The Works of Honore de Balzac Part 38

The tone in which he spoke, the fire that blazed in eyes, just now so dull, instead of pleasing Marie, gave her a terrible pang; at that moment she blamed her love for contributing to the illness of which the King was dying.

"You forget your prisoners," said she, starting up suddenly.

"What do I care about the men? They have my permission to kill me."

"What? a.s.sa.s.sins!" said she.

"Do not be uneasy, we have them safe, dear child.--Now, think not of them, but of me. Say, do you not love me?"

"Sire!" she cried.

"Sire!" he repeated, flas.h.i.+ng sparks from his eyes, so violent was his first surge of fury at his mistress' ill-timed deference. "You are in collusion with my mother."

"Great G.o.d!" cried Marie, turning to the picture over her praying-chair, and trying to get to it to put up a prayer. "Oh! make him understand me!"

"What!" said the King sternly. "Have you any sin on your soul?"

And still holding her in his arms, he looked deep into her eyes. "I have heard of the mad pa.s.sion of one d'Entragues for you," he went on, looking wildly at her, "and since their grandfather Capitaine Balzac married a Visconti of Milan, those rascals hesitate at nothing."

Marie gave the King such a look of pride that he was ashamed. Just then the cry was heard of the infant Charles de Valois from the adjoining room; he was just awake, and his nurse was no doubt bringing him to his mother.

"Come in, la Bourguignonne," said Marie, taking the child from his nurse and bringing him to the King. "You are more of a child than he," she said, half angry, but half pleased.

"He is a fine boy," said Charles IX., taking his son in his arms.

"No one but me can know how like you he is," said Marie. "He has your smile and ways already."

"What, so young?" said the King, smiling.

"Men will never believe such things," said she; "but look, my Charlot, play with him, look at him--now, am I not right?"

"It is true," said the King, startled by a movement on the infant's part, which struck him as the miniature reproduction of a trick of his own.

"Pretty flower!" said his mother. "He will never go away from me; he will never make me unhappy."

The King played with the child, tossing it, kissing it with entire devotion, speaking to it in those vague and foolish words, the onomatopoeia of mothers and nurses; his voice was childlike, his brow cleared, joy came back to his saddened countenance; and when Marie saw that her lover had forgotten everything, she laid her head on his shoulder and whispered in his ear:

"Will not you tell me, my Charlot, why you put a.s.sa.s.sins in my keeping, and who these men are, and what you intend to do with them? And whither were you going across the roofs? I hope there was no woman in the case."

"Then you still love me so well?" said the King, caught by the bright flash of one of those questioning looks which women can give at a critical moment.

"You could doubt me," replied she, as the tears gathered under her beautiful girlish eyelids.

"There are women in my adventure, but they are witches. Where was I?"

"We were quite near here, on the gable of a house," said Marie. "In what street?"

"In the Rue Saint-Honore, my jewel," said the King, who seemed to have recovered himself, and who, as he recalled his ideas, wanted to give his mistress some notion of the scene that was about to take place here. "As I crossed it in pursuit of some sport, my eyes were attracted by a bright light in a top window of the house inhabited by Rene, my mother's perfumer and glover--yours too, the whole Court's. I have strong suspicions as to what goes on in that man's house, and if I am poisoned that is where the poison is prepared."

"I give him up to-morrow," said Marie.

"What, you have still dealt with him since I left him?" said the King. "My life was here," he added gloomily, "and here no doubt they have arranged for my death."

"But, my dear boy, I have but just come home from Dauphine with our Dauphin," said she, with a smile, "and I have bought nothing of Rene since the Queen of Navarre died.--Well, go on; you climbed up to Rene's roof----?"

"Yes," the King went on. "In a moment I, followed by Tavannes, had reached a spot whence, without being seen, I could see into the devil's kitchen, and note certain things which led me to take strong measures. Do you ever happen to have noticed the attics that crown that d.a.m.ned Florentine's house? All the windows to the street are constantly kept shut excepting the last, from which the Hotel de Soissons can be seen, and the column my mother had erected for her astrologer Cosmo Ruggieri. There is a room in this top story with a corridor lighted from the inner yard, so that in order to see what is being done within, a man must get to a perch which no one would ever think of climbing, the coping of a high wall which ends against the roof of Rene's house. The creatures who placed the alembics there to distil death, trusted to the faint hearts of the Parisians to escape inspection; but they counted without their Charles de Valois. I crept along the gutter, and supported myself against the window jamb with my arm round the neck of a monkey that is sculptured on it."

"And what did you see, dear heart?" said Marie, in alarm.

"A low room where deeds of darkness are plotted," replied the King. "The first thing on which my eyes fell was a tall old man seated in a chair, with a magnificent beard like old l'Hopital's, and dressed, like him, in black velvet. The concentrated rays of a brightly burning lamp fell on his high forehead, deeply furrowed by hollow lines, on a crown of white hair and a calm, thoughtful face, pale with vigils and study. His attention was divided between a ma.n.u.script on parchment several centuries old, and two lighted stoves on which some heretical mixtures were cooking. Neither the floor nor the ceiling was visible; they were so covered with animals hung up there, skeletons, dried herbs, minerals, and drugs, with which the place was stuffed; here some books and retorts, with chests full of instruments for magic and astrology; there diagrams for horoscopes, phials, wax figures, and perhaps the poisons he concocts for Rene in payment for the shelter and hospitality bestowed on him by my mother's glover.

"Tavannes and I were startled, I can tell you, at the sight of this diabolical a.r.s.enal; for merely at the sight of it one feels spellbound, and but that my business is to be King of France, I should have been frightened. 'Tremble for us both,' said I to Tavannes.

"But Tavannes' eyes were riveted on the most mysterious object. On a couch by the old man's side lay a girl at full length, of the strangest beauty, as long and slender as a snake, as white as an ermine, as pale as death, as motionless as a statue. Perhaps it was a woman just dug out of her grave, for she seemed to be still wrapped in her shroud; her eyes were fixed, and I could not see her breathe. The old wretch paid no sort of heed to her. I watched him so curiously that his spirit I believe pa.s.sed into me. By dint of studying him, at last I admired that searching eye, keen and bold, in spite of the chills of age; that mouth, mobile with thoughts that came from what seemed a single fixed desire, graven in a myriad wrinkles. Everything in the man spoke of a hope which nothing can discourage and nothing dismay.

His att.i.tude, motionless but full of thrilling life, his features so chiseled, so deeply cut by a pa.s.sion that has done the work of the sculptor's tool, that mind dead-set on some criminal or scientific purpose, that searching intelligence on the track of Nature though conquered by her, and bent, without having broken, under the burden of an enterprise it will never give up, threatening creation with fire borrowed from itself----I was fascinated for a moment.

"That old man was more a King than I, for his eye saw the whole world and was its master. I am determined to temper no more swords; I want to float over abysses, as that old man does; his science seems to me a sovereignty.

In short, I believe in these occult sciences."

"You, the eldest son, and the defender of the Holy Catholic, Apostolic, and Roman Church!" cried Marie.

"I."

"Why, what has come over you? Go on; I will be frightened for you, and you shall be brave for me."

"The old man looked at the clock and rose," the King went on. "He left the room, how I could not see, but I heard him open the window towards the Rue Saint-Honore. Presently a light shone out, and then I saw another light, answering to the old man's, by which we could perceive Cosmo Ruggieri on the top of the column.

"'Oh, ho! They understand each other,' said I to Tavannes, who at once thought the whole affair highly suspicious, and was quite of my opinion that we should seize these two men, and at once make a search in their abominable workshop. But before proceeding to a raid, we wanted to see what would happen. By the end of a quarter of an hour the door of the laboratory opened, and Cosmo Ruggieri, my mother's adviser--the bottomless pit in which all the Court secrets are buried, of whom wives crave help against their husbands and their lovers, and husbands and lovers take counsel against faithless women, who gains money out of the past and the future, taking it from every one, who sells horoscopes, and is supposed to know everything,--that half-demon came in saying to the old man, 'Good-evening, brother.'

"He had with him a horrible little old woman, toothless, hunchbacked, crooked, and bent like a lady's marmoset, but far more hideous; she was wrinkled like a withered apple, her skin was of the color of saffron, her chin met her nose, her mouth was a hardly visible slit, her eyes were like the black spots of the deuce on dice, her brow expressed a bitter temper, her hair fell in gray locks from under a dirty coif; she walked with a crutch; she stank of devilry and the stake; and she frightened us, for neither Tavannes nor I believed that she was a real woman; G.o.d never made one so horrible as she.

"She sat down on a stool by the side of the fair white serpent with whom Tavannes was falling in love.

"The two brothers paid no heed to either the old woman or the young one, who, side by side, formed a horrible contrast. On one hand life in death, on the other death in life."

"My sweet poet!" cried Marie, kissing the King.

"'Good-evening, Cosmo,' the old alchemist replied. And then both men looked at the stove.--'What is the power of the moon to-night?' the old man asked Cosmo.--'Why, _caro Lorenzo_,' my mother's astrologer replied, 'the high tides of September are not yet over; it is impossible to read anything in the midst of such confusion.'--'And what did the Orient say this evening?'--'He has just discovered,' said Cosmo, 'that there is a creative force in the air which gives back to the earth all it takes from it; he concludes, with us, that everything in this world is the outcome of a slow transformation, but all the various forms are of one and the same matter.'--'That is what my predecessor thought,' replied Lorenzo. 'This morning Bernard Palissy was telling me that the metals are a result of compression, and that fire, which parts all things, joins all things also; fire has the power of compressing as well as that of diffusing. That worthy has a spark of genius in him.'

"Though I was placed where I could not be seen, Cosmo went up to the dead girl, and taking her hand, he said, 'There is some one near! Who is it?'--'The King,' said she.

"I at once showed myself, knocking on the window-pane; Ruggieri opened the window, and I jumped into this wizard's kitchen, followed by Tavannes.

"'Yes, the King,' said I to the two Florentines, who seemed terror-stricken. 'In spite of your furnaces and books, your witches and your learning, you could not divine my visit.--I am delighted to see the famous Lorenzo Ruggieri, of whom the Queen my mother speaks with such mystery,' said I to the old man, who rose and bowed.--'You are in this kingdom without my consent, my good man. Whom are you working for here, you, who from father to son have dwelt in the heart of the House of the Medici? Listen to me. You have your hand in so many purses, that the most covetous would by this have had their fill of gold; you are far too cunning to plunge unadvisedly into criminal courses, but you ought not either to rush like feather-brains into this kitchen; you must have some secret schemes, you who are not content with gold or with power? Whom do you serve, G.o.d or the Devil? What are you concocting here? I insist on the whole truth. I am honest man enough to hear and keep the secret of your undertakings, however blamable they may be. So tell me everything without concealment. If you deceive me, you will be sternly dealt with. But Pagan or Christian, Calvinist or Mohammedan, you have my Royal word for it that you may leave the country unpunished, even if you have some peccadilloes to confess. At any rate, I give you the remainder of this night and to-morrow morning to examine your consciences, for you are my prisoners, and you must now follow me to a place where you will be guarded like a treasure.'

"Before yielding to my authority, the two Florentines glanced at each other with a wily eye, and Lorenzo Ruggieri replied that I might be certain that no torture would wring their secrets from them; that in spite of their frail appearance, neither pain nor human feeling had any hold on them.

Confidence alone could win from their lips what their mind had in its keeping. I was not to be surprised if at that moment they treated on an equal footing with a King who acknowledged no one above him but G.o.d, for that their ideas also came from G.o.d alone. Hence they demanded of me such confidence as they would grant. So, before pledging themselves to answer my questions without reserve, they desired me to place my left hand in the young girl's and my right hand in the old woman's. Not choosing to let them suppose that I feared any devilry, I put out my hands. Lorenzo took the right and Cosmo the left, and each placed one in the hand of a woman, so there I was like Jesus Christ between the two thieves. All the time the two witches were studying my hands, Cosmo held a mirror before me, desiring me to look at myself, while his brother talked to the two women in an unknown tongue. Neither Tavannes nor I could catch the meaning of a single sentence.