The Gay Cockade Part 21

"And this Christmas I had nothing to give them--but a red candle to light their room.

"When I got into your car it was just for the adventure. To breathe for a moment the air I once breathed--to fancy that Marion's ghost might sit beside me for one little moment, as she will sit beside you to the end of your days.

"I have played all roles but that of robber--but when I saw the things that you had bought with Marion's money for Marion's children--it went to my head--and I wanted them in the worst way for those poor kiddies--who haven't any dolls or Christmas dinners.

"I am playing Santa Claus for them to-night. I shall take the things down and leave them in their poor rooms. It will be up to you to come and take them away. It will be up to you, too, to give this note to the police and steal my freedom.

"You used to be a good sport, Whiting. I have nothing against you except that you stole Marion--perhaps this will square our accounts. And if your children are, because of me, without their dolls to-morrow, you can remember this, that the kiddies are happy below stairs--since d.i.c.k Turpin dwells aloft!

"From among the rest I have chosen for myself a squat bottle, a box of biscuits, and a tin of the little imported sausages that you taught me to like.

"Well, my dear fellow, happy days! To-morrow morning I shall breakfast at your expense, unless you shall decide that I must breakfast behind bars.

"If you should come to-night, you will find in the window a red candle s.h.i.+ning. They have put it there to guide St. Nicholas and a certain Fluffy Ruffles doll!

"Ever yours, "Tony."

He found an envelope, sealed, and addressed it. Then he went to work.

Four trips he made down the stairs. Four times he tiptoed into the shadowed room, where the long red candle burned. And when he turned to take a last look there on the table beside the tree stood the blue doll for Milly and the Fluffy Ruffles doll for p.u.s.s.y and the rattles and rings and blocks for the baby, and on the chairs and the shelf above the tree were the other things--the great cake and the fruit and the big basket and the boxes of candy.

And for the little mother there were the violets and a note:

"The red candle winked at your window and brought me in. It is useless to search for me--for now and then a Prince pa.s.ses and goes on. And he is none the less a Prince because you do not know him."

And now there was that other note to deliver. Out in the cold once more, he found the moon gone and the snow falling. As he pa.s.sed the saint on the old church, it seemed to smile down at him. The towers and gables were sheeted with white. His footsteps made no sound on the padded streets.

He left the note at Whiting's door. He fancied that, as the footman held it open, he saw Marion s.h.i.+ning on the stairs!

He was glad after that to get home and to bed, and to the warmth of his blanket. There was the warmth, too, of the wine.

In a little while he was asleep. On the table by his untidy bed was the box of biscuits and the bottle and the tin of tiny sausages.

If all went well he would feast like a lord on Christmas morning!

RETURNED GOODS

Perhaps the most humiliating moment of Dulcie Cowan's childhood had been when Mary Dean had called her Indian giver. Dulcie was a child of affluence. She had always had everything she wanted; but she had not been spoiled. She had been brought up beautifully and she had been taught to consider the rights of others. She lived in an old-fas.h.i.+oned part of an old city, and her family was churchly and conscientious.

Indeed, so well-trained was Dulcie's conscience that it often caused her great unhappiness. It seemed to her that her life was made up largely of denying herself the things she wanted. She was tied so rigidly to the golden rule that her own rights were being constantly submerged in the consideration of the rights of others.

So it had happened that when she gave to Mary Dean a certain lovely doll, because her mother had suggested that Dulcie had so many and Mary so few, Dulcie had spent a night of agonized loneliness. Then she had gone to Mary.

"I want my Peggy back."

"You gave her to me."

"But I didn't know how much I loved her, Mary. I'll buy you a nice new doll, but I want my Peggy back."

It was then that Mary had called her Indian giver. Mary had been a st.u.r.dy little thing with tight-braided brown hair. She had worn on that historic occasion a plain blue gingham with a white collar. To the ordinary eye she seemed just an every-day freckled sort of child, but to Dulcie she had been a little dancing devil, as she had stuck out her forefinger and jeered "Indian giver!"

Dulcie had held to her point and had carried her Peggy off in triumph.

Mary, with characteristic independence, had refused to accept the beautiful doll which Dulcie bought with the last cent of her allowance and brought as a peace offering. In later years they grew to be rather good friends. They might, indeed, have been intimate, if it had not been for Dulcie's money and Mary's dislike of anything which savored of patronage.

It was Mary's almost boyish independence that drew Mills Richardson to her. Mills wrote books and was the editor of a small magazine. He came to board with Mary's mother because of the quiet neighborhood. He was rather handsome in a dark slender fas.h.i.+on. He had the instincts of a poet, and he was not in the least practical. He needed a prop to lean on, and Mary gradually became the prop.

She was teaching by that time, but she helped her mother with the boarders. When Mills came in late at night she would have something for him in the dining-room--oysters or a club sandwich or a pot of coffee--and she and her mother and Mills would have a cozy time of it.

In due season Mills asked her to marry him, and his dreams had to do with increased snugness and with shelter from the outside world.

They had been engaged three months when Dulcie came home from college.

There was nothing independent or practical about Dulcie. She was a real romantic lady, and she appealed to Mills on the aesthetic side. He saw her first in church with the light s.h.i.+ning on her from a stained-gla.s.s window. In the middle of that same week Mrs. Cowan gave a garden party as a home-coming celebration for her daughter. Dulcie wore embroidered white and a floppy hat, and her eyes when she talked to Mills were wors.h.i.+pful.

He found himself swayed at last by a grand pa.s.sion. He thought of Dulcie by day and dreamed of her by night. Then he met her by accident one afternoon on Connecticut Avenue, and they walked down together to the Speedway, where the willows were blowing in the wind and the water was ruffled; and there with the s.h.i.+ning city back of them and the Virginia hills ahead, Mills, flaming, declared his pa.s.sion, and Dulcie, trembling, confessed that she too cared.

Mills grew tragic: "Oh, my beloved, have you come too late?"

Dulcie had not heard of his engagement to Mary. Mills told her, and that settled it. She had very decided ideas on such matters. A man had no right to fall in love with two women. If such a thing happened, there was only one way out of it. He had given his promise and he must keep it. He begged, but could not shake her. She cared a great deal, but she would not take him away from Mary.

Mary knew nothing of what had occurred; she thought that Mills was working too hard. She was working hard herself, but she was very happy.

She had a hope chest and sat up sewing late o' nights.

Before Mary and Mills were married Dulcie's mother died, and Dulcie went abroad to live with an aunt. Five years later she married an American living in Paris. He was much older than she, and it was rumored that she was not happy. Ten years after her marriage she returned to Was.h.i.+ngton a widow.

It was at once apparent that she had changed. She wore charming but sophisticated clothes, made on youthful lines so that she seemed nearer twenty-five than thirty-five. Her hair was still soft and s.h.i.+ning. She had been a pretty girl, she was a beautiful woman. But the greatest change was in her att.i.tude toward life. In Paris her golden-rule philosophy had been turned topsy-turvy.

Hence when she met Mills and found the old flames lighted in his eyes, she stirred the ashes of her dead romance and discovered a spark. It was pleasant after that to talk with him in dim corners at people's houses.

Now and then she invited him and Mary to her own big house with plenty of other guests, so that she was not missed if she walked with Mills in the garden. She meant no harm and she was really fond of Mary.

The years had not been so kind to Mills as to Dulcie. They had stolen some of his slenderness, and his hair was thin at the back. But he wrote better books, and it was Mary who had helped him write them. She had made of his house a home. She was still the same st.u.r.dy soul. Her bright color had faded and her hair was gray. Life with Mills had not been an easy road to travel. She had traveled it with loss of youth, perhaps, but with no loss of self-respect. She knew that her husband was in some measure what he was because of her. She had kept the children away from his study door; she had seen that he was nourished and sustained. She had prodded him at times to increased activities. He had resented the prodding, but it had resulted in a continuity of effort which had added to his income.

Dulcie came into Mary's life as something very fresh and stimulating.

She spoke of it to Mills.

"It is almost as if I had been abroad to hear her talk. She has had such interesting experiences."

It was not Dulcie's experiences which interested Mills; it was the loveliness of her profile, the glint of her hair, the youth in her, the renewed urge of youth in himself.

Priscilla Dodd saw what had happened. Priscilla was the aunt with whom Dulcie had lived in Paris; and she was a wise, if worldly, old woman.

She saw rocks ahead for Dulcie.

"He's in love with you, my dear."

Dulcie, in a rose satin house coat which shone richly in the flame of Aunt Priscilla's open fire, was not disconcerted.

"I know. Mary doesn't satisfy him, Aunt Cilla."