The Lives of the Poets of Great Britain and Ireland (1753) Volume V Part 16

While he was improving himself in the Latin and Greek tongues at this country school, he often visited a minister, whose charge lay in the same presbytery with his father's, the revd. Mr. Rickerton, a man of such amazing powers, that many persons of genius, as well as Mr.

Thomson, who conversed with him, have been astonished, that such great merit should be buried in an obscure part of the country, where he had no opportunity to display himself, and, except upon periodical meetings of the ministers, seldom an opportunity of conversing with men of learning.

Though Mr. Thomson's schoolmaster could not discover that he was endowed with a common portion of understanding, yet Mr. Rickerton was not so blind to his genius; he distinguished our author's early propension to poetry, and had once in his hands some of the first attempts Mr. Thomson ever made in that province.

It is not to be doubted but our young poet greatly improved while he continued to converse with Mr. Rickerton, who, as he was a philosophical man, inspired his mind with a love of the Sciences, nor were the revd.

gentleman's endeavours in vain, for Mr. Thomson has shewn in his works how well he was acquainted with natural and moral philosophy, a circ.u.mstance which, perhaps, is owing to the early impressions he received from Mr. Rickerton.

Nature, which delights in diversifying her gifts, does not bestow upon every one a power of displaying the abilities she herself has granted to the best advantage. Though Mr. Rickerton could discover that Mr.

Thomson, so far from being without parts, really possessed a very fine genius, yet he never could have imagined, as he often declared, that there existed in his mind such powers, as even by the best cultivation could have raised him to so high a degree of eminence amongst the poets.

When Mr. Rickerton first saw Mr. Thomson's Winter, which was in a Bookseller's shop at Edinburgh, he stood amazed, and after he had read the lines quoted below, he dropt the poem from his hand in the extasy of admiration. The lines are his induction to Winter, than which few poets ever rose to a more sublime height[1].

After spending the usual time at a country school in the acquisition of the dead languages, Mr. Thomson was removed to the university of Edinburgh, in order to finish his education, and be fitted for the ministry. Here, as at the country school, he made no great figure: his companions thought contemptuously of him, and the masters under whom he studied, had not a higher opinion of our poet's abilities, than their pupils. His course of attendance upon the cla.s.ses of philosophy being finished, he was entered in the Divinity Hall, as one of the candidates for the ministry, where the students, before they are permitted to enter on their probation, must yield six years attendance.

It was in the second year of Mr. Thomson's attendance upon this school of divinity, whose professor at that time was the revd. and learned Mr.

William Hamilton, a person whom he always mentioned with respect, that our author was appointed by the professor to write a discourse on the Power of the Supreme Being. When his companions heard their task a.s.signed him, they could not but arraign the professor's judgment, for a.s.signing so copious a theme to a young man, from whom nothing equal to the subject could be expected. But when Mr. Thomson delivered the discourse, they had then reason to reproach themselves for want of discernment, and for indulging a contempt of one superior to the brightest genius amongst them. This discourse was so sublimely elevated, that both the professor and the students who heard it delivered, were astonished. It was written in blank verse, for which Mr. Hamilton rebuked him, as being improper upon that occasion. Such of his fellow-students as envied him the success of this discourse, and the admiration it procured him, employed their industry to trace him as a plagiary; for they could not be persuaded that a youth seemingly so much removed from the appearance of genius, could compose a declamation, in which learning, genius, and judgment had a very great share. Their search, however, proved fruitless, and Mr. Thomson continued, while he remained at the university, to possess the honour of that discourse, without any diminution.

We are not certain upon what account it was that Mr. Thomson dropt the notion of going into the ministry; perhaps he imagined it a way of life too severe for the freedom of his disposition: probably he declined becoming a presbyterian minister, from a consciousness of his own genius, which gave him a right to entertain more ambitious views; for it seldom happens, that a man of great parts can be content with obscurity, or the low income of sixty pounds a year, in some retired corner of a neglected country; which must have been the lot of Thomson, if he had not extended his views beyond the sphere of a minister of the established church of Scotland.

After he had dropt all thoughts of the clerical profession, he began to be more sollicitous of distinguis.h.i.+ng his genius, as he placed some dependence upon it, and hoped to acquire such patronage as would enable him to appear in life with advantage. But the part of the world where he then was, could not be very auspicious to such hopes; for which reason he began to turn his eyes towards the grand metropolis.

The first poem of Mr. Thomson's, which procured him any reputation from the public, was his Winter, of which mention is already made, and further notice will be taken; but he had private approbation for several of his pieces, long before his Winter was published, or before he quitted his native country. He wrote a Paraphrase on the 104th Psalm, which, after it had received the approbation of Mr. Rickerton, he permitted his friends to copy. By some means or other this Paraphrase fell into the hands of Mr. Auditor Benson, who, expressing his admiration of it, said, that he doubted not if the author was in London, but he would meet with encouragement equal to his merit. This observation of Benson's was communicated to Thomson by a letter, and, no doubt, had its natural influence in inflaming his heart, and hastening his journey to the metropolis. He soon set out for Newcastle, where he took s.h.i.+pping, and landed at Billinsgate. When he arrived, it was his immediate care to wait on [2]Mr. Mallet, who then lived in Hanover-Square in the character of tutor to his grace the duke of Montrose, and his late brother lord G. Graham. Before Mr. Thomson reached Hanover-Square, an accident happened to him, which, as it may divert some of our readers, we shall here insert. He had received letters of recommendation from a gentleman of rank in Scotland, to some persons of distinction in London, which he had carefully tied up in his pocket-handkerchief. As he sauntered along the streets, he could not withhold his admiration of the magnitude, opulence, and various objects this great metropolis continually presented to his view. These must naturally have diverted the imagination of a man of less reflexion, and it is not greatly to be wondered at, if Mr. Thomson's mind was so ingrossed by these new presented scenes, as to be absent to the busy crowds around him. He often stopped to gratify his curiosity, the consequences of which he afterwards experienced. With an honest simplicity of heart, unsuspecting, as unknowing of guilt, he was ten times longer in reaching Hanover-Square, than one less sensible and curious would have been. When he arrived, he found he had paid for his curiosity; his pocket was picked of his handkerchief, and all the letters that were wrapped up in it. This accident would have proved very mortifying to a man less philosophical than Thomson; but he was of a temper never to be agitated; he then smiled at it, and frequently made his companions laugh at the relation.

It is natural to suppose, that as soon as Mr. Thomson arrived in town, he shewed to some of his friends his poem on Winter[3]. The approbation it might meet with from them, was not, however, a sufficient recommendation to introduce it to the world. He had the mortification of offering it to several Booksellers without success, who, perhaps, not being qualified themselves to judge of the merit of the performance, refused to risque the necessary expences, on the work of an obscure stranger, whose name could be no recommendation to it. These were severe repulses; but, at last, the difficulty was surmounted. Mr. Mallet, offered it to Mr. Millan, now Bookseller at Charing-Cross, who without making any scruples, printed it. For some time Mr. Millan had reason to believe, that he should be a loser by his frankness; for the impression lay like as paper on his hands, few copies being sold, 'till by an accident its merit was discovered.[4] One Mr. Whatley, a man of some taste in letters, but perfectly enthusiastic in the admiration of any thing which pleased him, happened to cast his eye upon it, and finding something which delighted him, perused the whole, not without growing astonishment, that the poem should be unknown, and the author obscure.

He learned from the Bookseller the circ.u.mstances already mentioned, and, in the extasy of his admiration of this poem, he went from Coffee-house to Coffee house, pointing out its beauties, and calling upon all men of taste, to exert themselves in rescuing one of the greatest geniuses that ever appeared, from obscurity. This had a very happy effect, for, in a short time, the impression was bought up, and they who read the poem, had no reason to complain of Mr. Whatley's exaggeration; for they found it so compleatly beautiful, that they could not but think themselves happy in doing justice to a man of so much merit.

The poem of Winter is, perhaps, the most finished, as well as most picturesque, of any of the Four Seasons. The scenes are grand and lively. It is in that season that the creation appears in distress, and nature a.s.sumes a melancholy air; and an imagination so poetical as Thomson's, could not but furnish those awful and striking images, which fill the soul with a solemn dread of _those Vapours, and Storms, and Clouds_, he has so well painted. Description is the peculiar talent of Thomson; we tremble at his thunder in summer, we s.h.i.+ver with his winter's cold, and we rejoice at the renovation of nature, by the sweet influence of spring. But the poem deserves a further ill.u.s.tration, and we shall take an opportunity of pointing out some of its most striking beauties; but before we speak of these, we beg leave to relate the following anecdote.

As soon as Winter was published, Mr. Thomson sent a copy of it as a present to Mr. Joseph Mitch.e.l.l, his countryman, and brother poet, who, not liking many parts of it, inclosed to him the following couplet;

Beauties and faults so thick lye scattered here, Those I could read, if these were not so near.

To this Mr. Thomson answered extempore.

Why all not faults, injurious Mitch.e.l.l; why Appears one beauty to thy blasted eye; d.a.m.nation worse than thine, if worse can be, Is all I ask, and all I want from thee.

Upon a friend's remonstrating to Mr. Thomson, that the expression of blasted eye would look like a personal reflexion, as Mr. Mitch.e.l.l had really that misfortune, he changed the epithet blasted, into blasting.

But to return:

After our poet has represented the influence of Winter upon the face of nature, and particularly described the severities of the frost, he has the following beautiful transition;

--Our infant winter sinks, Divested of its grandeur; should our eye Astonish'd shoot into the frigid zone; Where, for relentless months, continual night Holds o'er the glitt'ring waste her starry reign: There thro' the prison of unbounded wilds Barr'd by the hand of nature from escape, Wide roams the Russian exile. Nought around Strikes his sad eye, but desarts lost in snow; And heavy loaded groves; and solid floods, That stretch athwart the solitary waste, Their icy horrors to the frozen main; And chearless towns far distant, never bless'd Save when its annual course, the caravan Bends to the golden coast of rich Cathay[5]

With news of human-kind. Yet there life glows; Yet cherished there, beneath the s.h.i.+ning waste, The furry nations harbour: tipt with jet Fair ermines, spotless as the snows they press; Sables of glossy black; and dark embrown'd Or beauteous, streak'd with many a mingled hue, Thousands besides, the costly pride of courts.

The description of a thaw is equally picturesque. The following lines consequent upon it are excellent.

--Those sullen seas That wash th'ungenial pole, will rest no more Beneath the shackles of the mighty North; But rousing all their waves resistless heave.-- And hark! the lengthen'd roar continuous runs Athwart the rested deep: at once it bursts And piles a thousand mountains to the clouds.

Ill fares the bark, with trembling wretches charg'd, That tost amid the floating fragments, moors Beneath the shelter of an icy isle, While night o'erwhelms the sea, and horror looks More horrible. Can human force endure Th' a.s.sembled mischiefs that besiege 'em round!

Heart-gnawing hunger, fainting weariness, The roar of winds and waves, the crush of ice, Now ceasing, now renew'd with louder rage, And in dire ecchoes bellowing round the main.

As the induction of Mr. Thomson's Winter has been celebrated for its sublimity, so the conclusion has likewise a claim to praise, for the tenderness of the sentiments, and the pathetic force of the expression.

'Tis done!--Dread winter spreads her latest glooms, And reigns tremendous o'er the conquer'd year.

How dead the vegetable kingdom lies!

How dumb the tuneful! horror wide extends Her desolate domain. Behold, fond man!

See here thy pictur'd life; pa.s.s some few years, Thy flow'ring spring, thy summer's ardent strength, Thy sober autumn fading into age, And page concluding winter comes at last, And shuts the scene.--

He concludes the poem by enforcing a reliance on providence, which will in proper compensate for all those seeming severities, with which good men are often oppressed.

--Ye good distrest!

Ye n.o.ble few! who here unbending stand Beneath life's pressure, yet bear up awhile, And what your bounded view which only saw A little part, deemed evil, is no more: The storms of Wintry time will quickly pa.s.s, And one unbounded Spring encircle all.

The poem of Winter meeting with such general applause, Mr. Thomson was induced to write the other three seasons, which he finished with equal success. His Autumn was next given to the public, and is the most unfinished of the four; it is not however without its beauties, of which many have considered the story of Lavinia, naturally and artfully introduced, as the most affecting. The story is in itself moving and tender. It is perhaps no diminution to the merit of this beautiful tale, that the hint of it is taken from the book of Ruth in the Old Testament.

The author next published the Spring, the induction to which is very poetical and beautiful.

Come gentle Spring, etherial mildness come, And from the bosom of yon dropping cloud, While music wakes around, veil'd in a show'r Of shadowing roses, on our plains descend.

It is addressed to the countess of Hertford, with the following elegant compliment,

O Hertford! fitted, or to s.h.i.+ne in courts With unaffected grace, or walk the plains, With innocence and meditation joined, In soft a.s.semblage; listen to the song, Which thy own season paints; while nature all Is blooming, and benevolent like thee.--

The descriptions in this poems are mild, like the season they paint; but towards the end of it, the poet takes occasion to warn his countrymen against indulging the wild and irregular pa.s.sion of love. This digression is one of the most affecting in the whole piece, and while he paints the language of a lover's breast agitated with the pangs of strong desire, and jealous transports, he at the same time dissuades the ladies from being too credulous in the affairs of gallantry. He represents the natural influence of spring, in giving a new glow to the beauties of the fair creation, and firing their hearts with the pa.s.sion of love.

The s.h.i.+ning moisture swells into her eyes, In brighter flow; her wis.h.i.+ng bosom heaves, With palpitations wild; kind tumults seize Her veins; and all her yielding soul is love.

From the keen gaze her lover turns away, Full of the dear extatic power, and sick With sighing languishment. Ah then, ye fair!

Be greatly cautious of your sliding hearts: Dare not th'infectious sigh; the pleading look, Down-cast, and low, in meek submission drest, But full of guile. Let not the fervent tongue, Prompt to deceive, with adulation smooth, Gain on your purpos'd will. Nor in the bower, Where woodbines flaunt, and roses shed a couch, While evening draws her crimson curtains round, Trust your soft minutes with betraying man.

Summer has many manly and striking beauties, of which the Hymn to the Sun, is one of the sublimest and most masterly efforts of genius we have ever seen.--There are some hints taken from Cowley's beautiful Hymn to Light.--Mr. Thomson has subjoined a Hymn to the Seasons, which is not inferior to the foregoing in poetical merit.

The Four Seasons considered separately, each Season as a distinct poem has been judged defective in point of plan. There appears no particular design; the parts are not subservient to one another; nor is there any dependance or connection throughout; but this perhaps is a fault almost inseparable from a subject in itself so diversified, as not to admit of such limitation. He has not indeed been guilty of any incongruity; the scenes described in spring, are all peculiar to that season, and the digressions, which make up a fourth part of the poem, flow naturally. He has observed the same regard to the appearances of nature in the other seasons; but then what he has described in the beginning of any of the seasons, might as well be placed in the middle, and that in the middle, as naturally towards the close. So that each season may rather be called an a.s.semblage of poetical ideas, than a poem, as it seems written without a plan.

Mr. Thomson's poetical diction in the Seasons is very peculiar to him: His manner of writing is entirely his own: He has introduced a number of compound words; converted substantives into verbs, and in short has created a kind of new language for himself. His stile has been blamed for its singularity and stiffness; but with submission to superior judges, we cannot but be of opinion, that though this observation is true, yet is it admirably fitted for description. The object he paints stands full before the eye, we admire it in all its l.u.s.tre, and who would not rather enjoy a perfect inspection into a natural curiosity through a microscope capable of discovering all the minute beauties, though its exterior form should not be comely, than perceive an object but faintly, through a microscope ill adapted for the purpose, however its outside may be decorated. Thomson has a stiffness in his manner, but then his manner is new; and there never yet arose a distinguished genius, who had not an air peculiarly his own. 'Tis true indeed, the tow'ring sublimity of Mr. Thomson's stile is ill adapted for the tender pa.s.sions, which will appear more fully when we consider him as a dramatic writer, a sphere in which he is not so excellent as in other species of poetry.

The merit of these poems introduced our author to the acquaintance and esteem of several persons, distinguished by their rank, or eminent for their talents:--Among the latter Dr. Rundle, afterwards bishop of Derry, was so pleased with the spirit of benevolence and piety, which breathes throughout the Seasons, that he recommended him to the friends.h.i.+p of the late lord chancellor Talbot, who committed to him the care of his eldest son, then preparing to set out on his travels into France and Italy.

With this young n.o.bleman, Mr. Thomson performed (what is commonly called) The Tour of Europe, and stay'd abroad about three years, where no doubt he inriched his mind with the n.o.ble monuments of antiquity, and the conversation of ingenious foreigners. 'Twas by comparing modern Italy with the idea he had of the antient Romans, which furnished him with the hint of writing his Liberty, in three parts. The first is Antient and Modern Italy compared. The second Greece, and the third Britain. The whole is addressed to the eldest son of lord Talbot, who died in the year 1734, upon his travels.

Amongst Mr. Thomson's poems, is one to the memory of Sir Isaac Newton, of which we shall say no more than this, that if he had never wrote any thing besides, he deserved to enjoy a distinguished reputation amongst the poets. Speaking of the amazing genius of Newton, he says,

Th'aerial flow of sound was known to him, From whence it first in wavy circles breaks.

Nor could the darting beam of speed immense, Escape his swift pursuit, and measuring eye.

Ev'n light itself, which every thing displays, Shone undiscover'd, till his brighter mind Untwisted all the s.h.i.+ning robe of day; And from the whitening undistinguished blaze, Collecting every separated ray, To the charm'd eye educ'd the gorgeous train Of parent colours. First, the flaming red, Sprung vivid forth, the tawny orange next, And next refulgent yellow; by whose side Fell the kind beams of all-refres.h.i.+ng green.

Then the pure blue, that swells autumnal skies, aetherial play'd; and then of sadder hue, Emerg'd the deepen'd indico, as when The heavy skirted evening droops with frost, While the last gleamings of refracted light, Died in the fainting violet away.

These when the clouds distil the rosy shower, s.h.i.+ne out distinct along the watr'y bow; While o'er our heads the dewy vision bends, Delightful melting in the fields beneath.

Myriads of mingling dyes from these result, And myriads still remain--Infinite source Of beauty ever-flus.h.i.+ng, ever new.

About the year 1728 Mr. Thomson wrote a piece called Britannia, the purport of which was to rouse the nation to arms, and excite in the spirit of the people a generous disposition to revenge the injuries done them by the Spaniards: This is far from being one of his best poems.