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The original drawing looked water stained. Whoever had drawn it had done so quickly, yet there was no mistaking the artist’s skill — the subject’s open eyes looked lifeless, stared out into nothing.
Why were the men hidden under the blanket? No, it wasn’t a blanket at all … it was a membrane of some kind, wrapped around dead bodies, parts of it attached to the wall, to the floor. It wasn’t an impressionist’s take; the artist had seen this, or at least thought he’d seen it.
“Murray, what the h.e.l.l is this?”
“One of the bodies we recovered from the Los Angeles had that on her person,” he said. “The artwork is good enough that we were able to confirm visual ID — the subject of the drawing is Ensign Paul Duchovny, who served onboard the sub. Obviously there are others in there with him, but since we can’t see their faces we can’t identify them.”
“Did you send divers into the sub?”
“No one has gone near it,” Murray said. “The sub is off-limits until we get our a.n.a.lysis team set up. It’s nine hundred feet deep, so people can’t go down without specialized equipment. On top of that, there’s a radiation leak. We don’t even know if it’s safe to enter the wreck. Right now all our intel is coming from UUVs.”
Margaret looked up. “UUVs?”
Clarence answered. “Unmanned underwater vehicles. Sometimes autonomous, like a robot, but most of the time they’re controlled from a person on a surface s.h.i.+p.”
Margaret again looked down at the picture. “Who drew this?”
“Lieutenant Candice Walker,” Murray said. “She escaped the sub, made it to the surface. Unfortunately, she died before divers could get her to medical attention. She was just as crazy as Dawsey — cut off her own arm with a reciprocal saw just below the right elbow. She used her belt for a tourniquet and cauterized the wound, but it wasn’t enough. She escaped the sub by wearing an SEIE suit, a bulky thing that lets submariners rise up without suffering pressure effects. We think her tourniquet came off when she was exiting the sub, or maybe while she ascended. Since she was in the suit, she had no way of tying the belt off again. Her picture is next.”
Margaret flipped to the next page, then hissed in a breath. A dead girl wearing battered, blood-streaked dark-blue coveralls. A lieutenant in the navy, based on her insignia — a highly trained adult, although her face looked all of eighteen. The girl’s right arm was a horrid sight: seared flesh and protruding, blackened bone. Extensive blood loss made her skin extremely pale. She had a bruise under her right eye and a long cut on her left temple.
Margaret thought of the first time she met Perry Dawsey.
He had been a walking nightmare. A ma.s.sive, naked man, covered in third-degree burns from a fire that had also melted away his hair, leaving his scalp covered with fresh, swelling blisters. His own blood had baked flaky-dry on his skin. A softball-sized pustule on his left collarbone streamed black rot down his wide chest. His knee had been shredded by a bullet fired from the gun of Dew Phillips. And worst of all — even more disturbing than the fact that Perry clutched his own severed p.e.n.i.s in a tight fist — the look on his face, those lips caught between a smile and a scream, curled back to show well-cared-for teeth that reflected the winter sun in a wet-white blaze.
Perry, mangled almost beyond recognition. This girl — correction, this naval officer — much the same.
Margaret shuddered, imagining a saw-toothed blade as a buzzing blur, jagged points sc.r.a.ping free a shred of skin or a curl of bone with each pa.s.s …
“Did the autopsy confirm she died from blood loss?”
Murray frowned. “You’ve been out of the game longer than I thought, Doc. We didn’t do an autopsy yet. The Los Angeles had a mission to recover pieces of the Orbital. You remember the Orbital, right? The thing that made the most infectious disease we’ve ever seen, a disease that turned people into psychopaths? The thing that made little monsters that tried to open a G.o.dd.a.m.n gate to another G.o.dd.a.m.n world? The thing that forced us to nuke the Motor City to stop that gate from opening?”
Margaret felt her own lip curl into a sneer. “Yes, Murray, I so need you to f.u.c.king remind me about the f.u.c.king Orbital.”
She felt a hand on her arm. Clarence, quietly telling her to ease down.
Murray leaned forward. He spoke quietly, trying to control his rage. “Apparently, you do need a reminder,” he said. “Before Lieutenant Walker died, she admitted to sabotaging the engine room of the Los Angeles. She also admitted to shooting and killing two men. Her corpse and the second body, that of Petty Officer Charles Petrovsky, are in a Biosafety Level Four facility inside the Carl Brashear. They are infected with the same G.o.dd.a.m.n disease that could have wiped us all out five years ago, that made the crew of the Los Angeles fire on U.S. s.h.i.+ps. So no, genius, we haven’t done an autopsy yet. For that, we need the best. We need you.”
Margaret cleared her throat. She’d asked a stupid question and been properly slapped down for it. “You said the Los Angeles found something?”
“Look at the last photo.”
It was a photo of an object she didn’t recognize, some kind of beat-up cylinder sitting on the gray, lifeless lake bottom. The diver or photographer had rested a ruler close by: the cylinder was about five inches long, two and a half inches wide. It was frayed in places, as if it were woven from a synthetic material; like fibergla.s.s, maybe. Detritus and some kind of mold had taken root within the fibers, making the object look fuzzy, almost alive.