The Best Short Stories of 1919 Part 2

Dong-Yung hurried into the open room, where the light was still faint, filtering in through a high-silled window and the door. A round, brown table stood in the center of the room. In the corner of the room behind stood the crescentic, white plaster stove, with its dull wooden kettle-lids and its crackling straw. Two cooks, country women, sat in the hidden corner behind the stove, and poked in the great bales of straw and gossiped. Their voices and the answers of the serving amah filled the kitchen with noise. In their decorous niche at the upper right hand of the stove sat the two kitchen G.o.ds, small ancient idols, with hidden hands and crossed feet, gazing out upon a continually hungry world. Since time was they had sat there, ensconced at the very root of life, seemingly placid and unseeing and unhearing, yet venomously watching to be placated with food. Opposite the stove, on the white wall, hung a row of bra.s.s hooks, from which dangled porcelain spoons with pierced handles. On a serving-table stood the piled bowls for the day, blue-and-white rice patterns, of a thin, translucent ware, showing the delicate light through the rice seeds; red-and-green dragoned bowls for the puddings; and tiny saucer-like platters for the vegetables. The tea-cups, saucered and lidded, but unhandled, stood in a row before the polished bra.s.s hot-water kettle.

The whole room was full of a stirring, wakening life, of the crackling straw fire, of the steaming rice, all white and separate-kerneled in its great, shallow, black iron kettles, lidded with those heavy hand-made wooden lids, while the boiling tea water hissed, and spat out a snake of white steam.

With that curious democracy of China, where high and low alike are friendly, Dong-Yung hurried into her beloved kitchen.

"Has the master come?" asked the serving maid.

"Coming, coming," Dong-Yung answered. "I myself will take in his morning rice, after I have offered the morning oblations to the G.o.ds."

Dong-Yung selected two of the daintiest blue-and-white rice-pattern bowls. The cook lifted off the wooden lid of the rice-kettle, and Dong-Yung scooped up a dipperful of the snow-white kernels. On the tiny shelf before each G.o.d, the father and mother G.o.d of the household, Dong-Yung placed her offering. She stood off a moment, surveying them in pleased satisfaction--the round, blue bowls, with the faint tracery of light; the complacent G.o.ds above, red and green and crimson, so age-long, comfortably ensconced in their warm stove corner. She made swift obeisance with her hands and body before those ancient idols. A slant of suns.h.i.+ne swept in from the high windows and fell over her in a shaft of light. The thoughts of her heart were all warm and mixed and confused. She was happy. She loved her kitchen, her G.o.ds, all the familiar ways of Chinese life. She loved her silken, satin clothes, perfumed and embroidered and orchid-crowned, yet most of all she loved her lord and master. Perhaps it was this love for him that made all the rest of life so precious, that made each bowl of white rice an oblation, each daily act a glorification. So she flung out her arms and bent her head before the kitchen G.o.ds, the symbol of her ancient happiness.

"Dong-Yung, I do not wish you to do this any more."

Dong-Yung turned, her obeisance half arrested in mid-air. Foh-Kyung stood in the doorway.

"My lord," stammered Dong-Yung, "I did not understand your meaning."

"I know that, little Flower in my House. The new meaning is hard to understand. I, too, am but a blind child unused to the touch of the road. But the kitchen G.o.ds matter no more; we pray to a spirit."

Foh-Kyung, in his long apricot-colored garment, crossed the threshold of the kitchen, crossed the shadow and sunlight that striped the bare board floor, and stood before the kitchen G.o.ds. His eyes were on a level with theirs, strange, painted wooden eyes that stared forth inscrutably into the eating centuries. Dong-Yung stood half bowed, breathless with a quick, cold fear. The cook, one hand holding a s.h.i.+ny brown dipper, the other a porcelain dish, stood motionless at the wooden table under the window. From behind the stove peeped the frightened face of one of the fire-tenders. The whole room was turned to stone, motionless, expectant, awaiting the releasing moment of arous.e.m.e.nt--all, that is, but the creeping suns.h.i.+ne, sliding nearer and nearer the crossed feet of the kitchen G.o.ds; and the hissing steam fire, warming, coddling the hearts of the G.o.ds. Sun at their feet, fire at their hearts, food before them, and mortals turned to stone!

Foh-Kyung laughed softly, standing there, eye-level with the kitchen G.o.ds. He stretched out his two hands, and caught a G.o.d in each. A shudder ran through the motionless room.

"It is wickedness!" The porcelain dish fell from the hand of the cook, and a thousand rice-kernels, like scattered pearls, ran over the floor.

"A blasphemer," the fire-tender whispered, peering around the stove with terrified eyes. "This household will bite off great bitterness."

Foh-Kyung walked around the corner of the stove. The fire sparked and hissed. The suns.h.i.+ne filled the empty niche. Not since the building of the house and the planting of the tall black cypress trees around it, a hundred years ago, had the sunlight touched the wall behind the kitchen G.o.ds.

Dong-Yung sprang into life. She caught Foh-Kyung's sleeve.

"O my Lord and Master, I pray you, do not utterly cast them away into the burning, fiery furnace! I fear some evil will befall us."

Foh-Kyung, a green-and-gold G.o.d in each hand, stopped and turned. His eyes smiled at Dong-Yung. She was so little and so precious and so afraid! Dong-Yung saw the look of relenting. She held his sleeve the tighter.

"Light of my Eyes, do good deeds to me. My faith is but a little faith.

How could it be great unto thy great faith? Be gentle with my kitchen G.o.ds. Do not utterly destroy them. I will hide them."

Foh-Kyung smiled yet more, and gave the plaster G.o.ds into her hands as one would give a toy to a child.

"They are thine. Do with them as thou wilt, but no more set them up in this stove corner and offer them morning rice. They are but painted, plastered G.o.ds. I wors.h.i.+p the spirit above."

Foh-Kyung sat down at the men's table in the men's room beyond. An amah brought him rice and tea. Other men of the household there was none, and he ate his meal alone. From the women's room across the court came a shrill round of voices. The voice of the great wife was loudest and shrillest. The voices of the children, his sons and daughters, rose and fell with clear childish insistence among the older voices. The amah's voice laughed with an equal gaiety.

Dong-Yung hid away the plastered green-and-gold G.o.ds. Her heart was filled with a delicious fear. Her lord was even master of the G.o.ds. He picked them up in his two hands, he carried them about as carelessly as a man carries a boy child astride his shoulder; he would even have cast them into the fire! Truly, she s.h.i.+vered with delight. Nevertheless, she was glad she had hidden them safely away. In the corner of the kitchen stood a box of white pigskin with beaten bra.s.s clasps made like the outspread wings of a b.u.t.terfly. Underneath the piles of satin she had hidden them, and the key to the b.u.t.terfly clasps was safe in her belt-jacket.

Dong-Yung stood in the kitchen door and watched Foh-Kyung.

"Does my lord wish for anything?"

Foh-Kyung turned, and saw her standing there in the doorway. Behind her were the white stove and the sun-filled, empty niche. The light flooded through the doorway. Foh-Kyung set down his rice-bowl from his left hand and his ivory chop-sticks from his right. He stood before her.

"Truly, Dong-Yung, I want thee. Do not go away and leave me. Do not cross to the eating-room of the women and children. Eat with me."

"It has not been heard of in the Middle Kingdom for a woman to eat with a man."

"Nevertheless, it shall be. Come!"

Dong-Yung entered slowly. The light in this dim room was all gathered upon the person of Foh-Kyung, in the gleaming patterned roses of his gown, in his deep amethyst ring, in his eyes. Dong-Yung came because of his eyes. She crossed the room slowly, swaying with that peculiar grace of small-footed women, till she stood at the table beside Foh-Kyung. She was now even more afraid than when he would have cast the kitchen G.o.ds into the fire. They were but G.o.ds, kitchen G.o.ds, that he was about to break; this was the primeval bondage of the land, ancient custom.

"Give me thy hand and look up with thine eyes and thy heart."

Dong-Yung touched his hand. Foh-Kyung looked up as if he saw into the ether beyond, and there saw a spirit vision of ineffable radiance. But Dong-Yung watched him. She saw him transfigured with an inner light. His eyes moved in prayer. The exaltation spread out from him to her, it tingled through their finger-tips, it covered her from head to foot.

Foh-Kyung dropped her hand and moved. Dong-Yung leaned nearer.

"I, too, would believe the Jesus way."

In the peculiar quiet of mid-afternoon, when the shadows begin to creep down from the eaves of the paG.o.das and zigzag across the rice-fields to bed, Foh-Kyung and Dong-Yung arrived at the camp-ground of the foreigners. The lazy native streets were still dull with the end of labor. At the gate of the camp-ground the rickshaw coolies tipped down the bamboo shafts, to the ground. Dong-Yung stepped out quickly, and looked at her lord and master. He smiled.

"Nay, I do not fear," Dong-Yung answered, with her eyes on his face.

"Yet this place is strange, and lays a coldness around my heart."

"Regard not their awkward ways," said Foh-Kyung as he turned in at the gate; "in their hearts they have the secret of life."

The gate-keeper bowed, and slipped the coin, warm from Foh-Kyung's hand, into his ready pocket.

"Walk beside me, little Wife of my Heart." Foh-Kyung stopped in the wide graveled road and waited for Dong-Yung. Standing there in the sunlight, more vivid yet than the light itself, in his imperial yellow robes, he was the end of life, nay, life itself, to Dong-Yung. "We go to the house of the foreign priest to seek until we find the foreign G.o.d. Let us go side by side."

Dong-Yung, stepping with slow, small-footed grace, walked beside him.

"My understanding is as the understanding of a little child, beloved Teacher; but my heart lies like a sh.e.l.l in thy hand, its words but as the echo of thine. My honor is great that thou do not forget me in the magnitude of the search."

Dong-Yung's pleated satin skirts swayed to and fro against the imperial yellow of Foh-Kyung's robe. Her face colored like a pale spring blossom, looked strangely ethereal above her brocade jacket. Her heart still beat thickly, half with fear and half with the secret rapture of their quest and her lord's desire for her.

Foh-Kyung took a silken and ivory fan from an inner pocket and spread it in the air. Dong-Yung knew the fan well. It came from a famous jeweler's on Nanking Road, and had been designed by an old court poet of long ago.

The tiny ivory spokes were fretted like ivy-twigs in the North, but on the leaves of silk was painted a love-story of the South. There was a tea-house, with a maiden playing a lute, and the words of the song, fantastic black ideographs, floated off to the ears of her lover.

Foh-Kyung spread out its leaves in the sun, and looked at it and smiled.

"Never is the heart of man satisfied," he said, "alone. Neither when the willow fuzz flies in the spring, or when the midnight snow silvers the palms. Least of all is it satisfied when it seeks the presence of G.o.d above. I want thee beside me."

Dong-Yung hid her delight. Already for the third time he said those words--those words that changed all the world from one of a loving following-after to a marvelous oneness.

So they stepped across the lawn together. It was to Dong-Yung as if she stepped into an unknown land. She walked on flat green gra.s.s. Flowers in stiff and ordered rows went sedately round and round beneath a lurid red brick wall. A strange, square-cornered, flat-topped house squatted in the midst of the flat green gra.s.s. On the lawn at one side was a white-covered table, with a man and a woman sitting beside it. The four corners of the table-cloth dripped downward to the flat green gra.s.s. It was all very strange and ugly. Perhaps it was a garden, but no one would have guessed it. Dong-Yung longed to put each flower plant in a dragon bowl by itself and place it where the sun caught its petals one by one as the hours flew by. She longed for a narrow, tile-edged path to guide her feet through all that flat green expanse. A little s.h.i.+ver ran over her. She looked back, down the wide graveled way, through the gate, where the gate-keeper sat, tipped back against the wall on his stool, to the shop of the money-changer's opposite. A boy leaned half across the polished wood counter and shook his fist in the face of the money-changer. "Thou thief!" he cried. "Give me my two cas.h.!.+" Dong-Yung was rea.s.sured. Around her lay all the dear familiar things; at her side walked her lord and master. And he had said they were seeking a new freedom, a G.o.d of love. Her thoughts stirred at her heart and caught her breath away.

The foreigners rose to greet them. Dong-Yung touched the hand of an alien man. She did not like it at all. The foreign-born woman made her sit down beside her, and offered her bitter, strong tea in delicate, lidless cups, with handles bent like a twisted flower-branch.

"I have been meaning to call for a long time, Mrs. Li," said the foreign-born woman.