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There is a fearful mystery in this conception; it is only by solemnly questioning the spirits that lurk within the dark metaphors in which Manfred expresses himself, that the hideous secrets of the character can be conjectured.
But although in intellectual power, and in creative originality, Byron is ent.i.tled to stand on the highest peak of the mountain, his verse is often so harsh, and his language so obscure, that in the power of delighting he is only a poet of the second cla.s.s. He had all the talent and the means requisite to embody his conceptions in a manner worthy of their might and majesty; his treasury was rich in everything rare and beautiful for ill.u.s.tration, but he possessed not the instinct requisite to guide him in the selection of the things necessary to the inspiration of delight:--he could give his statue life and beauty, and warmth, and motion, and eloquence, but not a tuneful voice.
Some curious metaphysicians, in their subtle criticism, have said that Don Juan was but the bright side of Childe Harold, and that all its most brilliant imagery was similar to that of which the dark and the shadows were delineated in his other works. It may be so. And, without question, a great similarity runs through everything that has come from the poet's pen; but it is a family resemblance, the progeny are all like one another; but where are those who are like them? I know of no author in prose or rhyme, in the English language, with whom Byron can be compared. Imitators of his manner there will be often and many, but he will ever remain one of the few whom the world acknowledges are alike supreme, and yet unlike each other--epochal characters, who mark extraordinary periods in history.
Raphael is the only man of pre-eminence whose career can be compared with that of Byron; at an age when the genius of most men is but in the dawning, they had both attained their meridian of glory, and they both died so early, that it may be said they were lent to the world only to show the height to which the mind may ascend when time shall be allowed to accomplish the full cultivations of such extraordinary endowments.
Footnotes:
{156} I.e., against.
{241} The sacrifice of Antinous by the emperor Adrian is supposed to have been a sacrifice of that kind. Dion Ca.s.sius says, that Adrian, who had applied himself to the study of magic, being deceived by the principles of that black Egyptian art into a belief that he would be rendered immortal by a voluntary human sacrifice to the infernal G.o.ds, accepted the offer which Antinous made of himself.
I have somewhere met with a commentary on this to the following effect:
The Christian religion, in the time of Adrian, was rapidly spreading throughout the empire, and the doctrine of gaining eternal life by the expiatory offering was openly preached. The Egyptian priests, who pretended to be in possession of all knowledge, affected to be acquainted with this mystery also. The emperor was, by his taste and his vices, attached to the old religion; but he trembled at the truths disclosed by the revelation; and in this state of apprehension, his thirst of knowledge and his fears led him to consult the priests of Osiris and Isis; and they impressed him with a notion that the infernal deities would be appeased by the sacrifice of a human being dear to him, and who loved him so entirely as to lay down his life for him. Antinous, moved by the anxiety of his imperial master, when all others had refused, consented to sacrifice himself; and it was for this devotion that Adrian caused his memory to be hallowed with religious rites.
{255} Mr Hobhouse has a.s.sured me that this information is not correct. "I happen," says he, "to know that Lord Byron offered to give the Guiccioli a sum of money outright, or to leave it to her by his will. I also happen to know that the lady would not hear of any such present or provision; for I have a letter in which Lord Byron extols her disinterestedness, and mentions that he has met with a similar refusal from another female. As to the being in dest.i.tute circ.u.mstances, I cannot believe it; for Count Gamba, her brother, whom I knew very well after Lord Byron's death, never made any complaint or mention of such a fact: add to which, I know a maintenance was provided for her by her husband, in consequence of a law process, before the death of Lord Byron."
{291a} The calenture.
{291b} The Swiss air.
{319} The doctor evidently makes a mistake in confounding Sir William Hamilton with Sir William Drummond.
{354} Fletcher's narrative implies at six that evening, the 19th April, 1824.