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The Art of Amusing Part 14

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Pig made out of lemon. Good! The pig was made and applauded.

"But," suggested Bud, "why confine ourselves to a pig; surely we can make something else."

"Surely," we a.s.sented. So all of us set our wits to work at zoology.

Bud made the first discovery. "Oh!" she exclaimed, "I have found out something beautiful--a whole litter of little pigs to go with the lemon!"

And, indeed, 'twas true. In a few seconds she had some almonds soaking in a cup of boiling water. In a few seconds more she was peeling off their brown jackets, revealing the smooth white nut, as white as the tips of her own taper fingers. The almonds were soon converted into sucking-pigs, and were admitted on all hands to look quite cunning, and as natural as nature, with their little white bodies grouped round the maternal lemon--some running, some standing, and some seated on their haunches.

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We need not explain to the gifted reader the _modus operandi_. It is much the same as with the lemon, only the eyes are dotted with a black lead pencil and the ears are made from small slips of wood.

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Stimulated by the success of Bud, Blossom dived down into the depths of her imagination, and fished out a goat. The goat was unquestionably a triumph. The body consisted of a pear, the head of an unbleached almond, the legs, horns, and beard of raisin stalks.

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On the same principle, and with wonderful celerity, Berry took up the idea, gracefully acknowledged her indebtedness to the original inventor, and produced a deer--a deer with wide-spreading antlers made of raisin stalks, and legs of the same material, which counterfeited nature even to the knee-joints. The neck cost some little mental exertion, but was finally triumphed over in the following shape, neatly cut out of wood.

The deer now appeared truly a monarch of the forest; a little weak in the shoulders perhaps, and rather full-chested behind, but still a n.o.ble animal.

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Not to be outdone with her own idea, Blossom wrestled vigorously with her subject, and ere we had ceased admiring the deer, had very nearly completed a sheep--a sheep so fleecy and short in the legs that it was at once voted the greatest triumph of all, though WE personally and privately thought, and still think, that, for true genius, Bud's idea of the pigs far exceeded any of them. The white almond certainly made a most admirable sheep's head, but then apple, of which the body was made, grew rapidly rusty when once peeled--so much so that we had to sc.r.a.pe our sheep once or twice in the course of the evening to restore its fleeciness.

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Having made large herds of deer, flocks of goats and sheep, not to mention litters of pigs, we disposed some of them on the mantel-piece and what-nots, while others were reserved to make a grand pastoral scene on the supper table. Having finished these, we devoted our energies to constructing scent-bags and mice, the latter made out of apple-seeds, as described in a previous chapter. Here the transcendent genius of Bud again a.s.serted itself--she invented a rat; a rat made out of an unbleached almond. When grouped with the mice and flour-sacks the effect was truly grand.

What now?

"What shall we make next?" was the general inquiry.

"Oh, can't you make something that will jump up?" eagerly suggested Little Pickle, who had kept pretty quiet during our zoological researches.

"Can't you make something that will jump up?" This was so vague that we were fain to demand further light.

"Oh, you know at our school one of the boys made a kind of thing with a bit of wax that jumped up and frightened you."

This was still far from clear, but whatever it might be, it was evidently calculated to frighten somebody, and so was immediately voted down by the ladies.

"Oh, make that gorilla portrait, you know," again entreated Little Pickle; "that makes such fun."

This proposition, though received coolly, was, nevertheless, discussed at some length, till Blossom called her sister's attention to the fact that one of their invited guests would be a certain Dr. O'Tang, who really did resemble a gorilla, and should the gla.s.s fall into his hands, he would feel hurt at the joke; so Little Pickle's second proposition was voted down.

We now felt a heavy weight of responsibility hanging on our shoulders.

Six brown eyes were resting upon us, each as deep and brown as a mountain pool.

"Can we not do something with paper?" suggested Bud, her exquisite genius again coming to our aid. This suggestion gave us the cue.

"I have it," we exclaimed; "I will teach you to make stained gla.s.s. To be sure, it is only a variation of your own beautiful art of making transparencies; still, if you have never heard of the process, it may afford some amus.e.m.e.nt, and help you to decorate your rooms."

One apartment in the house of Adams was of the kind known as _extension room_. The two windows which separated this apartment from the back parlor served admirably to exhibit the new art. The object of the process is to produce an effect somewhat similar to the heraldic painting on the cas.e.m.e.nts of old European houses, and is done thus:

You procure several sheets of tissue paper of various colors, a pair of scissors, and some fine boiled paste. You fold a sheet of the paper twice, then cut out of the folded paper a form--say, for example, like the one on the left: so that when the sheet is open there will be two pieces like the one on the right.

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Paste one of these in the centre of the window-pane you wish to decorate, then paste the other over it, only lapping over a little on one side and below, as represented in this diagram.

When this is dry it will have a very pretty effect. Of course you can cut the papers in any form you choose and have them in different colors--red over green, or yellow over blue. You may also st.i.tch one pattern of a smaller size right in the centre of another, or paste three or four different patterns one above the other, as ill.u.s.trated by our subjoined cuts.

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Having delivered our short lecture (ill.u.s.trated with examples) to the six brown eyes, and also to the six white ears--like quaint sea-sh.e.l.ls from the sh.o.r.es of Elysium--we all proceeded to operate on the windows before mentioned, and we are glad to say with the most pleasing results.

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Our scissorings with the colored paper brought to light an accomplishment of Little Pickle, which set us all to work anew with scissors and pen and ink for some time.

Master Adams's system was this: he took a small piece of writing paper, and dropping a minute quant.i.ty of ink in the centre, then folded it right across the blot and rubbed it over with his finger. When the paper was opened it displayed some curious form or another. This, with a few touches of the pen, we generally made to resemble some object in nature.

Bud made an excellent stag's head on one occasion, which we subjoin.

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But Little Pickle's course of instruction did not stop with blots. He folded bits of paper and cut them into grotesque patterns, and set us all to filling them up with pictures. The great art consisted in making your design conform to the outline of the paper. One of these, which we happened to have brought away by accident, we have here engraved. It was drawn by Bud, and is really very clever.

That was a very delightful evening we pa.s.sed with the Adams's. Little Pickle is a very fine boy; guess we will call for him on our road up in the afternoon--to go skating.

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That night, when we reached home, we found Nix had called and left us a very curious work--_The Veda, or the Sacred Writings of the Hindoos_. We slept sweetly, and dreamed we were reclining on the banks of the Ganges conversing pleasantly with Brahma. Singular dream, was it not?

CHAPTER XVII.

Blue and white Christmas, with his henchman, Santa Claus, having come and gone, leaving behind him, however, for a while, his raiment of white and blue, with a host of dear memories for our hearts' nourishment through the next twelvemonth's stage in this journey of life, we think we cannot better show our appreciation of his goodness than by painting a portrait of that small fraction of the universal jollity which fell to our individual lot.

We have some friends who live in the country, a long way from sidewalks and gas and railroads, or at least far enough off to debar the dear souls from many tastes of city pleasures. So, as these friends cannot well go to town for amus.e.m.e.nt, and as they have a large love of fun and several small children, they try to bring amus.e.m.e.nts home on all festive occasions.

To this house, with a small party of mutual acquaintances, we went our way on the twenty-fifth of December last. Before starting there were great business operations to be performed, and such a time as we had of it! One item was easily managed, and caused no mental anxiety. We went _en ma.s.se_ to Ridley's, and, after waiting in a crowd of crinoline for some time, came away each with his dexter coat-pocket swelled out with a pound package of mixed candies. That, of course, was simple enough; but when it came to buying something else--something of a more durable nature--then our ingenuity was, indeed, put to the test. It will be seen that our task was no ordinary one. There were three of us, and we each wished, according to our annual custom, to present each member of the family with some appropriate gift; and as there were five in the family, namely--papa, mamma, daughter aged eleven, son aged four, and another daughter aged two, and a.s.suming that we each only gave one object to each of the individuals in the country house, it would make--three fives are fifteen--fifteen different objects to be purchased, every one of which ought to differ from the other, besides being unlike anything they would be already likely to possess. When we came to compare notes, we found that we had, to a man, privately and separately resolved to present papa with a meerschaum pipe; two out of the three had thoughts of giving mamma a dressing-case; while the unanimity on the subject of work-boxes, dolls, and jumping-jacks was really marvellous.

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The Art of Amusing Part 14 summary

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