The Cross-Cut Part 37

"If you 'll stay out of danger."

"It's less danger for me there than--than home. And I 'd be scared to death here. I wouldn't if I was along with you two, because I know--"

and she said it with almost childish conviction--"that you can whip 'em."

Harry chuckled.

"Come along, then. I 've got a 'unch, and I can't sye it now. But it 'll come out in the wash. Come along."

He led the way out through the shaft and into the blizzard, giving the guard instructions to let no one pa.s.s in their absence. Then he suddenly kneeled.

"Up, Miss Richmond. Up on my back. I 'm 'efty--and we 've got snowdrifts to buck."

She laughed, looked at Fairchild as though for his consent, then crawled to the broad back of Harry, sitting on his shoulders like a child "playing horse."

They started up the mountain side, skirting the big gullies and edging about the highest drifts, taking advantage of the cover of the pines, and bending against the force of the blizzard, which seemed to threaten to blow them back, step for step. No one spoke; instinctively Fairchild and Anita had guessed Harry's conclusions. The nearest mine to the Blue Poppy was the Silver Queen, situated several hundred feet above it in alt.i.tude and less than a furlong away. And the metal of the Silver Queen and the Blue Poppy, now that the strike had been made, had a.s.sayed almost identically the same. It was easy to make conclusions.

They reached the mouth of the Silver Queen. Harry relieved Anita from her position on his shoulders, and then reconnoitered a moment before he gave the signal to proceed. Within the tunnel they went, to follow along its regular, rising course to the stope where, on that garish day when Taylor Bill and Blindeye Bozeman had led the enthusiastic parade through the streets, the vein had shown. It was dark there--no one was at work. Harry unhooked his carbide from his belt, lit it and looked around. The stope was deeper now than on the first day, but not enough to make up for the vast amount of ore which had been taken out of the mine in the meanwhile. On the floor were tons of the metal, ready for tramming. Harry looked at them, then at the stope again.

"It ain't coming from 'ere!" he announced. "It's--" then his voice dropped to a whisper--"what's that?"

Again a rumbling had come from the distance, as of an ore car traveling over the tram tracks. Harry extinguished his light, and drawing Anita and Fairchild far to the end of the stope, flattened them and himself on the ground. A long wait, while the rumbling came closer, still closer; then, in the distance, a light appeared, s.h.i.+ning from a side of the tunnel. A clanging noise, followed by clattering sounds, as though of steel rails. .h.i.tting against each other. Finally the tramming once more,--and the light approached.

Into view came an ore car, and behind it loomed the great form of Taylor Bill as he pushed it along. Straight to the pile of ore he came, unhooked the front of the tram, tripped it and piled the contents of the car on top of the dump which already rested there. With that, carbide pointing the way, he turned back, pus.h.i.+ng the tram before him.

Harry crept to his feet.

"We 've got to follow!" he whispered. "It's a blind entrance to the tunnel som'eres."

They rose and trailed the light along the tracks, flattening themselves against the timbers of the tunnel as the form of Taylor Bill, faintly outlined in the distance, turned from the regular track, opened a great door in the side of the tunnel, which, to all appearances, was nothing more than the ordinary heavy timbering of a weak spot in the rocks, pulled it far back, then swerved the tram within. Then, he stopped and raised a portable switch, throwing it into the opening. A second later the door closed behind him, and the sound of the tram began to fade in the distance. Harry went forward, creeping along the side of the tunnel, feeling his way, stopping to listen now and then for the sound of the fading ore car. Behind him were Fairchild and Anita, following the same procedure. And all three stopped at once.

The hollow sound was coming directly to them now. Harry once more brought out his carbide to light it for a moment and to examine the timbering.

"It's a good job!" he commented. "You could n't tell it five feet off!"

"They 've made a cross-cut!" This time it was Anita's voice, plainly angry in spite of its whispering tones. "No wonder they had such a wonderful strike," came scathingly. "That other stope down there--"

"Ain't nothing but a salted proposition," said Harry. "They 've cemented up the top of it with the real stuff and every once in a while they blow a lot of it out and cement it up again to make it look like that's the real vein."

"And they 're working our mine!" Red spots of anger were flas.h.i.+ng before Fairchild's eyes.

"You 've said it! That's why they were so anxious to buy us out. And that's why they started this two-million-dollar stock proposition, when they found they could n't do it. They knew if we ever 'it that vein that it would n't be any time until they 'd be caught on the job.

That's why they 're ready to pull out--with somebody else 's million.

They 're getting at the end of their rope. Another thing; that explains them working at night."

Anita gritted her teeth.

"I see it now--I can get the reason. They 've been telephoning Denver and holding conferences and all that sort of thing. And they planned to leave these two men behind here to take all the blame."

"They'll get enough of it!" added Harry grimly. "They 're miners.

They could see that they were making a straight cross-cut tunnel on to our vein. They ain't no children, Blindeye and Taylor Bill. And 'ere 's where they start getting their trouble."

He pulled at the door and it yielded grudgingly. The three slipped past, following along the line of the tram track in the darkness, Harry's pick handle swinging beside him as they sneaked along. Rods that seemed miles; at last lights appeared in the distance. Harry stopped to peer ahead. Then he tossed aside his weapon.

"There 's only two of 'em--Blindeye and Taylor Bill. I could whip 'em both myself but I 'll take the big 'un. You--" he turned to Fairchild--"you get Blindeye."

"I 'll get him."

Anita stopped and groped about for a stone.

"I 'll be ready with something in case of accident," came with determination. "I 've got a quarter of a million in this myself!"

They went on, fifty yards, a hundred. Creeping now, they already were within the zone of light, but before them the two men, double-jacking at a "swimmer", had their backs turned. Onward--until Harry and Fairchild were within ten feet of the "high-jackers", while Anita waited, stone in hand, in the background. Came a yell, high-pitched, fiendish, racking, as Harry leaped forward. And before the two "high-jackers" could concentrate enough to use their sledge and drill as weapons, they were whirled about, battered against the hanging wall, and swirling in a daze of blows which seemed to come from everywhere at once. Wildly Harry yelled as he shot blow after blow into the face of an ancient enemy. High went Fairchild's voice as he knocked Blindeye Bozeman staggering for the third time against the hanging wall, only to see him rise and to knock him down once more. And from the edge of the zone of light came a feminine voice, almost hysterical with the excitement of it all, the voice of a girl who, in her tensity, had dropped the piece of stone she had carried, to stand there, hands clenched, figure doubled forward, eyes blazing, and crying:

"Hit him again! Hit him again! Hit him again--for me!"

And Fairchild hit, with the force of a sledge hammer. Dizzily the sandy-haired man swung about in his tracks, sagged, then fell, unconscious. Fairchild leaped upon him, calling at the same time to the girl:

"Find me a rope! I 'll truss his hands while he 's knocked out!"

Anita leaped into action, to kneel at Fairchild's side a moment later with a hempen strand, as he tied the man's hands behind his back.

There was no need to worry about Harry. The yells which were coming from farther along the stope, the crackling blows, all told that Harry was getting along exceedingly well. Glancing out of a corner of his eye, Fairchild saw now that the big Cornishman had Taylor Bill flat on his back and was putting on the finis.h.i.+ng touches. And then suddenly the exultant yells changed to ones of command.

"Talk Englis.h.!.+ Talk English, you b.l.o.o.d.y blighter! 'Ear me, talk Englis.h.!.+"

"What's he mean?" Anita bent close to Fairchild.

"I don't know--I don't think Taylor Bill can talk anything else. Put your finger on this knot while I tighten it. Thanks."

Again the command had come from farther on:

"Talk Englis.h.!.+ 'Ear me--I'll knock the b.l.o.o.d.y 'ell out of you if you don't. Talk English--like this: 'Throw up your 'ands!' 'Ear me?"

Anita swerved swiftly and went to her feet. Harry looked up at her wildly, his mustache bristling like the spines of a porcupine.

"Did you 'ear 'im sye it?" he asked. "No? Sye it again!"

"Throw up your 'ands!" came the answer of the beaten man on the ground.

Anita ran forward.

"It's a good deal like it," she answered. "But the tone was higher."

"Raise your tone!" commanded Harry, while Fairchild, finis.h.i.+ng his job of tying his defeated opponent, rose, staring in wonderment. Then the answer came:

"That's it--that's it. It sounded just like it!"

And Fairchild remembered too,--the English accent of the highwayman on the night of the Old Times Dance. Harry seemed to bounce on the prostrate form of his ancient enemy.

"Bill," he shouted, "I 've got you on your back. And I 've got a right to kill you. 'Onest I 'ave. And I 'll do it too--unless you start talking. I might as well kill you as not.--It's a penitentiary offense to 'it a man underground unless there 's a good reason. So I 'm ready to go the 'ole route. So tell it--tell it and be quick about it. Tell it--was n't you him?"

"Him--who?" the voice was weak, frightened.