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A Protegee of Jack Hamlin's, and Other Stories Part 2

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"Yes, yes, I got it all. I haven't touched it. I don't want it. For I can't live on you. Don't you understand,--I want to work. Listen,--I can draw and paint. Madame Bance says I do it well; my drawing-master says I might in time take portraits and get paid for it. And even now I can retouch photographs and make colored miniatures from them. And," she stopped and glanced at Jack half-timidly, "I've--done some already."

A glow of surprised relief suffused the gambler. Not so much at this astonis.h.i.+ng revelation as at the change it seemed to effect in her. Her pale blue eyes, made paler by tears, cleared and brightened under their swollen lids like wiped steel; the lines of her depressed mouth straightened and became firm. Her voice had lost its hopeless monotone.

"There's a shop in the next street,--a photographer's,--where they have one of mine in their windows," she went on, rea.s.sured by Jack's unaffected interest. "It's only round the corner, if you care to see."

Jack a.s.sented; a few paces farther brought them to the corner of a narrow street, where they presently turned into a broader thoroughfare and stopped before the window of a photographer. Sophy pointed to an oval frame, containing a portrait painted on porcelain. Mr. Hamlin was startled. Inexperienced as he was, a certain artistic inclination told him it was good, although it is to be feared he would have been astonished even if it had been worse. The mere fact that this headstrong country girl, who had run away with a cur like Stratton, should be able to do anything else took him by surprise.

"I got ten dollars for that," she said hesitatingly, "and I could have got more for a larger one, but I had to do that in my room, during recreation hours. If I had more time and a place where I could work"--she stopped timidly and looked tentatively at Jack. But he was already indulging in a characteristically reckless idea of coming back after he had left Sophy, buying the miniature at an extravagant price, and ordering half a dozen more at extraordinary figures. Here, however, two pa.s.sers-by, stopping ostensibly to look in the window, but really attracted by the picturesque spectacle of the handsome young rustic and his schoolgirl companion, gave Jack such a fright that he hurried Sophy away again into the side street. "There's nothing mean about that picture business," he said cheerfully; "it looks like a square kind of game," and relapsed into thoughtful silence.

At which, Sophy, the ice of restraint broken, again burst into pa.s.sionate appeal. If she could only go away somewhere--where she saw no one but the people who would buy her work, who knew nothing of her past nor cared to know who were her relations! She would work hard; she knew she could support herself in time. She would keep the name he had given her,--it was not distinctive enough to challenge any inquiry,--but nothing more. She need not a.s.sume to be his niece; he would always be her kind friend, to whom she owed everything, even her miserable life.

She trusted still to his honor never to seek to know her real name, nor ever to speak to her of that man if he ever met him. It would do no good to her or to them; it might drive her, for she was not yet quite sure of herself, to do that which she had promised him never to do again.

There was no threat, impatience, or acting in her voice, but he recognized the same dull desperation he had once heard in it, and her eyes, which a moment before were quick and mobile, had become fixed and set. He had no idea of trying to penetrate the foolish secret of her name and relations; he had never had the slightest curiosity, but it struck him now that Stratton might at any time force it upon him. The only way that he could prevent it was to let it be known that, for unexpressed reasons, he would shoot Stratton "on sight." This would naturally restrict any verbal communication between them. Jack's ideas of morality were vague, but his convictions on points of honor were singularly direct and positive.

III.

Meantime Hamlin and Sophy were pa.s.sing the outskirts of the town; the open lots and cleared s.p.a.ces were giving way to gra.s.sy stretches, willow copses, and groups of cottonwood and sycamore; and beyond the level of yellowing tules appeared the fringed and raised banks of the river.

Half tropical looking cottages with deep verandas--the homes of early Southern pioneers--took the place of incomplete blocks of modern houses, monotonously alike. In these sylvan surroundings Mr. Hamlin's picturesque rusticity looked less incongruous and more Arcadian; the young girl had lost some of her restraint with her confidences, and lounging together side by side, without the least consciousness of any sentiment in their words or actions, they nevertheless contrived to impress the spectator with the idea that they were a charming pair of pastoral lovers. So strong was this impression that, as they approached Aunt Chloe's laundry, a pretty rose-covered cottage with an enormous whitewashed barn-like extension in the rear, the black proprietress herself, standing at the door, called her husband to come and look at them, and flashed her white teeth in such unqualified commendation and patronage that Mr. Hamlin, withdrawing himself from Sophy's side, instantly charged down upon them.

"If you don't slide the lid back over that grinning box of dominoes of yours and take it inside, I'll just carry Hannibal off with me," he said in a quick whisper, with a half-wicked, half-mischievous glitter in his brown eyes. "That young lady's--A LADY--do you understand? No riffraff friend of mine, but a regular NUN--a saint--do you hear? So you just stand back and let her take a good look round, and rest herself, until she wants you." "Two black idiots, Miss Brown," he continued cheerfully in a higher voice of explanation, as Sophy approached, "who think because one of 'em used to shave me and the other saved my life they've got a right to stand at their humble cottage door and frighten horses!"

So great was Mr. Hamlin's ascendency over his former servants that even this ingenious pleasantry was received with every sign of affection and appreciation of the humorist, and of the profound respect for his companion. Aunt Chloe showed them effusively into her parlor, a small but scrupulously neat and sweet-smelling apartment, inordinately furnished with a huge mahogany centre-table and chairs, and the most fragile and meretricious china and gla.s.s ornaments on the mantel. But the three jasmine-edged lattice windows opened upon a homely garden of old-fas.h.i.+oned herbs and flowers, and their fragrance filled the room.

The cleanest and starchiest of curtains, the most dazzling and whitest of tidies and chair-covers, bespoke the adjacent laundry; indeed, the whole cottage seemed to exhale the odors of lavender soap and freshly ironed linen. Yet the cottage was large for the couple and their a.s.sistants. "Dar was two front rooms on de next flo' dat dey never used," explained Aunt Chloe; "friends allowed dat dey could let 'em to white folks, but dey had always been done kep' for Ma.r.s.e Hamlin, ef he ever wanted to be wid his old n.i.g.g.e.rs again." Jack looked up quickly with a brightened face, made a sign to Hannibal, and the two left the room together.

When he came through the pa.s.sage a few moments later, there was a sound of laughter in the parlor. He recognized the full, round lazy chuckle of Aunt Chloe, but there was a higher girlish ripple that he did not know.

He had never heard Sophy laugh before. Nor, when he entered, had he ever seen her so animated. She was helping Chloe set the table, to that lady's intense delight at "Missy's" girlish housewifery. She was picking the berries fresh from the garden, b.u.t.tering the Sally Lunn, making the tea, and arranging the details of the repast with apparently no trace of her former discontent and unhappiness in either face or manner. He dropped quietly into a chair by the window, and, with the homely scents of the garden mixing with the honest odors of Aunt Chloe's cookery, watched her with an amus.e.m.e.nt that was as pleasant and grateful as it was strange and unprecedented.

"Now den," said Aunt Chloe to her husband, as she put the finis.h.i.+ng touch to the repast in a plate of doughnuts as exquisitely brown and s.h.i.+ning as Jack's eyes were at that moment, "Hannibal, you just come away, and let dem two white quality chillens have dey tea. Dey's done starved, shuah." And with an approving nod to Jack, she bundled her husband from the room.

The door closed; the young girl began to pour out the tea, but Jack remained in his seat by the window. It was a singular sensation which he did not care to disturb. It was no new thing for Mr. Hamlin to find himself at a tete-a-tete repast with the admiring and complaisant fair; there was a 'cabinet particulier' in a certain San Francisco restaurant which had listened to their various vanities and professions of undying faith; he might have recalled certain festal rendezvous with a widow whose piety and impeccable reputation made it a moral duty for her to come to him only in disguise; it was but a few days ago that he had been let privately into the palatial mansion of a high official for a midnight supper with a foolish wife. It was not strange, therefore, that he should be alone here, secretly, with a member of that indiscreet, loving s.e.x. But that he should be sitting there in a cheap negro laundry with absolutely no sentiment of any kind towards the heavy-haired, freckle-faced country schoolgirl opposite him, from whom he sought and expected nothing, and ENJOYING it without scorn of himself or his companion, to use his own expression, "got him." Presently he rose and sauntered to the table with s.h.i.+ning eyes.

"Well, what do you think of Aunt Chloe's shebang?" he asked smilingly.

"Oh, it's so sweet and clean and homelike," said the girl quickly. At any other time he would have winced at the last adjective. It struck him now as exactly the word.

"Would you like to live here, if you could?"

Her face brightened. She put the teapot down and gazed fixedly at Jack.

"Because you can. Look here. I spoke to Hannibal about it. You can have the two front rooms if you want to. One of 'em is big enough and light enough for a studio to do your work in. You tell that n.i.g.g.e.r what you want to put in 'em, and he's got my orders to do it. I told him about your painting; said you were the daughter of an old friend, you know.

Hold on, Sophy; d--n it all, I've got to do a little gilt-edged lying; but I let you out of the niece business this time. Yes, from this moment I'm no longer your uncle. I renounce the relations.h.i.+p. It's hard,"

continued the rascal, "after all these years and considering sister Mary's feelings; but, as you seem to wish it, it must be done."

Sophy's steel-blue eyes softened. She slid her long brown hand across the table and grasped Jack's. He returned the pressure quickly and fraternally, even to that half-shamed, half-hurried evasion of emotion peculiar to all brothers. This was also a new sensation; but he liked it.

"You are too--too good, Mr. Hamlin," she said quietly.

"Yes," said Jack cheerfully, "that's what's the matter with me. It isn't natural, and if I keep it up too long it brings on my cough."

Nevertheless, they were happy in a boy and girl fas.h.i.+on, eating heartily, and, I fear, not always decorously; scrambling somewhat for the strawberries, and smacking their lips over the Sally Lunn. Meantime, it was arranged that Mr. Hamlin should inform Miss Mix that Sophy would leave school at the end of the term, only a few days hence, and then transfer herself to lodgings with some old family servants, where she could more easily pursue her studies in her own profession. She need not make her place of abode a secret, neither need she court publicity. She would write to Jack regularly, informing him of her progress, and he would visit her whenever he could. Jack a.s.sented gravely to the further proposition that he was to keep a strict account of all the moneys he advanced her, and that she was to repay him out of the proceeds of her first pictures. He had promised also, with a slight mental reservation, not to buy them all himself, but to trust to her success with the public. They were never to talk of what had happened before; she was to begin life anew. Of such were their confidences, spoken often together at the same moment, and with their mouths full. Only one thing troubled Jack; he had not yet told her frankly who he was and what was his reputation; he had hitherto carelessly supposed she would learn it, and in truth had cared little if she did; but it was evident from her conversation that day that by some miracle she was still in ignorance.

Unable now to tell her himself, he had charged Hannibal to break it to her casually after he was gone. "You can let me down easy if you like, but you'd better make a square deal of it while you're about it. And,"

Jack had added cheerfully, "if she thinks after that she'd better drop me entirely, you just say that if she wishes to STAY, you'll see that I don't ever come here again. And you keep your word about it too, you black n.i.g.g.e.r, or I'll be the first to thrash you."

Nevertheless, when Hannibal and Aunt Chloe returned to clear away the repast, they were a harmonious party; albeit, Mr. Hamlin seemed more content to watch them silently from his chair by the window, a cigar between his lips, and the pleasant distraction of the homely scents and sounds of the garden in his senses. Allusion having been made again to the morning performance of the organ, he was implored by Hannibal to diversify his talent by exercising it on an old guitar which had pa.s.sed into that retainer's possession with certain clothes of his master's when they separated. Mr. Hamlin accepted it dubiously; it had tw.a.n.ged under his volatile fingers in more pretentious but less innocent halls.

But presently he raised his tenor voice and soft brown lashes to the humble ceiling and sang.

"Way down upon the Swanee River,"

Discoursed Jack plaintively,--

"Far, far away, Thar's whar my heart is turning ever, Thar's whar the old folks stay."

The two dusky scions of an emotional race, that had been wont to sweeten its toil and condone its wrongs with music, sat wrapt and silent, swaying with Jack's voice until they could burst in upon the chorus.

The jasmine vines trilled softly with the afternoon breeze; a slender yellow-hammer, perhaps emulous of Jack, swung himself from an outer spray and peered curiously into the room; and a few neighbors, gathering at their doors and windows, remarked that "after all, when it came to real singing, no one could beat those d----d n.i.g.g.e.rs."

The sun was slowly sinking in the rolling gold of the river when Jack and Sophy started leisurely back through the broken shafts of light, and across the far-stretching shadows of the cottonwoods. In the midst of a lazy silence they were presently conscious of a distant monotonous throb, the booming of the up boat on the river. The sound came nearer--pa.s.sed them, the boat itself hidden by the trees; but a trailing cloud of smoke above cast a momentary shadow upon their path. The girl looked up at Jack with a troubled face. Mr. Hamlin smiled rea.s.suringly; but in that instant he had made up his mind that it was his moral duty to kill Mr. Edward Stratton.

IV.

For the next two months Mr. Hamlin was professionally engaged in San Francisco and Marysville, and the transfer of Sophy from the school to her new home was effected without his supervision. From letters received by him during that interval, it seemed that the young girl had entered energetically upon her new career, and that her artistic efforts were crowned with success. There were a few Indian-ink sketches, studies made at school and expanded in her own "studio," which were eagerly bought as soon as exhibited in the photographer's window,--notably by a florid and inartistic bookkeeper, an old negro woman, a slangy stable boy, a gorgeously dressed and painted female, and the bearded second officer of a river steamboat, without hesitation and without comment. This, as Mr.

Hamlin intelligently pointed out in a letter to Sophy, showed a general and diversified appreciation on the part of the public. Indeed, it emboldened her, in the retouching of photographs, to offer sittings to the subjects, and to undertake even large crayon copies, which had resulted in her getting so many orders that she was no longer obliged to sell her drawings, but restricted herself solely to profitable portraiture. The studio became known; even its quaint surroundings added to the popular interest, and the originality and independence of the young painter helped her to a genuine success. All this she wrote to Jack. Meantime Hannibal had a.s.sured him that he had carried out his instructions by informing "Missy" of his old master's real occupation and reputation, but that the young lady hadn't "took no notice."

Certainly there was no allusion to it in her letters, nor any indication in her manner. Mr. Hamlin was greatly, and it seemed to him properly, relieved. And he looked forward with considerable satisfaction to an early visit to old Hannibal's laundry.

It must be confessed, also, that another matter, a simple affair of gallantry, was giving him an equally unusual, unexpected, and absurd annoyance, which he had never before permitted to such trivialities.

In a recent visit to a fas.h.i.+onable watering-place, he had attracted the attention of what appeared to be a respectable, matter of fact woman, the wife of a recently elected rural Senator. She was, however, singularly beautiful, and as singularly cold. It was perhaps this quality, and her evident annoyance at some unreasoning prepossession which Jack's fascinations exercised upon her, that heightened that reckless desire for risk and excitement which really made up the greater part of his gallantry. Nevertheless, as was his habit, he had treated her always with a charming unconsciousness of his own attentions, and a frankness that seemed inconsistent with any insidious approach. In fact, Mr. Hamlin seldom made love to anybody, but permitted it to be made to him with good-humored deprecation and cheerful skepticism. He had once, quite accidentally, while riding, come upon her when she had strayed from her own riding party, and had behaved with such unexpected circ.u.mspection and propriety, not to mention a certain thoughtful abstraction,--it was the day he had received Sophy's letter,--that she was constrained to make the first advances. This led to a later innocent rendezvous, in which Mrs. Camperly was impelled to confide to Mr. Hamlin the fact that her husband had really never understood her. Jack listened with an understanding and sympathy quickened by long experience of such confessions. If anything had ever kept him from marriage it was this evident incompatibility of the conjugal relations with a just conception of the feminine soul and its aspirations.

And so eventually this yearning for sympathy dragged Mrs. Camperly's clean skirts and rustic purity after Jack's heels into various places and various situations not so clean, rural, or innocent; made her miserably unhappy in his absence, and still more miserably happy in his presence; impelled her to lie, cheat, and bear false witness; forced her to listen with mingled shame and admiration to narrow criticism of his faults, from natures so palpably inferior to his own that her moral sense was confused and shaken; gave her two distinct lives, but so unreal and feverish that, with a recklessness equal to his own, she was at last ready to merge them both into his. For the first time in his life Mr. Hamlin found himself bored at the beginning of an affair, actually hesitated, and suddenly disappeared from San Francisco.

He turned up a few days later at Aunt Chloe's door, with various packages of presents and quite the air of a returning father of a family, to the intense delight of that lady and to Sophy's proud gratification. For he was lost in a profuse, boyish admiration of her pretty studio, and in wholesome reverence for her art and her astounding progress. They were also amused at his awe and evident alarm at the portraits of two ladies, her latest sitters, that were still on the easels, and, in consideration of his half-a.s.sumed, half-real bashfulness, they turned their faces to the wall. Then his quick, observant eye detected a photograph of himself on the mantel.

"What's that?" he asked suddenly.

Sophy and Aunt Chloe exchanged meaning glances. Sophy had, as a surprise to Jack, just completed a handsome crayon portrait of himself from an old photograph furnished by Hannibal, and the picture was at that moment in the window of her former patron,--the photographer.

"Oh, dat! Miss Sophy jus' put it dar fo' de lady sitters to look at to gib 'em a pleasant 'spress.h.i.+on," said Aunt Chloe, chuckling.

Mr. Hamlin did not laugh, but quietly slipped the photograph into his pocket. Yet, perhaps, it had not been recognized.

Then Sophy proposed to have luncheon in the studio; it was quite "Bohemian" and fas.h.i.+onable, and many artists did it. But to her great surprise Jack gravely objected, preferring the little parlor of Aunt Chloe, the vine-fringed windows, and the heavy respectable furniture.

He thought it was profaning the studio, and then--anybody might come in.

This unusual circ.u.mspection amused them, and was believed to be part of the boyish awe with which Jack regarded the models, the draperies, and the studies on the walls. Certain it was that he was much more at his ease in the parlor, and when he and Sophy were once more alone at their meal, although he ate nothing, he had regained all his old naivete.

Presently he leaned forward and placed his hand fraternally on her arm.

Sophy looked up with an equally frank smile.

"You know I promised to let bygones be bygones, eh? Well, I intended it, and more,--I intended to make 'em so. I told you I'd never speak to you again of that man who tried to run you off, and I intended that no one else should. Well, as he was the only one who could talk--that meant him. But the cards are out of my hands; the game's been played without me. For he's dead!"

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A Protegee of Jack Hamlin's, and Other Stories Part 2 summary

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