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Tween Snow and Fire Part 3

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The strange harshness of his voice struck her. It was well for him-- well for both of them--that the friendly darkness stood him in such good stead.

"I asked you, how far do you think Tom would have to ride before finding the sheep?"

"Tom" again! He fairly set his teeth. "Well into the Gaika location,"

was the savage reply that rose to his lips. But he checked it unuttered.

"Oh, not very far," he answered. "You see, sheep are slow-moving brutes and difficult to drive, especially in the dark. He'll turn up soon, never fear."

"What is that? Look! Listen!" she exclaimed suddenly, laying a hand upon his arm.

The loom of the mountains was blackly visible in the starlight. Away in the distance, apparently in the very heart of them, there suddenly shown forth a lurid glow. The V-shaped scarp of the slopes stood dully in relief against the glare, which was as that of a furnace. At the same time there floated forth upon the night a strange, weird chorus--a wild, long-drawn eerie melody, half chant, half howl, faint and distant, but yet distinct, though many miles away.

"What can they be up to at the location, Eustace? Can it be that they have risen already?" e.j.a.c.u.l.a.t.ed Eanswyth, turning pale in the starlight.

The reddening glare intensified, the fierce, wild cadence shrilled forth, now in dirge-like wail, now in swelling notes of demon-like and merciless exultation. There was a faint, m.u.f.fled roar as of distant thunder--a clamour as of fiends holding high revel--and still the wild chorus gathered in volume, hideous in its blood-chilling menace, as it cleft the dark stillness of the night.

"Oh, let us turn back!" cried Eanswyth. "There is something horrible going on to-night. I really am quite frightened now. That hideous noise! It terrifies me!"

Well it might. The deep-toned thunder note within the burning heart of the volcano is of terrible import, for it portends fire and ruin and widespread death. There were those who were then sitting on the verge of a volcano--a mere handful in the midst of a vast, teeming population of fierce and truculent savages. Well might that weird chorus strike dismay into the hearts of its hearers, for it was the preliminary rumble of the coming storm--the battle-song of the warlike and now hostile Gaika clans.

CHAPTER FIVE.

THE WAR-DANCE AT NTEYA'S KRAAL.

The sun has just touched the western horizon, bathing in a parting flood of red and gold the round spurs of the rolling hills and the straggling cl.u.s.ters of dome-shaped huts which lie dotted about the valley in irregular order for a couple of miles. There is a continuous hum of voices in the air, mingling with the low of cattle, and the whole place seems to be teeming with human life. Indeed, such is the case; for this kraal--or rather collection of kraals--is the head centre of Nteya's location and the residence of that chief himself.

Each group of huts owns its cattle inclosure, whose dark s.p.a.ce, girdled with a strong thorn palisade, is now filled with the many-coloured forms of its horned denizens. It is milking time, and the metallic squirt of liquid into the zinc pails rises rhythmic above the deep hum of the monotonous chant of the milkers. Women step forth from the kraal gates balancing the full pails on their heads, their ochre-smeared bodies s.h.i.+ning like new flower pots, while their lords, _reim_ in hand, set to work to catch a fresh cow--for among Kafirs milking is essentially man's work. About the huts squat other groups of natives, men smoking their queer shaped, angular pipes, and exchanging _indaba_ [Gossip or news]; women also smoking, and busy with their household affairs, whether of the culinary or nursery order; round bellied, beady-eyed children tumbling over each other in their romps, and dogs ever on the prowl to pick up a stray bone, or to obtain a surrept.i.tious lick at the interior of a cooking-pot; and over all the never-ending flow of voices, the deep ba.s.s of the men blending with the clearer feminine treble, but all rhythmic and pleasing, for the language and voices of the Bantu races are alike melodious. The blue reek of wood-smoke rising upon the evening air, mingles with that pungent odour of grease and kine inseparable from every Kafir kraal.

That something unwonted is impending here to-night is manifest. Men would start suddenly from beside their fellows and gaze expectantly out upon the approaches to the kraal, or now and again the heads of a whole group would turn in eager scrutiny of the surrounding _veldt_. For strung out upon the hillsides in twos and threes, or in parties of ten or a dozen, some mounted, some afoot, come a great number of Kafirs. On they come: those who are mounted kicking their s.h.a.ggy little ponies into a headlong gallop; those who are not, starting into a run, leaping into the air, singing, or now and again venting a shrill and ear-splitting whistle. From far and near--from every direction converging upon the kraal, on they come. _And they are all armed_.

The excitement in the kraal itself intensifies. All rise to their feet to receive the newcomers, each group of whom is greeted with boisterous shouts of welcome. s.n.a.t.c.hes of war-songs rise upon the air, and the rattle of a.s.segai hafts blends with the barbaric melody. Still, pouring in from all sides, come fresh arrivals, and by the time the sun has shot his last fading ray upon the stirring scene, the kraal cannot have contained far short of a thousand men.

Near the princ.i.p.al group of huts stands a circular inclosure about fifty yards in diameter. Above the thorn fence bristle the great branching horns of oxen. To this point all eyes are now turned, and the deafening clamour of voices is hushed in expectation of a new diversion.

A narrow opening is made in the fence and half a dozen Kafirs enter. An ox is turned out. No sooner is the poor beast clear of the fence than it is suddenly seen to plunge and fall forward in a heap, stabbed to the heart by a broad-bladed a.s.segai. The slaughterer steps back to his lurking position and stands with arm upraised. Quickly another ox follows upon the first. The weapon, now dimmed and reddened with blood, flashes in the air. The second animal plunges forward dead. A third follows, with like result.

Then, scenting danger, and terrified moreover by the crowd which is gathering outside, the beasts stubbornly refuse to move. They huddle together with lowered heads, backing away from the opening and emitting the m.u.f.fled, moaning noise evoked in cattle by the scent of blood. In vain their would-be drivers shout and goad them with a.s.segais. Move they will not.

Another opening is made on the opposite side to that of the first.

After some trouble two oxen are driven through. They rush out together, one falling by the hand of the lurking slaughterer, the other meeting a speedy death at the a.s.segais of the spectators.

There still remain upwards of a dozen within the kraal, but of these not one can be induced to pa.s.s out. Panic-stricken they huddle together closer still, until at last, their terror giving way to a frenzy of rage, the maddened brutes turn and furiously charge their tormentors.

The air is rent with savage bellowings and the clas.h.i.+ng of horns. The dust flies in clouds from the rumbling earth as the frenzied creatures tear round and round the inclosure. Two of the Kafirs, less agile or less fortunate than their fellows, are flung high in the air, falling with a lifeless thud among the spectators outside; then, cras.h.i.+ng through the fence in a body, the panic-stricken bullocks stream forth into the open, scattering the crowd right and left before the fury of their rush.

Then ensues a wild and stirring scene. Their great horns lowered, the infuriated animals course madly through the village, each beset by a crowd of armed savages whose dark, agile forms, avoiding the fierce impetus of their charge, may be seen to spring alongside, plying the deadly a.s.segai. One turns suddenly and heads straight for its pursuers, bellowing hideously. Like magic the crowd parts, there is a whizz of a.s.segais in the air, and the poor beast crashes earthward, bristling with quivering a.s.segai hafts, as a pin cus.h.i.+on with pins. Yelling, whistling like fiends, in their uncontrollable excitement, the savages dart in and out among the fleeing beasts, and the red firelight gleams upon a.s.segai points and rolling eyeb.a.l.l.s, and the air rings with the frenzied bellowing of the pursued, and the wild shouts of the pursuers.

But it cannot last long. Soon the mad fury of the chase gives way to the nauseous accompaniments of a slaughter house on a large scale. In an incredibly short s.p.a.ce of time, each of the bullocks is reduced to a disjointed heap of flesh and bones. Men, staggering beneath huge slabs of quivering meat, make their way to the fires, leaving the dogs to snarl and quarrel over an abundant repast of steaming offal.

The great joints frizzle and sputter over the red coals. Squatted around, a hungry gleam in their eyes, the Kafirs impatiently watch each roasting morsel. Then, hardly waiting until it is warmed through, they drag the meat from the fire. a.s.segais are plied, and soon the huge joints are reduced to strips of half-raw flesh, and the champing of hundreds of pairs of jaws around each red blaze takes the place of the deep ba.s.s hum of conversation, as the savages throw all their energies into the a.s.similation of their unwonted meal. It is like a cannibal feast--the smoky flare of the great fires--the mighty slabs of red flesh--the fierce, dark figures seated around--the gleam of weapons in the firelight.

[The unwonted meal. In former days, meat was very sparingly eaten among the Amaxosa races, milk and mealies being the staple articles of diet.

When employed on such a scale as above described, it had a curiously stimulating effect upon a people habitually almost vegetarians. Hence it was looked upon as a preparation for war.]

At length even the very bones are picked clean, and thrown over the feasters' shoulders to the dogs. Then voices are raised and once more the kraal becomes a scene of wild and excited stir. Roused by a copious indulgence in an unwonted stimulant, the Kafirs leap to their feet.

Weapons are brandished, and the firelight glows upon a.s.segai points and rolling eyeb.a.l.l.s. A wild war-song rises upon the air; then falling into circular formation, the whole gathering of excited warriors join in, beating time with their feet--clas.h.i.+ng the hefts of their weapons together. The weird rhythm is led off in a high, wailing key by a kind of _choragus_, then taken up by the rest, rising louder and louder, and the thunder of hundreds of pairs of feet keeping regular time, make the very earth itself tremble, and the quivering rattle of a.s.segai hafts is echoed back from the dark, brooding hills, and the volume of the fierce and threatening song, with its final chorus of "Ha--ha--ha!" becomes as the mad roaring of a legion of wild beasts, ravaging for blood. Worked up to a degree of incontrollable excitement, the savages foam at the lips and their eyeb.a.l.l.s seem to start from the sockets, as turning to each other they go through the pantomime of encountering and slaying an imaginary foe; and even in the background a number of women have formed up behind the dancing warriors and with more than all the barbarity of the latter are playing at beating out the brains of the wounded with k.n.o.b-kerries. The roar and rattle of the hideous performance goes up to the heavens, cleaving the solemn silence of the sweet African night.

The leaping, bounding, perspiring shapes, look truly devilish in the red firelight. The excitement of the fierce savages seems to have reached a pitch little short of downright frenzy. Yet it shows no signs of abating. _For they have eaten meat_.

CHAPTER SIX.

HLANGANI, THE HERALD.

Suddenly, as if by magic, the wild war-dance ceased, and the fierce, murderous rhythm was reduced to silence. Sinking down in a half-sitting posture, quivering with suppressed excitement, their dark forms bent forward like those of so many crouching leopards, their eyeb.a.l.l.s rolling in the lurid glow, the Kafirs rested eagerly, awaiting what was to follow.

A group of chiefs advanced within the circle of light. A little in front of these, prominent among them by reason of his towering stature and herculean build, was a warrior of savage and awe-inspiring aspect.

His countenance bore an evil, scowling sneer, which looked habitual, and his eyes glowed like live coals. He wore a headdress of monkey skins, above which waved a tuft of plumes from the tail of the blue crane. His body was nearly naked, and his muscular limbs, red with ochre, were decorated with fringes of cows' tails and tufts of flowing hair. On his left arm, above the elbow, he wore a thick; square armlet of solid ivory, and in his hand he carried a large, broad-bladed a.s.segai. One shoulder was swathed in a rude bandage, the latter nearly concealed by fantastic hair adornments.

A hum of suppressed eagerness went round the crowd of excited barbarians as this man stood forth in their midst. It subsided into a silence that might be felt as he spoke:

"I am Hlangani, the son of Ngcesiba, the Herald of the Great Chief Sarili [Or Kreli], the son of Hintza, of the House of Gcaleka. Hear my word, for it is the word of Sarili, the Great Chief--the chief paramount of all the children of Xosa.

"This is the word of the Great Chief to his children of the House of Ngqika [Or Gaika]. Lo, the time has come when the Amanglezi [English]

seek a quarrel with us. We can no longer live side by side, say they.

There is no room for the Ama-Gcaleka in the land they have hitherto dwelt in. They must go.

"So they have located our dogs, the cowardly Amafengu (Fingoes), our slaves and our dogs, on the next land to ours, that we may have a continual plague to scourge us, that our sides may be wrung with the pest of these stinging flies, that our name may be spat upon and laughed at by those who were our own dogs. Thus would these English provoke us to quarrel.

"Who were these Amafengu? Were they not our dogs and our slaves? Who are they now? Still dogs--but not _our_ dogs. Who will they be shortly? Not our dogs--not our slaves--but--our masters! Our masters!"

roared the fierce savage, shaking the broad a.s.segai which he held, until it quivered like a band of flame in the red firelight. "The sons of Gcaleka will be the slaves of their former slaves--the dogs of their former dogs. Not the sons of Gcaleka only, but all the children of Xosa. Not the House of Gcaleka only, but the House of Ngqika. Who is doing this? The Amanglezi! Who would tread upon the necks of our chiefs and place the fetters of their lying and hypocritical creeds upon the limbs of our young men till the latter are turned into slaves and drunkards? The Amanglezi! Who would stop the mouths of our _amapakati_ [Councillors] and drown the collective wisdom of our nation in floods of fire-water? The Amanglezi. Are we men--I say? Are we men?"

A low suppressed roar ran through the circle of fierce and excitable barbarians as the orator paused. Again sounded the ominous rattle of a.s.segai hafts. It needed all the self-control of their habitually self-contained race to restrain them from breaking forth anew into their frenzied war-dance. But a wave of the speaker's hand availed to quell the rising tumult and he continued:

"This is the `word' of the rulers of the Amanglezi. The time has come when the Amaxosa races must be subdued. They are growing too numerous.

They are waxing too strong. Their power must be broken. We must begin by breaking up the influence of the chiefs. We must put down chieftains.h.i.+p altogether. Hear ye this, ye sons of Ngqika? Hear you this, O Matanzima, warrior son of Saudili, the Great Chief of the House of Ngqika? Hear you this, O Nteya--_pakati_ of the race of Ngqika?

Hear you this, O Nxabahlana, of the House of the Great Chief, you who have led our bands to war before the very birth of many of the young men I see before me? Hear ye this, Maquades and Mpanhla and Sivulele, and you, Panganisi and Untiwa, of the House of Seyolo of the House of Hlambi, golden mouthed in council--in the battle-field flames of consuming fire? Hear ye this, all ye gathered here before me this night--tried warriors, and young men who have never seen war. The children of Xosa are growing too strong. They must be subdued. The power of their chiefs must be broken. Such is the word of the rulers of the Amanglezi."

This time, as the orator paused, there was no restraining the fierce excitement of his hearers. Each warrior named, who had greeted the mention of himself with a low, but emphatic "_ha_"--now sprang to his feet. No further example was needed. Again, the wild rhythm of the war-song rose upon the night; again the fierce thunder-roll of the tread of hundreds of feet shook the ground. Again the circle of firelight was alive with grim, threatening forms, swaying in measured time, to the unearthly chant, to the accompaniment of the shaking of fantastic adornments, to the quivering rattle of a.s.segai hafts. For some minutes this continued--then when the excitement was almost at its height, a mysterious signal was given and the whole wild crowd dropped quickly into its listening att.i.tude again.

"Such is the word of the Amanglezi," went on the speaker. "Now hear the word of Sarili, your father, the Paramount Chief, the father of all the children of Xosa. Hear the word of the Great Chief conveyed by the mouth of Hlangani, the herald--`Lo, the time has come when we must unite in the strength of brethren. The Amanglezi are urging our very dogs on to provoke us. The Amafengu are located on our borders, to taunt and jeer at our young men--to lure our young women over into their kraals that the very name of Gcaleka may be debased and defiled. Not a day pa.s.ses that this does not happen. Why do we not revenge this? Why do we not execute a sudden and fearful vengeance upon these dogs who spit at our name and nation? We dare not. The Amanglezi say: "Your dogs are now our dogs. Touch them and we shall send armies of soldiers and you will be eaten up"--But, dare we not? Dare we not? Answer me, all ye children of the race of Xosa! I, Sarili, your father, call upon you--I, Sarili, your chief. Answer! Show that the war-fire of our free and warrior race is not dead. It has been smouldering for many years, but it is not dead. It is ready to break forth as the destroying lightning leaps from the black thunder-cloud. It is ready to blaze forth in its strength and to consume all within its reach.

"`Where is my father, Hintza? Where is he who was lured into the white man's camp by fair promises and then shot down? Do I not hear his spirit calling unto me day and night. I cannot sleep, for the spirit of my father is crying for vengeance. It is crying day and night from the depths. Yet, not to me only. Who was Hintza? My father, yet not my father only. The father of all the sons of Xosa!

"`Lo, the white Governor has summoned me, your chief, to meet him. He has invited me, your chief, with fair promises to visit him at his camp.

Shall I go, that I, Sarili, may meet with the same dealing that laid low my father, Hintza? I will, indeed, go, but it will be with the whole array of the fighting men of the Amaxosa at my back.

"`Hear my "word," my children of the House of Nteya, _pakati_ of the race of Ngqika. Hear my "word" as spoken through the mouth of Hlangani, my herald. Receive these oxen as a present from your father to his children. Eat them, and when you have eaten and your hearts are strong, stand prepared. Let the war-cry roll through the mountains and valleys of our fair land. Let the thunder of your war-dances shake the earth as the reeds by the water side quiver beneath the rus.h.i.+ng of the storm wind. Let the trumpet tongues of your war-fires gleam from the mountain tops--tongue roaring to tongue--that the Amanglezi may hear it and tremble; for the spirit of Hintza, my father, which has slumbered for years, is awake again and is crying for vengeance--is crying and crying aloud that the time has come.'"

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Tween Snow and Fire Part 3 summary

You're reading Tween Snow and Fire. This manga has been translated by Updating. Author(s): Bertram Mitford. Already has 712 views.

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