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Grosse joined us at our end of the room.
"All in goot time," he said. "Patience--and these helpless eyes of yours will learn. Soh! I shall begin to teach them now. You have got your own notions--hey?--about this colors and that? When you were blind, did you think what would be your favorite colors if you could see? You did? Which colors is it? Tell me. Come!"
"White first," she answered. "Then scarlet."
Grosse paused, and considered.
"White, I understand," he said. "White is the fancy of a young girls. But why scarlets? Could you see scarlets when you were blind?"
"Almost," she answered, "if it was bright enough. I used to feel something pa.s.s before my eyes when scarlet was shown to me."
"In these cataracts-cases, it is constantly scarlets that they almost see," muttered Grosse to himself. "There must be reason for this--and I must find him." He went on with his questions to Lucilla. "And the colors you hate most--which is _he?_"
"Black."
Grosse nodded his head approvingly. "I thought so," he said. "It is always black that they hate. For this also there must be reason--and I must find _him._"
Having expressed that resolution, he approached the writing-table, and took a sheet of paper out of the case, and a circular pen-wiper of scarlet cloth out of the inkstand. After that, he looked about him; waddled back to the other end of the room; and fetched the black felt hat in which he had traveled from London. He ranged the hat, the paper, and the pen-wiper in a row. Before he could put his next question to her, she pointed to the hat with a gesture of disapproval.
"Take it away," she said. "I don't like that."
Grosse stopped me before I could speak.
"Wait a little," he whispered in my ear. "It is not quite so wonderful as you think. These blind peoples, when they first see, have all alike the same hatred of anything what is dark." He turned to Lucilla. "Say," he asked. "Is your favorite colors among these things here?"
She pa.s.sed by the hat in contempt; looked at the pen-wiper, and put it down; looked at the sheet of paper, and put it down; hesitated--and again shut her eyes.
"No!" cried Grosse. "I won't have it! How dare you blind yourself, in the presence of Me? What! I give you back your sights, and you go shut your eyes. Open them--or I will put you in the corner like a naughty girls.
Your favorite colors? Now, now, now!"
She opened her eyes (very unwillingly), and looked once more at the pen-wiper and the paper.
"I see nothing as bright as my favorite colors here," she said.
Grosse held up the sheet of paper, and pressed the question without mercy.
"What! is white, whiter than this?"
"Fifty thousand times whiter than that!"
"Goot. Now mind! This paper is white," (he s.n.a.t.c.hed her handkerchief out of her ap.r.o.n-pocket). "This handkerchief is white, too; whitest of white, both of them. First lesson, my lofe! Here in my hands is your favorite colors, in the time when you were blind."
"_Those!_" she exclaimed, pointing to the paper and the handkerchief, with a look of blank disappointment as he dropped them on the table. She turned over the pen-wiper and the hat, and looked round at me. Grosse, waiting to try another experiment, left it to me to answer. The result, in both cases, was the same as in the cases of the sheet of paper and the handkerchief. Scarlet was not half as red--black, not one-hundredth part as black--as her imagination had figured them to her, in the days when she was blind. Still, as to this last color--as to black--she could feel some little encouragement. It had affected her disagreeably (just as poor Oscar's face had affected her), though she had not actually known it for the color that she disliked. She made an effort, poor child, to a.s.sert herself, against her merciless surgeon-teacher. "I didn't know it was black," she said. "But I hated the sight of it, for all that."
She tried, as she spoke, to toss the hat on to a chair, standing close by her--and threw it instead, high above the back of the chair, against the wall, at least six feet away from the object at which she had aimed.
"I am a helpless fool!" she burst out; her face flus.h.i.+ng crimson with mortification. "Don't let Oscar see me! I can't bear the thought of making myself ridiculous before _him!_ He is coming here," she added, turning to me entreatingly. "Manage to make some excuse for his not seeing me till later in the day."
I promised to find the excuse--all the more readily, that I now saw an unexpected chance of reconciling her in some degree (so long as she was learning to see) to the blank produced in her life by Oscar's absence.
She addressed herself again to Grosse.
"Go on!" she said impatiently. "Teach me to be something better than an idiot--or put the bandage on, and blind me again. My eyes are of no use to me! Do you hear?" she cried furiously, taking him by his broad shoulders and shaking him with all her might--"my eyes are of no use to me!"
"Now! now! now!" cried Grosse. "If you don't keep your tempers, you little spitfire, I will teach you nothing." He took up the sheet of paper and the pen-wiper; and, forcing her to sit down, placed them together before her, in her lap.
"Do you know one thing?" he went on. "Do you know what is meant by an objects which is square? Do you know what is meant by an objects which is round?"
Instead of answering him, she appealed indignantly to my opinion.
"Is it not monstrous," she asked, "to hear him put such a question to me as that? Do I know round from square? Oh, how cruelly humiliating! Don't tell Oscar! don't tell Oscar!"
"If you know," persisted Grosse, "you can tell me. Look at those two things in your lap. Are they both round? or both square? or is one round?
and the odder square? Look now, and tell me."
She looked--and said nothing.
"Well?" continued Grosse.
"You put me out, standing there staring at me through your horrid spectacles!" she said irritably. "Don't look at me, and I will tell you directly."
Grosse turned his head my way, with his diabolical grin; and signed to me to keep watch on her, in his place.
The instant his back was turned, she shut her eyes, and ran over the paper and the pen-wiper with the tips of her fingers!
"One is round and one is square," she answered, cunningly opening her eyes again, just in time to bear critical inspection when Grosse turned round towards her once more.
He took the paper and the pen-wiper out of her hands; and (thoroughly understanding the trick she had played him) changed them for a bronze saucer and a book. "Which is round? and which is square of these?" he asked, holding them up before her.
She looked first at one, and then at the other--plainly incapable (with only her eyes to help her) of answering the question.
"I put you out--don't I?" said Grosse. "You can't shut your eyes, my lofely Feench, while I am looking--can you?"
She turned red--then pale again. I began to be afraid she would burst out crying. Grosse managed her to perfection. The tact of this rough, ugly, eccentric old man was the most perfect tact I have ever met with.
"Shut your eyes," he said soothingly. "It is the right ways to learn.
Shut your eyes, and take them in your hands, and tell me which is round and which is square in that way first."
She told him directly.
"Goot! now open your eyes, and see for yourself it is the saucers you have got in your right hand, and the books you have got in your left. You see? Goot again! Put them back on the table now. What shall we do next?"
"May I try if I can write?" she asked eagerly. "I do so want to see if I can write with my eyes instead of my finger."
"No! Ten thausand times no! I forbid reading; I forbid writing, yet. Come with me to the window. How do these most troublesome eyes of yours do at a distance?"
While we had been trying our experiment with Lucilla, the weather had brightened again. The clouds were parting; the sun was coming out; the bright gaps of blue in the sky were widening every moment; the shadows were traveling grandly over the windy slopes of the hills. Lucilla lifted her hands in speechless admiration as the German threw open the window, and placed her face to face with the view.
"Oh!" she exclaimed, "don't speak to me! don't touch me!--let me enjoy it! There is no disappointment _here._ I have never thought, I have never dreamed, of anything half so beautiful as _this!_"