The Spectator Volume I Part 42

No. 50. Friday, April 27, 1711. [1] Addison.

'Nunquam aliud Natura, aliud Sapientia dixit.'

Juv.

When the four _Indian_ Kings were in this Country about a Twelvemonth ago, [2] I often mixed with the Rabble, and followed them a whole Day together, being wonderfully struck with the Sight of every thing that is new or uncommon. I have, since their Departure, employed a Friend to make many Inquiries of their Landlord the Upholsterer, relating to their Manners and Conversation, as also concerning the Remarks which they made in this Country: For, next to the forming a right Notion of such Strangers, I should be desirous of learning what Ideas they have conceived of us.

The Upholsterer finding my Friend very inquisitive about these his Lodgers, brought him some time since a little Bundle of Papers, which he a.s.sured him were written by King _Sa Ga Yean Qua Rash Tow_, and, as he supposes, left behind by some Mistake. These Papers are now translated, and contain abundance of very odd Observations, which I find this little Fraternity of Kings made during their Stay in the Isle of _Great Britain_. I shall present my Reader with a short Specimen of them in this Paper, and may perhaps communicate more to him hereafter. In the Article of _London_ are the following Words, which without doubt are meant of the Church of St. _Paul_.

'On the most rising Part of the Town there stands a huge House, big enough to contain the whole Nation of which I am King. Our good Brother _E Tow O Koam_, King of the _Rivers_, is of opinion it was made by the Hands of that great G.o.d to whom it is consecrated. The Kings of _Granajah_ and of the _Six Nations_ believe that it was created with the Earth, and produced on the same Day with the Sun and Moon. But for my own Part, by the best Information that I could get of this Matter, I am apt to think that this prodigious Pile was fas.h.i.+oned into the Shape it now bears by several Tools and Instruments of which they have a wonderful Variety in this Country. It was probably at first an huge mis-shapen Rock that grew upon the Top of the Hill, which the Natives of the Country (after having cut it into a kind of regular Figure) bored and hollowed with incredible Pains and Industry, till they had wrought in it all those beautiful Vaults and Caverns into which it is divided at this Day. As soon as this Rock was thus curiously scooped to their Liking, a prodigious Number of Hands must have been employed in chipping the Outside of it, which is now as smooth as [the Surface of a Pebble; [3]] and is in several Places hewn out into Pillars that stand like the Trunks of so many Trees bound about the Top with Garlands of Leaves. It is probable that when this great Work was begun, which must have been many Hundred Years ago, there was some Religion among this People; for they give it the Name of a Temple, and have a Tradition that it was designed for Men to pay their Devotions in. And indeed, there are several Reasons which make us think that the Natives of this Country had formerly among them some sort of Wors.h.i.+p; for they set apart every seventh Day as sacred: But upon my going into one of [these [4]] holy Houses on that Day, I could not observe any Circ.u.mstance of Devotion in their Behaviour: There was indeed a Man in Black who was mounted above the rest, and seemed to utter something with a great deal of Vehemence; but as for those underneath him, instead of paying their Wors.h.i.+p to the Deity of the Place, they were most of them bowing and curtisying to one another, and a considerable Number of them fast asleep.

The Queen of the Country appointed two Men to attend us, that had enough of our Language to make themselves understood in some few Particulars. But we soon perceived these two were great Enemies to one another, and did not always agree in the same Story. We could make a s.h.i.+ft to gather out of one of them, that this Island was very much infested with a monstrous Kind of Animals, in the Shape of Men, called _Whigs;_ and he often told us, that he hoped we should meet with none of them in our Way, for that if we did, they would be apt to knock us down for being Kings.

Our other Interpreter used to talk very much of a kind of Animal called a _Tory_, that was as great a Monster as the _Whig_, and would treat us as ill for being Foreigners. These two Creatures, it seems, are born with a secret Antipathy to one another, and engage when they meet as naturally as the Elephant and the Rhinoceros. But as we saw none of either of these Species, we are apt to think that our Guides deceived us with Misrepresentations and Fictions, and amused us with an Account of such Monsters as are not really in their Country.

These Particulars we made a s.h.i.+ft to pick out from the Discourse of our Interpreters; which we put together as well as we could, being able to understand but here and there a Word of what they said, and afterwards making up the Meaning of it among ourselves. The Men of the Country are very cunning and ingenious in handicraft Works; but withal so very idle, that we often saw young l.u.s.ty raw-boned Fellows carried up and down the Streets in little covered Rooms by a Couple of Porters, who are hired for that Service. Their Dress is likewise very barbarous, for they almost strangle themselves about the Neck, and bind their Bodies with many Ligatures, that we are apt to think are the Occasion of several Distempers among them which our Country is entirely free from. Instead of those beautiful Feathers with which we adorn our Heads, they often buy up a monstrous Bush of Hair, which covers their Heads, and falls down in a large Fleece below the Middle of their Backs; with which they walk up and down the Streets, and are as proud of it as if it was of their own growth.

We were invited to one of their publick Diversions, where we hoped to have seen the great Men of their Country running down a Stag or pitching a Bar, that we might have discovered who were the [Persons of the greatest Abilities among them; [5]] but instead of that, they conveyed us into a huge Room lighted up with abundance of Candles, where this lazy People sat still above three Hours to see several Feats of Ingenuity performed by others, who it seems were paid for it.

As for the Women of the Country, not being able to talk with them, we could only make our Remarks upon them at a Distance. They let the Hair of their Heads grow to a great Length; but as the Men make a great Show with Heads of Hair that are not of their own, the Women, who they say have very fine Heads of Hair, tie it up in a Knot, and cover it from being seen. The Women look like Angels, and would be more beautiful than the Sun, were it not for little black Spots that are apt to break out in their Faces, and sometimes rise in very odd Figures. I have observed that those little Blemishes wear off very soon; but when they disappear in one Part of the Face, they are very apt to break out in another, insomuch that I have seen a Spot upon the Forehead in the Afternoon, which was upon the Chin in the Morning. [6]'

The Author then proceeds to shew the Absurdity of Breeches and Petticoats, with many other curious Observations, which I shall reserve for another Occasion. I cannot however conclude this Paper without taking notice, That amidst these wild Remarks there now and then appears something very reasonable. I cannot likewise forbear observing, That we are all guilty in some Measure of the same narrow way of Thinking, which we meet with in this Abstract of the _Indian_ Journal; when we fancy the Customs, Dress, and Manners of other Countries are ridiculous and extravagant, if they do not resemble those of our own.

C.

[Footnote 1: Swift writes to Stella, in his Journal, 28th April, 1711:

'The SPECTATOR is written by Steele, with Addison's help; 'tis often very pretty. Yesterday it was made of a n.o.ble hint I gave him long ago for his Tatlers, about an Indian, supposed to write his travels into England. I repent he ever had it. I intended to have written a book on that subject. I believe he has spent it all in one paper, and all the under hints there are mine too; but I never see him or Addison.'

The paper, it will be noticed, was not written by Steele.]

[Footnote 2: The four kings Te Yee Neen Ho Ga Prow, Sa Ga Yean Qua Rash Tow, E Tow O Koam, and Oh Nee Yeath Ton Now Prow, were chiefs of the Iroquois Indians who had been persuaded by adjacent British colonists to come and pay their respects to Queen Anne, and see for themselves the untruth of the a.s.sertion made among them by the Jesuits, that the English and all other nations were va.s.sals to the French king. They were said also to have been told that the Saviour was born in France and crucified in England.]

[Footnote 3: polished Marble]

[Footnote 4: those]

[Footnote 5: Men of the greatest Perfections in their Country]

[Footnote 6: There was, among other fancies, a patch cut to the pattern of a coach and horses. Suckling, in verses 'upon the Black Spots worn by my Lady D. E.,' had called them her

... Mourning weeds for Hearts forlorn, Which, though you must not love, you could not scorn,]

No. 51. Sat.u.r.day, April 28, 1711. Steele.

'Torquet ab Obscenis jam nunc Sermonibus Aurem.'

Hor.

Mr. Spectator,

'My Fortune, Quality, and Person are such as render me as Conspicuous as any Young Woman in Town. It is in my Power to enjoy it in all its Vanities, but I have, from a very careful Education, contracted a great Aversion to the forward Air and Fas.h.i.+on which is practised in all Publick Places and a.s.semblies. I attribute this very much to the Stile and Manners of our Plays: I was last Night at the _Funeral_, where a Confident Lover in the Play, speaking of his Mistress, cries out: _Oh that_ Harriot! _to fold these Arms about the Waste of that Beauteous strugling, and at last yielding Fair!_ [1]

Such an Image as this ought, by no means, to be presented to a Chaste and Regular Audience. I expect your Opinion of this Sentence, and recommend to your Consideration, as a SPECTATOR, the conduct of the Stage at present with Relation to Chast.i.ty and Modesty.

_I am, SIR, Your Constant Reader and Well-wisher._

The Complaint of this Young Lady is so just, that the Offence is [great [2]] enough to have displeased Persons who cannot pretend to that Delicacy and Modesty, of which she is Mistress. But there is a great deal to be said in Behalf of an Author: If the Audience would but consider the Difficulty of keeping up a sprightly Dialogue for five Acts together, they would allow a Writer, when he wants Wit, and can't please any otherwise, to help it out with a little s.m.u.ttiness. I will answer for the Poets, that no one ever writ Bawdy for any other Reason but Dearth of Invention. When the Author cannot strike out of himself any more of that which he has superior to those who make up the Bulk of his Audience, his natural Recourse is to that which he has in common with them; and a Description which gratifies a sensual Appet.i.te will please, when the Author has nothing [about him to delight [3]] a refined Imagination. It is to such a Poverty we must impute this and all other Sentences in Plays, which are of this Kind, and which are commonly termed Luscious Expressions.

This Expedient, to supply the Deficiencies of Wit, has been used more or less, by most of the Authors who have succeeded on the Stage; tho' I know but one who has professedly writ a Play upon the Basis of the Desire of Multiplying our Species, and that is the Polite Sir _George Etherege;_ if I understand what the Lady would be at, in the Play called _She would if She could._ Other Poets have, here and there, given an Intimation that there is this Design, under all the Disguises and Affectations which a Lady may put on; but no Author, except this, has made sure Work of it, and put the Imaginations of the Audience upon this one Purpose, from the Beginning to the End of the Comedy. It has always fared accordingly; for whether it be, that all who go to this Piece would if they could, or that the Innocents go to it, to guess only what _She would if She could_, the Play has always been well received.

It lifts an heavy empty Sentence, when there is added to it a lascivious Gesture of Body; and when it is too low to be raised even by that, a flat Meaning is enlivened by making it a double one. Writers, who want _Genius_, never fail of keeping this Secret in reserve, to create a Laugh, or raise a Clap. I, who know nothing of Women but from seeing Plays, can give great Guesses at the whole Structure of the fair s.e.x, by being innocently placed in the Pit, and insulted by the Petticoats of their Dancers; the Advantages of whose pretty Persons are a great Help to a dull Play. When a Poet flags in writing Lusciously, a pretty Girl can move Lasciviously, and have the same good Consequence for the Author. Dull Poets in this Case use their Audiences, as dull Parasites do their Patrons; when they cannot longer divert [them [4]] with their Wit or Humour, they bait [their [5]] Ears with something which is agreeable to [their [6]] Temper, though below [their [7]] Understanding.

_Apicius_ cannot resist being pleased, if you give him an Account of a delicious Meal; or _Clodius_, if you describe a Wanton Beauty: Tho' at the same time, if you do not awake those Inclinations in them, no Men are better Judges of what is just and delicate in Conversation. But as I have before observed, it is easier to talk to the Man, than to the Man of Sense.

It is remarkable, that the Writers of least Learning are best skilled in the luscious Way. The Poetesses of the Age have done Wonders in this kind; and we are obliged to the Lady who writ _Ibrahim_ [8], for introducing a preparatory Scene to the very Action, when the Emperor throws his Handkerchief as a Signal for his Mistress to follow him into the most retired Part of the Seraglio. It must be confessed his _Turkish_ Majesty went off with a good Air, but, methought, we made but a sad Figure who waited without. This ingenious Gentlewoman, in this piece of Bawdry, refined upon an Author of the same s.e.x, [9] who, in the _Rover_, makes a Country Squire strip to his Holland Drawers. For _Blunt_ is disappointed, and the Emperor is understood to go on to the utmost. The Pleasantry of stripping almost Naked has been since practised (where indeed it should have begun) very successfully at _Bartholomew_ Fair.

It is not here to be omitted, that in one of the above-mentioned Female Compositions, the _Rover_ is very frequently sent on the same Errand; as I take it, above once every Act. This is not wholly unnatural; for, they say, the Men-Authors draw themselves in their chief Characters, and the Women-Writers may be allowed the same Liberty. Thus, as the Male Wit gives his Hero a [good] Fortune, the Female gives her Heroin a great Gallant, at the End of the Play. But, indeed, there is hardly a Play one can go to, but the Hero or fine Gentleman of it struts off upon the same account, and leaves us to consider what good Office he has put us to, or to employ our selves as we please. To be plain, a Man who frequents Plays would have a very respectful Notion of himself, were he to recollect how often he has been used as a Pimp to ravis.h.i.+ng Tyrants, or successful Rakes. When the Actors make their _Exit_ on this good Occasion, the Ladies are sure to have an examining Glance from the Pit, to see how they relish what pa.s.ses; and a few lewd Fools are very ready to employ their Talents upon the Composure or Freedom of their Looks.

Such Incidents as these make some Ladies wholly absent themselves from the Play-House; and others never miss the first Day of a Play, lest it should prove too luscious to admit their going with any Countenance to it on the second.

If Men of Wit, who think fit to write for the Stage, instead of this pitiful way of giving Delight, would turn their Thoughts upon raising it from good natural Impulses as are in the Audience, but are choked up by Vice and Luxury, they would not only please, but befriend us at the same time. If a Man had a mind to be new in his way of Writing, might not he who is now represented as a fine Gentleman, tho' he betrays the Honour and Bed of his Neighbour and Friend, and lies with half the Women in the Play, and is at last rewarded with her of the best Character in it; I say, upon giving the Comedy another Cast, might not such a one divert the Audience quite as well, if at the Catastrophe he were found out for a Traitor, and met with Contempt accordingly? There is seldom a Person devoted to above one Darling Vice at a time, so that there is room enough to catch at Men's Hearts to their Good and Advantage, if the Poets will attempt it with the Honesty which becomes their Characters.

There is no Man who loves his Bottle or his Mistress, in a manner so very abandoned, as not to be capable of relis.h.i.+ng an agreeable Character, that is no way a Slave to either of those Pursuits. A Man that is Temperate, Generous, Valiant, Chaste, Faithful and Honest, may, at the same time, have Wit, Humour, Mirth, Good-breeding, and Gallantry.

While he exerts these latter Qualities, twenty Occasions might be invented to shew he is Master of the other n.o.ble Virtues. Such Characters would smite and reprove the Heart of a Man of Sense, when he is given up to his Pleasures. He would see he has been mistaken all this while, and be convinced that a sound Const.i.tution and an innocent Mind are the true Ingredients for becoming and enjoying Life. All Men of true Taste would call a Man of Wit, who should turn his Ambition this way, a Friend and Benefactor to his Country; but I am at a loss what Name they would give him, who makes use of his Capacity for contrary Purposes.

R.

[Footnote 1: The Play is by Steele himself, the writer of this Essay.