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Eugene Pickering Part 3

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He blushed to his eyes, and I repented. She suddenly began to laugh; it was then I observed how sweet her voice was in laughter. We talked after this of various matters, and in a little while I complimented her on her excellent English, and asked if she had learnt it in England.

"Heaven forbid!" she cried. "I have never been there and wish never to go. I should never get on with the--" I wondered what she was going to say; the fogs, the smoke, or whist with sixpenny stakes?--"I should never get on," she said, "with the aristocracy! I am a fierce democrat--I am not ashamed of it. I hold opinions which would make my ancestors turn in their graves. I was born in the lap of feudalism. I am a daughter of the crusaders. But I am a revolutionist! I have a pa.s.sion for freedom--my idea of happiness is to die on a great barricade! It's to your great country I should like to go. I should like to see the wonderful spectacle of a great people free to do everything it chooses, and yet never doing anything wrong!"

I replied, modestly, that, after all, both our freedom and our good conduct had their limits, and she turned quickly about and shook her fan with a dramatic gesture at Pickering. "No matter, no matter!" she cried; "I should like to see the country which produced that wonderful young man. I think of it as a sort of Arcadia--a land of the golden age. He's so delightfully innocent! In this stupid old Germany, if a young man is innocent he's a fool; he has no brains; he's not a bit interesting. But Mr. Pickering says the freshest things, and after I have laughed five minutes at their freshness it suddenly occurs to me that they are very wise, and I think them over for a week." "True!" she went on, nodding at him. "I call them inspired solecisms, and I treasure them up. Remember that when I next laugh at you!"

Glancing at Pickering, I was prompted to believe that he was in a state of beatific exaltation which weighed Madame Blumenthal's smiles and frowns in an equal balance. They were equally hers; they were links alike in the golden chain. He looked at me with eyes that seemed to say, "Did you ever hear such wit? Did you ever see such grace?" It seemed to me that he was but vaguely conscious of the meaning of her words; her gestures, her voice and glance, made an absorbing harmony. There is something painful in the spectacle of absolute enthralment, even to an excellent cause. I gave no response to Pickering's challenge, but made some remark upon the charm of Adelina Patti's singing. Madame Blumenthal, as became a "revolutionist," was obliged to confess that she could see no charm in it; it was meagre, it was trivial, it lacked soul.

"You must know that in music, too," she said, "I think for myself!" And she began with a great many flourishes of her fan to explain what it was she thought. Remarkable things, doubtless; but I cannot answer for it, for in the midst of the explanation the curtain rose again. "You can't be a great artist without a great pa.s.sion!" Madame Blumenthal was affirming. Before I had time to a.s.sent Madame Patti's voice rose wheeling like a skylark, and rained down its silver notes. "Ah, give me that art," I whispered, "and I will leave you your pa.s.sion!" And I departed for my own place in the orchestra. I wondered afterwards whether the speech had seemed rude, and inferred that it had not on receiving a friendly nod from the lady, in the lobby, as the theatre was emptying itself. She was on Pickering's arm, and he was taking her to her carriage. Distances are short in Homburg, but the night was rainy, and Madame Blumenthal exhibited a very pretty satin-shod foot as a reason why, though but a penniless widow, she should not walk home. Pickering left us together a moment while he went to hail the vehicle, and my companion seized the opportunity, as she said, to beg me to be so very kind as to come and see her. It was for a particular reason! It was reason enough for me, of course, I answered, that she had given me leave.



She looked at me a moment with that extraordinary gaze of hers which seemed so absolutely audacious in its candour, and rejoined that I paid more compliments than our young friend there, but that she was sure I was not half so sincere. "But it's about him I want to talk," she said. "I want to ask you many things; I want you to tell me all about him. He interests me; but you see my sympathies are so intense, my imagination is so lively, that I don't trust my own impressions. They have misled me more than once!" And she gave a little tragic shudder.

I promised to come and compare notes with her, and we bade her farewell at her carriage door. Pickering and I remained a while, walking up and down the long glazed gallery of the Kursaal. I had not taken many steps before I became aware that I was beside a man in the very extremity of love. "Isn't she wonderful?" he asked, with an implicit confidence in my sympathy which it cost me some ingenuity to elude. If he were really in love, well and good! For although, now that I had seen her, I stood ready to confess to large possibilities of fascination on Madame Blumenthal's part, and even to certain possibilities of sincerity of which my appreciation was vague, yet it seemed to me less ominous that he should be simply smitten than that his admiration should pique itself on being discriminating. It was on his fundamental simplicity that I counted for a happy termination of his experiment, and the former of these alternatives seemed to me the simpler. I resolved to hold my tongue and let him run his course. He had a great deal to say about his happiness, about the days pa.s.sing like hours, the hours like minutes, and about Madame Blumenthal being a "revelation." "She was nothing to-night," he said; "nothing to what she sometimes is in the way of brilliancy--in the way of repartee. If you could only hear her when she tells her adventures!"

"Adventures?" I inquired. "Has she had adventures?"

"Of the most wonderful sort!" cried Pickering, with rapture. "She hasn't vegetated, like me! She has lived in the tumult of life. When I listen to her reminiscences, it's like hearing the opening tumult of one of Beethoven's symphonies as it loses itself in a triumphant harmony of beauty and faith!"

I could only lift my eyebrows, but I desired to know before we separated what he had done with that troublesome conscience of his. "I suppose you know, my dear fellow," I said, "that you are simply in love. That's what they happen to call your state of mind."

He replied with a brightening eye, as if he were delighted to hear it--"So Madame Blumenthal told me only this morning!" And seeing, I suppose, that I was slightly puzzled, "I went to drive with her," he continued; "we drove to Konigstein, to see the old castle. We scrambled up into the heart of the ruin and sat for an hour in one of the crumbling old courts.

Something in the solemn stillness of the place unloosed my tongue; and while she sat on an ivied stone, on the edge of the plunging wall, I stood there and made a speech. She listened to me, looking at me, breaking off little bits of stone and letting them drop down into the valley. At last she got up and nodded at me two or three times silently, with a smile, as if she were applauding me for a solo on the violin. 'You are in love,' she said. 'It's a perfect case!' And for some time she said nothing more. But before we left the place she told me that she owed me an answer to my speech. She thanked me heartily, but she was afraid that if she took me at my word she would be taking advantage of my inexperience. I had known few women; I was too easily pleased; I thought her better than she really was. She had great faults; I must know her longer and find them out; I must compare her with other women--women younger, simpler, more innocent, more ignorant; and then if I still did her the honour to think well of her, she would listen to me again. I told her that I was not afraid of preferring any woman in the world to her, and then she repeated, 'Happy man, happy man! you are in love, you are in love!'"

I called upon Madame Blumenthal a couple of days later, in some agitation of thought. It has been proved that there are, here and there, in the world, such people as sincere impostors; certain characters who cultivate fict.i.tious emotions in perfect good faith. Even if this clever lady enjoyed poor Pickering's bedazzlement, it was conceivable that, taking vanity and charity together, she should care more for his welfare than for her own entertainment; and her offer to abide by the result of hazardous comparison with other women was a finer stroke than her reputation had led me to expect. She received me in a shabby little sitting-room littered with uncut books and newspapers, many of which I saw at a glance were French. One side of it was occupied by an open piano, surmounted by a jar full of white roses. They perfumed the air; they seemed to me to exhale the pure aroma of Pickering's devotion.

Buried in an arm-chair, the object of this devotion was reading the _Revue des Deux Mondes_. The purpose of my visit was not to admire Madame Blumenthal on my own account, but to ascertain how far I might safely leave her to work her will upon my friend. She had impugned my sincerity the evening of the opera, and I was careful on this occasion to abstain from compliments, and not to place her on her guard against my penetration. It is needless to narrate our interview in detail; indeed, to tell the perfect truth, I was punished for my rash attempt to surprise her by a temporary eclipse of my own perspicacity. She sat there so questioning, so perceptive, so genial, so generous, and so pretty withal, that I was quite ready at the end of half an hour to subscribe to the most comprehensive of Pickering's rhapsodies. She was certainly a wonderful woman. I have never liked to linger, in memory, on that half- hour. The result of it was to prove that there were many more things in the composition of a woman who, as Niedermeyer said, had lodged her imagination in the place of her heart than were dreamt of in my philosophy. Yet, as I sat there stroking my hat and balancing the account between nature and art in my affable hostess, I felt like a very competent philosopher. She had said she wished me to tell her everything about our friend, and she questioned me as to his family, his fortune, his antecedents, and his character. All this was natural in a woman who had received a pa.s.sionate declaration of love, and it was expressed with an air of charmed solicitude, a radiant confidence that there was really no mistake about his being a most distinguished young man, and that if I chose to be explicit, I might deepen her conviction to disinterested ecstasy, which might have almost provoked me to invent a good opinion, if I had not had one ready made. I told her that she really knew Pickering better than I did, and that until we met at Homburg I had not seen him since he was a boy.

"But he talks to you freely," she answered; "I know you are his confidant. He has told me certainly a great many things, but I always feel as if he were keeping something back; as if he were holding something behind him, and showing me only one hand at once. He seems often to be hovering on the edge of a secret. I have had several friends.h.i.+ps in my life--thank Heaven! but I have had none more dear to me than this one. Yet in the midst of it I have the painful sense of my friend being half afraid of me; of his thinking me terrible, strange, perhaps a trifle out of my wits. Poor me! If he only knew what a plain good soul I am, and how I only want to know him and befriend him!"

These words were full of a plaintive magnanimity which made mistrust seem cruel. How much better I might play providence over Pickering's experiments with life if I could engage the fine instincts of this charming woman on the providential side! Pickering's secret was, of course, his engagement to Miss Vernor; it was natural enough that he should have been unable to bring himself to talk of it to Madame Blumenthal. The simple sweetness of this young girl's face had not faded from my memory; I could not rid myself of the suspicion that in going further Pickering might fare much worse. Madame Blumenthal's professions seemed a virtual promise to agree with me, and, after some hesitation, I said that my friend had, in fact, a substantial secret, and that perhaps I might do him a good turn by putting her in possession of it. In as few words as possible I told her that Pickering stood pledged by filial piety to marry a young lady at Smyrna. She listened intently to my story; when I had finished it there was a faint flush of excitement in each of her cheeks. She broke out into a dozen exclamations of admiration and compa.s.sion. "What a wonderful tale--what a romantic situation! No wonder poor Mr. Pickering seemed restless and unsatisfied; no wonder he wished to put off the day of submission. And the poor little girl at Smyrna, waiting there for the young Western prince like the heroine of an Eastern tale! She would give the world to see her photograph; did I think Mr. Pickering would show it to her? But never fear; she would ask nothing indiscreet! Yes, it was a marvellous story, and if she had invented it herself, people would have said it was absurdly improbable."

She left her seat and took several turns about the room, smiling to herself, and uttering little German cries of wonderment. Suddenly she stopped before the piano and broke into a little laugh; the next moment she buried her face in the great bouquet of roses. It was time I should go, but I was indisposed to leave her without obtaining some definite a.s.surance that, as far as pity was concerned, she pitied the young girl at Smyrna more than the young man at Homburg.

"Of course you know what I wished in telling you this," I said, rising.

"She is evidently a charming creature, and the best thing he can do is to marry her. I wished to interest you in that view of it."

She had taken one of the roses from the vase and was arranging it in the front of her dress. Suddenly, looking up, "Leave it to me, leave it to me!" she cried. "I am interested!" And with her little blue-gemmed hand she tapped her forehead. "I am deeply interested!"

And with this I had to content myself. But more than once the next day I repented of my zeal, and wondered whether a providence with a white rose in her bosom might not turn out a trifle too human. In the evening, at the Kursaal, I looked for Pickering, but he was not visible, and I reflected that my revelation had not as yet, at any rate, seemed to Madame Blumenthal a reason for prescribing a cooling-term to his pa.s.sion.

Very late, as I was turning away, I saw him arrive--with no small satisfaction, for I had determined to let him know immediately in what way I had attempted to serve him. But he straightway pa.s.sed his arm through my own and led me off towards the gardens. I saw that he was too excited to allow me to speak first.

"I have burnt my s.h.i.+ps!" he cried, when we were out of earshot of the crowd. "I have told her everything. I have insisted that it's simple torture for me to wait with this idle view of loving her less. It's well enough for her to ask it, but I feel strong enough now to override her reluctance. I have cast off the millstone from round my neck. I care for nothing, I know nothing, but that I love her with every pulse of my being--and that everything else has been a hideous dream, from which she may wake me into blissful morning with a single word!"

I held him off at arm's-length and looked at him gravely. "You have told her, you mean, of your engagement to Miss Vernor?"

"The whole story! I have given it up--I have thrown it to the winds. I have broken utterly with the past. It may rise in its grave and give me its curse, but it can't frighten me now. I have a right to be happy, I have a right to be free, I have a right not to bury myself alive. It was not _I_ who promised--I was not born then. I myself, my soul, my mind, my option--all this is but a month old! Ah," he went on, "if you knew the difference it makes--this having chosen and broken and spoken! I am twice the man I was yesterday! Yesterday I was afraid of her; there was a kind of mocking mystery of knowledge and cleverness about her, which oppressed me in the midst of my love. But now I am afraid of nothing but of being too happy!"

I stood silent, to let him spend his eloquence. But he paused a moment, and took off his hat and fanned himself. "Let me perfectly understand,"

I said at last. "You have asked Madame Blumenthal to be your wife?"

"The wife of my intelligent choice!"

"And does she consent?"

"She asks three days to decide."

"Call it four! She has known your secret since this morning. I am bound to let you know I told her."

"So much the better!" cried Pickering, without apparent resentment or surprise. "It's not a brilliant offer for such a woman, and in spite of what I have at stake, I feel that it would be brutal to press her."

"What does she say to your breaking your promise?" I asked in a moment.

Pickering was too much in love for false shame. "She tells me that she loves me too much to find courage to condemn me. She agrees with me that I have a right to be happy. I ask no exemption from the common law. What I claim is simply freedom to try to be!"

Of course I was puzzled; it was not in that fas.h.i.+on that I had expected Madame Blumenthal to make use of my information. But the matter now was quite out of my hands, and all I could do was to bid my companion not work himself into a fever over either fortune.

The next day I had a visit from Niedermeyer, on whom, after our talk at the opera, I had left a card. We gossiped a while, and at last he said suddenly, "By the way, I have a sequel to the history of Clorinda. The major is at Homburg!"

"Indeed!" said I. "Since when?"

"These three days."

"And what is he doing?"

"He seems," said Niedermeyer, with a laugh, "to be chiefly occupied in sending flowers to Madame Blumenthal. That is, I went with him the morning of his arrival to choose a nosegay, and nothing would suit him but a small haystack of white roses. I hope it was received."

"I can a.s.sure you it was," I cried. "I saw the lady fairly nestling her head in it. But I advise the major not to build upon that. He has a rival."

"Do you mean the soft young man of the other night?"

"Pickering is soft, if you will, but his softness seems to have served him. He has offered her everything, and she has not yet refused it." I had handed my visitor a cigar, and he was puffing it in silence. At last he abruptly asked if I had been introduced to Madame Blumenthal, and, on my affirmative, inquired what I thought of her. "I will not tell you," I said, "or you'll call _me_ soft."

He knocked away his ashes, eyeing me askance. "I have noticed your friend about," he said, "and even if you had not told me, I should have known he was in love. After he has left his adored, his face wears for the rest of the day the expression with which he has risen from her feet, and more than once I have felt like touching his elbow, as you would that of a man who has inadvertently come into a drawing-room in his overshoes.

You say he has offered our friend everything; but, my dear fellow, he has not everything to offer her. He evidently is as amiable as the morning, but the lady has no taste for daylight."

"I a.s.sure you Pickering is a very interesting fellow," I said.

"Ah, there it is! Has he not some story or other? Isn't he an orphan, or a natural child, or consumptive, or contingent heir to great estates?

She will read his little story to the end, and close the book very tenderly and smooth down the cover; and then, when he least expects it, she will toss it into the dusty limbo of her other romances. She will let him dangle, but she will let him drop!"

"Upon my word," I cried, with heat, "if she does, she will be a very unprincipled little creature!"

Niedermeyer shrugged his shoulders. "I never said she was a saint!"

Shrewd as I felt Niedermeyer to be, I was not prepared to take his simple word for this event, and in the evening I received a communication which fortified my doubts. It was a note from Pickering, and it ran as follows:--

"My Dear Friend--I have every hope of being happy, but I am to go to Wiesbaden to learn my fate. Madame Blumenthal goes thither this afternoon to spend a few days, and she allows me to accompany her.

Give me your good wishes; you shall hear of the result.

E. P."

One of the diversions of Homburg for new-comers is to dine in rotation at the different tables d'hote. It so happened that, a couple of days later, Niedermeyer took pot-luck at my hotel, and secured a seat beside my own. As we took our places I found a letter on my plate, and, as it was postmarked Wiesbaden, I lost no time in opening it. It contained but three lines--

"I am happy--I am accepted--an hour ago. I can hardly believe it's your poor friend E. P."

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Eugene Pickering Part 3 summary

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