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Rembrandt and His Works Part 13

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*79. Christ in the Garden of Olives. Dated 165. The last figure is wanting.

80. Christ before the People. Dated 1655.

81. Christ on the Cross between the two Thieves, styled "The Three Crosses." Dated 1653.

*82. The _Ecce h.o.m.o_. Dated 1636.

*83. The Descent from the Cross. Dated 1633.

84. Christ on the Cross between the two Thieves.

85. Christ on the Cross.

86. The Descent from the Cross. Dated 1642.

*87. The Descent from the Cross; a night piece. Dated 1654.

*88. The Entombment.

89. The Virgin lamenting the Death of the Saviour.

90. Christ in the Tomb.

*91. Christ at the Table with the two Disciples of Emmaus. Dated 1654.

92. Christ at the Table with the two Disciples of Emmaus. Dated 1634.

93. Christ in the midst of his Disciples, and the incredulity of St.

Thomas. Dated 1650.

94. The Good Samaritan. Dated 1633.

95. The Return of the Prodigal Son. Dated 1636.

96. The Decollation of St. John. Dated 1640.

97. Peter and John at the Beautiful Gate of the Temple. Dated 1659.

98. Peter and John at the Gate of the Temple, differently composed.

99. St. Peter on his Knees, with a Key in either hand. Dated 1645.

100. The Martyrdom of St. Stephen. Dated 1635.

101. The Baptism of the Eunuch. Dated 1641.

*102. The Death of the Virgin. Dated 1639.

Saints.

103. St. Jerome seated at the foot of a tree. Dated 1634.

104. St. Jerome at his devotions. Dated 1632.

105. St. Jerome at his devotions, with a lion behind him. Dated 1634, or 1635.

106. St. Jerome seated, with spectacles on, writing. Dated 1648.

107. St. Jerome seated, reading in a large book held with both hands.

108. St. Jerome seated at a table in a room. Dated 1642.

109. St. Jerome on his knees, meditating before a skull.

110. St. Francis on his knees at his devotions, with a crucifix and a book before him. Dated 1657.

Historical, Allegorical and Fancy Subjects.

111. A Youth surprised by the Apparition of Death. Dated 1639.

112. An Allegorical subject, allusive to the demolition of a statue offensive to the Low Countries. Dated 1659.

113. Fortune Reversed, an allegorical subject, allusive to some hero upon whom Fortune has turned her back. Dated 1633.

*114. The Marriage of Jason and Creusa. Dated 1648.

115. The Star of the Kings, an ancient Dutch custom on the feast of the kings.

116. A Lion Hunt; several huntsmen on horseback attacking a lion. Dated 1641.

117. A Lion Hunt, differently composed to the preceding.

118. A Lion Hunt, also differing from the above.

119. A Battle. The subject represents a group of hors.e.m.e.n advancing, full speed, with swords, javelins, &c.

120. Three Figures in Oriental dresses, accompanied by a dog. Dated 1641.

121. The Blind Bagpiper amusing some cottagers.

122. The Spanish Gipsy.

123. The Rat Killer. Dated 1632.

124. The Rat Killer, differently composed.

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Rembrandt and His Works Part 13 summary

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