Poor Miss Finch Part 1

Poor Miss Finch.

by Wilkie Collins.

TO MRS. ELLIOT,

(OF THE DEANERY, BRISTOL).

WILL YOU honor me by accepting the Dedication of this book, in remembrance of an uninterrupted friends.h.i.+p of many years?

More than one charming blind girl, in fiction and in the drama, has preceded "Poor Miss Finch." But, so far as I know, blindness in these cases has been always exhibited, more or less exclusively, from the ideal and the sentimental point of view. The attempt here made is to appeal to an interest of another kind, by exhibiting blindness as it really is. I have carefully gathered the information necessary to the execution of this purpose from competent authorities of all sorts. Whenever "Lucilla"

acts or speaks in these pages, with reference to her blindness, she is doing or saying what persons afflicted as she is have done or said before her. Of the other features which I have added to produce and sustain interest in this central personage of my story, it does not become me to speak. It is for my readers to say if "Lucilla" has found her way to their sympathies. In this character, and more especially again in the characters of "Nugent Dubourg" and "Madame Pratolungo," I have tried to present human nature in its inherent inconsistencies and self-contradictions--in its intricate mixture of good and evil, of great and small--as I see it in the world about me. But the faculty of observing character is so rare, the curiously mistaken tendency to look for logical consistency in human motives and human actions is so general, that I may possibly find the execution of this part of my task misunderstood--sometimes even resented--in certain quarters. However, Time has stood my friend in relation to other characters of mine in other books--and who can say that Time may not help me again here? Perhaps, one of these days, I may be able to make use of some of the many interesting stories of events that have really happened, which have been placed in my hands by persons who could speak as witnesses to the truth of the narrative. Thus far, I have not ventured to disturb the repose of these ma.n.u.scripts in the locked drawer allotted to them. The true incidents are so "far-fetched"; and the conduct of the real people is so "grossly improbable"!

As for the object which I have had in view in writing this story, it is, I hope, plain enough to speak for itself. I subscribe to the article of belief which declares, that the conditions of human happiness are independent of bodily affliction, and that it is even possible for bodily affliction itself to take its place among the ingredients of happiness.

These are the views which "Poor Miss Finch" is intended to advocate--and this is the impression which I hope to leave on the mind of the reader when the book is closed.

W. C.

January 16th, 1872.

NOTE TO THE PRESENT EDITION.

IN expressing my acknowledgments for the favorable reception accorded to the previous editions of this story, I may take the present opportunity of adverting to one of the characters, not alluded to in the Letter of Dedication. The German oculist--"Herr Grosse"--has impressed himself so strongly as a real personage on the minds of some of my readers afflicted with blindness, or suffering from diseases of the eye, that I have received several written applications requesting me to communicate his present address to patients desirous of consulting him! Sincerely appreciating the testimony thus rendered to the truth of this little study of character, I have been obliged to acknowledge to my correspondents--and I may as well repeat it here--that Herr Grosse has no (individual) living prototype. Like the other Persons of the Drama, in this book and in the books which have preceded it, he is drawn from my general observation of humanity. I have always considered it to be a mistake in Art to limit the delineation of character in fiction to a literary portrait taken from any one "sitter." The result of this process is generally (to my mind) to produce a caricature instead of a character.

November 27th, 1872

CHAPTER THE FIRST

Madame Pratolungo presents Herself

You are here invited to read the story of an Event which occurred in an out-of-the-way corner of England, some years since.

The persons princ.i.p.ally concerned in the Event are:--a blind girl; two (twin) brothers; a skilled surgeon; and a curious foreign woman. I am the curious foreign woman. And I take it on myself--for reasons which will presently appear--to tell the story.

So far we understand each other. Good. I may make myself known to you as briefly as I can.

I am Madame Pratolungo--widow of that celebrated South American patriot, Doctor Pratolungo. I am French by birth. Before I married the Doctor, I went through many vicissitudes in my own country. They ended in leaving me (at an age which is of no consequence to anybody) with some experience of the world; with a cultivated musical talent on the pianoforte; and with a comfortable little fortune unexpectedly bequeathed to me by a relative of my dear dead mother (which fortune I shared with good Papa and with my younger sisters). To these qualifications I added another, the most precious of all, when I married the Doctor; namely--a strong infusion of ultra-liberal principles. _Vive la Republique!_

Some people do one thing, and some do another, in the way of celebrating the event of their marriage. Having become man and wife, Doctor Pratolungo and I took s.h.i.+p to Central America--and devoted our honey-moon, in those disturbed districts, to the sacred duty of destroying tyrants.

Ah! the vital air of my n.o.ble husband was the air of revolutions. From his youth upwards he had followed the glorious profession of Patriot.

Wherever the people of the Southern New World rose and declared their independence--and, in my time, that fervent population did nothing else--there was the Doctor self-devoted on the altar of his adopted country. He had been fifteen times exiled, and condemned to death in his absence, when I met with him in Paris--the picture of heroic poverty, with a brown complexion and one lame leg. Who could avoid falling in love with such a man? I was proud when he proposed to devote me on the altar of his adopted country, as well as himself--me, and my money. For, alas!

everything is expensive in this world; including the destruction of tyrants and the saving of Freedom. All my money went in helping the sacred cause of the people. Dictators and filibusters flourished in spite of us. Before we had been a year married, the Doctor had to fly (for the sixteenth time) to escape being tried for his life. My husband condemned to death in his absence; and I with my pockets empty. This is how the Republic rewarded us. And yet, I love the Republic. Ah, you monarchy-people, sitting fat and contented under tyrants, respect that!

This time, we took refuge in England. The affairs of Central America went on without us.

I thought of giving lessons in music. But my glorious husband could not spare me away from him. I suppose we should have starved, and made a sad little paragraph in the English newspapers--if the end had not come in another way. My poor Pratolungo was in truth worn out. He sank under his sixteenth exile. I was left a widow--with nothing but the inheritance of my husband's n.o.ble sentiments to console me.

I went back for awhile to good Papa and my sisters in Paris. But it was not in my nature to remain and be a burden on them at home. I returned again to London, with recommendations: and encountered inconceivable disasters in the effort to earn a living honorably. Of all the wealth about me--the prodigal, insolent, ostentatious wealth--none fell to my share. What right has anybody to be rich? I defy you, whoever you may be, to prove that anybody has a right to be rich.

Without dwelling on my disasters, let it be enough to say that I got up one morning, with three pounds, seven s.h.i.+llings, and fourpence in my purse; with my fervid temper, and my republican principles--and with absolutely nothing in prospect, that is to say with not a halfpenny more to come to me, unless I could earn it for myself.

In this sad case, what does an honest woman who is bent on winning her own independence by her own work, do? She takes three and sixpence out of her little humble store; and she advertises herself in a newspaper.

One always advertises the best side of oneself. (Ah, poor humanity!) My best side was my musical side. In the days of my vicissitudes (before my marriage) I had at one time had a share in a millinery establishment in Lyons. At another time, I had been bedchamber-woman to a great lady in Paris. But in my present situation, these sides of myself were, for various reasons, not so presentable as the pianoforte side. I was not a great player--far from it. But I had been soundly instructed; and I had, what you call, a competent skill on the instrument. Brief, I made the best of myself, I promise you, in my advertis.e.m.e.nt.

The next day, I borrowed the newspaper, to enjoy the pride of seeing my composition in print.

Ah, heaven! what did I discover? I discovered what other wretched advertising people have found out before me. Above my own advertis.e.m.e.nt, the very thing I wanted was advertised for by somebody else! Look in any newspaper; and you will see strangers who (if I may so express myself) exactly fit each other, advertising for each other, without knowing it. I had advertised myself as "accomplished musical companion for a lady. With cheerful temper to match." And there above me was my unknown necessitous fellow-creature, crying out in printers' types:--"Wanted, a companion for a lady. Must be an accomplished musician, and have a cheerful temper.

Testimonials to capacity, and first-rate references required." Exactly what I had offered! "Apply by letter only, in the first instance."

Exactly what I had said! Fie upon me, I had spent three and sixpence for nothing. I threw down the newspaper, in a transport of anger (like a fool)--and then took it up again (like a sensible woman), and applied by letter for the offered place.

My letter brought me into contact with a lawyer. The lawyer enveloped himself in mystery. It seemed to be a professional habit with him to tell n.o.body anything, if he could possibly help it.

Drop by drop, this wearisome man let the circ.u.mstances out. The lady was a young lady. She was the daughter of a clergyman. She lived in a retired part of the country. More even than that, she lived in a retired part of the house. Her father had married a second time. Having only the young lady as child by his first marriage, he had (I suppose by way of a change) a large family by his second marriage. Circ.u.mstances rendered it necessary for the young lady to live as much apart as she could from the tumult of a houseful of children. So he went on, until there was no keeping it in any longer--and then he let it out. The young lady was blind!

Young--lonely--blind. I had a sudden inspiration. I felt I should love her.

The question of my musical capacity was, in this sad case, a serious one.

The poor young lady had one great pleasure to illumine her dark life--Music. Her companion was wanted to play from the book, and play worthily, the works of the great masters (whom this young creature adored)--and she, listening, would take her place next at the piano, and reproduce the music morsel by morsel, by ear. A professor was appointed to p.r.o.nounce sentence on me, and declare if I could be trusted not to misinterpret Mozart, Beethoven, and the other masters who have written for the piano. Through this ordeal I pa.s.sed with success. As for my references, they spoke for themselves. Not even the lawyer (though he tried hard) could pick holes in them. It was arranged on both sides that I should, in the first instance, go on a month's visit to the young lady.

If we both wished it at the end of the time, I was to stay, on terms arranged to my perfect satisfaction. There was our treaty!

The next day I started for my visit by the railway.

My instructions directed me to travel to the town of Lewes in Suss.e.x.

Arrived there, I was to ask for the pony-chaise of my young lady's father--described on his card as Reverend Tertius Finch. The chaise was to take me to the rectory-house in the village of Dimchurch. And the village of Dimchurch was situated among the South Down Hills, three or four miles from the coast.

When I stepped into the railway carriage, this was all I knew. After my adventurous life--after the volcanic agitations of my republican career in the Doctor's time--was I about to bury myself in a remote English village, and live a life as monotonous as the life of a sheep on a hill?

Ah, with all my experience, I had yet to learn that the narrowest human limits are wide enough to contain the grandest human emotions. I had seen the Drama of Life amid the turmoil of tropical revolutions. I was to see it again, with all its palpitating interest, in the breezy solitudes of the South Down Hills.

CHAPTER THE SECOND

Madame Pratolungo makes a Voyage on Land

A WELL-FED boy, with yellow Saxon hair; a little shabby green chaise; and a rough brown pony--these objects confronted me at the Lewes Station. I said to the boy, "Are you Reverend Finch's servant?" And the boy answered, "I be he."

We drove through the town--a hilly town of desolate clean houses. No living creatures visible behind the jealously-shut windows. No living creatures entering or departing through the sad-colored closed doors. No theater; no place of amus.e.m.e.nt except an empty town-hall, with a sad policeman meditating on its spruce white steps. No customers in the shops, and n.o.body to serve them behind the counter, even if they had turned up. Here and there on the pavements, an inhabitant with a capacity for staring, and (apparently) a capacity for nothing else. I said to Reverend Finch's boy, "Is this a rich place?" Reverend Finch's boy brightened and answered, "That it be!" Good. At any rate, they don't enjoy themselves here--the infamous rich!

Leaving this town of unamused citizens immured in domestic tombs, we got on a fine high road--still ascending--with a s.p.a.cious open country on either side of it.

A s.p.a.cious open country is a country soon exhausted by a sight-seer's eye. I have learnt from my poor Pratolungo the habit of searching for the political convictions of my fellow-creatures, when I find myself in contact with them in strange places. Having nothing else to do, I searched Finch's boy. His political programme, I found to be:--As much meat and beer as I can contain; and as little work to do for it as possible. In return for this, to touch my hat when I meet the Squire, and to be content with the station to which it has pleased G.o.d to call me.

Miserable Finch's boy!