Vera Nevill Part 1

Vera Nevill.

by Mrs. H. Lovett Cameron.

CHAPTER I.

THE VICAR'S FAMILY.

With that regal indolent air she had So confident of her charm.

Owen Meredith.

Beauty too rich for use, for earth too dear.

Shakespeare.

Amongst the divers domestic complications into which short-sighted man is p.r.o.ne to fall there is none which has been more conclusively proved to be an utter and egregious failure than that family arrangement which, for lack of a better name, I will call a "composite household."

No one could have spoken upon this subject with greater warmth of feeling, nor out of the depths of a more painful experience, than could the Rev. Eustace Daintree, sometime vicar of the parish of Sutton-in-the-Wold.

Mr. Daintree's family circle consisted of himself, his mother, his wife, and his wife's sister, and I should like to know how a man could expect to lead a life of peace and tranquillity with such a combination of inharmonious feminine elements!

There were two children also, who were a fruitful source of discord and disunion. It is certain that, had he chosen to do so, the Rev. Eustace might have made many heart-rending and harrowing revelations concerning the private life and customs of the inhabitants of his vicarage. It is equally certain, however, that he would not have chosen to do so, for he was emphatically a man of peace and gentleness, kind hearted and given to good works; and was, moreover, sincerely anxious to do his duty impartially to those whom Providence or fate, or a combination of chances and changes, had somehow contrived to bring together under his roof.

Things had not always been thus with him. In the early days of their married life Eustace Daintree and Marion his wife had had their home to themselves, and right well had they enjoyed it. A fairly good living backed up by independent means, a small rural parish, a pleasant neighbourhood, a pretty and comfortable vicarage-house--what more can the hearts of a clergyman of the Church of England and his wife desire? Mr.

and Mrs. Daintree, at all events, had wished for nothing better. But this blissful state of things was not destined to last; it was, perhaps, hardly to be expected that it should, seeing that man is born to trouble, and that happiness is known to be as fleeting as time or beauty or any other good thing.

When Eustace Daintree had been married five years, his father died, and his mother, accepting his warmly tendered invitation to come to Sutton-in-the-Wold upon a long visit, took up her abode in the pleasant vicarage-house.

Her visit was long indeed. In a weak moment her son consented to her urgent request to be allowed to subscribe her quota to the household expenses--this was as good as giving her a ninety-nine years' lease of her quarters. The thin end of the wedge thus inserted, Mrs. Daintree _mere_ became immovable as the church tower or the kitchen chimney, and the doomed members of the family began to understand that nothing short of death itself was likely to terminate the old lady's residence amongst them. For the future her son's house became her home.

But, even thus, things were not at their worst. Marion Daintree was a soft-hearted, gentle-mannered little woman. It cannot be said that she regarded the permanent instalment of her mother-in-law in her home with pleasurable feelings; she would have been more than human had she done so. But then she was unfeignedly fond of her husband, and desired so earnestly to make his home happy that, not seeing her way to oust the intruder without a warfare which would have distressed him, she determined to make the best of the situation, and to preserve the family peace and concord at all risks.

She succeeded in her praiseworthy efforts, but at what cost no one but herself ever knew. Marion's whole life became one propitiatory sacrifice to her mother-in-law. To propitiate Mrs. Daintree was a very simple matter. Bearing in mind that her leading characteristics were a bad temper and an ungovernable desire to ride rough-shod over the feelings of all those who came into contact with her, in order to secure her favour it was only necessary to study her moods, and to allow her to tread you under foot as much as her soul desired. Provided that she had her own way in these little matters, Mrs. Daintree became an amiable old lady. Marion did all that was needful; figuratively speaking, she laid down in the dust before her, and the Juggernaut of her fate consented to be appeased by the lowly att.i.tude, and crushed its way triumphantly over her fallen body.

Thus Marion accepted her fate, and peace was preserved in her husband's house. But by-and-by there came somebody into the family who would by no manner of means consent to be so crushed and trodden under foot. This somebody was Vera Nevill.

In order duly to set forth who and what was this young woman, who thus audaciously set at defiance the powers that were, it will be necessary that I should take a brief survey of Marion's family history.

Marion, then, be it known, was the eldest of three sisters; so much the eldest, that when Mr. Daintree had met her and married her in Rome during one of his brief holidays, the two remaining sisters had been at the time hardly more than children. Colonel Nevill, their father, had married an Italian lady, long since dead, and had lived a nomad life ever since he had become a widower; moving about chiefly between Nice, Rome, and Malta.

Wherever pleasant society was to be found, there would Colonel Nevill and his daughters instinctively drift, and year after year they became more and more enamoured of their foreign life, and less and less disposed to venture back to the chill fogs and cloudy skies of their native land.

Three years after Marion had left them, and gone away with her husband to his English vicarage; Theodora, the second daughter, had at eighteen married an Italian prince, whose lineage was ancient, but whose acres were few; and Colonel Nevill, dying rather suddenly almost immediately after, Vera, the youngest daughter, as was most natural, instantly found a home with Princess Marinari.

All this time Marion lived at Sutton-in-the-Wold, and saw none of them.

She wept copiously at the news of her father's death, regretting bitterly her inability to receive his parting blessing; but, her little Minnie being born shortly after, her thoughts were fortunately diverted into a happier channel, and she suffered from her loss less keenly and recovered from it more quickly than had she had no separate life and no separate interests of her own to engross her. Still, being essentially affectionate and faithful, she clung to the memory of the two sisters now separated so entirely from her. For some years she and Theodora kept up a brisk correspondence. Marion's letters were full of the sayings and doings of Tommy and Minnie, and Theodora's were full of nothing but Vera.

What Vera had looked like at her first ball, how Prince this and Marquis so-and-so had admired her; how she had been smothered with bouquets and bonbons at Carnival time; how she had sat to some world-famed artist, who had entreated to be allowed to put her face into his great picture, and how the house was literally besieged with her lovers. By all this, and much more in the same strain, Marion perceived that her young sister, whom she had last seen in all the raw unformed awkwardness of early girlhood, had developed somehow into a beautiful woman.

And there came photographs of Vera occasionally, fully confirming the glowing accounts Princess Marinari gave of her; fantastic photographs, portraying her in strange and different ways. There was Vera looking out through clouds of her own dark hair hanging loosely about her face; Vera as a Bacchante crowned with vine leaves, laughing saucily; Vera draped as a _devote_, with drooping eyes and hands crossed meekly upon her bosom.

Sometimes she would be in a ball-dress, with lace about her white shoulders; sometimes m.u.f.fled up in winter sables, her head covered with a fur cap. But always she was beautiful, always a young queen, even in these poor, fading photographs, that could give but a faint idea of her loveliness to those who knew her not.

"She must be very handsome," Eustace Daintree would say heartily, as his wife, with a little natural flush of pride, handed some picture of her young sister across the breakfast-table to him. "How I wish we could see her, she must be worth looking at, indeed. Mother, have you seen this last one of Vera?"

"Beauty is a snare," the old lady would answer viciously, hardly deigning to glance at the lovely face; "and your sister seems to me, Marion, to be dressed up like an actress, most unlike my idea of a modest English girl."

Then Marion would take her treasure away with her up into her own room, out of the way of her mother-in-law's stern and repelling remarks.

But one day there came sad news to the vicarage at Sutton. Theodora, Princess Marinari, caught the Roman fever in its worst form, and after a few agonizing letters and telegrams, that came so rapidly one upon the other that she had hardly time to realize the dreadful truth, Marion learnt that her sister was dead.

After that, the elder sister's English home became naturally the right and fitting place for Vera to come to. So she left her gay life and her lovers, her bright dresses and all that had hitherto seemed to her worth living for, and came back to her father's country and took up her abode in Eustace Daintree's quiet vicarage, where she became shortly her sister's idol and her sister's mother-in-law's mortal foe.

And then it was that the worthy clergyman came to discover that to put three grown-up women into the same house, and to expect them to live together in peace and amity, is about as foolhardy an experiment as to shut up a bulldog, a parrot, and a tom-cat in a cupboard, and expect them to behave like so many lambs.

It is now rather more than a year since Vera Nevill came to live in her brother-in-law's house. Let me waste no further time, but introduce her to you at once.

The time of the year is October--the time of day is five o'clock. In the vicarage drawing-room the afternoon tea-table has just been set out, and the fire just lit, for it is chilly; but one of the long French windows leading into the garden is still open, and through it Vera steps into the room.

There is a background of brown and yellow foliage behind her, across the garden, all aglow with the crimson light of the western sky, against which the outlines of her figure, in its close-fitting dark dress, stand out clearly and distinctly. Vera has the figure, not of a sylph, but of a G.o.ddess; it is the absolute perfection of the female form. She is tall--very tall, and she carries her head a little proudly, like a young queen conscious of her own power.

She comes in with a certain slow and languid grace in her movements, and pauses for an instant by the hearth, holding out her hand, that is white and well-shaped, though perhaps a trifle too long-fingered, to the warmth.

The glow of the newly-lit fire flickers up over her face--her face, with its pure oval outlines, its delicate, regular features, and its dreamy eyes, that are neither blue nor gray nor hazel, but something vague and indistinctly beautiful, entirely peculiar to themselves. Her hair, a soft dusky cloud, comes down low over her broad forehead, and is gathered up at the back in some strange and thoroughly un-English fas.h.i.+on that would not suit every one, yet that somehow makes a fitting crown to the stately young head it adorns.

"Tea, Vera?" says Marion, from behind the cups and saucers.

Old Mrs. Daintree sits darning socks, severely, by the fading light.

There is a sound of distant whimpering from the shadowy corner behind the piano; it is Tommy in disgrace. Vera turns round; Marion's kind face looks troubled and distressed; the old lady compresses her lips firmly and savagely.

Vera takes the cup from her sister's hands, and putting it down again on the table, proceeds to cut a slice of bread from the loaf, and to spread it thickly with strawberry jam.

"Come here, Tommy, and have some of Auntie's bread and jam."

Out comes a small person, with a very swollen face and a very dirty pinafore, from the distant seclusion of the corner, and flies swiftly to Vera's sheltering arm.

Mrs. Daintree drops her work angrily into her lap.

"Vera, I must beg of you not to interfere with Tom; are you aware that he is in the corner by my orders?"

"Perfectly, Mrs. Daintree; and also that he was there before I went out, exactly three-quarters of an hour ago; there are limits to all human endurance."

"I consider it extremely impertinent," begins the old lady, nodding her head violently.

"Darling Vera," pleads Marion, almost in tears; "perhaps you had better let him go back."

"Tommy is quite good now," says Vera, calmly pa.s.sing her hand over the rough blonde head. Master Tommy's mouth is full of bread and jam, and he looks supremely indifferent to the warfare that is being carried on on his account over his head.

His crime having been the surrept.i.tious purloining of his grandmamma's darning cotton, and the subsequent immersion of the same in the inkstand, Vera feels quite a warm glow of approval towards the little culprit and his judiciously-planned piece of mischief.