Practical Taxidermy Part 36

3 ... .

LOCAL.

That is to say, that, although it was wished to claim the 3 ft. 6 in.

division in height, of indefinite length (really ten feet when worked out) for the three "local" birds, yet it will be seen by the foregoing tables that those three "locals" would do equally as well if placed in the "British" division, and the sum total of the "local" and "British"

might be placed correctly with all the rest in the "foreign." Why, then, should valuable s.p.a.ce be wasted for three birds, simply to perpetuate an error in working out a crotchet?

The question again arose, What could such a "model" system as this teach? This was effectually answered by a specimen case, representing the above, being fitted up, when the glaring errors of the proposed system were at once evident, there being fully a s.p.a.ce of 10 ft. x 3 ft. 6 in. x 2 ft. 6 in. = 87.5 ft. cube, devoted to five birds only--three of which were not now found in the county. These represented the "locals." In the "British" division, of 10 ft. in length x 2 ft. 6 in. in height x 1 ft. 6 in. back to front, viz, a cube of 37.5 ft. there appeared but six others--three of which were doubtful. Furthermore, as if to point to the crowning absurdity of the whole scheme, but 10 ft. x 2 ft. x 1 ft. = 20 ft. cube, was provided for the great remainder of the "foreign" specimens, nearly thirty-seven times as numerous as both "local" and "British" combined.

Now for the cheapness of the system advocated. In the first place, local specimens of rare birds are not cheap. For instance, anyone can get a foreign specimen of--say, the honey buzzard--for about 8s. but a locally-killed specimen would be very likely to cost several pounds.

As for the "elasticity" of such a system, if it is meant that it will stretch any way but the right, I agree, but if meant to be applied to any department of natural history it is distinctly wrong.

Let us take the case of the invertebrates, nearly all of which, as the birds, have a wide range. Many instances occur to me, but one will be sufficient, Vanessa Antiopa, the "Camberwell Beauty" b.u.t.terfly. Now this insect has been taken three times (perhaps more?) in the county, and I suppose it has occurred in nearly every county in England, but as it is found also commonly throughout the greater part of Europe, parts of Africa, Asia, and America, we are confronted by the unpleasant reminder, "what shall we do with it" under the system proposed?

It is, according to that theory, "local," "British," and "foreign;" it is rarest as "local," being, of course, of accidental occurrence; yet it is proposed to show it only in that division, to the extent of ignoring the two other divisions which have manifestly a greater claim on it. If this, then, were adhered to, the student would at once have presented to him an incorrect view of the distribution of species.

One other way only is there out of the difficulty, which is to show a specimen of the same insect in all three divisions; but this would, though more correct, be as embarra.s.sing to understand, to say nothing of the loss of s.p.a.ce involved, because the same thing would have to be repeated with nearly every invertebrate possessed by a museum arranged on these lines.

The proper way, I contend, to give real information is to shake off all insular prejudice and not call things by their wrong names, i.e.

claim as "British," things which are not essentially so. To this end I have labelled the b.u.t.terfly in question:

VANESSA. ANTIOPA, 1.

(Camberwell Beauty.)

Range: Asia, Africa, America,

Europe generally, including Britain (rarely),

and has occurred in Leicesters.h.i.+re three times.

This, I am quite sure, is the proper method to educate the public, who cannot understand, or are misled by, such crudities as placing specimens in arbitrary divisions such as "Local," "British," and "Foreign."

The same rule applies to the plants; and I remember a case occurring, but a short time since when a young botanist, wis.h.i.+ng to name a few plants collected abroad (in Europe), came to our herbarium, modelled on these misleading lines, and at once turned to the "Foreign"

division to find specimens by which to compare his own. An hour was wasted in trying to puzzle some of them out, and he then came to me saying, "You hav'n't got them."

At once I saw he had things of world-wide distribution, and turning, much to his amazement, to the "Local" division, found them for him.

All this comparison, and waste of time and temper, might have been saved had the plants been arranged in their proper orders and families, irrespective of imaginary divisions, with a label attached stating their range and if occurring locally.

Leaving biology now, we shall see how this "elastic system" can "be carried through the collections from end to end." Take the rocks as an example. Is it real science--or what is it--which would label syenite a "Leicesters.h.i.+re" rock? Such queries and replies could be multiplied ad infinitum, for it will be observed that I have said nothing about the mammals, where the loss of s.p.a.ce and want of cohesion in such a group as the carnivora--best represented of all in "local"--are patent. The fishes--fancy a "local" salmon! yet they occasionally run up the rivers.

But I need not enlarge on this, further than to say that under this "elastic" system it was gravely proposed to pictorially mount the "local" freshwater fishes under the sea fishes, not because it was a direct violation of the physics of salt and fresh water, but because the "local" division must come in its place at the bottom of the range of cases! I had almost forgotten to say that these precious divisions were to be made self-evident to the bucolic intellect even, by means of colour--thus, "Local" was to be brownish-red rock; "British,"

green; and "Foreign," blue; and these colours were, without reference to any artistic considerations such as the laws of contrast in colour, or light and shade, to be rigidly adhered to, and to be carried in distinct, if "wavy" bands, all around the room.

Fortunately, it was pointed out that shelves of wood would carry out that idea more effectually than playing with science and art in such a manner, therefore these absurd propositions were promptly discarded.

And now, having described what I take to be the evils to be guarded against in plain or "pictorial" mounting, if founded on such lines as those in the scheme I have called "A," I will briefly sketch out what I take to be the lines of the museum of the future.

I must confess I had thought a great deal of arranging the vertebrata in zoo-geographical order, in a manner founded on a. R. Wallace's great and concise work on the "Geographical Distribution of Animals."

It seemed to me a fairly comprehensive and scientific, certainly a novel, method of treatment, and I had gone so far as to sketch out several of my groups, when I was confronted by difficulties, and saw that it was not a system which was thoroughly coherent throughout the whole of the collections, and I finally abandoned it, on the advice of Dr. Sclater, the originator, I believe, of the "zoo-geographical divisions."

I wanted a system which might be carried out throughout the whole biological collections, and this end was best gained by arranging them in zoological order, so far as is possible in these days, when the microscope tells us that a plant may be an animal, or vice versa, or that an organism may be a plant now and something very like an animal a short time after (see Saville Kent on the "myxomycetes").

With the plants and invertebrates this was comparatively easy, for though, as I have before pointed out, no linear arrangement is correct, yet in a small museum the "table cases" for invertebrates must run on in lines, and the mounting, owing to their enormous numbers and usually small size, must be tabular, and not pictorial (except, of course, in rare instances).

I was aware that several naturalists had "laid down the law" as to the position to be taken by local museums, and that notably Mr. John Hopkinson, of the Watford Natural History Society, had written his views upon the subject; but these views are, I think, probably somewhat narrowed by the small size of the museum he had in mind whilst writing. Though agreeing with him in the main, I considered that very few provincial museums, excepting Liverpool, could boast of having anything like so large a s.p.a.ce for the exhibition of specimens as we possessed in our zoological room.

It may be taken, therefore, for granted, that what was written specially to suit the requirements of Watford is not of the slightest use when sought to be applied to larger museums. When, however, Mr.

Hopkinson quotes the opinions of such well-known scientists as Professors Flower, Rudler, Dr. Sclater, and other practical workers, his compilation becomes of some value.

Professor Rudler, it will be seen, points out that, however full and perfect a local collection may be, it would teach nothing if narrowed down to purely local limits, and that, therefore, it must be broadened for the sake of comparison; and he very properly says: "Whilst we should patriotically aspire to render the local collection as perfect as possible, I would not by any means have the usefulness of museums stop here. Comparing any local collection with a general collection, it will, of course, be found that many important groups of 'animals, vegetables, and minerals, are but imperfectly represented, whilst others are altogether blank. There is, consequently, great danger of very limited and inadequate notions of the great system of Nature being formed by the student who confines his attention to local natural history. To counteract such a tendency, it is eminently desirable to form, under proper conditions, a general collection, which will give the visitor some notion of, at any rate, the larger groups in which natural bodies are cla.s.sified. There should, consequently, be two departments to our central museum---one local and the other general--each with distinct aims, and each appealing to a distinct cla.s.s of visitors."

These being exactly my views, but with the radical change of wis.h.i.+ng to mount both collections pictorially, I considered that, although the newly-erected wall-cases in oak, with single sheets of plate-gla.s.s, 7 ft. 6 in. by 5 ft, were, when filled as I projected, admirably suited to interest the general public, who comprise, perhaps, nine-tenths of museum visitors, yet that the claims of the respectable minority of students, artists, and quasi-scientific people should not be neglected, and for these the local fauna, etc, should be perseveringly collected and mounted with all the appliances which science and art can suggest. To do this properly, and to preserve groups for an indefinite time, it is necessary, and indeed indispensable, that each group of male, female, nest and eggs, or young, should be mounted in a separate case, or in separate divisions of a row of cases quite distinct from the general collection.

Although I had a.s.sumed, and, indeed, had the courage of my opinions, that the pictorial method of displaying natural history specimens was a great improvement upon the old peg system, I recognised the difficulties attendant upon this and also that many excellent authorities were adverse to any pictorial arrangement whatever. And, indeed, if we come to the consideration of "true science," I unhesitatingly a.s.sert that end is best served by a collection of properly authenticated birds' skins scientifically arranged in cabinets, and not mounted in any way whatever; but although this method might satisfy a few workers, I very much fear that the general bulk of the ratepayers would be hardly satisfied with a museum arranged on so severely scientific principles.

It must be considered that a public museum differs from a private one in a very material point. In the former there is a diversity of tastes to please, and it is often difficult to know the exact point where the line should be drawn; in a private museum, on the contrary, there is but one person to please, and that the owner, consequently he may indulge his crotchets without fear of doing damage to anyone but himself. I considered that public museums must always be affected by matters of expediency and local feeling, and that the will of the majority must always be studied, when it has common sense for its basis.

To this end I worked, and not wis.h.i.+ng to be so much in love with my own system as to be blind to advice, I wrote to ten of the most eminent men of science--men of European reputation, and whose dictum on museum matters cannot be questioned--setting forth, under the heading "Scheme A" and "Scheme B," the pros and cons of both, not favouring one or the other in the slightest, giving no clue whatever to my leaning to either, and resolving to be guided entirely by the opinion of the majority, or, should it be a close tie, to refer it to an umpire.

Of these ten, eight returned unqualified approval of having a general collection for Leicester, and also of that plan which kept the "general" and "local" collections entirely distinct; one gave no opinion, and one eminent man suggested an alternative scheme of a typical collection somewhat like Professor Owen's "Index Museum" at South Kensington, and which could be carried out afterwards without reference to the question at issue.

As regards the pictorial mounting of the specimens in zoological order --the thing I was most doubtful about--both for the "general" and the "local" collections, five out of the ten unhesitatingly favoured pictorial mounting--if well done--of both collections, and four more said nothing for or against it.

Nearly every one of these gentlemen wrote me a lengthy letter, giving most valuable advice--advice which has in all cases been acted on where practicable. Dr. a. C. Guenther, F.R.S, etc, at one time the Keeper of Zoology, British Museum, has kindly allowed me to quote his views embodied in a letter to me. He says:

"I should recommend you to adopt the following plan: Arranging the general and British collections together, strictly systematically, receiving, of the foreign animals, typical forms only, but making the British series as complete as possible, and choosing in preference Leicesters.h.i.+re animals when practicable.

Excluding from the general series specially mounted objects, such as groups of birds showing nidification, change of plumage, or ill.u.s.trating the habits of animals--such groups to be mounted on separate stands in the middle of the room.

I believe this plan would best meet the requirements in your museum."

Having now something to work upon, the Museum Committee rejected "Scheme A." whose weak points have been detailed at length, and sanctioned "Scheme B" being carried out, which not only separated "local" from "general," but provided for the pictorial mounting of both.

Taking, therefore, any of the orders marked on the plan (see Plate) as an example, the best known, and therefore "local" or "British" species of the first family (or genera) of that order is selected, then the least known or most striking "foreign" species of the same family (or genera) to compare with it, and so on throughout. s.p.a.ce being limited, however, species closely allied are not always represented, but are collected as skins to fill up the unavoidable blanks. In all cases, however, typical specimens of the families and genera of animals are attempted to be shown, and as many species as possible are collected as skins.

The highest form of each order is placed at the top, the next underneath, until the bottom of the case is arrived at, then ascends again, forming a serpentine line, which, taking the first order, Pa.s.seres, as an example, begins at the top of the first case, and takes the song thrush--one of the "locals"--as being of the first genera of the first family; this is contrasted by a "foreign" form of the same family (and genus), the "American Robin," and thus runs on throughout the whole of the wall-cases on that side of the room devoted to birds (see Plan), until it ends at the ostrich, as being the last.

It win be seen by this that, although the so-called "local" birds are often, nay nearly always, represented, they have no fict.i.tious value given to them, but simply take their place in the great scheme of Nature in a proper manner, being often close to so-called "foreign"

forms, with which they are easily compared. The whole arrangement of accessories is "pictorial," birds being represented on trees or on "rockwork," many of them swimming, or flying, or eating, surrounded by mosses and the few dried plants available for such purposes--in fact, represented in as natural a manner as is possible under the circ.u.mstances.

Exception may be taken to the close contiguity of an American or Indian form with an European, sometimes "British" form, which, though scientifically correct, is artistically and topographically wrong; and this certainly was a crux of mine until I reflected that, under the old peg system, the same state of affairs existed. I have endeavoured to isolate as much as possible such incongruities one from the other, often by partially surrounding them with ferns, etc, of their native habitat, and by leaving little blanks here and there. Apart from this, the general opinion of both scientific [Footnote: In this category I may place Sir Philip Cunliffe Owen, C.B, etc.; Mr. R. Bowdler Sharpe, F.L.S, etc.; Mr. Smith Woodward, all of South Kensington; Sir J. A.

Picton, F.S.A, etc of Liverpool; Professor St. George Mivart, F.R.S.

etc.; Professor 1. O. Miall; Professor Wm. Knight; Professor A.

Schuster, etc.; Mr. Jas. Orrock, Member of the Royal Inst.i.tute of Water-colour Painters; and several other gentlemen who have done me the honour to speak in most flattering terms of the new arrangement.]

and unscientific people is that the scheme is a success, and that such trifling and inevitable irreconcilements are amply condoned and compensated for by the increased beauty of the groups, and by the pleasure it affords, not only to artistic people, but to the general public; indeed, if vox populi be vox Dei, there is no doubt upon the subject whatever.