The Repairing & Restoration of Violins Part 9

"Well, James, wash all that filthy dark glue away, and when quite dry, run a thin chisel along each side of the hole, taking fine shavings off until the upright walls have a sharp clean edge."

The was.h.i.+ng out is at once commenced, and when finished, the upper table, which of course had been removed some time back for ascertaining the necessary amount of repairing, is placed apart for drying.

While this is in process, another violin is taken in hand. It has a different kind of fracture, which it has been thought well for appearance sake should be re-opened and made tidy, in fact, obscured as much as present skill will allow of.

The fracture, although not one of very common occurrence, is of a kind well known to professional repairers. It has been caused by a twist, possibly while being handled by some clumsy or heavy-handed repairer of olden times, and hastily filled with polluted glue, pressed together and left to itself. It is not at right angles with the plane of the instrument, but at a very acute one, very little evidence of it, possibly none, being seen from the inside.

The first step taken by the repairer is the cleansing and removal of all foreign particles likely to interfere with the adhesion of the surfaces to be brought into contact. As there is present much grime, and this not free from a suspicion of the presence of grease, James has recourse to the bottle of benzine, into which he dips a small brush, working it backwards and forwards, wiping it on an absorbent rag and re-applying the liquid.

This does not take very long; the evaporation being rapid, the wood is soon ready for the next stage, which is that of removing the dark glue and other foul matters from the irregular surface.

This requires the application of warm water, by means of a stiffer implement, used in fact as a small scrubbing brush; the moisture between whiles is pressed in and out by the fingers with repeated wipings and re-wettings.

After a while, being satisfied that the surfaces of the fracture are clean to the desired degree, James allows the wood to partially dry.

In the meanwhile, he cuts a couple of pieces of wood to fit the back and front of the table, so that with folded paper as a pad the parts may be pressed together. All being in readiness, fresh strong glue is inserted all along the opening, the repeated pressing being kept up until he is sure that the glue has penetrated every part. The superfluous glue oozing from the inside, after a slight squeeze along the course, is lightly wiped off, the moulds applied back and front, and the cramps fixed.

Other little odds and ends of repairing have occupied the attention of the a.s.sistant during the time of waiting for the drying of the before-mentioned upper table of the Stainer. This latter being of full model, although not resembling the swollen or bolster-like form of many imitations of the master, requires special attention with regard to fitting in of the fresh wood or core.

The fresh wood must not be bent, or the matching of the grain with the old material will be impossible, and the repair when completed will be strikingly conspicuous. It must therefore be inserted in such a manner that when pared down, the direction or flow of the grain will exactly coincide in all respects with the rest of the table. The fact must be recognised that although the threads may be perfectly straight from end to end, yet they may rise higher at one end than the other or not run level with the plane of the table. (Diagram 37.)

[Ill.u.s.tration: DIAGRAM 37, showing half length of core inserted before being pared down, and with grain.]

This being duly calculated by James when cutting the piece that is to be inserted as a core, the table with its opening extending nearly from end to end is placed on an even surface facing upwards, as when on the instrument. The core is then tried in the aperture. Perhaps a thin shaving or two is found necessary, when finally it is sufficiently exact. The next stage is that of getting ready the means of holding or pressing all the parts together till dry after glueing. Taking a flat piece of wood, perhaps the one just used, and placing the table down, a pencil line is traced on the board round the violin table as if for the purpose of copying the pattern. Two straight lines are now ruled on each side touching the most projecting part of the upper and lower curve (Diagram 38.)

[Ill.u.s.tration: DIAGRAM 38.]

On the outside of each line, but touching it, a strip of wood about a quarter of an inch square is pegged or nailed down.

The table or plate when placed flat between these two small bars of wood, is within an acute angle, and can be held tight or not according to the degree of pressure with which it is pushed toward the smaller end.

It will at once be perceptible that a trifling pressure forward of the table towards the small end will result in the raising of the central part and the widening of the opening instead of closing it.

There must be, therefore, some means adopted to counteract this, and these are not difficult to fix upon. In lieu of pressing the table forward with risk of damaging the part of the border that will come in contact with the two fixed bars, it will be carefully tried as to fitting the exact position it is to take when glued, that is, sufficiently forward in the s.p.a.ce between the bars that will only admit the table with a slight rise in the arching, the joint or part holding the core being in a more open condition as a consequence.

The exact place or point of contact is marked with a soft pencil or piece of chalk on border and bar. The table being taken away, the parts requiring it will be carefully glued.

Placed in position again, necessary means are taken that the surface or plane on each side of the core are quite level with each other; if they are not so, they will, after the necessary paring down of the core has been completed, cause an ugly, uneven appearance. To prevent this, therefore, the parts must be adjusted by the application of the fingers on one side or the other, or gently tapped by a piece of wood sufficiently heavy until exactness of level is made sure.

There is now necessary a weight to be applied along the whole length of the junction for keeping all in position until the glue is quite dry and hard.

Any kind of weight may be applied, the smaller and heavier in proportion to size the better, as so much more can be seen when several are used instead of one and that of larger dimensions.

These being placed in position, the table with its adjusted weights is placed away for drying.

When time has elapsed for this to be satisfactorily accomplished the table is taken in hand again, the weights lifted off and a slight tap at the upper with a piece of soft wood will set it free.

The part of the core now rising above the upper or varnished side of the table is pared down very gently, care being taken that the chisel does not work into the varnish on either side of the core, and that it is not driven against the grain, as by so doing the wood is nearly certain to be torn instead of cleanly shaven.

A close examination of the surface is now made, if found quite satisfactory, it may receive its final polis.h.i.+ng by the application of some very fine gla.s.s paper wrapped round a piece of cork, with a little clear oil dabbed on it. This will give a dead smooth surface.

If the above directions are carried out with clean and sharp work, the line along the table marked by the presence of the core will be so slight as to appear little more than the thread of the wood, in the highest cla.s.s of repairing it will be nearly exact.

The part of the core projecting on the under side of the table is easily disposed of by a gouge in the same manner as described for the action of the chisel on the front.

The operations just described are of a kind that should not be undertaken without considerable experience, as, indeed, ought to be the case with many other repairs, the requisite dexterity of handling not coming at once even with much natural ability.

CHAPTER XVI.

REPAIRING UNDERTAKEN BY PEOPLE IN BUSINESS NOT CONNECTED WITH THAT OF BOWED INSTRUMENTS--REMOVAL OF A FIXED SOUND POST--FITTING A FRESH PART OF WORM-EATEN RIB--BRINGING TOGETHER THE LOOSENED JOINT OF THE BACK WITHOUT OPENING THE VIOLIN.

We will now move down to the front portion of the premises again, where the chief has been pondering over some instruments with damages of different kinds and degrees. Some have been sent for repair, but have nothing apparently wrong about them. The little note sent with them is simply to the effect that "they do not go well" and the owners would like them put in order. A tap is given here and there with his knuckles, and this kind of test is sufficient in one instance to get an acknowledgment from the violin itself that its ribs do not adhere to the back as they should. Another betrays no looseness anywhere, and there is no fracture perceptible on a close examination; this is put aside so that it may be strung up properly, when it will probably give out some distinct evidence of internal wrong, if not of some external injury, which being fresh and clean is not easily affected by mere tapping.

In the midst of his meditations over the different possibilities, a gentleman enters accompanied by a young lady, probably his daughter, who carries a violin case. He enters upon his subject at once, saying:--"I have brought a violin for your inspection, it was left behind by a friend who went abroad some time back and he lately wrote over saying that my daughter might find it useful, as he had been told by his father that it was at one time an instrument with excellent sounding qualities. He is not a player and he kept it shut up for a long time and seemingly forgot all about it. We of course soon got the case from its hiding place, opened it and took the violin out. My daughter here found two strings had snapped and put on others. When she tried it with her bow, however, most unpleasant sounds came out.

My daughter proposed that it should be taken to a shop in our neighbourhood where she gets her music; she says they are very nice people, and so she took it there and they told her 'it would be put in order by the next morning,' which of course seemed very prompt. My daughter has tried it since it came home, but it seems to have even less sound than before."

"Let me have a look at it, please," says our chief. The violin is at once taken out of the case by the young lady and handed to him. The chief looks over it, turns it about once or twice, and asks: "Did you put this into the hands of a repairer who professed any knowledge of violins?" The answer is--"Well, the people that my daughter took it to said they had intrusted the violin to their best pianoforte repairer, who had worked in one of the princ.i.p.al manufactories in London." The chief observes: "A piano is very different to a violin, sir; the repairer of one has to deal with curved surfaces, and wood of two kinds only, the other with flat ones and other woods and metals." "I hope the treatment has not ruined the instrument, can it be restored, will it be of much value?" says the gentleman. "Well, it is not of much value as a musical instrument in its present condition, but when properly restored would command a considerable price. The restoration will cost some pounds and be a fairly good investment."

"You had better do it and to your best ability," answers the gentleman, "and please send it home when done."

The two visitors make their departure and then James is called for a moment by his chief, "Hi! James, just look at this bit of repairing."

The a.s.sistant takes the violin in his hands, looks over it and laughs.

"Not trained properly, sir, at mending; what a plaster it has got underneath the bridge! and there's a large one underneath the post too; there's strength there if nothing else."

"Well, James, we must get both of those out and put something in more to the purpose, the gentleman wants it done well and we must make it sound properly to please him and his daughter. From the manner in which those patches are inserted and their thickness--they are stouter than the tables themselves--there would be very little tone. Well I never!

they've glued the sound post in."

This discovery caused a good laugh from both. "We must have the upper table off at once, James," continued the chief. "But how about the post, sir?" interposes his a.s.sistant; "it looks as if it will hold on tight."

"Well, you must take a fine chisel and work it in two before you commence the opening."

James retires to his corner, and taking up a small chisel stuck in a short handle of his own fitting, he inserts it carefully through the right sound-hole, chipping the post gradually down one side, then turning the violin round on the cus.h.i.+on, he works away at the post through the other, and although from the extra distance from this, the chisel has a weaker hold, there is less substance to work through, the greater part having been worked away at the first attack.

The way is now clear for removing the upper table, which James does after some trouble in working his knife along between the edging and the upper part of the ribs, in consequence of the glueing having been done with a bountiful hand, and the parts pressed together tightly, so much so as to show very distinctly where the screw cramps had been wound up.

The exposed interior is brought before the gaze of the chief, who looks at it for a while, then remarks, "Very bad, but I have seen the like often before, and suppose will do so many times again.

"Give it a cleaning, James, they've fastened the plaster on to the dirty wood, and I expect the hold is very slight if at all in parts."

"No, sir, I tapped it about, and found some hollow s.p.a.ces that would admit my small knife; the plaster had not been cut evenly, and then not pressed equally all over. The back seems about as bad, although it being thick does not need any support."

"No, James, the repairers, if we may give them such an honourable t.i.tle, wanted to show that something had been done for the money charged. Give the interior a clean out with warm water and sponge, leave some wet rags over those plasters, and when the damp has soaked through, you can soon get your gouge underneath and pull them off, was.h.i.+ng the surfaces afterwards."

This having been done as requested, the two parts are again brought before the chief, who forthwith takes a pair of calipers; these he applies carefully to both upper and lower tables in turn, moving them over in all directions. "I declare, James," he then observes, "there is no necessity for any patches or plasters anywhere; there is a very weak upper rib that has been so knocked about by several mendings, and spoilt inside and out, besides being riddled by insects, that we must make or fix a fresh piece in its place. Now, this fiddle being worth the trouble, you must see if you can make the repair so neat as to be almost invisible even when closely examined."

"Well, sir, I'll try at it," is the reply, this being a kind of repair that James will take much pleasure in, to show his dexterity of handling and clean cutting.