The Politeness of Princes, and Other School Stories Part 13

Presently Mr. Appleby's manner changed. "I am a funny dog, I know," he seemed to say; "but duty is duty, and must be done."

"How many lines have you at your house, Dunstable?" he asked.

"About eight hundred, sir."

"Then you had better write me eight hundred lines, and show them up to me in this room at--shall we say at ten minutes to five? It is now a quarter to, so that you will have plenty of time."

Dunstable went, and returned five minutes later, bearing an armful of ma.n.u.script.

"I don't think I shall need to count them," said Mr. Appleby. "Kindly take them in batches of ten sheets, and tear them in half, Dunstable."

"Yes, sir."

The last sheet fluttered in two sections into the surfeited waste-paper basket.

"It's an awful waste, sir," said Dunstable regretfully.

Mr. Appleby beamed.

"We must, however," he said, "always endeavour to look on the bright side, Dunstable. The writing of these eight hundred lines will have given you a fine grip of the rhythm of Virgil, the splendid prose of Victor Hugo, and the unstudied majesty of the Greek Numerals. Good-night, Dunstable."

"Good-night, sir," said the President of the Locksley Lines Supplying Trust, Ltd.

THE AUTOGRAPH HUNTERS

Dunstable had his reasons for wis.h.i.+ng to obtain Mr. Montagu Watson's autograph, but admiration for that gentleman's novels was not one of them.

It was nothing to him that critics considered Mr. Watson one of the most remarkable figures in English literature since Scott. If you had told him of this, he would merely have wondered in his coa.r.s.e, material way how much Mr. Watson gave the critics for saying so. To the reviewer of the _Weekly Booklover_ the great man's latest effort, "The Soul of Anthony Carrington" (Popgood and Grooly: 6s.) seemed "a work that speaks eloquently in every line of a genius that time cannot wither nor custom stale." To Dunstable, who got it out of the school library, where it had been placed at the request of a literary prefect, and read the first eleven pages, it seemed rot, and he said as much to the librarian on returning it.

Yet he was very anxious to get the novelist's autograph. The fact was that Mr. Day, his house-master, a man whose private life was in other ways unstained by vicious habits, collected autographs. Also Mr. Day had behaved in a square manner towards Dunstable on several occasions in the past, and Dunstable, always ready to punish bad behaviour in a master, was equally anxious to reward and foster any good trait which he might exhibit.

On the occasion of the announcement that Mr. Watson had taken the big white house near Chesterton, a couple of miles from the school, Mr.

Day had expressed in Dunstable's hearing a wish that he could add that celebrity's signature to his collection. Dunstable had instantly determined to play the part of a benevolent Providence. He would get the autograph and present it to the house-master, as who should say, "see what comes of being good." It would be pleasant to observe the innocent joy of the recipient, his child-like triumph, and his amazement at the donor's ingenuity in securing the treasure. A touching scene--well worth the trouble involved in the quest.

And there would be trouble. For Mr. Montagu Watson was notoriously a foe to the autograph-hunter. His curt, type-written replies (signed by a secretary) had damped the ardour of scores of brave men and--more or less--fair women. A genuine Montagu Watson was a prize in the autograph market.

Dunstable was a man of action. When Mark, the boot-boy at Day's, carried his burden of letters to the post that evening, there nestled among them one addressed to M. Watson, Esq., The White House, Chesterton. Looking at it casually, few of his friends would have recognised Dunstable's handwriting. For it had seemed good to that man of guile to adopt for the occasion the role of a backward youth of twelve years old. He thought tender years might touch Mr. Watson's heart.

This was the letter:

_Dear Sir_,--I am only a littel boy, but I think your books ripping. I often wonder how you think of it all. Will you please send me your ortograf? I like your books very much. I have named my white rabit Montagu after you. I punched Jones II in the eye to-day becos he didn't like your books. I have spent the only penny I have on the stampe for this letter which I might have spent on tuck. I want to be like Maltby in "The Soul of Anthony Carrington" when I grow up.

_Your sincere reader_, P. A. Dunstable.

It was a little unfortunate, perhaps, that he selected Maltby as his ideal character. That gentleman was considered by critics a masterly portrait of the cynical _roue_. But it was the only name he remembered.

"Hot stuff!" said Dunstable to himself, as he closed the envelope.

"Little beast!" said Mr. Watson to himself as he opened it. It arrived by the morning post, and he never felt really himself till after breakfast.

"Here, Morrison," he said to his secretary, later in the morning: "just answer this, will you? The usual thing--thanks and most deeply grateful, y'know."

Next day the following was included in Dunstable's correspondence:

Mr. Montagu Watson presents his compliments to Mr. P. A. Dunstable, and begs to thank him for all the kind things he says about his work in his letter of the 18th inst., for which he is deeply grateful.

"Foiled!" said Dunstable, and went off to Seymour's to see his friend Linton.

"Got any notepaper?" he asked.

"Heaps," said Linton. "Why? Want some?"

"Then get out a piece. I want to dictate a letter."

Linton stared.

"What's up? Hurt your hand?"

Dunstable explained.

"Day collects autographs, you know, and he wants Montagu Watson's badly. Pining away, and all that sort of thing. Won't smile until he gets it. I had a shot at it yesterday, and got this."

Linton inspected the doc.u.ment.

"So I can't send up another myself, you see."

"Why worry?"

"Oh, I'd like to put Day one up. He's not been bad this term. Come on."

"All right. Let her rip."

Dunstable let her rip.

_Dear Sir_,--I cannot refrain from writing to tell you what an inestimable comfort your novels have been to me during years of sore tribulation and distress----

"Look here," interrupted Linton with decision at this point. "If you think I'm going to shove my name at the end of this rot, you're making the mistake of a lifetime."

"Of course not. You're a widow who has lost two sons in South Africa.

We'll think of a good name afterwards. Ready?

"Ever since my darling Charles Herbert and Percy Lionel were taken from me in that dreadful war, I have turned for consolation to the pages of 'The Soul of Anthony Carrington' and----"

"What, another?" asked Linton.