The Film Mystery Part 9

I paid little attention. The name of Enid Faye had attracted my own interest. This was the little dare-devil who had breezed into the Pacific Coast film colony and had swept everything before her. Not only had she displayed amazing nerve for her s.e.x and size, but she had been pretty and beautifully formed, had been as much at home in a ballroom as in an Annette Kellermann bathing suit. In less than six months she had learned to act and had been brought to the Eastern studios of Pentangle. Now it was possible that she would be captured by Manton, would be blazoned all over the country by that gentleman, would become another star of his making.

"Let's go, Walter!" Kennedy, impatient, rose. I noticed that he folded the little note, slipping it into his pocket.

Out in the hall voices came to us from Werner's office. After some little hesitation Kennedy opened the door unceremoniously. At the table, littered with blue prints and drawings and colored plates of famous home interiors, was the director. With him was Manton. Seated facing them, in rare good humor, was a fascinating little lady.

The promoter rose. "Professor Kennedy, I want you to meet Miss Enid Faye, one of our real comers. And Mr. Jameson, Enid, of the New York Star."

She acknowledged the introduction to Kennedy gracefully. Then she turned, rising, and rushed to me most effusively, leading me to a leather-covered couch and pulling me to a seat beside her.

"Mr. Jameson," she purred. "I just love newspaper men; I think they're perfectly wonderful always. Tell me, do you like little Enid?"

I nodded, confused and unhappy, and as red as a schoolboy.

"That's fine," she went on, in the best modulated and most wonderful voice I thought I had ever heard. "I like you and I know we're going to be the best of friends. Tell me, what's your first name?"

"Now, Enid," reproved Manton, in fatherly tones, "you'll have plenty of time to vamp your publicity later. For the present, please listen to me. We're talking business."

"Shoot every hair of this old gray head!" she directed, pertly.

She did not move away, however, I could feel the warmth of her, could catch the delicacy of the perfume she used. I noted the play of her slender fingers, the trimness of her ankle, the piquancy of a nose revealed to me in profile--and nothing else.

"This is your chance, Enid," Manton continued, earnestly and rather eagerly. "You know the film will be the most talked about one this year. We've got the Merritt papers lined up and that's the best advertising in the world. Everyone will know you took Stella's place, and--well, you'll step right in."

She studied the tips of her boots, stretching boyish limbs straight in front of her, then smoothing the soft folds of her skirt.

"Talk money to me, Mr. Man!" she exclaimed. "Talk the shekels, the golden shekels."

"We're broke," he protested. "A thousand--"

She shook her head.

Werner broke in, suddenly anxious. "Don't pa.s.s up the chance, Enid," he pleaded. "What can Pentangle do for you? And I've always wanted to direct you again--"

"I'll make it twelve hundred," Manton interrupted, "if you'll make the contract personally with me. Then if Manton Pictures--"

"All right!" She jumped to her feet, extending a hand straight forward to each, the right to Manton, the left to Werner. "You're on!"

I thought that I was forgotten. A wave of jealousy swept over me. After all, she simply wanted me to write her up. In a daze I heard Manton.

"You're a wise little girl, Enid," he told her. "Play the game right with me and you'll climb high. The sky's the limit, now. I'll make you--make you big!"

With a full, warm smile she swung around to me and I knew I was not being slighted, after all.

"That's what Longfellow said, isn't it, Mr. Jameson?"

"What?" My heart began to beat like a trip hammer.

"Excelsior! Excelsior! It packs them in!"

She laughed so infectiously that we all joined in. Then Manton turned to Kennedy.

"I've located Millard for you. He's to meet us at my apartment at seven. It's six-thirty now. And you, Enid"--facing her--"if you'll come, too, there's another man I want you to meet, and Larry, of course, will be there--"

Enid studied Kennedy. He was hesitating as though not sure whether to accompany Manton or not. I never did learn what other course of action had occurred to him.

But I did notice that the little star, with her pert, upturned face, seemed more anxious to have Kennedy go along than she was to meet the mysterious individual mentioned without name by Manton. For an instant she was on the point of addressing him, flippantly, no doubt. Then, I think she was rather awed at Craig's reputation.

All at once she shrugged her shoulders and turned to me, plucking my sleeve, her expression brightening irresistibly. "You'll come, too"--dimpling--"Jamie!"

VIII

LAWRENCE MILLARD

It struck me on the trip to Manton's apartment that the film people were wholly unfeeling, were even uninterested in the death of Stella Lamar except where it interfered with their business arrangements.

Werner excused himself and did not accompany us, on the score of the complete realignment of production necessary to place Enid in Stella's part. It seemed to me that he felt a certain relish in the problem, that he was almost glad of the circ.u.mstances which brought Enid to him.

His last words to Manton were, to be sure to have Millard recast the action of the scenes wherever possible, so as to give Enid the better chance to display her own personality.

I marveled as I realized that the remains of Stella Lamar were scarcely cold before these people were figuring on the star to take her place.

As Manton talked, the thought crossed my mind that such a man needed no publicity manager. I dismissed the idea that he might be capable even of murder for publicity. But at least it was an insight into some methods of the game.

As our car mounted to the Concourse and turned Manhattanward I was distinctly unhappy. Manton monopolized Enid completely, insisting upon talking over everything under the sun, from the wardrobe she would need in Stella's part and the best sort of personal advertising campaign for her, to the first available evening when she could go to dinner with him.

She sat in the rear seat, between Kennedy and the promoter, which did not add to my sense of comfort. The only consoling feature from my viewpoint was that I was admirably placed to study her, and that Manton held her so engrossed that I had every opportunity to do so unnoticed.

Because she had overwhelmed me so completely I did nothing of the kind.

I knew we were riding with the most beautiful woman in New York, but I did not know the color of her hair or eyes, or even the sort of hat or dress she wore. In short I was movie-struck.

We stopped at last at a huge, ornate apartment house on Riverside Drive and Manton led the way through the wide Renaissance entrance and the luxurious marble hall to the elevator. His quarters, on the top floor, facing the river, were almost exotic in the lavishness and barbaric splendor of their furnis.h.i.+ngs. My first impression as we entered the place was that Manton had purposely planned the dim lights of rich amber and the clinging Oriental fragrance hovering about everything so as to produce an alluring and enticing atmosphere. The chairs and wide upholstered window seats, the soft, yielding divans in at least two corners, with their miniature mountains of tiny pillows, all were comfortable with the comfort one a.s.sociates with lotus eating and that homeward journey soon to be forgotten. There was the smoke of incense, unmistakably. On a taboret were cigarettes and cigars and through heavy curtains I caught a glimpse of a sideboard and decanters, filled and set out very frankly.

A j.a.panese butler, whom Manton called Huroki, took our hats and retreated with a certain emanating effluvium of subtlety such as I had known only once before, when the Oriental attendant left me on the occasion of my only visit to an opium den in Chinatown.

A moment later Millard, who had been waiting, rose to greet us.

I would have guessed him to be an author, I believe, had I met him at random anywhere in the city. He affected all the professional marks and mannerisms, and yet he did so gracefully. I noticed, in the little hall where Huroki placed our headgear, a single-jointed Malacca stick, a dark-colored and soft-brimmed felt hat, and a battered brief-case. That was Millard, unquestionably. The man himself was tall and loose-limbed, heavy with an appearance of slenderness. His face was handsome, rather intellectual in spite of rather than because of large horn-rimmed gla.s.ses. His mouth and chin showed strength and determination, which was a surprise to me. In fact, in no way did he seem to reveal the artist. Lawrence Millard was a commercial writer, a dreamer never.

First he greeted Enid, taking both of her hands in his. In this one brief moment all my own little romance went glimmering, for I could not blind myself to the softening of his expression, the welcoming light in hers, the long interval in which their fingers remained interlaced.

And then another thought came to me, hastened, fed and fattened upon my jealousy. The sealed testimony in the case of Millard vs. Millard!

Could Enid, by any chance, be concerned in that?

The next moment I dismissed the thought, or at least I thought I did so. I tried to picture Enid's work on the Coast, to remember the short time she had been in the East. It was possible Millard had known her before she went to Los Angeles, but unlikely.

Millard next turned to Kennedy.

"I just learned of the tragedy a short while ago, Professor," he exclaimed. "It is terrible, and so amazingly sudden, too! It--it has upset me completely. Tell me, have you found anything? Have you discovered any possible clue? Is there anything at all I can do to help?"