Vanished towers and chimes of Flanders Part 7

"Al wat er is. Mijn hoop is Christus en zyn bloed.

Door deze leer ik en hoop door die het eenwig goed.

Ons leven is maar eenen dag, vol ziekten en vol naar geklag.

Vol rampen dampen (!) en vendriet. Een schim Eien droom en anders niet."

A small steamer had advertised to leave for Antwerp about 3 o'clock. It lay puffing and wheezing at the side of the stream, and we went on board and settled ourselves comfortably, tired out with our wanderings. Here a bevy of children discovered us and ranged themselves along the d.y.k.e to watch our movements, exploding with laughter whenever we addressed one another. Finally an oily hand appeared at the hatchway of the engine room, followed by the touseled yellow head of a heavily bearded man. He looked at us searchingly, then at the line of tormenting children. Then he seized a long pole and advanced threateningly upon the phalanx. They fled incontinently out of reach, calling out various expletives in Flemish--of which I distinguished only one, "Koek bakker"! This would seem to be the crowning insult to cast at a respectable engineer, for he shook his fist at them.

To our amazement he then touched his greasy cap to us, and in the broadest possible Scotch dialect bade us welcome. There is a saying that one has only to knock on the companion ladder of any engine room in any port the world over, and call out "Sandy" to bring up in response one or two canny Scots from the engine room below. This little steamer evidently took the place of the carrier's cart used elsewhere; for pa.s.sengers and parcels, as well as crates of vegetables were her cargo.

At length we started puffing along the river, and stopping from time to time at small landings leading to villages whose roofs appeared above the banks and d.y.k.es.

Delightful bits of the more intimate side of the people's life revealed themselves to us on these unusual trips. We pa.s.sed a fine looking old peasant woman in a beautiful lace cap, rowing a boat with short powerful strokes in company with a young girl, both keeping perfect time. The boat was laden with green topped vegetables and brightly burnished bra.s.s milk cans, forming a picture that was most quaint to look upon. And later we pa.s.sed a large Rhine barge, from the cabin of which came the most appetizing odor of broiled bacon. Our whistle brought out the whole family, and likewise a little nervous black and white dog who went nearly mad with the excitement attendant upon driving us away from the property he had to protect.

Night was falling when we reached the quay side in Antwerp, and we disembarked to the tinkling melody of the wondrous chimes from the tower of the great Cathedral.

Louvain

Louvain

It was in the great Gothic Church of St. Peter that Mathias Van den Gheyn delighted to execute those wonderful "_morceaux fugues_" now at once the delight and the despair of the musical world, upon the fine chime of bells in the tower. This venerable tower was entirely destroyed in the terrible bombardment of the town in 1914. It is probable that no town in Belgium was more frequented by learned men of all professions, since its university enjoyed such a high reputation the world over, and certainly its library, likewise entirely destroyed, with its precious tomes and ma.n.u.scripts, was considered second to none.

The old Church of St. Peter, opposite the matchless Hotel de Ville, was a cruciform structure of n.o.ble proportions and flanked with remarkable chapels; it was begun, according to the archives in Brussels, in 1423, to replace an earlier building of the tenth century, and was "finished"

in the sixteenth century. There was, it seems, originally a wooden spire on the west side of the structure but "it was blown down in a storm in 1606."

When I saw it in 1910, the church was in process of restoration, and the work was being very intelligently done by competent men. Before the facade was a most curious row of bizarre small houses of stucco, nearly every one of which was a sort of saloon or cafe, and the street before them was quite obstructed by small round tables and chairs at which, in the afternoon from four to five, the shopkeepers and bourgeois of the town gathered for the afternoon "_aperitif_," whatever it might be, and to discuss politics. For be it known that this period before the outbreak of the war, was in Belgium a troublous one for the Flemings, because of the continued friction between the clerical and the anti-clerical parties. These bizarre houses, I was told by one of the priests with whom I talked, were owned by the church, and were very profitable holdings, but tourists and others had made such sport of them, and even entered such grave protests to the Bishop, that the authorities finally concluded to tear them down. But they were certainly very picturesque, as my picture shows, their red tiled roofs and green blinds, making most agreeable notes of color against old St. Peter's gray wall.

[Ill.u.s.tration: The Cathedral: Louvain]

The church so wantonly destroyed in 1914 contained some most remarkable works of art in the nine chapels. Among these were the "Martyrdom of St.

Erasmus," by Dierick Bouts, long thought to be a work of Memling.

Another painting, "The Last Supper," was also considered one of Memling's works, until its authenticity was established by the finding of the receipt by Bouts for payment, discovered in the archives of the Library in Louvain in 1870. Formerly the church owned a great treasure in Quentin Matsys' "Holy Family," but this was sold to the Brussels Museum for something less than 10,000, and upon the outbreak of the war was in that collection. It is said that most of these great paintings owned in Belgium were placed in zinc and leaden cases and sent over to England for safety. It is to be hoped that this is true.

The _custode_ showed, with most impressive manner, a quaint image of the Savior which, he related, was connected with a miraculous legend to the effect that the statue had captured and held a thief who had broken into the church upon one occasion! The townspeople venerate this image, and on each occasion when I visited the church, I noted the number of old women on their knees before it, and the many lighted waxen candles which they offered in its honor. A wave of indignation pa.s.sed over the world of art when the newspapers reported the destruction of the beautiful Hotel de Ville, just opposite old St. Peter's. This report was almost immediately followed by a denial from Berlin that it had suffered any harm whatever, and it would seem that this is true.

The Library, however, with its hundreds of thousands of priceless records, and masterpieces of printing is, it is admitted, entirely destroyed! This great building, black and crumbling with age, was situated in a small street behind the Hotel de Ville. The town itself was bright and clean looking, and there was a handsome boulevard leading from the new Gothic railway station situated in a beflowered parkway, which was lined with prosperous looking shops. This whole district was "put to the torch" and wantonly destroyed when the town was captured in 1914. Late photographs show the new station levelled to the ground, and the parkway turned into a cemetery with mounds and crosses showing where the soldiers who lost their lives in the bombardment, and subsequent sacking, are buried.

Remembering the complete destruction of Ypres, one can only believe that the preservation of the Hotel de Ville was entirely miraculous and unintentional.

P.J. Verhaegan, a Flemish painter of considerable reputation and ability, had decorated one of the two "absidiole" chapels which contained a very richly carved tomb over a certain lady of the thirteenth century whose fame is known all over Flanders. The legend was most dramatically told to me by one of the young priests of St. Peter's, and this is the story of the beautiful Margaret, called "the Courageous," (La Fiere).

[Ill.u.s.tration: The Town Hall: Louvain]

By the Grace of G.o.d, there lived in Louvain, in the year 1235, one Armand and his wife, both devout Catholics and the keepers of a travelers' "ordinary" on the road to the coast, called Tirlemont. These two at length decided to retire from their occupation as "Hoteliers,"

and devote and consecrate the remainder of their lives to G.o.d, and the blessed saints.

Now they had a niece who was a most beautiful girl and whose name was Margaret, and she had such disdain for the young gallants of Louvain that they bestowed upon her the name of "La Fiere." Although but eighteen years of age she determined to follow the example of her uncle and aunt, and later become a "Beguine," thus devoting her life to charity and the care of the sick and unfortunate, for this is the work of the order of "Beguines."

They realized a large sum of money from the sale of the hotel, and this became known throughout the countryside. It was said that the money was hidden in the house in which they lived, and at length eight young men of evil lives, pondering upon this, resolved that they would rob this n.o.ble couple. Upon a stormy night they demanded admittance, saying that they were belated travelers.

The young girl Margaret was absent from the room for a moment, when these ruffians seized the old couple and murdered them. On her return to the upper room from the cellar, Margaret surprised them ransacking the strong box beside the fireplace. So they overpowered her also, but at once there ensued an argument as to what should be done with her, when the chief rogue, admiring her great beauty, proposed to her that she accept him as her lover and depart with him for France, where they could live happily. This she scornfully refused, whereupon "one of the ruffians strangled her for ten marcs of silver; and her soul, white and pure as the angels, ascended to the throne of Jesus, in whom she so well believed, and there became '_l'unique espoux dont elle ambitionait l'Amour._'"

It is said that Henry the First sitting in a window of his chateau on the river Dyle one night, saw floating on the dark water the corpse of this young martyr, where the ruffians had thus thrown her, and "the pale radiance from her brow illuminated the whole valley." Calling to his consort, Marguerite of Flanders, he pointed out to her the wondrous sight, and hastening forth they drew her dripping body from the dark slimy water and bore it tenderly to the chateau. The news spread far and wide, and for days came throngs to view the "sweet martyr's" body, for which the priests had prepared a costly catafalque, and for her a grand ma.s.s was celebrated in St. Peter's where she was laid at rest in a tomb, the like of which for costliness was never seen in Flanders.

And this is the legend of Margaret, called "La Fiere," whose blameless life was known throughout the land.

I wish that I had made a drawing of this tomb while I was in the church, but I neglected unfortunately to do so. It was of simple lines, but of great richness of detail. Of course both it and the beautiful wax paintings of M. Verhaegan are now entirely destroyed in the ruins of St.

Peter's.

Douai

Douai

Although across the border in France, Douai must still be called a Flemish town, because of its history and affiliations. The town is quaint in the extreme and of great antiquity, growing up originally around a Gallo-Roman fort. In the many wars carried on by the French against the English, the Flemish and the Germans, not to mention its sufferings from the invading Spaniards, it suffered many sieges and captures. Resisting the memorable attack of Louis the Eleventh, it has regularly celebrated the anniversary of this victory each year in a notable Fete or Kermesse, in which the effigies of the giant Gayant and his family, made of wickerwork and clad in medieval costumes, are paraded through the town by order of the authorities, followed by a procession of costumed attendants through the tortuous streets, to the music of bands and the chimes from the belfry of the Hotel de Ville.

This, the most notable edifice in the town, is a fine Gothic tower one hundred and fifty feet high, with a remarkable construction of tower and turrets, supported by corbels of the fifteenth century, containing a fine chime of bells made by the Van den Gheyns. The bells are visible from below, hanging sometimes well outside the turret of the bell chamber, and, ranging tier upon tier, from those seemingly the size of a gallon measure, to those immense ones weighing from fifteen hundred to two thousand pounds. This great tower witnessed the attack and occupation of the Spaniards, the foundation by the Roman Catholics of the great University in 1652 to counter-act the Protestantism of the Netherlands, which had but a brief career, and the capture of the town by Louis the Fourteenth. Here was published in 1610 an English translation of the Old Testament for Roman Catholics, as well as the English Roman Catholic version of the scriptures, and the New Testament translated at Rheims in 1582, and known as the "Douai Bible." This was also the birthplace of Jean Bellgambe, the painter (1540) surnamed "Maitre des Couleurs," whose nine great oaken panels form the wonderful altarpiece in the church of Notre Dame.

[Ill.u.s.tration: The Town Hall: Douai]

Douai was, before the great war, a peaceful industrial center of some importance, of some thirty thousand inhabitants. It has been said that the Fleming worked habitually fifty-two weeks in the year. An exception, however, must be made for fete days, when no self-respecting Fleming will work. On these days the holiday makers are exceedingly boisterous, and the streets are filled with the peasants clad in all their holiday finery. But it is on the day of the Kermesse that your Fleming can be seen to the best advantage. There are merry-go-rounds, shooting galleries, swings, maybe a traveling circus or two, and a theatrical troupe which shows in a much bespangled and mirrored tent, decorated with tinsel and flaming at night with naphtha torches. Bands of music parade the streets, each carrying a sort of banneret hung with medals and trophies awarded by the town authorities at the various "_seances_."

But the greatest noise comes from the barrel organs of huge size and played by steam, or sometimes by a patient horse clad in gay apparel who trudges a sort of treadmill which furnishes the motive power. In even these small towns of Ancient Flanders such as Douai, the old allegorical representations, formerly the main feature of the event, are now quite rare, and therefore this event of the parade of the wicker effigies of the fabulous giant Gayant and his family was certainly worth the journey from Tournai. The day was made memorable also to the writer and his companion because of the following adventure.

There had been, it seems, considerable feeling against England among the lower orders in this border town over the Anglo-Boer War, so that overhearing us speaking English, some half grown lads began shouting out at us "Verdamt Engelsch" and other pleasantries, and in a moment a crowd gathered about us.

With the best Flemish at his command the writer addressed them, explaining that we were Americans, but what the outcome would have been, had it not been for the timely arrival of a gendarme, I know not; but under his protection we certainly beat a hasty retreat. The lower cla.s.ses of Flemings in their cups are unpleasant people to deal with, and it were well not to arouse them. But for this incident, and the fact that the afternoon brought on a downpour of rain, which somewhat dampened the ardor of the people and the success of the fete, our little trip over the border to this historic town would be considered worth while. Our last view of Douai was from the train window as we recrossed the river Scarpe, with the ma.s.sive tower of the Hotel de Ville showing silhouetted dim and gray against a streaming sky.

Oudenaarde

Oudenaarde