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In the Brooding Wild Part 22

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"What are ye doin'?" she asked, quite suddenly.

And Jean's retort was a repet.i.tion of her own words.

"It's cursed--it's blood-money!"

She took his meaning, and her cupidity cried out in revolt. But her protest was useless.

"You're not goin'--" she began.

"It goes," cried Jean fiercely, "wher' he ain't like to touch it, 'less h.e.l.l gits him. Father Lefleur, at the mission, says as gold's h.e.l.l's pavin', an' mebbe this'll git back wher' it come." And with vengeful force he threw back the lid of the chest.

Davia's eyes expressed more than any words could have told. She stood silently by, a mute but eloquent protest, while Jean took the bags of gold dust one by one from the chest, and poured their contents into the water below. When the last bag was emptied he took the packet of bills and fingered them gently. Even his purpose seemed to be shaken by the seductive feel of the familiar paper. Suddenly he thrust them into the hole, and his staff thrust viciously at them as he pushed them under the ice where they would quickly rot. It was done.

"Mebbe the water'll wash the blood off'n it," he exclaimed. "Mebbe."

Davia's eyes looked derisively upon the giant figure as he straightened himself up. She could not understand.

But her look changed to one of horror a moment later, as above the cries of the forest rose the inhuman note of the madman. Both recognized it, and the dreadful tone gripped their hearts. Jean leant forward, and seizing the woman by the arm dragged her off the ice to the cover of the bush.

With hurried strides they made their way through the leafless branches, until they stood where, themselves well under cover, they had a view of the store.

CHAPTER XIV.

WHO SHALL FATHOM THE DEPTHS OF A WOMAN'S LOVE?

The dull woods look black in the bright sunlight; and beyond, and above, the crystal of the eternal snow gleams with appalling whiteness. No touch of spring can grey those barren, everlasting fields, where foot of man has never trod, and no warmth can penetrate to the rock-bound earth beneath.

All the world seems to be reaching to the sky vault above. Everything is vast; only is the work of human hands puny.

Thus the old log storehouse of Victor Gagnon, now shut up like a deserted fort of older days, without its stockade, is less than a terrier's kennel set at the door of a giant's castle. And yet it breaks up the solitude so that something of the savage magnificence is gone.

The forest cries echo and reecho, and, to human ears, the savage din is full of portentous meaning, but it is lost beyond the confines of the valley; and the silent guardians of the peaks above sleep on undisturbed.

A mighty flock of water-fowl speeding their way, droop downwards, with craning necks, at the unusual sounds, to watch the stealing creatures moving at the edge of the woods. The fox, hungering as he always hungers, foremost, lest other scavengers, like himself, shall steal the prize he seeks; a troupe of broad-antlered deer racing headlong down the valley; s.h.a.ggy wolves, grey or red, lurking within the shadow, as though fearing the open daylight, or perhaps him whose voice has summoned them; these things they see, but their meaning is lost to the feathered wanderers, as they wing their way onward.

The cry of the human floats over the tree-tops and beats itself out upon the solemn hillsides. It has in it a deep-toned note of invitation to the fierce denizens of the forest. A note which they cannot resist; and they answer it, and come from hill and valley, gathering, gathering, with hungry bellies and frothing jowls.

Driving his way through close-growing bush comes the unkempt figure of a man. A familiar figure, but so changed as to be hardly recognizable. His clothes are rent and scored by the h.o.r.n.y branches. His feet crush noisily over the pine-cones in moccasins that have rotted from his feet with the journey over melting snow and sodden vegetation. There is a quivering fire burning in his eyes, an uncertain light, like the sun's reflections upon rippling water. He looks neither this way nor that, yet his eyes seem to be flas.h.i.+ng in all directions at once. The b.l.o.o.d.y scar upon his cheek is dreadful to look upon, for it has scarce begun to heal, and the cold has got into it. He is armed, as Davia had said, this strange horrific figure, and at intervals his head is thrown back to give tongue to his wolfish cry. It almost seems as if the Spirit of the Forest has claimed him.

He journeys on through the twilit gloom. The horror of the life gathered about him is no more grim than is the condition of his witless brain.

Over hills and through brakes; in valleys and along winding tracks made by the forest lords; now pus.h.i.+ng his way through close-growing scrub, now pa.s.sing like a fierce shadow among the bare, primeval tree-trunks, he moves forward. His goal is ahead, and one instinct, one desire, urges him onward. He knows nought of his surroundings, he sees nought. His chaotic brain is aware only of its mad purpose.

Suddenly the bush parts. There stands the store of Victor Gagnon in the bright light of day. Swift to the door he speeds, but pauses as he finds it locked. The pause is brief. A shot from his pistol shatters the lock, the door flies open at his touch, and he pa.s.ses within. Then follows a cry that has in it the tone of a baffled creature robbed of its prey; it is like the night cry of the puma that shrinks at the blaze of the camp-fire; it is fierce, terrible. The house is empty.

But the cunning of the madman does not desert him. He sets out to search, peering here, there, and everywhere. As the moments pa.s.s, and no living thing is to be seen within, his anger rises like a fierce summer storm. He stands in the centre of the store which is filled with a disordered array of stuffs. His eyes light upon the wooden trap which opens upon the cellar where Victor stores his skins. Once more the fire flares up in his dreadful eyes. An oil-lamp is upon a shelf. He dashes towards it, and soon its dull, yellow flame sheds its feeble rays about.

He stoops and prises up the heavy square of wood. Below sees the top rungs of a rough ladder. His poor brain is incapable of argument and with a fierce joy he clambers down into the dank, earthy atmosphere of the cellar.

All is silent again except for the shuffling of his almost bare feet upon the uneven ladder. The last rung is gone, and he drops heavily to the ground. Then, for awhile, silence reigns.

During that silence there comes a figure stealing round the angle at the back of the building. It is a slight, dark figure, and it moves with extreme caution. There is a look on the narrow face which is one of superst.i.tious horror. It is Victor Gagnon escaped from his prison, and he advances haltingly, for he has seen the approach of his uncanny visitor, and he knows not what to do. His inclination is to flee, yet is he held fascinated. He advances no further than the front angle of the building, where he stands shaking with nervous apprehension.

Suddenly he hears a cry that is half-stifled by distance, for it comes from the depths of the cellar within. Then follows a metallic clatter of something falling, which, in turn, is followed again by a cry that is betwixt a fierce exclamation of joy and a harsh laugh. A foreboding wrings the heart of the half-breed trader.

Now he listens with every sense aiding him, and a strange sound comes to his ears. It is a sound like the rus.h.i.+ng of water or the sighing of the wind through the skeleton branches of forest-trees. It grows louder, and, in its midst, he hears the stumbling of feet within the house.

Something, he knows not what, makes him look about him fearfully, but he remains at his post. He dare not move.

At last he thrusts his head forward and peers round the corner so that he has a full view of the door. Then he learns the meaning of the sound he has heard. Great clouds of smoke are belching through the opening, and are rolling heavily away upon the chill, scented air. His jaws come together, his breath catches, and a look that is the expression of a mind distracted leaps into his eyes. He knows that his store is on fire.

He does not leave his lurking-place, for he knows that there is no means of staying the devouring flames. Besides, the man must still be within.

Yes, he is certainly still within the building, for he can hear him.

The cries of the wild come up from the forest but Victor no longer heeds them. The hiss and crackle of the burning house permeate his brain. His eyes watch the smoke with a dreadful fascination. He cannot think, he can only watch, and he is gripped by a more overwhelming terror than ever.

Suddenly a fringe of flame pursues the smoke from the door. It leaps, and rushes up the woodwork of the thatch above and shoots along to the pitch of the roof. The rapidity of the mighty tongues is appalling.

Still the man is within the building, for Victor can hear his voice as he talks and laughs at the result of his handiwork.

The madman's voice rises high above the roar of the flames. The fire seems to have driven him to the wildest pitch of insensate excitement, and Victor begins to wonder what the end will be.

A moment later he hears distant words come from the burning house. They come in a shout that is like the roar of some wild beast, and they sound high above every other sound. There is in them the pa.s.sionate ring of one who abandons all to one overpowering desire.

"Aim-sa! Aim-sa! Wait, I'm comin'."

There is an instant's silence which the sound of the hungry flames devours. Then, through the blazing doorway, the great form of Nick Westley rushes headlong, shouting as he comes.

"Aim-sa! Aim-sa!"

The cry echoes and reechoes, giving fresh spirit to the baying of the wolves that wait in the cover of the woodland. On rushes the man heedless of the excoriating roughnesses of the ground beneath his bare and battered feet. He gazes with staring eyes upon the woods as though he sees the vision of the woman that has inspired his cry. On, he speeds towards the beasts whose chorus welcomes him; on, to the dark woods in which he plunges from view.

Jean Leblaude, standing within cover of the woods which lined the creek, was lost to all sight and sound other than the strange scene enacted at the store. Once or twice he had spoken, but it was more to himself than to Davia, for he was engrossed by what he beheld.

But now, as he saw the man rush with frantic haste and disappear within the woods, he thought of the wealth of skins within the burning house.

He was a trapper, and, to his thinking, the loss was irreparable. He loved the rich furs of the North as any woman loves her household goods.

As for the store, that was little to him except that Victor was now punished even beyond his, Jean's, hopes. He knew that the trader was ruined. For the rest it would be as it always was in the wild. The valley would simply go back to its primordial condition.

But he watched Victor curiously. He saw him stand out before the wreck of his store, and a world of despair and dejection was in his att.i.tude.

A mighty bitterness was in the great Jean's heart for the man he gazed upon, and a sense of triumphant joy flashed through him at the sight.

"See," he said, without turning from his contemplation, and pointing with one arm outstretched. "He's paid, an' paid bad. The teachin's come to him. Maybe he's learned."

There was no reply, and he went on.

"Maybe he's wis.h.i.+n' he'd treated you right, Davi'. Maybe he'd gi'

something to marry you now. Maybe. Wal, he's had his chance an' throw'd it." There was an impressive pause. Presently Jean spoke again. "Guess we'll be gittin' on soon. The mission's a good place fer wimmin as hasn't done well in the world, I reckon. An' the Peace River's nigh to a garden. I 'lows Father Lefleur's a straight man, an'll set you on the right trail, Davi'. Yes, I guess we'll be gettin' on."

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In the Brooding Wild Part 22 summary

You're reading In the Brooding Wild. This manga has been translated by Updating. Author(s): Ridgwell Cullum. Already has 704 views.

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