Three Plays by Granville-Barker Part 26

_Throwing down his tools_ ABUD _lifts the frail sick man and carries him towards the house_. SARAH _follows_.

ANN. [_Sobbing a little, and weary._] Such a long day it has been . .

now ending.

_She follows too._

THE FOURTH ACT

_The hall at Markswayde is square; in decoration strictly eighteenth century. The floor polished. Then comes six feet of soberly painted wainscot and above the greenish blue and yellowish green wall painted into panels. At intervals are low relief pilasters; the capitals of these are gilded. The ceiling is white and in the centre of it there is a frosted gla.s.s dome through which a dull light struggles. Two sides only of the hall are seen._

_In the corner is a hat stand and on it are many cloaks and hats and beneath it several pairs of very muddy boots._

_In the middle of the left hand wall are the double doors of the dining-room led up to by three or four stairs with bal.u.s.ters, and on either side standing against the wall long, formal, straight backed sofas._

_In the middle of the right hand wall is the front door; gla.s.s double doors can be seen and there is evidently a porch beyond. On the left of the front door a small window. On the right a large fireplace, in which a large fire is roaring. Over the front door, a clock (the hands pointing to half-past one.) Over the fireplace a family portrait (temp.

Queen Anne) below this a blunderbuss and several horse-pistols. Above the sofa full-length family portraits (temp. George I.) Before the front door a wooden screen, of lighter wood than the wainscot, and in the middle of it a small gla.s.s panel. Before this a heavy square table on which are whips and sticks, a hat or two and brushes; by the table a wooden chair. On either side the fire stand tall closed-in armchairs, and between the fireplace and the door a smaller red-baize screen._

_When the dining-room doors are thrown open another wooden screen is to be seen._

_There are a few rugs on the floor, formally arranged._

MRS. OPIE _stands in the middle of the hall, holding out a woman's brown cloak: she drops one side to fetch out her handkerchief and apply it to her eye_. DIMMUCK _comes in by the front door, which he carefully closes behind him. He is wrapped in a hooded cloak and carries a pair of boots and a newspaper. The boots he arranges to warm before the fire. Then he spreads the Chronicle newspaper upon the arm of a chair, then takes off his cloak and hangs it upon a peg close to the door._

DIMMUCK. Mrs. Opie . . will you look to its not scorching?

MRS. OPIE _still mops her eyes_. DIMMUCK _goes towards the dining-room door, but turns_.

DIMMUCK. Will you kindly see that the _Chronicle_ newspaper does not burn?

MRS. OPIE. I was crying.

DIMMUCK. I leave this tomorrow sennight . . thankful, ma'am, to have given notice in a dignified manner.

MRS. OPIE. I understand . . Those persons at table . .

DIMMUCK. You give notice.

MRS. OPIE. Mr. Dimmuck, this is my home.

LORD ARTHUR CARP _comes out of the dining-room. He is a thinner and more earnest-looking edition of his brother_. MRS. OPIE _turns a chair and hangs the cloak to warm before the fire, and then goes into the dining-room_.

LORD ARTHUR. My chaise round?

DIMMUCK. I've but just ordered it, my lord. Your lords.h.i.+p's man has give me your boots.

LORD ARTHUR. Does it snow?

DIMMUCK. Rather rain than snow.

LORD ARTHUR _takes up the newspaper_.

DIMMUCK. Yesterday's, my lord.

LORD ARTHUR. I've seen it. The mails don't hurry hereabouts. Can I be in London by the morning?

DIMMUCK. I should say you might be, my lord.

LORD ARTHUR _sits by the fire, while_ DIMMUCK _takes off his pumps and starts to put on his boots_.

LORD ARTHUR. Is this a horse called "Ronald?"

DIMMUCK. Which horse, my lord?

LORD ARTHUR. Which I'm to take back with me . . my brother left here. I brought the mare he borrowed.

DIMMUCK. I remember, my lord. I'll enquire.

LORD ARTHUR. Tell Parker . .

DIMMUCK. Your lords.h.i.+p's man?

LORD ARTHUR. . . he'd better ride the beast.

SARAH _comes out of the dining-room. He stands up; one boot, one shoe._

SARAH. Please put on the other.

LORD ARTHUR. Thank you . . I am in haste.

SARAH. To depart before the bride's departure.

LORD ARTHUR. Does the bride go with the bridegroom?

SARAH. She goes away.

LORD ARTHUR. I shall never see such a thing again.

SARAH. I think this entertainment is unique.

LORD ARTHUR. Any commissions in town?

SARAH. Why can't you stay to travel with us tomorrow and talk business to Papa by the way?

DIMMUCK _carrying the pumps and after putting on his cloak goes out through the front door. When it is closed, her voice changes._