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Helena Brett's Career Part 20

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She had not of course got the matter quite so definite as that in her own mind, when there came to her ears the warning sound of his door opening. There were no sheets of ma.n.u.script to hide to-day, but she put down a cedar pen-holder which had grown very ragged at the top in a half-hour.

"Well," she said, leaping up and forcing herself, like a trained wife, to be cheery, "what success to-day?" She always asked him that. He liked it.

Hubert was not satisfied to-day. "Rotten," he said; "absolutely rotten. That idiot Lily had put all the candle-sticks and things the wrong way round on my writing-desk and I'd to move them all, just when I got there feeling in the mood to work."

"Oh, I'm so sorry, dear," she answered humbly. "I will tell her." She knew, you see, the whole of a wife's duty now.

"Don't worry about that, my dear," he said without much conviction; "but these housemaids seem to think an artist is a sort of navvy who only wants a pen and everything's all right. They don't seem to understand that when you're doing work like mine, the least thing out of its accustomed place catches your eye and absolutely breaks the inspiration: you get up to move it. I never worked back to the proper state at all this morning. I might as well have played a round of golf."



Helena, with a curious sensation that was almost fear--fear, it may be, of herself--realised that his plaint, oft-heard, left her cold this morning. Till now she had always thought how wonderful he was, how different from her dull self, how sensitively made. To-day she felt--she felt that it was all a needless fuss! This last half-hour had crystallised thoughts vaguely growing during a whole year.

She could not trust herself to any comment. She felt that probably all writers had these affectations, and yet there _was_ this sudden lack of sympathy about the candlesticks....

"But I hope," she merely said, "the new book's working out all right?"

Hubert dropped upon the sofa, a dead weight of hopelessness. "I don't believe," he said, "I'm meant for an author--not in these days anyhow, when it's a trade. You know, my dear, it's too absurd but I can _not_ forget those beastly critics! They've put me off entirely. Every line I write, I think that such and such a paper won't like that: just as though I was writing for them and not for the public!" He took up a magazine and flung it down violently on the sofa. "I tell you though,"

he said confidently, as though that changed his mood, and rose to go: "I jolly well mean to get at the public, _this_ time."

"Hugh," she said, ludicrously horror-struck, "it's not another pot-boiler?" She had not dared to ask and he had vouchsafed literally nothing yet.

He smiled grimly, standing by the door. "You'll see," he said. "I'm nearly through with the synopsis now and I'll read you the first chapter soon. It's not like the last, anyhow. It's called _Eternity_.

And there's one thing," he went on with a kind of brutal joy, "if it's a frost, we shall absolutely have to pack up and move off into cheaper quarters: I can't afford to keep you here!"

"But, Hugh," she began in sympathetic protest.

But he had closed the door, outside.

CHAPTER XVII

THE TEMPTER

Helena did not possess the vice of introspection.

Conscious as she was that something had changed in her att.i.tude towards her husband's moods and work, those tyrants of her married life to which till now she had bowed down so humbly, she told herself in a general way that things would soon shake down again, that it was probably her fault, and that she must make sure what Mr. Alison had really meant. This time she would keep him to it and not let him drift off to Madonnas. She wished he would make haste and call. Why had she lent him all that stuff about Virginia? He was probably wondering what on earth to say to her about it and that was why he did not call. What a nuisance he was! She longed to ask him definitely what people really thought of Hubert's work and whether he had meant all that. You never really knew, with him....

When, however, he finally arrived, it was with such an air of mysterious excitement that she was forced to wait a moment.

He stood in silence until Lily's heavy steps had died away and then, in a stage whisper: "Is Hubert safely out of hearing?"

"Yes," she laughed. He always amused her when he was funny like this.

"He always works, you know quite well, from five till seven. I suppose all this 'ss.h.i.+ng is because you want to give me back my silly ma.n.u.script. Where is it?" She was glad, in a way, that he was going to be stupid over it.

"Ah," he replied, "that's it," and raised a cryptic finger.

"You _are_ funny," she said lazily from her armchair, like some one who claps in the stalls.

He looked slightly hurt. "You always say that if I'm serious," he protested. Then less plaintively, as though heartened by what was to come: "As a matter of fact though, I've done you a very good turn."

"Me?" asked Helena, as he made an effective pause and there seemed nothing else to say. She couldn't thank, in case it really was a joke.

"Yes, you. Your silly ma.n.u.script, as you like to call it, is good--jolly good. I don't suppose you realise that, do you? It's something original, these days, and that is everything. It's----"

"I'm glad it amused you," Helena said, thinking that he had quitted himself well and now she must help him out; "but----"

"But where's the good turn?" he broke in, interpreting her wrongly.

"Well, I'll tell you. I showed it--I knew you wouldn't mind----" (and here he looked a little timidly at her sideways), "I showed it to a publisher I've met about, a very decent fellow----"

"How dare you?" Helena flashed out youthfully, just as though they were playing Interruptions. "I lent it you to read and I think----"

He kept up the game. "Listen," he said with a firmness rare in him, confident of what he had to tell. "He said it was new and vital and had money in it: those are his exact words; and he wants to publish it if you can think of a good ending. There!"

At last it was out and he stood complacent, waiting for her thanks: but she was not even appeased. "I don't care _what_ he said," she cried, and for this moment of her childish anger it was true. "I only know I lent it you and not to him; do you think I want everybody reading all my diaries?"

"But it was not a diary," he answered, keeping his head clear, "and he had no idea of course who wrote it."

"He would, though, if he published it." She thought that she had crushed him; but he merely gained fresh hope, seeing her dally thus with the idea.

"Never," he replied dramatically. "n.o.body will ever know except yourself and me."

Before that masterly touch, "will," she crumpled up, and fell back on a new line of defence. "I can't believe," she said, more peaceable, "he's serious. I know quite well, and so do you, it's nothing: just to make the time go while I was alone. I took no trouble: wrote it any odd old time."

"You surely don't imagine," he said, "writers really have to wait for times and seasons and the proper mood? They could work ten to six like anybody else, except it wouldn't be artistic. Do you imagine nothing's good unless it's written with a lobelia in front of you and all that sort of thing? Some of the world's best stuff has come out of an attic. The whole thing's nothing but a pose."

She had her answer about Hubert, without asking. Geoffrey Alison, two years discreet, had suddenly begun to throw bricks in this happy home, and never even heard the crash.

"Oh," she said, lingering on the syllable till it grew into three.

He did not understand. He saw her hesitate and he threw all his weight to drive her the way he desired. "After all," he said, using that most persuasive of openings to a temptation or a fallacy, "what right have you, artistically, to keep to yourself a thing that may please and help millions? You especially, who don't even approve of private Art Galleries because you can't see them! ... I know what it is, exactly; you're thinking of your husband, naturally; but he need never know.

I'll do the business, all of it, and show you any notices and no one else will ever guess at all. Think what fun it would be!" (He saw her eyes light up and knew that he had won.) "Besides there'll be the money too and any one can do with that."

"Yes," said Helena, clinging to an earlier sentence, as women will, "but the ma.n.u.script gives it away hopelessly that I'm an author's wife, on almost every page."

"Well, how many authors do you think there are?" he said; then with the Tempter's fluency, "and they notoriously marry more than any one. Who in the world could guess? Every one would think that it was by a man.

They always do if anybody writes a very intimate peep at a woman's soul." He smiled, remembering how intimate the peep in question sometimes was. "Fancy reading all their silly guesses! Come on! You can't be so selfis.h.!.+"

Her eyes glistened and she moved on to an earlier point. "It wouldn't really bring much money, would it?" she asked. "Books don't seem to, ever."

"Blatchley--that's the publisher--thinks it would sell like anything: he says it's new. That's why he wants it. There isn't any sentiment in Blatchley. He's right, too: people love these human doc.u.ments. I dare say it'd bring in several hundred pounds."

Helena gasped. He had offered her the proper fruit at last, this worried little child of Eve, who, feigning to cut down the household bills, had long time satisfied a husband intolerant of change by drawing on her bank account, now perilously near its end.

"What should I call myself?" she answered simply. Several hundred pounds--and all the fun as well!

He thought a moment. "Not Helena," he said with firmness. "They'd guess. Besides no auth.o.r.ess could ever be called Helena: it sounds like Eleanor after a careless housemaid's accident."

"Joan is my second name," she answered humbly.

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Helena Brett's Career Part 20 summary

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