Colonel Carter's Christmas and The Romance of an Old-Fashioned Gentleman Part 23

Gregg tightened his grasp on Philip's shoulder. "That's the true ring, my son!" he cried, his eyes filling with tears. "I've never loved you as I do this minute Now you begin to live. This day marks the parting of the roads: From this day you go forward, not back. It doesn't make any difference what happens or what things you----"

"And you don't think Madeleine will----"

"Think Madeleine will lose her love for you! You don't know the girl--not for one minute. Of course, everything is upside down, and of course there'll be bad blood. Mr. Eggleston is angry, but he'll get over it. What he has lost to-day he has made a dozen times over in his career in a single turn in stocks, and will again. Keep your head up!

Finish your work at the office; pay every cent you owe; come back here and let me know if anything is left, and then we'll see Madeleine.

You'll find my check-book in that desk at your elbow. I'll sign as many checks in blank as you want and you can fill them up at your leisure. We'll fight this thing out together and we'll win. Madeleine stop loving you! I'll stake my head she won't!"

Events move with great rapidity in the Street. When a tin case the size of a candle-box can be brought in by two men and a million of property dumped out on a table, an immediate accounting of a.s.sets is not difficult. Once their value is fixed by the referee they can be dealt to those interested as easily as a pack of cards.

By noon of the following day not only did the firm of Philip Colton & Co. know exactly where they stood, but so did every one of the firm's creditors: Seventy per cent cash and thirty per cent in sixty days was the settlement. All their outside stocks had been closed out under the rule. Philip's thorough business methods and the simplicity and clearness with which his books had been kept made such an adjustment not only possible, but easy. The net result was the wiping out of the special capital of Philip's prospective father-in-law and all of his own capital and earnings. The junior partner was not affected; his allowance went on as usual. He did not even sell his stud; he bought another pony. His father gave him the money; it helped the family credit.

So far not a word had come from Madeleine. Philip had rung the bell of the Eggleston mansion three times since that fatal morning and had been told by the butler in frigid tones that Miss Eggleston "was not at home." None of his notes were answered. That so sensible a girl as Madeleine, one whose whole nature was frankness and love, could be so cruel and so unjust was a disappointment more bitter than the failure.

"She has been lied to by somebody," broke out Philip as he paced up and down Adam's studio, "or she is locked up where nothing can reach her. All my notes come back unopened; the last redirected by Mr.

Eggleston himself. Neither he nor his son has been to the office since the settlement. They leave me to sweep up after them--dirty piece of business. Will there be any use in your seeing Mr.

Eggleston?"

Adam looked into s.p.a.ce for a moment.

He had never met the senior. He had, out of deference to Phil, and contrary to his habitual custom, given him preference over his other sitters, but Eggleston had not kept his appointment and Gregg had postponed the painting of the portrait until the following season.

Phil had made excuses, but Adam had only smiled and with the remark--"Time enough next winter," had changed the subject.

"No. Let a young girl manage her own affairs," Adam answered in a decided tone, "especially a girl like Madeleine." He had seen too much misery from interfering with a young girl's heart.

"What do you advise then?"

"To let the storm blow over," Adam replied firmly.

"But you've said that for a week and I am no better off. I can't stand it much longer, Old Gentleman. I _must_ see Madeleine, I tell you.

What can you do to help? Now--not to-morrow or next week?"

"Nothing that would be wise."

"But you promised me to go and see her the afternoon we went to smash."

"So I did, and I'll go if you wish me to."

"When?"

"To-morrow morning. It is against my judgment to do anything until you hear from her. A woman always finds the way. Madeleine is no exception. She loves you too well not to. But I'll go, my boy, and try."

"You _must_ go. I tell you I can't and won't wait. I have done nothing I'm ashamed of. Our wedding is off, of course, until I can look around and see what I'm going to do, but that's no reason why we can't continue to see each other."

The butler met him with a polite but decided: "Miss Eggleston is not receiving."

"Take her that card," said Gregg. "I'll wait here for an answer."

The erect figure of the painter, his perfect address, coupled with the air of command which always seemed a part of him, produced an instantaneous curve in the butler's spine.

"Step into the library, sir," he said in a softer tone as he pushed aside the heavy portieres for Adam to enter.

Gregg entered the curtain-m.u.f.fled room with its marble statues, huge Sevres vases and ponderous gold frames, swept a glance over the blue satin sofas and c.u.mbersome chairs in the hope of finding Madeleine curled up somewhere among the heap of cus.h.i.+ons, and then, hat in hand, took up his position in front of the cheerless, freshly varnished hearth to await that young lady's coming. What he would say or how he would approach the subject nearest to his heart would depend on her mental att.i.tude. That she loved Phil as dearly as he loved her there was no question. That she had begun to suffer for loss of him was equally sure. A leaf from his own past told him that.

Again the butler's step was heard in the hall; there came a sound of an opening door, and Mr. Eggleston entered.

As he approached the dealer's description of his white hair and red face--a subject Franz Hal would have loved--came back to the painter.

Adam advanced to meet him with that perfect poise which distinguished him in surprises of this kind. "Mr. Eggleston, is it not?"

"Yes, and whom have I the pleasure of addressing?"--glancing at the card in his hand.

"I am Adam Gregg. We were to meet some time ago, when I was to paint your portrait. This time I came to see your daughter Madeleine."

Mr. Eggleston's manner dropped thermometer-like from the summer heat of graciousness to the zero of reserve: the portrait was no longer a pleasant topic. Moreover he had always believed that the painter had advised Philip the morning of his "asinine declination" of the trust company's proposition.

"May I ask what for?" It was a brutal way of putting it, but the banker had a brutal way of putting things. Generally he confounded the person before him with the business discussed, venting upon him all his displeasure.

"To try and have her receive Philip Colton, or at least to get her reason for not doing so. It may be that it is due to your own objection; if so I should like to talk the matter over with you."

"You are quite right, sir; I do object--object in the strongest manner. I don't wish him here. I've had all I want of Mr. Colton, and so has my daughter."

"May I ask why?"

"I don't know that it is necessary for me to discuss it with you, Mr.

Gregg."

"I am his closest friend, and have known him ever since he was five years old."

"Then I positively decline to discuss it with you, sir, for I should certainly say something that would wound your feelings. It is purely a matter of business, and that you artists never understand. If you will excuse me I will return to Mrs. Eggleston; she is an invalid, as you have no doubt heard, and I spend the morning hour with her. I must ask you to excuse me, sir."

On his return to his studio Gregg began to pace the floor, his habit when anything worried him. Phil was to return at three o'clock and he had nothing but bad news for him. That his visit had only made matters worse was too evident. Never in all his life had he been treated with such discourtesy. Eggleston was a vulgarian and a brute, but he was Madeleine's father, and he could not encourage her to defy him. He, of course, wanted these two young people to meet, but not in any clandestine way. Her father, no doubt, would soon see things differently, for success was the foot-rule by which he measured a man, and Phil, with his energy and honesty, would gain this in time.

Phil must wait. Everything would come right once the boy got on his legs again. The failure had in every way been an honest one. In this connection he recalled the remark of a visitor who had dropped into the studio the day before and who in discussing the failure had said in the crisp vernacular of the Street: "Bitten off more than they could chew, but square as a brick." It was an expression new to him but he had caught its meaning. That his fellow-brokers had this opinion of Philip meant half the battle won. Men who by a lift of their fingers lose or make fortunes in a din that drowns their voices, and who never lie or crawl, no matter what the consequences, have only contempt for a man who hides his wallet. "Hands out and everything you've got on the table," is their creed. This done their pockets are wide open and every hand raised to help the other fellow to his feet.

All these thoughts raced through Adam's head as he continued to pace the floor. Now and then he would stop in his walk and look intently at some figure in the costly rug beneath his feet, as if the solution of his problem lay in its richly colored surface. Two questions recurred again and again: What could he do to help? and how could he get hold of Madeleine?

As the hours wore on he became more restless. Early that morning--before he had gone to Madeleine's--his brush, spurred by his hopes, had worked as if it had been inspired. Not only had the sitter's head been blocked in with masterly strokes, but with such fulness and power that few of them need ever be retouched--a part of his heart, in fact, had gone into the blending of every flesh tone.

But it was all over now; his enthusiasm and sureness had fled. In fact, he had, on his return, dropped his brushes into his ginger-jar for his servant to clean, and given up painting for the day.

Soon he began fussing about his studio, looking over a portfolio for a pose he needed; replacing some books in his library; adding fresh water to the roses that stood under Olivia's portrait--gazing up into its eyes as if some help could be found in their depths--his uneasiness increasing every moment as the hour of Phil's return approached.

At the sound of a quick step in the corridor--how well he knew the young man's tread--he threw open the door and pushed aside the velvet curtain. Better welcome the poor fellow with a smile and a cheery word.