The Queer, the Quaint and the Quizzical Part 23

"But it's oval, not round, my man," said Mr. Boulton, in surprise; "and lathes turn things round."

"A-weel, I just gar'd the lathe gang anither gait to please me; and I'd a long journey before me, and I thocht I'd have a hat to keep out water; and I had na muckle to spare, so I just make ane."

The man was a born inventor, but he didn't know it. By his ingenuity he had invented the oval lathe, one of the most useful of machines. He had made his hat with it, and the hat made his fortune. Great events often result from seeming trifles. Mr. Boulton was a sharp man of business. He saw that the man who could turn out of a block of wood an oval hat, was too valuable a workman for the firm of Boulton & Watt to lose sight of.

William Murdock was then and there employed. In 1784 he made the first wheeled vehicle impelled by steam in England,-made it with his own hands and brains. He gained fame and fortune, but the "timmer" hat, made for a long journey and to keep out water, was the corner-stone of both.

_Porcelain._

An alchemist, while seeking to discover a mixture of earths that would make the most durable crucibles, one day found that he had made porcelain.

_Origin of Blue-tinted Paper._

The origin of blue-tinted paper came about by a mere slip of the hand.

The wife of William East, an English paper-maker, accidentally let a blue bag fall into one of the vats of pulp. The workmen were astonished when they saw the peculiar color of the paper, while Mr. East was highly incensed over what he considered a grave pecuniary loss. His wife was so much frightened that she would not confess her agency in the matter.

After storing the damaged paper for four years, Mr. East sent it to his agent at London, with instructions to sell it for what it would bring.

The paper was accepted as a "purposed novelty," and was disposed of at quite an advance over the market price. Mr. East was astonished at receiving an order from his agent for another large invoice of the paper. He was without the secret, and found himself in a dilemma. Upon mentioning it to his wife, she told him about the accident. He kept the secret, and the demand for the novel tint far exceeded his ability to supply it.

_Following His Nose._

While Marshall Jewell was Minister to Russia, he found out, by the use of his nose, the secret of making Russia leather. Instead of using tallow and grease in the dressings of skins, the Russians employed birch-bark tar. By careful inquiry, and literally following his nose, during a visit to one of their large tanneries, he found the compound in a mammoth kettle, ready for use. He reported his discovery, and the result is that genuine Russian leather goods are now made in America.

_Discovery of Composition for Printing-Rollers._

The composition of which printing-rollers are made was discovered by a Salopian printer. Not being able to find the pelt-ball, he inked the type with a piece of soft glue which had fallen out of a glue pot. It was such an excellent subst.i.tute that, after mixing mola.s.ses with the glue, to give the ma.s.s proper consistency, the old pelt-ball was entirely discarded.

_Mezzotinting._

This art was suggested by the simple accident of the gun-barrel of a sentry becoming rusted with dew.

_Whitening Sugar._

The process of whitening sugar was discovered in a curious way. A hen that had gone through a clay puddle went with her muddy feet into a sugar house, leaving her tracks on a pile of sugar. It was noticed that wherever her tracks were the sugar was whitened. Experiments were inst.i.tuted, and the result was that wet clay came to be used in refining sugar.

_Discovery of Gla.s.s._

Pliny informs us that the art of making gla.s.s was accidentally discovered by some merchants who were traveling with nitre, and stopped near a river issuing from Mount Carmel. Not readily finding stones to rest their kettles on, they employed some pieces of their nitre for that purpose. The nitre, gradually dissolving by the heat of the fire, mixed with the sand, and a transparent matter flowed, which was, in fact, gla.s.s.

_Essence of Pearl._

A French bead-maker named Jaquin discovered the manner of preparing the gla.s.s pearls used at present, which approach as near to nature as possible, without being too expensive. He once noticed, at his estate near Pa.s.sy, that when the small fish called _ables_ or _ablettes_ were washed, the water was filled with fine silver-colored particles. He suffered the water to stand for some time, and obtained from it a sediment which had the l.u.s.tre of the most beautiful pearls, which suggested to him the idea of making pearls from it. He sc.r.a.ped off the scales of the fish, and called the soft s.h.i.+ning powder which was diffused in the water essence of pearl, or _essence d'orient_. He succeeded in coating the interior of gla.s.s beads with the pearly liquid, and ama.s.sed a large fortune. This was during the reign of Henry IV.

(according to some authors), and Jaquin's heirs continued the business down to a late period, and had a considerable manufactory at Rue de Pet.i.t Lion, at Paris. It required from eighteen to twenty thousand fish (which were not more than four inches in length) to make a pound of the essence of pearl. These pearls were frequently taken for genuine ones.

Mercure Galant (1686), tells us in that year of a poor marquis, who, being in love with a lady, gained her affections by presenting her with a string of artificial pearls. They cost him not more than three louis, while she, believing them to be genuine pearls, valued them at 2,000 francs. Jewelers and p.a.w.nbrokers were frequently deceived by them.

_Diminutive Note Paper._

A Brighton stationer took a fancy for dressing his show-window with piles of writing paper, rising gradually from the largest to the smallest size in use; and to finish his pyramids off nicely, he cut cards to bring them to a point. Taking these cards for diminutive note paper, lady customers were continually wanting some of "that lovely little paper," and the stationer found it advantageous to cut paper to the desired pattern. As there was no s.p.a.ce for addressing the notelets after they were folded, he, after much thought, invented the envelope, which he cut by the aid of metal plates made for the purpose. The sale increased so rapidly that he was unable to produce the envelopes fast enough, so he commissioned a dozen houses to make them for him, and thus set going an important branch of the manufacturing stationery trade.

_Etching upon Gla.s.s._

This process was discovered by accident about the year 1670, by an artist named Schwanhard. We are told that some aqua-fortis having fallen by accident upon his spectacles, the gla.s.s was corroded by it. He thence learned to make a liquid by which he could etch writing and figures upon gla.s.s.

_Lundyfoot's Luck._

The shop of a Dublin tobacconist by the name of Lundyfoot was destroyed by fire. While he was gazing dolefully into the smouldering ruins, he noticed that his poorer neighbors were gathering the snuff from the canisters. He tested the snuff for himself, and discovered that the fire had largely improved its pungency and aroma. It was a hint worth profiting by. He secured another shop, built a lot of ovens, subjected the snuff to a heating process, gave the brand a particular name, and in a few years became rich through an accident which he at first thought had completely ruined him.

_Citric Acid._

A London chemist was the inventor of citric acid, and, having his own prices as long as the way of making the acid was a secret, realized a large fortune.

This chemist trusted n.o.body, but worked entirely alone. He thought his secret very safe. It was necessary, however, to have a chimney to his laboratory, and chimneys sometimes want sweeping.

A rival, disguising himself as a chimney-sweep, got into the sanctum. He had all his eyes about him, as the saying is, and, when the chimney was swept, knew how to make citric acid, and thus a monopoly was ended.

_A Half-Starved Tramp._

Mr. Huntsman, who had devised some important processes in the manufacture of cast steel, built his factory, to be out of observation, in the middle of a bleak moor, and "No Admission for Strangers" was painted on the outer gate.

One terribly snowy night, however, a poor, belated, half-frozen traveler, who said he had lost his way on the moor, craved shelter, was charitably admitted, and was placed near the furnace, to be thawed. He watched what was done, and, being an expert, took it all away in his mind. Next morning he walked away, and took the secret with him. So perished Huntsman's El Dorado.

_Fiddling to some Purpose._

Stourbridge, a smoky town in Worcesters.h.i.+re, England, has long been famous for its iron, gla.s.s and fire-brick works, and also for its _nails_, as long as they were produced by hand-work. For the Crystal Palace, of 1851, a Stourbridge "hand" received an order to make a thousand gold and a thousand silver and a thousand iron _tacks_-the whole three thousand not to weigh more than _three_ grains.

Nailmaking by machinery, which was accomplished in Sweden before it was perfected in New England, was drawing the trade away from England, and a Stourbridge man, one Richard Foley, resolved to get into the heart of the mystery. The case is curious, as showing the danger that has always beset successful inventors, and has often converted the golden hills into mere rocks of talc, and reduced many a secret El Dorado into commonplace little workshops.

Foley, who was a very good violinist, took his fiddle, fiddled his way to the Swedish splitting mills, and then fiddled his way into them. As often happens with musicians, he presently conceived the idea that there was "a great deal of brains _outside_ of his head."

At any rate, he could look and speak foolishly, but his fiddling was wonderfully good. No one suspected that "soft" fellow, who lounged about with an idiotic want of expression in his face, but was ready to play whenever asked to do so.

He ingratiated himself so thoroughly with the workmen that they gave him a shakedown inside the mill or factory. He quietly exercised his faculty of observation, saw all the processes of manipulation, and one day was missing. He carried home their secrets of work, and fame and fortune became his own.

_German Silver._

German silver derives its name from the fact that its first introduction in the arts, to any great extent, was made in Germany. It is, however, nothing more than the white copper long known in China. It does not contain a particle of real silver, but is an alloy of copper, nickel and zinc.