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The same non-esthetic motives for tattooing prevail in South and Central America. In Aga.s.siz's book on Brazil we read (318) concerning the Mundurucu Indians:
"Major Coutinho tells us that the tattooing _has nothing to do with individual taste_, but that the pattern is appointed for both s.e.xes, and is _invariable throughout the tribe_. It is connected with their caste, the limits of which are very precise, and with their religion."
The tattooing "is also an indication of aristocracy; a man who neglected this distinction would not be respected in his tribe."
Concerning the Indians of Guiana we read in Im Thurn (195-96) that they have small distinctive tribal marks tattooed at the corners of the mouth or on the arms. Nearly all have "indelibly excised lines"
which are
"scars originally made for _surgical_, not ornamental purposes." "Some women specially affect certain little figures, like Chinese characters, which looks as if some meaning were attached to them, but which the Indians are either unable or unwilling to explain."
In Nicaragua, as Squire informs us (III., 341), the natives tattooed themselves to designate by special marks the tribes to which they belonged; and as regards Yucatan, Landa writes (-- XXI.) that as tattooing was accompanied by much pain, they thought themselves the more gallant and strong the more they indulged in it; and that those who omitted it were sneered at--which gives us still another motive for tattooing--the fear of being despised and ridiculed for not being in fas.h.i.+on.
TATTOOING IN j.a.pAN
Many more similar details might be given regarding the races of various parts of the world, but the limits of s.p.a.ce forbid. But I cannot resist the temptation to add a citation from Professor Chamberlain's article on tattooing in his _Things j.a.panese_, because it admirably ill.u.s.trates the diversity of the motives that led to the practice. A Chinese trader, "early in the Christian era," Chamberlain tells us, "wrote that the men all tattoo their faces and ornament their bodies with designs, differences of rank being indicated by the position and size of the patterns." "But from the dawn of regular history," Chamberlain adds,
"far down into the middle ages, tattooing seems to have been confined to criminals. It was used as branding was formerly in Europe, whence probably the contempt still felt for tattooing by the j.a.panese upper cla.s.ses. From condemned desperadoes to bravoes at large is but a step. The swashbucklers of feudal times took to tattooing, apparently because some blood and thunder scene of adventure, engraven on their chest and limbs, helped to give them a terrific air when stripped for any reason of their clothes. Other cla.s.ses whose avocations led them to baring their bodies in public followed--the carpenters, for instance, and running grooms; and the tradition remained of ornamenting almost the entire body and limbs with a hunting, theatrical, or other showy scene."
Shortly after 1808 "the government made tattooing a penal offence."
It will be noticed that in this account the fantastic notion that the custom was ever indulged in for the purpose of beautifying the body in order to attract the other s.e.x is, as in all the other citations I have made, not even hinted at. The same is true in the summary made by Mallery of the seventeen purposes of tattooing he found. No. 13 is, indeed, "to charm the other s.e.x;" but it is "magically," which is a very different thing from esthetically. I append the summary (418):
"1, to distinguish between free and slave, without reference to the tribe of the latter; 2, to distinguish between a high and low status in the same tribe; 3, as a certificate of bravery exhibited by supporting the ordeal of pain; 4, as marks of personal prowess, particularly; 5, as a record of achievements in war; 6, to show religious symbols; 7, as a therapeutic remedy for disease; 8, as a prophylactic against disease; 9, as a brand of disgrace; 10, as a token of a woman's marriage, or, sometimes, 11, of her marriageable condition; 12, identification of the person, not as a tribesman, but as an individual; 13, to charm the other s.e.x magically; 14, to inspire fear in the enemy; 15, to magically render the skin impenetrable to weakness; 16, to bring good fortune, and, 17, as the device of a secret society."
SCARIFICATION.
Dark races, like the Africans and Australians, do not practise tattooing, because the marks would not show conspicuously on their black skins. They therefore resort to the process of raising scars by cutting the skin with flint or a sh.e.l.l and then rubbing in earth, or the juice of certain plants, etc. The result is a permanent scar, and these scars are arranged by the different tribes in different patterns, on divers parts of the body. In Queensland the lines, according to Lumholtz (177),
"always denote a certain order of rank, and here it depends upon age. Boys under a certain age are not decorated; but in time they receive a few cross-stripes upon their chests and stomachs. The number of stripes is gradually increased, and when the subjects have grown up, a half-moon-shaped line is cut around each nipple."
The necessity for such distinctive marks on the body is particularly great among the Australians, because they are subdivided in the most complicated ways and have an elaborate code of s.e.xual permissions and prohibitions. Therefore, as Frazer suggests (38),
"a chief object of these initiation ceremonies was to teach the youths with whom they might or might not have connection, and to put them in possession of a visible language, ... by means of which they might be able to communicate their totems to, and to ascertain the totems of, strangers whose language they did not understand."
In Africa, too, as we have seen, the scars are used as tribal names, and for other practical purposes. Holub (7) found that the Koranna of Central South Africa has three cuts on the chest. They confessed to him that they indicated a kind of free-masonry, insuring their being well received by Koranna everywhere. On the Congo, scarifications are made on the back for therapeutic reasons, and on the face as tribal marks. (Mallery, 417; H. Ward, 136.) Bechuana priests make long scars on a warrior's thigh to indicate that he has slain an enemy in battle.
(Lichtenstein, II., 331.) According to d'Albertis the people of New Guinea use some scars as a sign that they have travelled (I., 213).
And so on, _ad infinitum_.
ALLEGED TESTIMONY OF NATIVES
In face of this imposing array of facts revealing the non-esthetic character of primitive personal "decorations," what have the advocates of the s.e.xual selection theory to say? Taking Westermarck as their most erudite and persuasive spokesman, we find him placing his reliance on four things: (1) the practical ignoring of the vast mult.i.tude of facts contradicting his theory; (2) the alleged testimony of a few savages; (3) the testimony of some of their visitors; (4) the alleged fact that "the desire for self-decoration is strongest at the beginning of the age of p.u.b.erty," the customs of ornamenting, mutilating, painting, and tattooing being "practised most zealously at that period of life." Concerning (1) nothing more need be said, as the large number of decisive facts I have collected exposes and neutralizes that stratagem. The other three arguments must be briefly considered.
A native of Lukunor being asked by Mertens what was the meaning of tattooing, answered: "It has the same object as your clothes; that is, to please the women," In reply to the question why he wore his ornaments, an Australian answered Bulmer: "In order to look well and make himself agreeable to the women," (Brough Smyth, I., 275.) To one who has studied savages not only anthropologically but psychologically, these stories have an obvious c.o.c.k-and-bull aspect. A native of the Caroline Islands would have been as incapable of originating that philosophical comparison between the object of our clothes and of his tattooing as he would have been of writing Carlyle's _Sartor Resartus_. Human beings in his stage of evolution never consciously reflect on the reasons of things, and considerations of comparative psychology or esthetics are as much beyond his mental powers as problems in algebra or trigonometry. That such a sailor's yarn could be accepted seriously in an anthropologic treatise shows that anthropology is still in its cradle. The same is true of that Australian's alleged answer. The Australian is unequal to the mental effort of counting up to ten, and, like other savages, is easily fatigued by the simplest questions[99]. It is quite likely that Bulmer asked that native whether he ornamented himself "in order to look well and make himself agreeable to the women," and that the native answered "yes" merely to gratify him or to get rid of the troublesome question.
The books of missionaries are full of such cases, and no end of confusion has been created in science by such false "facts." The answer given by that native is, moreover, utterly opposed to all the well-attested details I have given in the preceding pages regarding the real motives of Australians in "decorating" themselves; and to those facts I may now add this crus.h.i.+ng testimony from Brough Smyth (_I.,_ 270):
"The proper arrangement of their apparel, the ornamentation of their persons by painting, and attention to deportment, were important only when death struck down a warrior, when war was made, and when they a.s.sembled for a corroboree. In ordinary life little attention was given to the ornamenting of the person."
MISLEADING TESTIMONY OF VISITORS
"The Australians throughout the continent scar their persons, as Mr.
Curr a.s.sures us, only as a means of decoration," writes Westermarck (169), and in the pages preceding and following he cites other evidence of the same sort, such as Carver's a.s.sertion that the Naudowessies paint their faces red and black, "which they esteem as greatly ornamental;" Tuckey's a.s.sumption that the natives of the Congo file their teeth and raise scars on the skin for purposes of ornament and princ.i.p.ally "with the idea of rendering themselves agreeable to the women;" Kiedel's a.s.sertion, that in the Tenimber group the lads decorate their locks with leaves, flowers, and feathers, "only in order to please the women;" Taylor's statement that in New Zealand it was the great ambition of the young to have fine tattooed faces, "both to render themselves attractive to the ladies, and conspicuous in war," etc.
Beginning with Curr, it must be conceded that he is one of the leading authorities on Australia, the author of a four-volume treatise on that country and its natives. Yet his testimony on the point in question happens to be as worthless as that of the most hasty globe-trotter, partly because he had evidently paid little attention to it, and partly also, I fancy, because of the fatal tendency of men of science to blunder as soon as they touch the domain of esthetics. What he really wrote (II., 275) is that Chatfield had informed him that scars were made by the natives on the right thigh "for the purpose of denoting the particular cla.s.s to which they belong." This Curr doubts, "without further evidence," because it would conflict with the custom prevalent throughout the continent, "as far as known, which is to make these marks for ornament only." Now this is a pure a.s.sumption of Curr's, based on a preconceived notion, and contradicted by the specific evidence of a number of explorers who, as even Grosse is obliged to admit (75), "unanimously account for a part at least of the scars as tribal marks."[100]
If so eminent an authority as Curr can err so grievously, it is obvious that the testimony of other writers and casual observers must be accepted with extreme caution. Europeans and Americans are so accustomed to regard personal decorations as attempts to beautify the appearance that when they see them in savages there is a natural disposition to attribute them to the same motive. They do not realize that they are dealing with a most subtle psychological question. The chief source of confusion lies in their failure to distinguish between what is admired as a thing of beauty as such and what pleases them for other reasons. As Professor Sully has pointed out in his _Handbook of Psychology_ (337):
"At the beginning of life there is no clear separation of what is beautiful from what is simply pleasing to the individual. As in the history of the race, so in that of the individual, the sense of beauty slowly extricates itself from pleasurable consciousness in general, and differentiates itself from the sense of what _is personally useful and agreeable_."
Bearing in mind this very important distinction between what is beautiful and what is merely pleasing because of its being useful and agreeable, we see at once that the words "decorative," "ornamental,"
"attractive," "handsome," etc., are constantly used by writers on this subject in a misleading and question-begging way. We can hardly blame a man like Barrington for writing (11) that among the natives of Botany Bay "scars are, by both s.e.xes, deemed highly ornamental"; but a scientific author who quotes such a sentence ought to be aware that the evidence did not justify Barrington in using any word but _pleasing_ in place of "ornamental," because the latter implies and takes for granted the esthetic sense, the existence of which is the very thing to be proved. This remark applies generally to the evidence of this kind which Westermarck has so industriously collected, and which, on account of this undiscriminating, question-begging character, is entirely worthless. In all these cases the fact is overlooked that the "decorations" of one s.e.x may be agreeable to the other for reasons that have nothing to do with the sense of beauty.
Briefly summed up, Westermarck's theory is that in painting, tattooing, and otherwise decorating his person, primitive man's original and conscious object was to beautify himself for the sake of gaining an advantage in courts.h.i.+p; whereas my theory is that all these decorations originally subserved useful purposes alone, and that even where they subsequently may have served in some instances as means to please the women, this was not as things of beauty but indirectly and unintentionally through their a.s.sociation with rank, wealth, distinction in war, prowess, and manly qualities in general. When Dobrizhoffer says (II., 12) that the Abipones, "more ambitious to be dreaded by their enemies than to be loved, to terrify than attract beholders, think the more they are scarred and sunburnt, the _handsomer_ they are," he ill.u.s.trates glaringly the slovenly and question-begging use of terms to which I have just referred; for, as his own reference to being loved and to attracting beholders shows, he does not use the word "handsome" in an esthetic sense, but as a synonyme for what is pleasing or worthy of approval on other grounds.
If the scars of these Indians do please the women it is not because they are considered beautiful, but because they are tokens of martial prowess. To a savage woman nothing is so useful as manly valor, and therefore nothing so agreeable as the signs of it. In that respect the average woman's nature has not changed. The German high-school girl admires the scars in the face of a "corps-student," not, certainly, because she considers them beautiful, but because they stand for a daredevil, masculine spirit which pleases her.
When the Rev. R. Taylor wrote (321) that among the New Zealanders "to have fine tattooed faces was the great ambition of the young, both to render themselves attractive to the ladies and conspicuous in war," he would have shown himself a better philosopher if he had written that by making themselves conspicuous in war with their tattooing they also make themselves attractive to the "ladies." That the sense of beauty is not concerned here becomes obvious when we include Robley's testimony (28, 15) that a Maori chief's great object was to excite fear among enemies, for which purpose in the older days he "rendered his countenance as terrible as possible with charcoal and red ochre"; while in more recent times,
"not only to become more terrible in war, when fighting was carried on at close quarters, but to appear more distinguished and attractive to the opposite s.e.x, must certainly be included"
among the objects of tattooing. It is hardly necessary to point out that if we accept the s.e.xual selection theory this expert testimony lands us in insuperable difficulty; for it is clearly impossible that on the same island, and in the same race, the painting and tattooing of the face should have the effect of terrifying the men and of appearing beautiful to the women. But if we discard the beauty theory and follow my suggestion, we have no difficulty whatever. Then we may grant that the facial daubs or skin mutilations may seem terrible or hideous to an enemy and yet please the women, because the women do not regard them as things of beauty, but as distinguis.h.i.+ng marks of valiant warriors.
By way of ill.u.s.trating his maxim that "in every country, in every race, beauty stimulates pa.s.sion," Westermarck cites (257) part of a sentence by Lumholtz (213) to the effect that Australian women take much notice of a man's face, particularly of the part about the eyes.
He does not cite the rest of the sentence--"and they like to see a frank and open, _or perhaps, more correctly, a wild expression of countenance,_" which makes it clear to the reader that what stimulates the pa.s.sion of these women is not the lines of beauty in the [never-washed] faces of these men, but the unbeautiful aspect peculiar to a wild hunter, ferocious warrior, and intrepid defender of his home. Their admiration, in other words, is not esthetic, but instinctively utilitarian.
"DECORATION" AT THE AGE OF p.u.b.eRTY
We come now to the princ.i.p.al argument of Westermarck--the alleged fact that in all parts of the world the desire for self-decoration is strongest at the beginning of the age of p.u.b.erty, the customs of ornamenting, painting, mutilating, and tattooing the person being practised most zealously at that period. This argument is as futile as the others, for several reasons. In the first place, it is not true that in all parts of the world self-decoration is practised most zealously at that period. More frequently, perhaps, it is begun some years earlier, before any idea of courts.h.i.+p can have entered the heads of these children. The Congo cannibals begin the process of scarring the face at the age of four.[101] Dyak girls are tattooed at five.[102] The Botocudos begin the mutilating of children's lips at the age of seven.[103] Eskimo girls are tattooed in their eighth year,[104] and on the Andaman Islands few children are allowed to pa.s.s their eighth year without scarification.[105] The Damaras chip the teeth with a flint "when the children are young."[106] The female Oraons are "all tattooed in childhood."[107] The Tahitians began tattooing at eight.[108] The Chukchis of Siberia tattoo girls at nine;[109] and so on in various parts of the world. In the second place, of the divers personal "decorations" indulged in by the lower races it is only those that are intended to be of a permanent character (tattooing, scarring, mutilating) that are made chiefly, though by no means exclusively[110] about or before the age of p.u.b.erty.
All the other methods of "decorating" described in the preceding pages as being connected with the rites of war, superst.i.tion, mourning, etc., are practised throughout life; and that they const.i.tute by far the greater proportion of "ornamentations" is evidenced by the citation I have already made, from Brough Smyth, that the ornamentation of their persons was considered important by Australians only in connection with such ceremonies, and that "in ordinary life little attention was given to the ornamenting of the person"; to which much similar testimony might be added regarding other races; such as Kane's (184), regarding the Chinooks: "Painting the face is not much practised among them, except on extraordinary occasions, such as the death of a relative, some solemn feast, or going on a war-party;" or Morgan's (263), that the feather and war dances were "the chief occasions" when the Iroquois warrior "was desirous to appear in his best attire," etc.
Again, even if it were true that "the desire for self-decoration is strongest at the beginning of the age of p.u.b.erty," it does not by any means follow that this must be due to the desire to make one's self attractive to the opposite s.e.x. Whatever their desire may be, the children have no choice in the matter. As Curr remarks regarding Australians (11., 51),
"The male must commonly submit, _without hope of escape_, to have one or more of his teeth knocked out, to have the septum of his nose pierced, to have certain painful cuttings made in his skin, ...before he is allowed the rights of manhood."
There are, however, plenty of reasons why he should desire to be initiated. What Turner writes regarding the Samoans has a general application:
"Until a young man was tattooed, he was considered in his minority. He could not think of marriage, and he was constantly exposed to taunts and ridicule, as being poor and of low birth, and as having no right to speak in the society of men. But as soon as he was tattooed he pa.s.sed into his majority, and considered himself ent.i.tled to the respect and privileges of mature years. When a youth, therefore, reached the age of sixteen, he and his friends were all anxiety that he should be tattooed."[111]
No one can read the accounts of the initiatory ceremonies of Australian and Indian boys (convenient summaries of which may be found in the sixth volume of Waitz-Gerland and in Southey's _Brazil_ III., 387-88) without becoming convinced that with them, as with the Samoans, etc., there was no thought of women or courts.h.i.+p. Indeed the very idea of such a thing involves an absurdity, for, since all the boys in each tribe were tattooed alike, what advantage could their marks have secured them? If all men were equally rich, would any woman ever marry for money? Westermarck accepts (174) seriously the a.s.sertion of one writer that the reason why Australians knock out some of the teeth of the boys at p.u.b.erty is because they know "that otherwise they would run the risk of being refused on account of ugliness." Now, apart from the childish supposition that Australian women could allow their amorous inclinations to depend on the presence or absence of two front teeth, this a.s.sertion involves the a.s.sumption that these females can exercise the liberty of choice in the selection of a mate--an a.s.sumption which is contrary to the truth, since all the authorities on Australia agree on at least one point, which is that women have absolutely no choice in the selection of a husband, but have to submit in all cases to the dispositions made by their male relatives. These Australian women, moreover, perversely act in a manner utterly inconsistent with the theory of s.e.xual selection. Since they do not choose, but are chosen, one would naturally expect, in accordance with that theory, that they would decorate themselves in order to "stimulate the pa.s.sion" of the _desirable_ men; but they do no such thing.
While the men are apt to dress their hair carefully, the women "let their black locks grow as irregular and tangled as do the Fuegians"
(Grosse, 87); and Buhner says they "did little to improve their appearance;" while such ornaments as they had "were not much regarded by the men." (Brough Smyth, I, 275.)[112]
"DECORATION" AS A TEST OF COURAGE