The Memoirs of Madame Vigee Lebrun Part 7

ACCESSION OF THE EMPEROR PAUL -- HIS ARBITRARY RULE -- HIS CIVILITY TO THE AUTh.o.r.eSS -- A MAN WHO DID NOT KNOW THE EMPEROR'S ADDRESS -- PAUL'S KINDNESS TO FOREIGNERS -- HIS FEAR OF a.s.sa.s.sINATION -- HIS PERSONAL APPEARANCE -- THE EMPRESS MARIA -- VAGARIES OF A HALF-MAD EMPEROR -- A n.o.bLE PRELATE.

The Emperor Paul, born October 1, 1754, ascended the throne on the 12th of December, 1796. What I have related touching Catherine's funeral is sufficient proof that the new Emperor did not share the national sorrow; it is well known, besides, that he bestowed the order of St. Andrew upon Nicholas Zuboff, who brought him the news of his mother's death. Paul was clever, well-informed and energetic, but his whims bordered on insanity. In this unhappy Prince generous emotions were often followed by outbreaks of ferocity; approval or anger, favour or resentment, were with him altogether a matter of caprice.

One night I was at a court ball; every one except the Emperor was masked, both men and women wearing black dominos. One of the doorways between two rooms became crowded, and a young man in haste to pa.s.s elbowed a woman, who began to scream. Paul at once turned to one of his adjutants, saying, "Take that gentleman to the fortress, and come back to tell me that he is safe under lock and key." The adjutant soon came back to tell the Emperor that he had executed his order; "but,"

he went on, "Your Majesty must know that the young man is very short-sighted. Here is the proof." And he produced the prisoner's eye-gla.s.ses, which he had brought with him. Paul, after trying the eye-gla.s.ses, was convinced, and said with feeling: "Go for him quickly and take him to his parents; I shall not go to bed until you have come back with the information that he is at home again."

The least infraction of Paul's commands was punished with exile to Siberia, or at least with imprisonment, so that, unable to foresee how far lunacy and arbitrariness combined would go, one lived in a state of perpetual fear. It soon came to one's not daring to invite company to one's house. If one would see a few friends, one was very careful to close the shutters, and when a ball was given it was agreed that the carriages should be sent home so as to attract less attention.

Everybody's words and actions were watched to such an extent that I heard it said there was no social circle without a spy. Allusion to the Emperor was usually abstained from altogether. I remember how one day, joining a very small gathering, a lady who did not know me and who had just ventured upon this subject, cut her words short when she saw me coming into the room. Countess Golovin was obliged to tell her that she might continue. "You may speak without fear," she said; "it is Mme. Lebrun." All this seemed extremely burdensome after living under Catherine, who allowed every one to enjoy entire liberty without, however, using the word.

It would take a long time to recount to what futilities Paul practised his tyranny. He ordered, for instance, that every one should make obeisance to his palace, even when he was absent. He forbade the wearing of round hats, which he looked upon as a symbol of Jacobinism. The police knocked off with their sticks all the round hats they saw, to the great annoyance of people whose ignorance of the regulation exposed them to being thus unhatted. On the other hand, every one was obliged to wear powder. At the time when this regulation was made I was painting young Prince Bariatinski's portrait, and he had acceded to my request that he come without powder. One day he arrived pale as death. "What is the matter with you?" I asked him. "I have just met the Emperor," he replied, all a-tremble, "I barely had time to hide in a doorway, but I am terribly afraid that he recognised me." There was nothing surprising in Prince Bariatinski's fright. All cla.s.ses were likewise affected, for no inhabitant of St. Petersburg was sure one night that he would sleep in his bed the next.

For my part, I avow that in the reign of Paul I experienced the greatest fear of all my life. I had gone to Pergola to spend the day, and had with me M. de Riviere, my coachman, and Peter, my faithful Russian servant. While M. de Riviere was walking about with his gun to shoot birds or rabbits--to which, by the way, he never did great harm--I remained on the sh.o.r.e of the lake. All of a sudden I noticed the fire that had been lit to cook our dinner communicate itself to the trees and spread with great rapidity. The trees were close together, and Pergola was close to St. Petersburg! I began to scream dreadfully, calling upon M. de Riviere, and, aided by fear, the four of us succeeded in extinguis.h.i.+ng the blaze, though not without severely burning our hands. But we thought of the Emperor, of Siberia, and it may well be imagined how this filled us with zeal!

I can only explain the terror that Paul inspired me with from the fact that it was universal, since I must admit that toward myself he was never anything but civil and considerate. When I saw him for the first time at St. Petersburg he was amiable enough to remember that I had been presented to him in Paris on the occasion of his visit there. I was very young then, and so many years had since gone by that I had forgotten the incident; but princes as a rule are gifted with a memory for faces and names. Among the various queer ordinances of his reign, one, to which obedience was very troublesome, compelled both men and women to alight from their carriages whenever the Emperor drove by.

Now, I must add that Paul was to be met with very frequently in the streets of St. Petersburg, as he travelled them perpetually, sometimes on horseback with but slim attendance, and sometimes in a sledge without an escort, without any sign by which he might have been recognised. You were nevertheless obliged to obey his command, under pain of incurring his severest displeasure, and it will be agreed that it was cruel to have to jump out into the snow and stand there, however extreme the cold. One day when I was out driving, my coachman not having observed his approach, I scarcely had time to exclaim: "Stop! it is the Emperor!" But, as my door was opened and I was about to get out, the Emperor himself descended from his sledge and hastened to stop me, saying in the most gracious manner that his order did not concern foreign ladies, especially Mme. Lebrun.

The reason why even Paul's most favourable whims were not rea.s.suring for the future was that no man was ever more changeable in his tastes and affections. At the beginning of his reign, for instance, he loathed Bonaparte. Later on he conceived such a great tenderness for him that a portrait of the French hero was kept in his sanctuary and he exhibited it to every one. Neither his dislike nor his favour was lasting. Count Strogonoff, I believe, is the only person he always loved and esteemed. He was not known to have favourites among the gentlemen of the court, but was very fond of a French actor called Frogeres, who was not without talent and rather clever. Frogeres went into the Emperor's study at all hours unannounced; they were often seen walking together in the gardens arm in arm, chatting on the subject of French literature, for which Paul had a strong fancy, particularly our drama. This actor was often invited to the small court gatherings, and as he was highly gifted in the art of joking, he made the greatest lords the object of jokes, which amused the Emperor very much, but which probably were very slightly amusing to those at whose expense they were made. The Grand Dukes themselves were not safe from Frogeres's naughty pleasantries; in fact, after the death of Paul, he did not venture to appear at the palace. The Emperor Alexander, walking alone one day in the streets of Moscow, met him and called to him. "Frogeres, why have you not been to see me?" the Emperor asked him with affable air. "Sire," replied Frogeres, freed from his fears, "I did not know Your Majesty's address." The Emperor laughed a great deal over this piece of nonsense, and munificently paid the French actor some arrears in salary which the poor man had up till then not dared to claim.

After dealing for a long time with Paul, it was indeed natural that Frogeres should dread the resentment of a sovereign, for Paul was so vindictive that the greatest share of his wrongdoings was attributable to his hatred for the Russian n.o.bility, against whom he had had a grievance during Catherine's lifetime. In this hatred he confused the innocent with the guilty, detesting all the great n.o.bles and taking a delight in humbling any of them he did not exile. To foreigners, on the other hand, and especially to the French, he showed remarkable kindness, and I must here affirm that he always received and treated well all travellers and refugees coming from France. Of these last some were even generously a.s.sisted by him. I will mention as an instance the Count d'Autichamp, who, finding himself in St. Petersburg without any resources whatever, had hit upon the idea of making a very pretty elastic shoe. I bought a pair, which the same evening I showed to several women of the court at Princess Dolgoruki's. They were p.r.o.nounced charming, and this, together with the sympathy inspired by the refugee, resulted in immediate orders for a large number of pairs.

The little shoe eventually came under the notice of the Emperor, who, as soon as he learned the name of the workman, sent for him and gave him a fine position. Unfortunately, it was a confidential post, and the Russians were so offended that Paul could not leave the Count d'Autichamp in it for long. But he made amends in such a way as to secure him against poverty. Several facts of this kind, I confess, made me more indulgent toward the Emperor than the Russians were, whose peace was incessantly disturbed through the extravagant caprices of an omnipotent madman. It would be difficult to convey an idea of the fears, the discontent and the secret murmurings of his court, that I had formerly seen so placid and happy. It may be said with truth that as long as Paul's reign lasted terror was the order of the day.

As one cannot torment one's fellowmen without being tormented oneself, Paul was far from leading an enviable life. He had a fixed idea that he would die by steel or by poison, and this conviction explains much of his queer conduct. While going about the streets of St. Petersburg alone at all hours of the day and night, he took the precaution to have his broth made in his room, and the rest of his cooking was likewise done in the secrecy of his apartment. The whole was superintended by his faithful Kutaisoff, a confidential valet who had been to Paris with him and was in constant attendance upon him. This Kutaisoff had entertained an unlimited devotion for the Emperor, and nothing could ever change it.

Paul was exceedingly ugly. A flat nose, and a very large mouth furnished with very long teeth, made him look like a death's head. His eyes were more than vivacious, though they often had a soft expression. He was neither stout nor lean, neither tall nor short, and although his whole person was not wanting in a sort of elegance, it must be admitted that his face suggested opportunity for caricature.

Indeed, a number were made, in spite of the danger that such an amus.e.m.e.nt threatened. One of them represented him holding a paper in each hand. On one was written "order," on the other "counter-order,"

and on his forehead "disorder." At the mere mention of this caricature I still feel a little s.h.i.+ver; for it must be understood that there were lives in jeopardy, in which the artists' and the purchasers' were included.

But all I have said did not hinder St. Petersburg from being a pleasant as well as profitable place of sojourn for a painter. The Emperor Paul loved and patronised the arts. A great admirer of French literature, he munificently subsidised the actors to whom he owed the pleasure of seeing our dramatic masterpieces performed.

Doyen, my father's friend and the historical painter I have already mentioned, was distinguished by Paul as he had been by Catherine II.

Though very old at the time, Doyen, who had imposed a simple and frugal manner of living upon himself, had accepted but a portion of the Empress's generous offers. The Emperor continued in the path of Catherine, and ordered a ceiling for the new palace of St. Michael, as yet unfurnished. The room where Doyen was working was close to the Hermitage. Paul and all the court pa.s.sed through it on their way to ma.s.s, and the Emperor rarely returned without stopping to chat for more or less time with the painter in quite amiable fas.h.i.+on. I am hereby reminded how, one day, one of the Emperor's gentlemen-in-waiting stepped up to Doyen and said: "Permit me, sir, to make a slight observation. You are painting the hours dancing round the chariot of the sun. I see one there, in the distance, smaller than the rest; the hours, however, are all exactly alike." "Sir," replied Doyen with cool self-possession, "you are perfectly right, but what you point out is only a half-hour." The first speaker nodded in a.s.sent, and went off greatly pleased with himself. I must not forget to record that the Emperor, wis.h.i.+ng to pay the price of painting the ceiling before it was finished, sent to Doyen a bank-note for a large sum--how much I do not now remember. But the bank-note was enclosed in a wrapper, upon which Paul had written with his own hand, "Here is something to buy colours with; as for oil, there is a lot left in the lamp."

If my father's old friend was pleased with his life at St. Petersburg, I was none the less pleased with mine. I worked without relaxing from morning till evening. Only on Sundays I lost two hours, which I was obliged to grant people wis.h.i.+ng to see my studio, and among these there were frequently grand dukes and grand d.u.c.h.esses. Besides the pictures I have already spoken of, and an endless succession of portraits, I had sent to Paris for my large portrait of Queen Marie Antoinette, one in which I had painted her in a blue velvet dress, and the general interest it provoked yielded me the sweetest delight. The Prince de Conde, then at St. Petersburg, on coming to see it, uttered not a word, but burst into tears.

In respect of social amenity St. Petersburg left nothing to be desired. One might have believed oneself at Paris, so many French were there at the fas.h.i.+onable gatherings. It was thus that I saw the Duke Richelieu and the Count de Langeron again. They were really not residents, the first being Governor of Odessa and the other always travelling on military inspections, but it was different with a host of other countrymen of mine. For instance, I made acquaintance with the amiable and dear good Countess Ducrest de Villeneuve. Not only was this young woman very pretty and very well built, but she had a special charm coming from her great goodness of heart. I often saw her at St. Petersburg, as well as at Moscow, by which I am reminded that one day, when I went to dine with her, an instance occurred of a kind not rare in Russia, but which frightened me excessively. M. Ducrest de Villeneuve came for me in a sledge, and it was so cold that my forehead was quite frozen. I exclaimed in terror, "I shall be able to think no more!" M. de Villeneuve hurried me into a shop, where my forehead was rubbed with snow, and this remedy, employed by the Russians in all similar cases, soon banished the cause of my despair.

[Ill.u.s.tration: MARIE ANTOINETTE.]

I did not neglect the natives who treated me so well, for my French friends and my relations with Russian families were constantly increasing. Besides the numerous persons I have already mentioned, I often saw M. Dimidoff, the richest private gentleman in Russia. His father had left him a heritage of richly productive iron and quicksilver mines, and the enormous sales he made to the government kept on enlarging his fortune. His immense wealth was the cause of his obtaining in marriage Mlle. Strogonoff, a member of one of the most aristocratic and oldest families of Russia. Their union was very happy. They left only two sons, one of whom lives in Paris most of the time, and who, like his father, has a great love for pictures.

The Emperor ordered me to make a portrait of his wife. I represented her standing, wearing a court dress, and a diamond crown on her head.

I do not like painting diamonds; the brush cannot render their brilliancy. Nevertheless, in taking for a background a large crimson velvet curtain, I succeeded in making the crown s.h.i.+ne as much as possible. When I sent for the picture to finish the details at home, the Empress wanted to lend me the court dress and all the jewels belonging to it, but they were so valuable that I declined to accept the trust, which would have given me too much anxiety. I preferred to finish my painting at the palace, whither I had the picture taken back. The Empress Maria was a very handsome woman; her plumpness kept her fresh. She had a tall figure, full of dignity, and magnificent fair hair. I recollect having seen her at a great ball with her beautiful locks falling at each side of her shoulders and a diamond tiara on the top of her head. This tall and handsome woman walked majestically next to Paul, on his arm, and a striking contrast was thus presented. To all her loveliness was added a sweet character. The Empress Maria was truly the woman of the Gospel; her virtues were so universally known that she perhaps affords the only example of a woman never attacked by slander. I confess I was proud to find myself honoured with her favour, and that I set great store by the good-will she showed me on all occasions.

Our sittings took place immediately after the court dinner, so that the Emperor and his two sons, Alexander and Constantine, were habitually present. These august spectators did not annoy me in the least, especially as the Emperor, who alone could have made me feel any diffidence, was exceedingly polite to me. One day, when coffee was being served, as I was already at my easel, he brought me a cup himself, and then waited until I had drunk the coffee to take back the cup and put it away. Another time, it is true, he made me witness a rather comical scene. I was having a screen put behind the Empress in order to obtain a quiet background. In this moment of intermission Paul began cutting up a thousand antics, exactly like a monkey, scratching the screen and pretending to climb up it. Alexander and Constantine seemed pained at their father's grotesque behaviour before a stranger, and I myself felt sorry on their account.

During one of the sittings the Empress sent for her two youngest sons, the Grand Duke Nicholas and the Grand Duke Michael. Never have I seen a finer child than the Grand Duke Nicholas, the present Emperor. I could, I believe, paint him from memory to-day, so much did I admire his enchanting face, which bore all the characteristics of Greek beauty.

I remember, too, a type of beauty of an altogether different kind--an old man. Although in Russia the Emperor is the supreme head of the church, as well as of the government and the army, the religious power is held, under him, by the first "pope," called "the great archimandrite," who is about the same to the Russians that the Holy Father is to us. While living in St. Petersburg I had often heard of the merit and virtues of the divine occupying this post, and one day some of my acquaintances who were going to visit him, proposing to take me with them, I eagerly accepted their invitation. Never in my life had I been in the presence of such an imposing man. His figure was tall and majestic; his handsome face, whose every feature was endowed with perfect regularity, expressed at once a gentleness and a n.o.bility difficult to describe; a long white beard, falling below the chest, added to the venerable appearance of his magnificent head. His dress was simple and dignified. He wore a long white robe, divided in front, from top to bottom, by a broad strip of black material, which made the whiteness of his beard stand out admirably. His walk, his gestures, his glance,--everything about him commanded respect from the very first. The great archimandrite was a superior man. He had a profound mind and great learning, and spoke several languages; besides, by reason of his virtues and kindness he was cherished by all who knew him. His grave vocation never prevented him from being affable and gracious toward high society. One of the Princesses Galitzin, who was very beautiful, seeing him in a garden one day, ran to throw herself on her knees before him. The old man at once picked a rose and gave it to her, accompanying it with his blessing. One of my regrets on leaving St. Petersburg was my not having done the archimandrite's portrait, for I believe no painter could ever meet with a finer model.

CHAPTER XI

FAMILY AFFAIRS

PONIATOWSKI, LAST KING OF POLAND -- HIS AMIABLE CHARACTER -- THE AUTh.o.r.eSS'S FACULTY OF PRESAGING DEATH -- PONIATOWSKI, THE NEPHEW -- MME. LEBRUN RECEIVED AS A MEMBER OF THE ST. PETERSBURG ACADEMY -- HER DAUGHTER'S UNTOWARD MARRIAGE -- RESULTING IN ESTRANGEMENT BETWEEN MOTHER AND CHILD.

I will now speak of a man I frequently saw for whom I entertained a lively friends.h.i.+p, and who, after wearing a crown, was then living in St. Petersburg as a private gentleman. This was Stanislaus Augustus Poniatowski, Poland's last king. In my early youth I had heard this prince, who had not then ascended the throne, talked of by people in the habit of meeting him at Mme. Geoffrin's, where he often went to dinner. All his companions of that date praised his amiability and his good looks. For his good or his harm--it is difficult to decide which--he made a journey to St. Petersburg. Catherine II. showed him every distinction, and helped him with all her might to become King of Poland. Poniatowski was crowned in September of the year 1764. But this same Catherine destroyed her own work and overthrew the monarch she had so heartily helped. The ruin of Poland once determined, Replin and Stachelberg, the Russian envoys, became the actual rulers of this unfortunate kingdom, and so remained until the day it ceased to exist.

Their court became more numerous than that of the Prince, whom they continually insulted with impunity, and who was king in name only.

Stanislaus Augustus Poniatowski was kind-hearted and very brave, but perhaps he wanted the necessary energy to hold down the spirit of rebellion reigning in his country. He did everything to make himself agreeable to the n.o.bility and the people, and he partly succeeded. But there were so many disorderly interior elements, in addition to the scheme of the three great neighbouring powers for the seizure of Poland, that it would have been a miracle had he triumphed. He ultimately succ.u.mbed and retired to Grodno, where he lived on a pension allowed him by Russia, Prussia and Austria, who had divided his kingdom between them.

After the death of Catherine II., the Emperor Paul invited Poniatowski to St. Petersburg, to be present at his coronation. During the whole ceremony, which was very long, the ex-king was allowed to stand, which, in view of his advanced years, pained everybody there. Paul afterward behaved more civilly when he asked him to stay at St.

Petersburg, and lodged him in a marble palace to be seen on a fine quay of the Neva.

The King of Poland was now suitably housed. He created an agreeable social circle for himself, largely composed of French, to whom were added some other foreigners he wished to honour. He was so extremely good as to seek me out, to bid me to his private parties, and he called me his "dear friend," as Prince Kaunitz did at Vienna. Nothing touched me more than to hear him repeat that it would have made him glad to have me at Warsaw while he was still king. I was aware, in fact, how at that time, some one having told him I was going to Poland, he had replied that he would treat me with the greatest distinction. But I am sure that every allusion to the past must have been very painful to him.

He was very tall; his handsome face expressed gentleness and kindness; his voice was resounding, and his walk erect without conceit; his conversation had a particular charm, since he loved and knew literature to a high degree. He was so pa.s.sionately fond of the arts, that at Warsaw, when he was king, he perpetually went to visit the best artists. He was more considerate than can possibly be imagined. I recollect being given a proof that makes me feel rather ashamed when I think of it. Sometimes, when I am painting, I refuse to see any one in the world but my model, which more than once has made me rude to people coming to disturb me at my work. One morning, when I was occupied with finis.h.i.+ng a portrait, the King of Poland came to see me. Having heard the noise of horses at my door, I fully suspected it was he who was paying me a call, but I was so absorbed in my task that I lost my temper so far as to cry out, at the moment he opened my door, "I am not at home!" The King, without a word, put on his cloak again and went away. When I had laid down my palette and recalled in cold blood what I had done, I reproached myself so strongly that the same evening I went to the King of Poland for the purpose of proffering my excuses and asking pardon. "What a reception you gave me this morning!" he said as soon as he set eyes on me. He then immediately went on: "I quite understand how a very busy artist becomes impatient if disturbed, and so you may believe that I am not at all angry with you." He obliged me to remain to supper, and there was no further mention of my delinquency.

[Ill.u.s.tration: PORTRAIT OF THE AUTh.o.r.eSS

Painted for the Uffizi Gallery at Florence, where the Picture Now Hangs.]

I rarely missed the little suppers of the King of Poland. Lord Witworth, the English Amba.s.sador to Russia, and the Marquis de Riviere were likewise faithful attendants. We all three preferred these intimate gatherings to the large mobs, because after supper there was always a delightful round of chat, enlivened especially by the King, who knew a host of interesting anecdotes. One evening, when I had followed the usual invitation, I was struck by the singular change I observed in our dear Prince's appearance; his left eye particularly looked so dull that I was frightened. At leaving, I said on the staircase to Lord Witworth and to the Marquis de Riviere, on whose arm I was, "Do you know, I am very anxious about the King?" "Why so?" they asked. "He seemed remarkably well; he talked as he always does." "I have the misfortune to be a good soothsayer," I replied. "I read uncommon trouble in his eyes. The King will soon die." Alas! I had only prophesied too well, for the next day the King went down with an attack of apoplexy, and a few days later was buried in the citadel close to Catherine. I did not learn of his death without feeling a very real sorrow, which was shared by all who had known the King of Poland. I am rarely mistaken in the meaning of the ocular expression.

The last time I saw the d.u.c.h.ess de Mazarin, who was in perfect health, and in whom n.o.body observed the least change, I said to my husband, "In another month the d.u.c.h.ess will not be alive." And my prophecy came true.

Stanislaus Poniatowski never married; he had a niece and two nephews.

His oldest nephew, Prince Joseph Poniatowski, is well known through his military talents and the great bravery which have earned for him the name of the "Polish Bayard." When I knew him at St. Petersburg he might have been twenty-five to twenty-seven years old. Though his forehead was already devoid of hair, his face was remarkably handsome.

All his features, admirably regular, were indicative of a n.o.ble soul.

He had exhibited such prodigious valour and so much military science in the late war against the Turks that the public voice already proclaimed him a great captain, and I was surprised upon seeing him how any one could win so high a reputation at that early age. At St.

Petersburg all vied with each other in welcoming and making much of him. At a great supper given him, to which I was bidden, all the women urging him to have his portrait painted by me, he answered with a modesty conspicuous in his character, "I must win several more battles before I can be painted by Mme. Lebrun."

When I again saw Joseph Poniatowski at Paris I at first did not recognise him, so much was he changed. Into the bargain he was wearing a hideous wig that completed his metamorphosis. His renown had, however, reached such a point that there was no need for him to be distressed at having lost his good looks. He was then preparing to go to war in Germany under Napoleon, to whom he, as a Pole, had become a faithful ally. The heroism he displayed in the campaign of 1812 and 1813 is sufficiently known, as well as the tragic occurrence that ended his n.o.ble career.

Joseph Poniatowski's brother resembled him in no way; he was lanky, chilly, and dry. I got a close view of him at St. Petersburg, and remember that one morning he came to my house to look at Countess Strogonoff's portrait, and that he concerned himself about nothing but the frame. He nevertheless manifested great pretensions as a picture fancier, permitting his opinions to be guided by an artist who drew very well, but whose chief distinction was to imitate Raphael's sketches, in consequence of which he harboured a sovereign disdain for the French school.

The King of Poland's niece, Mme. Menicheck, showed herself obliging to me on many occasions, and it was a great pleasure to meet her again in Paris. At St. Petersburg she made me do the likeness of her daughter, then quite a child, whom I painted playing with her dog, as well as the portrait of her uncle, the King of Poland, in a Henri IV. costume.

The first portrait I did of that charming prince I kept for myself.

One of the pleasantest reminiscences of my travels is that of my reception as a member of the Academy of St. Petersburg. Count Strogonoff, then Director of the Fine Arts, apprised me of the appointed day for my installation. I ordered a uniform of the Academy, in the shape of an Amazonian dress: a little violet bodice, a yellow skirt, and a black hat and feathers. At one o'clock I arrived in a room leading to a long gallery, at the end of which I perceived Count Strogonoff at a table. I was requested to go up to him. For this purpose I was obliged to traverse the long gallery in question, where tiers of benches had been placed which were full of spectators. But as I luckily recognised a number of friends and acquaintances in the crowd, I reached the other end of the gallery without feeling too much confusion. The Count addressed me in a very flattering little speech, and then presented me, on behalf of the Emperor, with a diploma nominating me a member of the Academy. Everybody thereupon burst into such applause that I was moved to tears, and I shall never forget that touching moment. That evening I met several persons who had witnessed the affair. They mentioned my courage in pa.s.sing through that gallery so full of people. "You must suppose," I answered, "that I had guessed from their faces how kindly they were prepared to greet me." Very soon after I did my own portrait for the Academy of St. Petersburg. I represented myself painting, palette in hand.

In dwelling on these agreeable memories of my life, I am trying to postpone the moment when I must speak of the sorrows, the cruel anxieties which disturbed the peace and happiness I was enjoying at St. Petersburg. But I must now enter upon the sad particulars.

My daughter had attained the age of seventeen. She was charming in every respect. Her large blue eyes, sparkling with spirit, her slightly tip-tilted nose, her pretty mouth, magnificent teeth, a dazzling fresh complexion--all went to make up one of the sweetest faces to be seen. Her figure was not very tall; she was lithe without, however, being lean. A natural dignity reigned in all her person, although she had as much vivacity of manner as of mind. Her memory was prodigious: everything remained that she had learned in her lessons or in the course of her reading. She had a delightful voice, and sang exquisitely in Italian, for at Naples and St. Petersburg I had given her the best singing masters, as well as instructors of English and German. Moreover, she could accompany herself on the piano or the guitar. But what enraptured me above everything else was her happy disposition for painting, so that I cannot say how proud and satisfied I was over the many advantages she commanded. I saw in my daughter the happiness of my life, the future joy of my old age, and it was therefore not surprising that she gained an ascendancy over me. When my friends said, "You love your daughter so madly that it is you who obey her," I would reply, "Do you not see that she is loved by every one?" Indeed, the most prominent residents of St. Petersburg admired and sought her out. I was not invited without her, and the successes she won in society were far more to me than any of my own had ever been.

Since I could but very rarely leave my studio of a morning, I sometimes consented to confide my daughter to the Countess Czernicheff, in order that she might take part in sledging expeditions, which amused her greatly, and the Countess would sometimes also take her to spend the evening at her house. There she met a certain Nigris, Count Czernicheff's secretary. This M. Nigris had a fairly good face and figure; he might have been about thirty. As for his abilities, he drew a little, and wrote a beautiful hand. His soft ways, his melancholy look, and even his yellowish paleness, gave him an interesting and romantic air, which so far affected my daughter that she fell in love with him. Immediately the Czernicheff family put their heads together and began an intrigue to make him my son-in-law. Being informed what was happening, my grief was deep, as may well be imagined; but unhappy as I was at the thought of giving my daughter, my only child, to a man without talents, without fortune, without a name, I made inquiries about this M. Nigris. Some spoke well of him, but others reported badly, so that the days went by without my being able to fix upon any decision.