Sons and Lovers Part 27

He had told her some time back: "We're expectin' us third just now, you see."

"Well," he answered, rubbing his head, "she keeps pretty middim, I think."

"Let's see-when?" asked Mrs. Morel.

"Well, I shouldn't be surprised any time now."

"Ah! And she's kept fairly?"

"Yes, tidy"

"That's a blessing, for she's none too strong."

"No. An'I've done another silly trick."

"What's that?"

Mrs. Morel knew Barker wouldn't do anything very silly.

"I'm come be-out th' market-bag."

"You can have mine."

"Nay, you'll be wantin' that yourself."

"I shan't. I take a string bag always."

She saw the determined little collier buying in the week's groceries and meat on the Friday nights, and she admired him. "Barker's little, but he's ten times the man you are," she said to her husband.

Just then Wesson entered. He was thin, rather frail-looking, with a boyish ingenuousness and a slightly foolish smile, despite his seven children. But his wife was a pa.s.sionate woman.

"I see you've kested me," he said, smiling rather vapidly.

"Yes," replied Barker.

The newcomer took off his cap and his big woollen m.u.f.fler. His nose was pointed and red.

"I'm afraid you're cold, Mr. Wesson," said Mrs. Morel.

"It's a bit nippy," he replied.

"Then come to the fire."

"Nay, I s'll do where I am."

Both colliers sat away back. They could not be induced to come on to the hearth. The hearth is sacred to the family.

"Go thy ways i' th' arm-chair," cried Morel cheerily.

"Nay, thank yer; I'm very nicely here."

"Yes, come, of course," insisted Mrs. Morel.

He rose and went awkwardly. He sat in Morel's arm-chair awkwardly. It was too great a familiarity. But the fire made him blissfully happy.

"And how's that chest of yours?" demanded Mrs. Morel.

He smiled again, with his blue eyes rather sunny.

"Oh, it's very middlin'," he said.

"Wi' a rattle in it like a kettle-drum," said Barker shortly.

"T-t-t-t!" went Mrs. Morel rapidly with her tongue. "Did you have that flannel singlet made?"

"Not yet," he smiled.

"Then, why didn't you?" she cried.

"It'll come," he smiled.

"Ah, an' Doomsday!" exclaimed Barker.

Barker and Morel were both impatient of Wesson. But, then, they were both as hard as nails, physically.

When Morel was nearly ready he pushed the bag of money to Paul.

"Count it, boy," he asked humbly.

Paul impatiently turned from his books and pencil, tipped the bag upside down on the table. There was a five-pound bag of silver, sovereigns and loose money. He counted quickly, referred to the checks-the written papers giving amount of coal-put the money in order. Then Barker glanced at the checks.

Mrs. Morel went upstairs, and the three men came to table. Morel, as master of the house, sat in his arm-chair, with his back to the hot fire. The two b.u.t.ties had cooler seats. None of them counted the money.

"What did we say Simpson's was?" asked Morel; and the b.u.t.ties cavilleddv for a minute over the dayman's for a minute over the dayman'sdw earnings. Then the amount was put aside. earnings. Then the amount was put aside.

"An' Bill Naylor's?"

This money also was taken from the pack.

Then, because Wesson lived in one of the company's houses, and his rent had been deducted, Morel and Barker took four-and-six each. And because Morel's coals had come, and the leadingdx was stopped, Barker and Wesson took four s.h.i.+llings each. Then it was plain sailing. Morel gave each of them a sovereign till there were no more sovereigns; each half a crown till there were no more half-crowns ; each a s.h.i.+lling till there were no more s.h.i.+llings. If there was anything at the end that wouldn't split, Morel took it and stood drinks. was stopped, Barker and Wesson took four s.h.i.+llings each. Then it was plain sailing. Morel gave each of them a sovereign till there were no more sovereigns; each half a crown till there were no more half-crowns ; each a s.h.i.+lling till there were no more s.h.i.+llings. If there was anything at the end that wouldn't split, Morel took it and stood drinks.

Then the three men rose and went. Morel scuttled out of the house before his wife came down. She heard the door close, and descended. She looked hastily at the bread in the oven. Then, glancing on the table, she saw her money lying. Paul had been working all the time. But now he felt his mother counting the week's money, and her wrath rising.

"T t-t-t-t!" went her tongue.

He frowned. He could not work when she was cross. She counted again.

"A measly twenty-five s.h.i.+llings!" she exclaimed. "How much was the cheque?"

"Ten pounds eleven," said Paul irritably. He dreaded what was coming.

"And he gives me a scrattlin' twenty-five, an' his club this week! But I know him. He thinks because you're you're earning he needn't keep the house any longer. No, all he has to do with his money is to guttle earning he needn't keep the house any longer. No, all he has to do with his money is to guttle dy dy it. But I'll show him!" it. But I'll show him!"

"Oh, mother, don't!" cried Paul.

"Don't what, I should like to know?" she exclaimed.

"Don't carry on again. I can't work."

She went very quiet.

"Yes, it's all very well," she said; "but how do you think I'm going to manage?"

"Well, it won't make it any better to whittledz about it." about it."

"I should like to know what you'd do if you had it to put up with."

"It won't be long. You can have my money. Let him go to h.e.l.l."

He went back to his work, and she tied her bonnet-strings grimly. When she was fretted he could not bear it. But now he began to insist on her recognizing him.

"The two loaves at the top," she said, "will be done in twenty minutes. Don't forget them."

"All right," he answered; and she went to market.

He remained alone working. But his usual intense concentration became unsettled. He listened for the yard-gate. At a quarter-past seven came a low knock, and Miriam entered.

"All alone?" she said.

"Yes."

As if at home, she took off her tam-o'-shanter and her long coat, hanging them up. It gave him a thrill. This might be their own house, his and hers. Then she came back and peered over his work.

"What is it?" she asked.

"Still design, for decorating stuffs, and for embroidery."

She bent short-sightedly over the drawings.

It irritated him that she peered so into everything that was his, searching him out. He went into the parlour and returned with a bundle of brownish linen. Carefully unfolding it, he spread it on the floor. It proved to be a curtain or portiere, portiere,ea beautifully stencilled with a design on roses. beautifully stencilled with a design on roses.

"Ah, how beautiful!" she cried.

The spread cloth, with its wonderful reddish roses and dark green stems, all so simple, and somehow so wicked-looking, lay at her feet. She went on her knees before it, her dark curls dropping. He saw her crouched voluptuously before his work, and his heart beat quickly. Suddenly she looked up at him.

"Why does it seem cruel?" she asked.

"What?"

"There seems a feeling of cruelty about it," she said.

"It's jolly good, whether or not," he replied, folding up his work with a lover's hands.

She rose slowly, pondering.

"And what will you do with it?" she asked.

"Send it to Liberty's.7 I did it for my mother, but I think she'd rather have the money." I did it for my mother, but I think she'd rather have the money."

"Yes," said Miriam. He had spoken with a touch of bitterness, and Miriam sympathised. Money would have been nothing to her her.

He took the cloth back into the parlour. When he returned he threw to Miriam a smaller piece. It was a cus.h.i.+on-cover with the same design.

"I did that for you," he said.

She fingered the work with trembling hands, and did not speak. He became embarra.s.sed.

"By Jove, the bread!" he cried.

He took the top loaves out, tapped them vigorously. They were done. He put them on the hearth to cool. Then he went to the scullery, wetted his hands, scooped the last white dough out of the panchion, and dropped it in a baking-tin. Miriam was still bent over her painted cloth. He stood rubbing the bits of dough from his hands.

"You do like it?" he asked.

She looked up at him, with her dark eyes one flame of love. He laughed uncomfortably. Then he began to talk about the design. There was for him the most intense pleasure in talking about his work to Miriam. All his pa.s.sion, all his wild blood, went into this intercourse with her, when he talked and conceived his work. She brought forth to him his imaginations. She did not understand, any more than a woman understands when she conceives a child in her womb. But this was life for her and for him.

While they were talking, a young woman of about twenty-two, small and pale, hollow-eyed, yet with a relentless look about her, entered the room. She was a friend at the Morels'.

"Take your things off," said Paul.

"No, I'm not stopping."

She sat down in the arm-chair opposite Paul and Miriam, who were on the sofa. Miriam moved a little farther from him. The room was hot, with a scent of new bread. Brown, crisp loaves stood on the hearth.

"I shouldn't have expected to see you here to-night, Miriam Leivers," said Beatrice wickedly.

"Why not?" murmured Miriam huskily.

"Why, let's look at your shoes."

Miriam remained uncomfortably still.

"If tha doesna tha durs'na,"eb laughed Beatrice. laughed Beatrice.

Miriam put her feet from under her dress. Her boots had that queer, irresolute, rather pathetic look about them, which showed how self-conscious and self-mistrustful she was. And they were covered with mud.

"Glory! You're a positive muck-heap," exclaimed Beatrice. "Who cleans your boots?"

"I clean them myself."