the momentum of her stroke into the video games. "I shall pray for all of you whose American appet.i.tes have been tempted with foreign dishes." She put her arms around the casing for Ninja Master, lifted the entire thing from the floor, and piled it onto Super Mario Brothers 2. The music hiccoughed for a moment and then resumed.

There was now absolutely no exit from the bar through that door. Harris's backup was still out there, peering into manhole covers and was.h.i.+ng windows, and the street was two video games away. Harris's amus.e.m.e.nt vanished. He wasn't likely to be at his best, alone, weaponless, with a hurt knee, and bufotenine pulsing through his body. Only one of these things could be rectified.

The bar was starting to metamorphose around him. The puddles of liquor on the floor sprouted into fountains, green liquid trees of creme de menthe, red trees of wine, gold trees of beer. The smell of liquor intensified as the trees bloomed. They grew flowers and dropped leaves in the liquid permanence of fountains, an infinite, unchanging season that was all seasons at once. A jungle lay between Harris and the loa. His tranquilizer gun was sandwiched between Super Mario Brothers 2 and Ninja Master. The barrel protruded. Harris wrenched it free. It took three tries and the awesome properties of the lever to move the uppermost video game. Harris tried not to remember how the loa had picked it up off the floor with her hands. He retrieved his gun and went hunting.

She was coy now, ducking away from him, so that he only caught glimpses of her through the watery branches of liquor. A sound here and there indicated that she had stopped to smash a wooden keg or pound the cash register. Harris, himself, was stealthy, timing each footfall to coincide with the tones of Super Mario Brothers 2.

The fountains were endlessly mobile. They rose and diminished unpredictably so that at one moment they could be between him and the loa, screening her from him, and the next moment, without his taking a step, he and the loa could be face-to-face. This gave the hunt a sort of funhouse quality. The loa was likewise changeable now-a big and ugly woman one moment, a lovely young one in a wet T-s.h.i.+rt the next-and this, too, added to the fun. Harris much preferred hunting young women without bras to hunting old ones with hatchets. Harris approved the change until it suddenly occurred to him just what the loa's strategy was. She was fiendishly clever. The same way a maraschino cherry laced with tetrodotoxin could be hidden among other, innocent, maraschino cherries, a loa, a.s.suming the shape of a young woman in a wet T-s.h.i.+rt, could hide among other young women in wet T-s.h.i.+rts. Harris would have to think of some way to identify her. Failing that, he would simply have to shoot everything in a wet T-s.h.i.+rt with the tranquilizer gun. This would probably require more tranquilizer darts than he had on him.

He would have to entice the loa out of hiding. He would have to make himself into bait.