The Art of Disappearing Part 42

With a final embrace which brought a howl from young Horace, Edith gave the boy to the nurse and began her story of finding Horace Endicott in the son of Anne Dillon. She acted the story, admirably keeping back the points which would have grated on Sonia's instincts, or rather expectations. The lady, impressed, evidently felt a lack of something when Curran refused his interest and his concurrence to the description.

"What do you wish me to do?" said she.

"To see this Dillon and to study him, as one would a problem. The man's been playing this part, living it indeed, nearly five years. Can any one expect that the first glance will pierce his disguise? He must be watched and studied for days, and if that fetches nothing, then you must meet him suddenly, and say to him tenderly, 'at last, Horace!' If that fetches nothing, then we must go to California, and work until we get the evidence which will force him to acknowledge himself and give up his money. But by that time, if we can make sure it is he, and if we can get his money, then I would recommend one thing! Kill him!"

Sonia's eyes sparkled at the thought of that sweet murder.

"And wait another five years for all this," was her cynical remark.

"If the question is not settled this Fall, then let it go forever," said Edith with energy.

"The scheme is well enough," Sonia said lazily. "Is this Arthur Dillon handsome, a das.h.i.+ng blade?"

"Better," murmured Edith with a smack of her lips, "a virtuous sport, who despises the s.e.x in a way, and can master woman by a look. He is my master. And I hate him! It will be worth your time to see him and meet him."

"And now you," to Curran.

Sonia did not know, nor care why Edith hated Dillon.

"I protest, Sonia. He will put a spell on you, and spoil our chances.

Let him talk later when we have succeeded or failed."

"Nonsense, you fool. I must hear both sides, but I declare now that I submit myself to you wholly. What do you say, Curran?"

"Just this, madam: if this man Arthur Dillon is really your husband, then he's too clever to be caught by any power in this world. Any way you choose to take it, you will end as this search has always ended."

"Why do you think him so clever? My Horace was anything but clever ...

at least we thought so ... until now."

"Until he has foiled every attempt to find him," said Curran. "Colette has her own ideas, but she has kept back all the details that make or unmake a case. She is so sure of her instincts! No doubt they are good."

"But not everything, hey?" said the lady tenderly. "Ah, a woman's instincts lead her too far sometimes...." they all laughed. "Well, give me the details Colette left out. No winking at each other. I won't raise a hand in this matter until I have heard both sides."

"This Arthur Dillon is Irish, and lives among the Irish in the old-fas.h.i.+oned Irish way, half in the slums, and half in the swell places...."

"_Mon Dieu_, what is this I hear! The Iris.h.!.+ My Horace live among the Iris.h.!.+ That's not the man. He could live anywhere, among the Chinese, the Indians, the n.i.g.g.e.rs, but with that low cla.s.s of people, never!" and she threw up her hands in despair. "Did I come from Boston to pursue a low Irishman!"

"You see," cried Edith. "Already he has cast his spell on you. He doesn't believe I have found your man, and he won't let you believe it.

Can't you see that this Horace went to the very place where you were sure he would not go?"

"You cannot tell him now from an Irishman," continued the detective. "He has an Irish mother, he is a member of Tammany Hall, he is a politician who depends on Irish voters, he joined the Irish revolutionists and went over the sea to fight England, and he's in love with an Irish girl."

"Shocking! Horace never had any taste or any sense, but I know he detested the Irish around Boston. I can't believe it of him. But, as Colette says truly, he would hide himself in the very place where we least think of looking for him."

"Theories have come to nothing," screamed Edith, until the lady placed her hands on her ears. "Skill and training and coolness and all that rot have come to nothing. Because I hate Arthur Dillon I have discovered Horace Endicott. Now I want to see your eyes looking at this man, eyes with hate in them, and with murder in them. They will discover more than all the stupid detectives in the country. See what hate did for Horace Endicott. He hated you, and instead of murdering you he learned to torture you. He hated you, and it made him clever. Oh, hate is a great teacher! This fool of mine loves Arthur Dillon, because he is a patriot and hates England. Hate breeds cleverness, it breeds love, it opens the mind, it will dig out Horace Endicott and his fortune, and enrich us all."

"La, but you are strenuous," said the lady placidly, but impressed. She was a shallow creature in the main, and Curran compared his little wife, eloquent, glowing with feeling, dainty as a flame, to the slower-witted beauty, with plain admiration in his gaze. She deserves to succeed, he thought. Sonia came to a conclusion, languidly.

"We must try the eyes of hate," was her decision.

The pursuit of Arthur proved very interesting. The detective knew his habits of labor and amus.e.m.e.nt, his public haunts and loitering-places.

Sonia saw him first at the opera, modestly occupying a front seat in the balcony.

"Horace would never do that when he could get a box," and she leveled her gla.s.s at him.

Edith mentally dubbed her a fool. However, her study of the face and figure and behavior of the man showed care and intelligence. Edith's preparation had helped her. She saw a lean, nervous young man, whose flowing black hair and full beard were streaked with gray. His dark face, hollow in the cheeks and not too well-colored with the glow of health, seemed to get light and vivacity from his melancholy eyes.

Seriousness was the characteristic expression. Once he laughed, in the whole evening. Once he looked straight into her face, with so fixed, so intense an expression, so near a gaze, so intimate and penetrating, that she gave a low cry.

"You have recognized him?" Edith whispered mad with joy.

"No, indeed," she answered sadly, "That is not Horace Endicott. Not a feature that I recall, certainly no resemblance. I was startled because I saw just now in his look, ... he looked towards me into the gla.s.s ...

an expression that seemed familiar ... as if I had seen it before, and it had hurt me then as it hurts me now."

"There's a beginning," said Edith with triumph. "Next time for a nearer look."

"Oh, he could never have changed so," Sonia cried with bitterness of heart.

Curran secured tickets for a ball to be held by a political a.s.sociation in the Cherry Hill district, and placed the ladies in a quiet corner of the gallery of the hall. Arthur Dillon, as a leading spirit in the society, delighted to mingle with the homely, sincere, warm-hearted, and simple people for whom this occasion was a high festival; and nowhere did his sorrow rest so lightly on his soul, nowhere did he feel so keenly the delight of life, or give freer expression to it. Edith kept Sonia at the highest pitch of excitement and interest.

"Remember," she said now, "that he probably knows you are in town, that you are here watching him; but not once will he look this way, nor do a thing other than if you were miles away. My G.o.d, to be an actor like that!"

The actor played his part to perfection and to the utter disappointment of the women. The serious face shone now with smiles and color, with the flash of wit and the play of humor. Horace Endicott had been a merry fellow, but a Quaker compared with the b.u.t.terfly swiftness and gaiety of this young man, who led the grand march, flirted with the damsels and chatted with the dames, danced as often as possible, joked with the men, found partners for the unlucky, and touched the heart of every rollicking moment. The old ladies danced jigs with him, proud to their marrow of the honor, and he allowed himself ... Sonia gasped at the sight ... to execute a wild Irish _pas seul_ amid the thunderous applause of the hearty and adoring company.

"That man Horace Endicott!" she exclaimed with contempt. "Bah! But it's interesting, of course."

"What a compliment! what acting! oh, incomparable man!" said Edith, enraged at his success before such an audience. Her husband smiled behind his hand.

"You have a fine imagination, Colette, but I would not give a penny for your instinct," said Sonia.

"My instinct will win just the same, but I fear we shall have to go to California. This man is too clever for commonplace people."

"Arthur Dillon is a fine orator," said Curran mischievously, "and to-morrow night you shall hear him at his best on the sorrows of Ireland."

Sonia laughed heartily and mockingly. Were not these same sorrows, from their constancy and from repet.i.tion, become the joke of the world?

Curran could have struck her evil face for the laugh.

"Was your husband a speaker?" he asked.

"Horace would not demean himself to talk in public, and he couldn't make a speech to save his life. But to talk on the sorrows of Ireland ... oh, it's too absurd."

"And why not Ireland's sorrows as well as those of America, or any other country?" he replied savagely.

"Oh, I quite forgot that you were Irish ... a thousand pardons," she said with sneering civility. "Of course, I shall be glad to hear his description of the sorrows. An orator! It's very interesting."

The occasion for the display of Arthur's powers was one of the numerous meetings for which the talking Irish are famous all over the world, and in which their clever speakers have received fine training. Even Sonia, impressed by the enthusiasm of the gathering, and its esteem for Dillon, could not withhold her admiration. Alas, it was not her Horace who poured out a volume of musical tone, vigorous English, elegant rhetoric, with the expression, the abandonment, the picturesqueness of a great actor. She shuddered at his descriptions, her heart melted and her eyes moistened at his pathos, she became filled with wonder. It was not Horace! Her husband might have developed powers of eloquence, but would have to be remade to talk in that fas.h.i.+on of any land. This Dillon had terrible pa.s.sion, and her Horace was only a a handsome fool. She could have loved Dillon.

"So you will have to arrange the little scene where I shall stand before him without warning, and murmur tenderly, 'at last, Horace!' And it must be done without delay," was her command to Edith.

"It can be done perhaps to-morrow night," Edith said in a secret rage, wondering what Arthur Dillon could have seen in Sonia. "But bear in mind why I am doing this scene, with the prospects of a furious time afterwards with Dillon. I want you to see him asleep, just for ten minutes, in the light of a strong lamp. In sleep there is no disguise.