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In a Free State Part 2

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Outside the supermarket there was always a policeman with a gun. Inside, there were always a couple of hubs.h.i.+ guards with truncheons, and, behind the cas.h.i.+ers, some old hubs.h.i.+ beggar men in rags. There were also many young hubs.h.i.+ boys, small but muscular, waiting to carry parcels, as once in the hills I had waited to carry Indian tourists' luggage.

These trips to the supermarket were my only outings, and I was always glad to get back to the apartment. The work there was light. I watched a lot of television and my English improved. I grew to like certain commercials very much. It was in these commercials I saw the Americans whom in real life I so seldom saw and knew only by their gas-lamps. Up there in the apartment, with a view of the white domes and towers and greenery of the famous city, I entered the homes of the Americans and saw them cleaning those homes. I saw them cleaning floors and dishes. I saw them buying clothes and cleaning clothes, buying motor cars and cleaning motor cars. I saw them cleaning, cleaning.

The effect of all this television on me was curious. If by some chance I saw an American on the street I tried to fit him or her into the commercials; and I felt I had caught the person in an interval between his television duties. So to some extent Americans have remained to me, as people not quite real, as people temporarily absent from television.

Sometimes a hubs.h.i.+ came on the screen, not to talk of hubs.h.i.+ things, but to do a little cleaning of his own. That wasn't the same. He was too different from the hubs.h.i.+ I saw on the street and I knew he was an actor. I knew that his television duties were only make-believe and that he would soon have to return to the street.

One day at the supermarket, when the hubs.h.i.+ girl took my money, she sniffed and said, 'You always smell sweet, baby.'



She was friendly, and I was at last able to clear up that mystery, of my smell. It was the poor country weed I smoked. It was a peasant taste of which I was slightly ashamed, to tell the truth; but the cas.h.i.+er was encouraging. As it happened, I had brought a quant.i.ty of the weed with me from Bombay in one of my bundles, together with a hundred razor blades, believing both weed and blades to be purely Indian things. I made an offering to the girl. In return she taught me a few words of English. 'Me black and beautiful' was the first thing she taught me. Then she pointed to the policeman with the gun outside and taught me: 'He pig.'

My English lessons were taken a stage further by the hubs.h.i.+ maid who worked for someone on our floor in the apartment block. She too was attracted by my smell, but I soon began to feel that she was also attracted by my smallness and strangeness. She herself was a big woman, broad in the face, with high cheeks and bold eyes and lips that were full but not pendulous. Her largeness disturbed me; I found it better to concentrate on her face. She misunderstood; there were times when she frolicked with me in a violent way. I didn't like it, because I couldn't fight her off as well as I would have liked and because in spite of myself I was fascinated by her appearance. Her smell mixed with the perfumes she used could have made me forget myself.

She was always coming into the apartment. She disturbed me while I was watching the Americans on television. I feared the smell she left behind. Sweat, perfume, my own weed: the smells lay thick in the room, and I prayed to the bronze G.o.ds my employer had installed as living-room ornaments that I would not be dishonoured. Dishonoured, I say; and I know that this might seem strange to people over here, who have permitted the hubs.h.i.+ to settle among them in such large numbers and must therefore esteem them in certain ways. But in our country we frankly do not care for the hubs.h.i.+. It is written in our books, both holy and not so holy, that it is indecent and wrong for a man of our blood to embrace the hubs.h.i.+ woman. To be dishonoured in this life, to be born a cat or a monkey or a hubs.h.i.+ in the next!

But I was falling. Was it idleness and solitude? I was found attractive: I wanted to know why. I began to go to the bathroom of the apartment simply to study my face in the mirror. I cannot easily believe it myself now, but in Bombay a week or a month could pa.s.s without my looking in the mirror; and then it wasn't to consider my looks but to check whether the barber had cut off too much hair or whether a pimple was about to burst. Slowly I made a discovery. My face was handsome. I had never thought of myself in this way. I had thought of myself as unnoticeable, with features that served as identification alone.

The discovery of my good looks brought its strains. I became obsessed with my appearance, with a wish to see myself. It was like an illness. I would be watching television, for instance, and I would be surprised by the thought: are you as handsome as that man? I would have to get up and go to the bathroom and look in the mirror.

I thought back to the time when these matters hadn't interested me, and I saw how ragged I must have looked, on the aeroplane, in the airport, in that cafe for bare feet, with the rough and dirty clothes I wore, without doubt or question, as clothes befitting a servant. I was choked with shame. I saw, too, how good people in Was.h.i.+ngton had been, to have seen me in rags and yet to have taken me for a man.

I was glad I had a place to hide. I had thought of myself as a prisoner. Now I was glad I had so little of Was.h.i.+ngton to cope with: the apartment, my cupboard, the television set, my employer, the walk to the supermarket, the hubs.h.i.+ woman. And one day I found I no longer knew whether I wanted to go back to Bombay. Up there, in the apartment, I no longer knew what I wanted to do.

I became more careful of my appearance. There wasn't much I could do. I bought laces for my old black shoes, socks, a belt. Then some money came my way. I had understood that the weed I smoked was of value to the hubs.h.i.+ and the bare feet; I disposed of what I had, disadvantageously as I now know, through the hubs.h.i.+ girl at the supermarket. I got just under two hundred dollars. Then, as anxiously as I had got rid of my weed, I went out and bought some clothes.

I still have the things I bought that morning. A green hat, a green suit. The suit was always too big for me. Ignorance, inexperience; but I also remember the feeling of presumption. The salesman wanted to talk, to do his job. I didn't want to listen. I took the first suit he showed me and went into the cubicle and changed. I couldn't think about size and fit. When I considered all that cloth and all that tailoring I was proposing to adorn my simple body with, that body that needed so little, I felt I was asking to be destroyed. I changed back quickly, went out of the cubicle and said I would take the green suit. The salesman began to talk; I cut him short; I asked for a hat. When I got back to the apartment I felt quite weak and had to lie down for a while in my cupboard.

I never hung the suit up. Even in the shop, even while counting out the precious dollars, I had known it was a mistake. I kept the suit folded in the box with all its pieces of tissue paper. Three or four times I put it on and walked about the apartment and sat down on chairs and lit cigarettes and crossed my legs, practising. But I couldn't bring myself to wear the suit out of doors. Later I wore the pants, but never the jacket. I never bought another suit; I soon began wearing the sort of clothes I wear today, pants with some sort of zippered jacket.

Once I had had no secrets from my employer; it was so much simpler not to have secrets. But some instinct told me now it would be better not to let him know about the green suit or the few dollars I had, just as instinct had already told me I should keep my own growing knowledge of English to myself.

Once my employer had been to me only a presence. I used to tell him then that beside him I was as dirt. It was only a way of talking, one of the courtesies of our language, but it had something of truth. I meant that he was the man who adventured in the world for me, that I experienced the world through him, that I was content to be a small part of his presence. I was content, sleeping on the Bombay pavement with my friends, to hear the talk of my employer and his guests upstairs. I was more than content, late at night, to be identified among the sleepers and greeted by some of those guests before they drove away.

Now I found that, without wis.h.i.+ng it, I was ceasing to see myself as part of my employer's presence, and beginning at the same time to see him as an outsider might see him, as perhaps the people who came to dinner in the apartment saw him. I saw that he was a man of my own age, around thirty-five; it astonished me that I hadn't noticed this before. I saw that he was plump, in need of exercise, that he moved with short, fussy steps; a man with gla.s.ses, thinning hair, and that habit, during conversation, of sc.r.a.ping at his moustache with his teeth and nibbling at the inside of his top lip; a man who was frequently anxious, took pains over his work, was subjected at his own table to unkind remarks by his office colleagues; a man who looked as uneasy in Was.h.i.+ngton as I felt, who acted as cautiously as I had learned to act.

I remember an American who came to dinner. He looked at the pieces of sculpture in the apartment and said he had himself brought back a whole head from one of our ancient temples; he had got the guide to hack it off.

I could see that my employer was offended. He said, 'But that's illegal.'

'That's why I had to give the guide two dollars. If I had a bottle of whisky he would have pulled down the whole temple for me.'

My employer's face went blank. He continued to do his duties as host but he was unhappy throughout the dinner. I grieved for him.

Afterwards he knocked on my cupboard. I knew he wanted to talk. I was in my underclothes but I didn't feel underdressed, with the American gone. I stood in the door of my cupboard; my employer paced up and down the small kitchen; the apartment felt sad.

'Did you hear that person, Santosh?'

I pretended I hadn't understood, and when he explained I tried to console him. I said, 'Sahib, but we know these people are Franks and barbarians.'

'They are malicious people, Santosh. They think that because we are a poor country we are all the same. They think an official in Government is just the same as some poor guide sc.r.a.ping together a few rupees to keep body and soul together, poor fellow.'

I saw that he had taken the insult only in a personal way, and I was disappointed. I thought he had been thinking of the temple.

A few days later I had my adventure. The hubs.h.i.+ woman came in, moving among my employer's ornaments like a bull. I was greatly provoked. The smell was too much; so was the sight of her armpits. I fell. She dragged me down on the couch, on the saffron spread which was one of my employer's nicest pieces of Punjabi folk-weaving. I saw the moment, helplessly, as one of dishonour. I saw her as Kali, G.o.ddess of death and destruction, coal-black, with a red tongue and white eyeb.a.l.l.s and many powerful arms. I expected her to be wild and fierce; but she added insult to injury by being very playful, as though, because I was small and strange, the act was not real. She laughed all the time. I would have liked to withdraw, but the act took over and completed itself. And then I felt dreadful.

I wanted to be forgiven, I wanted to be cleansed, I wanted her to go. Nothing frightened me more than the way she had ceased to be a visitor in the apartment and behaved as though she possessed it. I looked at the sculpture and the fabrics and thought of my poor employer, suffering in his office somewhere.

I bathed and bathed afterwards. The smell would not leave me. I fancied that the woman's oil was still on that poor part of my poor body. It occurred to me to rub it down with half a lemon. Penance and cleansing; but it didn't hurt as much as I expected, and I extended the penance by rolling about naked on the floor of the bathroom and the sitting-room and howling. At last the tears came, real tears, and I was comforted.

It was cool in the apartment; the air-conditioning always hummed; but I could see that it was hot outside, like one of our own summer days in the hills. The urge came upon me to dress as I might have done in my village on a religious occasion. In one of my bundles I had a dhoti-length of new cotton, a gift from the tailor's bearer that I had never used. I draped this around my waist and between my legs, lit incense sticks, sat down crosslegged on the floor and tried to meditate and become still. Soon I began to feel hungry. That made me happy; I decided to fast.

Unexpectedly my employer came in. I didn't mind being caught in the att.i.tude and garb of prayer; it could have been so much worse. But I wasn't expecting him till late afternoon.

'Santosh, what has happened?'

Pride got the better of me. I said, 'Sahib, it is what I do from time to time.'

But I didn't find merit in his eyes. He was far too agitated to notice me properly. He took off his lightweight fawn jacket, dropped it on the saffron spread, went to the refrigerator and drank two tumblers of orange juice, one after the other. Then he looked out at the view, sc.r.a.ping at his moustache.

'Oh, my poor Santosh, what are we doing in this place? Why do we have to come here?'

I looked with him. I saw nothing unusual. The wide window showed the colours of the hot day: the pale-blue sky, the white, almost colourless, domes of famous buildings rising out of dead-green foliage; the untidy roofs of apartment blocks where on Sat.u.r.day and Sunday mornings people sunbathed; and, below, the fronts and backs of houses on the tree-lined street down which I walked to the supermarket.

My employer turned off the air-conditioning and all noise was absent from the room. An instant later I began to hear the noises outside: sirens far and near. When my employer slid the window open the roar of the disturbed city rushed into the room. He closed the window and there was near-silence again. Not far from the supermarket I saw black smoke, uncurling, rising, swiftly turning colourless. This was not the smoke which some of the apartment blocks gave off all day. This was the smoke of a real fire.

'The hubs.h.i.+ have gone wild, Santosh. They are burning down Was.h.i.+ngton.'

I didn't mind at all. Indeed, in my mood of prayer and repentance, the news was even welcome. And it was with a feeling of release that I watched and heard the city burn that afternoon and watched it burn that night. I watched it burn again and again on television; and I watched it burn in the morning. It burned like a famous city and I didn't want it to stop burning. I wanted the fire to spread and spread and I wanted everything in the city, even the apartment block, even the apartment, even myself, to be destroyed and consumed. I wanted escape to be impossible; I wanted the very idea of escape to become absurd. At every sign that the burning was going to stop I felt disappointed and let down.

For four days my employer and I stayed in the apartment and watched the city burn. The television continued to show us what we could see and what, whenever we slid the window back, we could hear. Then it was over. The view from our window hadn't changed. The famous buildings stood; the trees remained. But for the first time since I had understood that I was a prisoner I found that I wanted to be out of the apartment and in the streets.

The destruction lay beyond the supermarket. I had never gone into this part of the city before, and it was strange to walk in those long wide streets for the first time, to see trees and houses and shops and advertis.e.m.e.nts, everything like a real city, and then to see that every signboard on every shop was burnt or stained with smoke, that the shops themselves were black and broken, that flames had burst through some of the upper windows and scorched the red bricks. For mile after mile it was like that. There were hubs.h.i.+ groups about, and at first when I pa.s.sed them I pretended to be busy, minding my own business, not at all interested in the ruins. But they smiled at me and I found I was smiling back. Happiness was on the faces of the hubs.h.i.+. They were like people amazed they could do so much, that so much lay in their power. They were like people on holiday. I shared their exhilaration.

The idea of escape was a simple one, but it hadn't occurred to me before. When I adjusted to my imprisonment I had wanted only to get away from Was.h.i.+ngton and to return to Bombay. But then I had become confused. I had looked in the mirror and seen myself, and I knew it wasn't possible for me to return to Bombay to the sort of job I had had and the life I had lived. I couldn't easily become part of someone else's presence again. Those evening chats on the pavement, those morning walks: happy times, but they were like the happy times of childhood: I didn't want them to return.

I had taken, after the fire, to going for long walks in the city. And one day, when I wasn't even thinking of escape, when I was just enjoying the sights and my new freedom of movement, I found myself in one of those leafy streets where private houses had been turned into business premises. I saw a fellow countryman superintending the raising of a signboard on his gallery. The signboard told me that the building was a restaurant, and I a.s.sumed that the man in charge was the owner. He looked worried and slightly ashamed, and he smiled at me. This was unusual, because the Indians I had seen on the streets of Was.h.i.+ngton pretended they hadn't seen me; they made me feel that they didn't like the compet.i.tion of my presence or didn't want me to start asking them difficult questions.

I complimented the worried man on his signboard and wished him good luck in his business. He was a small man of about fifty and he was wearing a double-breasted suit with old-fas.h.i.+oned wide lapels. He had dark hollows below his eyes and he looked as though he had recently lost a little weight. I could see that in our country he had been a man of some standing, not quite the sort of person who would go into the restaurant business. I felt at one with him. He invited me in to look around, asked my name and gave his. It was Priya.

Just past the gallery was the loveliest and richest room I had ever seen. The wallpaper was like velvet; I wanted to pa.s.s my hand over it. The bra.s.s lamps that hung from the ceiling were in a lovely cut-out pattern and the bulbs were of many colours. Priya looked with me, and the hollows under his eyes grew darker, as though my admiration was increasing his worry at his extravagance. The restaurant hadn't yet opened for customers and on a shelf in one corner I saw Priya's collection of good-luck objects: a bra.s.s plate with a heap of uncooked rice, for prosperity; a little copybook and a little diary pencil, for good luck with the accounts; a little clay lamp, for general good luck.

'What do you think, Santosh? You think it will be all right?'

'It is bound to be all right, Priya.'

'But I have enemies, you know, Santosh. The Indian restaurant people are not going to appreciate me. All mine, you know, Santosh. Cash paid. No mortgage or anything like that. I don't believe in mortgages. Cash or nothing.'

I understood him to mean that he had tried to get a mortgage and failed, and was anxious about money.

'But what are you doing here, Santosh? You used to be in Government or something?'

'You could say that, Priya.'

'Like me. They have a saying here. If you can't beat them, join them. I joined them. They are still beating me.' He sighed and spread his arms on the top of the red wall-seat. 'Ah, Santosh, why do we do it? Why don't we renounce and go and meditate on the riverbank?' He waved about the room. 'The yemblems of the world, Santosh. Just yemblems.'

I didn't know the English word he used, but I understood its meaning; and for a moment it was like being back in Bombay, exchanging stories and philosophies with the tailor's bearer and others in the evening.

'But I am forgetting, Santosh. You will have some tea or coffee or something?'

I shook my head from side to side to indicate that I was agreeable, and he called out in a strange harsh language to someone behind the kitchen door.

'Yes, Santosh. Yem-blems!' And he sighed and slapped the red seat hard.

A man came out from the kitchen with a tray. At first he looked like a fellow countryman, but in a second I could tell he was a stranger.

'You are right,' Priya said, when the stranger went back to the kitchen. 'He is not of Bharat. He is a Mexican. But what can I do? You get fellow countrymen, you fix up their papers and everything, green card and everything. And then? Then they run away. Run-run-runaway. Crooks this side, crooks that side, I can't tell you. Listen, Santosh. I was in cloth business before. Buy for fifty rupees that side, sell for fifty dollars this side. Easy. But then. Caftan, everybody wants caftan. Caftan-aftan, I say, I will settle your caftan. I buy one thousand, Santosh. Delays India-side, of course. They come one year later. n.o.body wants caftan then. We're not organized, Santosh. We don't do enough consumer research. That's what the fellows at the emba.s.sy tell me. But if I do consumer research, when will I do my business? The trouble, you know, Santosh, is that this shopkeeping is not in my blood. The d.a.m.n thing goes against my blood. When I was in cloth business I used to hide sometimes for shame when a customer came in. Sometimes I used to pretend I was a shopper myself. Consumer research! These people make us dance, Santosh. You and I, we will renounce. We will go together and walk beside Potomac and meditate.'

I loved his talk. I hadn't heard anything so sweet and philosophical since the Bombay days. I said, 'Priya, I will cook for you, if you want a cook.'

'I feel I've known you a long time, Santosh. I feel you are like a member of my own family. I will give you a place to sleep, a little food to eat and a little pocket money, as much as I can afford.'

I said, 'Show me the place to sleep.'

He led me out of the pretty room and up a carpeted staircase. I was expecting the carpet and the new paint to stop somewhere, but it was nice and new all the way. We entered a room that was like a smaller version of my employer's apartment.

'Built-in cupboards and everything, you see, Santosh.'

I went to the cupboard. It had a folding door that opened outward. I said, 'Priya, it is too small. There is room on the shelf for my belongings. But I don't see how I can spread my bedding inside here. It is far too narrow.'

He giggled nervously. 'Santosh, you are a joker. I feel that we are of the same family already.'

Then it came to me that I was being offered the whole room. I was stunned.

Priya looked stunned too. He sat down on the edge of the soft bed. The dark hollows under his eyes were almost black and he looked very small in his double-breasted jacket. 'This is how they make us dance over here, Santosh. You say staff quarters and they say staff quarters. This is what they mean.'

For some seconds we sat silently, I fearful, he gloomy, meditating on the ways of this new world.

Someone called from downstairs, 'Priya!'

His gloom gone, smiling in advance, winking at me, Priya called back in an accent of the country, 'Hi, Bab!'

I followed him down.

'Priya,' the American said, 'I've brought over the menus.'

He was a tall man in a leather jacket, with jeans that rode up above thick white socks and big rubber-soled shoes. He looked like someone about to run in a race. The menus were enormous; on the cover there was a drawing of a fat man with a moustache and a plumed turban, something like the man in the airline advertis.e.m.e.nts.

'They look great, Bab.'

'I like them myself. But what's that, Priya? What's that shelf doing there?'

Moving like the front part of a horse, Bab walked to the shelf with the rice and the bra.s.s plate and the little clay lamp. It was only then that I saw that the shelf was very roughly made.

Priya looked penitent and it was clear he had put the shelf up himself. It was also clear he didn't intend to take it down.

'Well, it's yours,' Bab said. 'I suppose we had to have a touch of the East somewhere. Now, Priya '

'Money-money-money, is it?' Priya said, racing the words together as though he was making a joke to amuse a child. 'But, Bab, how can you ask me for money? Anybody hearing you would believe that this restaurant is mine. But this restaurant isn't mine, Bab. This restaurant is yours.'

It was only one of our courtesies, but it puzzled Bab and he allowed himself to be led to other matters.

I saw that, for all his talk of renunciation and business failure, and for all his jumpiness, Priya was able to cope with Was.h.i.+ngton. I admired this strength in him as much as I admired the richness of his talk. I didn't know how much to believe of his stories, but I liked having to guess about him. I liked having to play with his words in my mind. I liked the mystery of the man. The mystery came from his solidity. I knew where I was with him. After the apartment and the green suit and the hubs.h.i.+ woman and the city burning for four days, to be with Priya was to feel safe. For the first time since I had come to Was.h.i.+ngton I felt safe.

I can't say that I moved in. I simply stayed. I didn't want to go back to the apartment even to collect my belongings. I was afraid that something might happen to keep me a prisoner there. My employer might turn up and demand his five thousand rupees. The hubs.h.i.+ woman might claim me for her own; I might be condemned to a life among the hubs.h.i.+. And it wasn't as if I was leaving behind anything of value in the apartment. The green suit I was even happy to forget. But.

Priya paid me forty dollars a week. After what I was getting, three dollars and seventy-five cents, it seemed a lot; and it was more than enough for my needs. I didn't have much temptation to spend, to tell the truth. I knew that my old employer and the hubs.h.i.+ woman would be wondering about me in their respective ways and I thought I should keep off the streets for a while. That was no hards.h.i.+p; it was what I was used to in Was.h.i.+ngton. Besides, my days at the restaurant were pretty full; for the first time in my life I had little leisure.

The restaurant was a success from the start, and Priya was fussy. He was always bursting into the kitchen with one of those big menus in his hand, saying in English, 'Prestige job, Santosh, prestige.' I didn't mind. I liked to feel I had to do things perfectly; I felt I was earning my freedom. Though I was in hiding, and though I worked every day until midnight, I felt I was much more in charge of myself than I had ever been.

Many of our waiters were Mexicans, but when we put turbans on them they could pa.s.s. They came and went, like the Indian staff. I didn't get on with these people. They were frightened and jealous of one another and very treacherous. Their talk amid the biryanis and the pillaus was all of papers and green cards. They were always about to get green cards or they had been cheated out of green cards or they had just got green cards. At first I didn't know what they were talking about. When I understood I was more than depressed.

I understood that because I had escaped from my employer I had made myself illegal in America. At any moment I could be denounced, seized, jailed, deported, disgraced. It was a complication. I had no green card; I didn't know how to set about getting one; and there was no one I could talk to.

I felt burdened by my secrets. Once I had none; now I had so many. I couldn't tell Priya I had no green card. I couldn't tell him I had broken faith with my old employer and dishonoured myself with a hubs.h.i.+ woman and lived in fear of retribution. I couldn't tell him that I was afraid to leave the restaurant and that nowadays when I saw an Indian I hid from him as anxiously as the Indian hid from me. I would have felt foolish to confess. With Priya, right from the start, I had pretended to be strong; and I wanted it to remain like that. Instead, when we talked now, and he grew philosophical, I tried to find bigger causes for being sad. My mind fastened on to these causes, and the effect of this was that my sadness became like a sickness of the soul.

It was worse than being in the apartment, because now the responsibility was mine and mine alone. I had decided to be free, to act for myself. It pained me to think of the exhilaration I had felt during the days of the fire; and I felt mocked when I remembered that in the early days of my escape I had thought I was in charge of myself.

The year turned. The snow came and melted. I was more afraid than ever of going out. The sickness was bigger than all the causes. I saw the future as a hole into which I was dropping. Sometimes at night when I awakened my body would burn and I would feel the hot perspiration break all over.

I leaned on Priya. He was my only hope, my only link with what was real. He went out; he brought back stories. He went out especially to eat in the restaurants of our compet.i.tors.

He said, 'Santosh, I never believed that running a restaurant was a way to G.o.d. But it is true. I eat like a scientist. Every day I eat like a scientist. I feel I have already renounced.'

This was Priya. This was how his talk ensnared me and gave me the bigger causes that steadily weakened me. I became more and more detached from the men in the kitchen. When they spoke of their green cards and the jobs they were about to get I felt like asking them: Why? Why?

And every day the mirror told its own tale. Without exercise, with the sickening of my heart and my mind, I was losing my looks. My face had become pudgy and sallow and full of spots; it was becoming ugly. I could have cried for that, discovering my good looks only to lose them. It was like a punishment for my presumption, the punishment I had feared when I bought the green suit.

Priya said, 'Santosh, you must get some exercise. You are not looking well. Your eyes are getting like mine. What are you pining for? Are you pining for Bombay or your family in the hills?'

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In a Free State Part 2 summary

You're reading In a Free State. This manga has been translated by Updating. Author(s): V. S. Naipaul. Already has 818 views.

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