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[FN#104] This is a sub-sect of the Rin Zai School, as shown in the following table:
TABLE OF THE TRANSMISSION OF ZEN FROM CHINA TO j.a.pAN.
1. Bodhidharma.
2. Hwui Ko (E-ka).
3. San Tsang (So-san).
4. Tao Sin (Do-s.h.i.+n).
5. Hung Jan (Ko nin).
---THE NORTHERN SECT 6. Shang Siu (Jin-shu).
---THE SOUTHERN SECT 6. Hwui Nang (E-no).
---THE RIN ZAI SCHOOL.
7. Nan Yoh (Nan-gaku).
---10. Gi-ku.
---11. Lin Tsi (Rin-zai).
---21. Yuen Wu (En-go).
---22. Fuh Hai (Bukkai).
---28. Kaku-a.
---THE O BAKU SCHOOL.
42. In-gen.
---25. Hti Ngan (Kyo-an).
---26. Ei-sai.
---THE SO TO SCHOOL.
7. Tsing Yuen (Sei-gen).
---8. s.h.i.+h Teu (Seki-to).
---11. Tung Shan (To-zan).
---23. Ju Tsing (Nyo-jo).
---24. Do-gen.
The O Baku School is the amalgamation of Zen and the wors.h.i.+p of Amitabha, and different from the other two schools. The statistics for 1911 give the following figures:
The Number of Temples:
The So To School 14,255 The Rin Zai School 6,128 The O Baku School 546
The Number of Teachers:
The So To School 9,576 The Rin Zai School 4,523 The O Baku School 349
It was also in this period that Zen gained a great influence on the popular literature characterized by the shortest form of poetical composition. This was done through the genius of Ba-sho,[FN#105] a great literary man, recluse and traveller, who, as his writings show us, made no small progress in the study of Zen. Again, it was made use of by the teachers of popular[FN#106] ethics, who did a great deal in the education of the lower cla.s.ses. In this way Zen and its peculiar taste gradually found its way into the arts of peace, such as literature, fine art, tea-ceremony, cookery, gardening, architecture, and at last it has permeated through every fibre of j.a.panese life.
[FN#105] He (died 1694) learned Zen under a contemporary Zen master (Buccho), and is said to have been enlightened before his reformation of the popular literature.
[FN#106] The teaching was called s.h.i.+n-gaku, or the 'learning of mind.' It was first taught by Bai-gan (Is.h.i.+-da), and is the reconciliation of s.h.i.+ntoism and Buddhism with Confucianism. Bai-gan and his successors practised Meditation, and were enlightened in their own way. Do-ni (Naka-zawa, died 1803) made use of Zen more than any other teacher.
13. Zen after the Restoration.
After the Restoration of the Mei-ji (1867) the popularity of Zen began to wane, and for some thirty years remained in inactivity; but since the Russo-j.a.panese War its revival has taken place. And now it is looked upon as an ideal faith, both for a nation full of hope and energy, and for a person who has to fight his own way in the strife of life. Bus.h.i.+do, or the code of chivalry, should be observed not only by the soldier in the battle-field, but by every citizen in the struggle for existence. If a person be a person and not a beast, then he must be a Samurai-brave, generous, upright, faithful, and manly, full of self-respect and self-confidence, at the same time full of the spirit of self-sacrifice. We can find an incarnation of Bus.h.i.+do in the late General Nogi, the hero of Port Arthur, who, after the sacrifice of his two sons for the country in the Russo-j.a.panese War, gave up his own and his wife's life for the sake of the deceased Emperor. He died not in vain, as some might think, because his simplicity, uprightness, loyalty, bravery, self-control, and self-sacrifice, all combined in his last act, surely inspire the rising generation with the spirit of the Samurai to give birth to hundreds of Nogis. Now let us see in the following chapters what Zen so closely connected with Bus.h.i.+do teaches us.
CHAPTER III
THE UNIVERSE IS THE SCRIPTURE[FN#107] OF ZEN
1. Scripture is no More than Waste Paper.
[FN#107] Zen is not based on any particular sutra, either of Mahayana or of Hinayana. There are twofold Tripitakas (or the three collections of the Buddhist scriptures)-namely, the Mahayana-tripitaka and the Hinayana-tripitaka. The former are the basis of the Mahayana, or the higher and reformed Buddhism, full of profound metaphysical reasonings; while the latter form that of the Hinayana, or the lower and early Buddhism, which is simple and ethical teaching. These twofold Tripitakas are as follows:
THE MAHAYANA-TRIPITAKA.
The Sutra Pitaka.-The Saddharma-pundarika-sutra, Samdhi-nirmocana-sutra, Avatamsaka-sutra, Prajnyaparamita-sutra, Amitayus-sutra, Mahaparinirvana-sutra, etc.
The Vinaya Pitaka.--Brahmajala-sutra, Bodhisattva-caryanirdeca, etc.
The Abhidharma Pitaka.--Mahaprajnyaparamita-sutra, Mahayana-craddhotpada-castra, Madhyamaka-castra, Yogacarya bhumi-castra, etc.
THE HINAYANA-TRIPITAKA.
The Sutra Pitaka.--Dirghagama, Ekottaragama, Madhyamagama, Samyuktagama, etc.
The Vinaya Pitaka.--Dharmagupta-vinaya, Mahasamghika-vinaya, Sarvastivada-vinaya, etc.
The Abhidharma Pitaka.--Dharma-skandha-pada, Samgiti-paryaya-pada, Jnyanaprasthana-castra, Abhidharma-kosa-castra, etc.
The term 'Tripitaka,' however, was not known at the time of Shakya Muni, and almost all of the northern Buddhist records agree in stating that the Tripitaka was rehea.r.s.ed and settled in the same year in which the Muni died. Mahavansa also says: "The book called Abhidharma-pitaka was compiled, which was preached to G.o.d, and was arranged in due order by 500 Budhu priests." But we believe that Shakya Muni's teaching was known to the early Buddhists, not as Tripitaka, but as Vinaya and Dharma, and even at the time of King Ac.o.ka (who ascended the throne about 269 B.C.) it was not called Tripitaka, but Dharma, as we have it in his Edicts. Mahayanists unanimously a.s.sert the compilation of the Tripitaka in the first council of Rajagrha, but they differ in opinion as to the question who rehea.r.s.ed the Abhidharma; notwithstanding, they agree as for the other respects, as you see in the following:
The Sutra Pitaka, compiled by Ananda; the Vinaya Pitaka, compiled by Upali; the Abhidharma Pitaka, compiled by Ananda--according to Nagarjuna (Mahaprajnyaparamita-castra).
The Sutra Pitaka, compiled by Ananda; the Vinaya Pitaka, compiled by Upali; the Abhidharma Pitaka, compiled by Kacyapa according to Huen Tsang (Ta-tan-si-yu-ki).
The Sutra Pitaka, compiled by Ananda; the Vinaya Pitaka, compiled by Upali; the Abhidharma Pitaka, compiled by Purna--according to Paramartha ('A Commentary on the History of the Hinayana Schools').
The above-mentioned discrepancy clearly betrays the uncertainty of their a.s.sertions, and gives us reason to discredit the compilation of Abhidharma Pitaka at the first council. Besides, judging from the Dharma-gupta-vinaya and other records, which states that Purna took no part in the first council, and that he had different opinions as to the application of the rules of discipline from that of Kacyapa, there should be some errors in Paramartha's a.s.sertion.
Of these three collections of the Sacred Writings, the first two, or Sutra and Vinaya, of Mahayana, as well as of Himayana, are believed to be the direct teachings of Shakya Muni himself, because all the instructions are put in the mouth of the Master or sanctioned by him.
The Mahayanists, however, compare the Hinayana doctrine with a resting-place on the road for a traveller, while the Mahayana doctrine with his destination. All the denominations of Buddhism, with a single exception of Zen, are based on the authority of some particular sacred writings. The Ten Dai Sect, for instance, is based on Saddharma-pundarika-sutra; the Jo Do Sect on Larger Sukhavati-vyuha, Smaller Sukhavati-vyuha, and Amitayus-dhyana-sutra; the Ke Gon Sect on Avatamsaka-sutra; the Hosso Sect on Samdhi-nirmocana-sutra.
Zen is based on the highest spiritual plane attained by Shakya Muni himself. It can only be realized by one who has attained the same plane. To describe it in full by means of words is beyond the power even of Gotama himself. It is for this reason that the author of Lankavatara-sutra insists that Shakya Muni spoke no word through his long career of forty-nine years as a religious teacher, and that of Mahaprajnyaparamita-sutra[FN#108] also express the same opinion. The Scripture is no more nor less than the finger pointing to the moon of Buddhahood. When we recognize the moon and enjoy its benign beauty, the finger is of no use. As the finger has no brightness whatever, so the Scripture has no holiness whatever. The Scripture is religious currency representing spiritual wealth. It does not matter whether money be gold, or sea-sh.e.l.ls, or cows. It is a mere subst.i.tute. What it stands for is of paramount importance. Away with your stone-knife! Do not watch the stake against which a running hare once struck its head and died. Do not wait for another hare. Another may not come for ever. Do not cut the side of the boat out of which you dropped your sword to mark where it sunk. The boat is ever moving on. The Canon is the window through which we observe the grand scenery of spiritual nature. To hold communion directly with it we must get out of the window. It is a mere stray fly that is always buzzing within it, struggling to get out. Those who spend most of their lives in the study of the Scriptures, arguing and explaining with hair-splitting reasonings, and attain no higher plane in spirituality, are religious flies good for nothing but their buzzing about the nonsensical technicalities. It is on this account that Rin-zai declared:[FN#109] 'The twelve divisions of the Buddhist Canon are nothing better than waste paper.'
[FN#108] Mahaprajnyaparamita-sutra, vol. 425.